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Symphony no. 2 in A minor
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Symphony no. 2 in A minor
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1265492 Composed by Elfrida And…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1265492 Composed by Elfrida Andree. Arranged by Henrik Torolphi. Classical,Romantic Period. Score and Parts. 606 pages. Henrik Torolphi #858289. Published by Henrik Torolphi (A0.1265492). Elfrida Andrée (1841−1929)Symphony [no. 2 in A minor] 1. Moderato — Allegro agitato 2. Andante 3. Scherzo: Presto 4. Allegro risoluto Year of composition: October 1879Work category: SymphonyFirst performed: Gothenburg 5 April 1893Duration: 29 minInstrumentation2.2.2.2 / 2.2.3.0 / timp / strLocation for score and part materialCopies at Gothenburg Symphony OrchestraLocation autograph:Musik- och teaterbiblioteketLiterature:Öhrström, Eva: Elfrida Andrée - ett levnadsöde, 1999, p. 174ff.Description of work1. Moderato A minor 4/4, Allegro agitato alla breve2. Andante E minor 3/43. Scherzo: Presto A minor 3/44. Allegro risoluto A major alla breveSource:https://www.swedishmusicalheritage.com/composers/andree-elfrida/SMH-W270-Symphony_no_2_in_A_minor?action=composers&composer=andree-elfrida&workid=270.
$250.00
229.57 €
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Orchestra
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Elfrida Andree
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Symphony no. 2 in A minor
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Henrik Torolphi
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SheetMusicPlus
Symphony No. 40 in A Minor KV 550 (Quartet Band)
2 Guitars (duet)
Instrumental Duet Guitar,Instrumental Duet - Level 5 - Digital Download SKU: A0.787856
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Instrumental Duet Guitar,Instrumental Duet - Level 5 - Digital Download SKU: A0.787856 Composed by Wolfgang Amadeus Mozart. Arranged by Antonius Agung Setiawan. Classical,Rock. Score and parts. 10 pages. Antonius Agung Setiawan #3896007. Published by Antonius Agung Setiawan (A0.787856). Symphony No. 40 in A Minor KV 550 (Band) by Wolfgang Amadeus MozartConcert Band arranged by Antonius Agung SetiawanElectric Guitar 1, Electric Guitar 2, Electric Bass & Drumkit (Guitar tablature include)instagram @pakagung#guitaronlybypakagung
$6.99
6.42 €
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2 Guitars (duet)
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Wolfgang Amadeus Mozart
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Symphony No. 40 in A Minor KV 550
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Antonius Agung Setiawan
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SheetMusicPlus
Fast and Playful (Symphony No. 4, in E minor, Op. 98: Allegro giocoso)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1237416
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1237416 Composed by Johannes Brahms. Arranged by F. Leslie Smith. 19th Century,Chamber,Classical,Romantic Period,Wedding. 51 pages. Sweetwater Brass Press #832340. Published by Sweetwater Brass Press (A0.1237416). “Fast and Playful,†a jolly mix of fanfares and quieter, more lighthearted sections, packs impish drollery and escapades into one fun-filled piece.  Based on “Allegro giocoso,†the delightful third movement of Brahms Symphony No. 4, this arrangement was especially created for brass quintet.  It preserves the fun and whimsicality of the original but translates that into a form accessible for brass instruments.  Changes involve octaves and rhythmic figures, but melodic themes, sections, period order and key signature remain the same.   Completed in 2023, performance time at the suggested tempo runs about 6 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.42 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Johannes Brahms
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Fast and Playful
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Sweetwater Brass Press
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
192.84 €
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Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
192.84 €
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Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Symphony No. 2 in C Minor "Resurrection" - Score Only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1048751 Composed by Gustav M…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1048751 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Classical,Romantic Period,Traditional. 304 pages. Ondine Press #653164. Published by Ondine Press (A0.1048751). Instrumentation: 2d2. 2d1. 2d Eflat (& bass cl. ad lib.). 2 (cfag. ad lib) - 4. 2. 2. 0 - tp - 1 (2) perc. hrp - str This orchestral reduction of Mahler's Symphony No. 2 by Yoon Jae Lee, can be performed by a chamber orchestra of approximately 33 to 38 players. The arrangement remains very faithful to Mahler's original and is ideal for professional chamber orchestras, academic conducting programs, student conductor concerts, or whenever the full orchestral forces required for the original are not present. Vocal lines are cued in the instruments and can be performed by orchestra only. This arrangement is part of the Mahler Chamber Project (MCP), a series of orchestral reductions of Gustav Mahler’s symphonic works created by conductor and arranger Yoon Jae Lee. The project encompasses the 9 complete symphonies, sections of the 10th symphony, and Das Lied von der Erde. Performance material available for hire worldwide through Ondine Press. Please email ondinepress@gmail.com for all rental inquiries.
$80.00
73.46 €
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Chamber Orchestra
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Gustav Mahler
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bass cl
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Symphony No. 2 in C Minor "Resurrection" - Score Only
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Ondine Press
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SheetMusicPlus
Finale from Symphony No. 2 in C minor, Op. 17 (A4)
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1276066 Composed by Pyotr Tchaiko…
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Concert Band - Level 4 - Digital Download SKU: A0.1276066 Composed by Pyotr Tchaikovsky (1840-1893). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 410 pages. Kasama Music Corporation #867823. Published by Kasama Music Corporation (A0.1276066). [This Publication is in A4 size. Letter size (8/5 x 11) is also available.]The Second Symphony in C minor, Op. 17 by Pyotr Tchaikovsky (1840-1893) is widely known as the “Little Russian†because some Ukrainian folk songs are used in the symphony. The first theme of the finale is the Ukrainian folk song “The Crane†which dominates the movement.This transcription is for concert band with full score (pp. 1–61), piccolo–percussion (pp. 63–301), and transposed parts (pp. 302–410).A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.
$28.00
25.71 €
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Concert band
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Pyotr Tchaikovsky
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Finale from Symphony No. 2 in C minor, Op. 17
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Kasama Music Corporation
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SheetMusicPlus
Symphony for Organ No. 5 - Toccata: For Brass Octet
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.899600 Co…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.899600 Composed by Charles Marie Widor. Arranged by Chris Blankenship. Classical,Graduation,Romantic Period,Wedding. Score and parts. 41 pages. C Blankenship #3578365. Published by C Blankenship (A0.899600). The Symphony for Organ No. 5 in F minor, Op. 42, No. 1, was composed by Charles-Marie Widor in 1879, with numerous revisions published by the composer in later years. The fifth movement, in F major, is often referred to as just Widor's Toccata because it is his most famous piece. It lasts around six minutes. Its fame in part comes from its frequent use as recessional music at festive Christmas and wedding ceremonies. The melody of Widor's Toccata is based upon an arrangement of rapid staccato arpeggios which form phrases, initially in F, moving in fifths through to C major, G major, etc. Each phrase consists of one bar. The melody is complemented by syncopated chords, forming an accented rhythm against the perpetual arpeggio motif. The phrases are contextualized by a descending bass line, often beginning with the 7th tone of each phrase key.Blankenship's arrangement for brass octet takes advantage of the trumpets' ranges by voicing the arpeggiated motif in only these parts and allowing it to be passed back and forth (this also means that it can be customized to be performed by as few as 1 or as many as 4 trumpeters). As a tubist, Blankenship has written a very demanding bass part that is not for the faint of heart; it can be played 8va but does not present the same effect.
$25.00
22.96 €
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Brass quartet : 2 trumpets, trombone, tuba
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Charles Marie Widor
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Symphony for Organ No. 5 - Toccata: For Brass Octet
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C Blankenship
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SheetMusicPlus
Symphony no.1 in A minor Final movement by Rosie Hutter
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1446367 By Rosie Hutter. By …
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1446367 By Rosie Hutter. By Rosie Hutter. Arranged by Rosie Hutter. Classical,Romantic Period. 37 pages. Rosie Hutter #1026153. Published by Rosie Hutter (A0.1446367). A short and simple final movement of a symphony adapted from a classical piano piece.
$5.50
5.05 €
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Rosie Hutter
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Symphony no.1 in A minor Final movement by Rosie Hutter
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Rosie Hutter
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SheetMusicPlus
Symphony no.1 in A minor Final movement by R. Hutter
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1454350 By Rosie Hutter. By Ros…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1454350 By Rosie Hutter. By Rosie Hutter. Arranged by Rosie Hutter. Classical,Romantic Period. 59 pages. Rosie Hutter #1033452. Published by Rosie Hutter (A0.1454350). A fairly simple final movement of a symphony, created using an original piano piece of mine.
$5.50
5.05 €
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Orchestra
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Rosie Hutter
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Symphony no.1 in A minor Final movement by R. Hutter
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Rosie Hutter
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SheetMusicPlus
Trauermarsch from Symphony n. 5
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1370126
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1370126 Composed by Gustav Mahler. Arranged by Alessandro Macrì. Chamber,Classical,Contest,Festival,Film/TV. 26 pages. Music Macri Editions #954594. Published by Music Macri Editions (A0.1370126). The Trauermarsch (Funeral March) is the first movement of Gustav Mahler's Symphony No. 5 in C-sharp minor. It is a slow, somber movement in 4/4 time, and is marked In gemessenem Schritt. Streng. Wie ein Kondukt (In measured steps. Sternly. Like a funeral procession).This piece is a powerful and moving movement that is often interpreted as a meditation on death and loss. Mahler himself said that the movement was inspired by the death of his friend, the composer Alexander von Zemlinsky.The movement is also notable for its use of the hammer stroke, a loud, dissonant chord that is used to punctuate the movement. The hammer stroke is often interpreted as a symbol of death or judgment.The Trauermarsch is one of the most famous and beloved movements in Mahler's symphonic repertoire. It is a powerful and moving piece of music that has been performed and recorded by many of the world's leading orchestras and conductors.
$13.00
11.94 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Gustav Mahler
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Trauermarsch from Symphony n. 5
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Music Macri Editions
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
13.77 €
#
Brass quartet : 2 trumpets, trombone, tuba
#
Antonin Dvorak
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Largo
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Regis Bookshar
#
SheetMusicPlus
Symphony No. 45 in F# Minor “Farewell” (EASY PIANO) I. Allegro assai (Hob. I:45) [Joseph Haydn]
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1272711 By Franz Joseph Haydn. By F…
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Easy Piano - Level 2 - Digital Download SKU: A0.1272711 By Franz Joseph Haydn. By Franz Joseph Haydn. Arranged by Darek. Classical. Score. 4 pages. Darek #864917. Published by Darek (A0.1272711). Symphony No. 45 in F# Minor “Farewell†(EASY PIANO) I. Allegro assai (Hob. I:45) [Joseph Haydn]Simplified arrangement for pianists of Symphony No. 45 in F# Minor “Farewell†I. Allegro assai (Hob. I:45) by Joseph Haydn. Easy version for pianists | Easy piano arrangement | Beginner Version | Easy Piano Sheet Music For Beginners | Classical Period. Included: Fingering, Dynamics, Articulations and video YouTube tutorial. Discover the beauty of classical music with my collection of easy piano sheet music for beginner pianists. In this offering, I present Symphony No. 45 in F# Minor “Farewell†I. Allegro assai (Hob. I:45) by Joseph Haydn. Transport yourself to the magnificent era of classical compositions with this timeless masterpiece. My sheet music provides a smooth learning experience with fingering suggestions, articulation guidance, and detailed dynamics markings, empowering learners to bring out the emotional nuances of the music. As a bonus, I include a YouTube tutorial video, enhancing the learning process and giving a comprehensive understanding of the piece's subtleties. Unleash your inner musician and explore the rich world of piano music with this enchanting piece. Whether you're a seasoned player seeking a delightful challenge or a novice just embarking on your musical journey, this easy-level arrangement is perfect for all aspiring pianists. Embrace the charm of Haydn's genius as you master each note, creating a symphony of your own. Keywords: beauty, easy piano sheet music, beginner pianists, Symphony No. 45, F# Minor, Farewell, Joseph Haydn, classical music, transport, fingering, articulation, dynamics, YouTube tutorial, piano, musicians, notes, song.
$5.00
4.59 €
#
Easy Piano
#
Franz Joseph Haydn
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Symphony No. 45 in F# Minor “Farewell”
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Darek
#
SheetMusicPlus
Symphony No. 40 in G Minor (EASY PIANO) I. Molto Allegro (K. 550) [Wolfgang Amadeus Mozart]
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1272765 By Wolfgang Amadeus Mozart.…
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Easy Piano - Level 2 - Digital Download SKU: A0.1272765 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Darek. Classical. Score. 5 pages. Darek #864961. Published by Darek (A0.1272765). Symphony No. 40 in G Minor (EASY PIANO) I. Molto Allegro (K. 550) [Wolfgang Amadeus Mozart]Simplified arrangement for pianists of Symphony No. 40 in G Minor I. Molto Allegro (K. 550) by Wolfgang Amadeus Mozart. Easy version for pianists | Easy piano arrangement | Beginner Version | Easy Piano Sheet Music For Beginners | Classical Period. Included: Fingering, Dynamics, Articulations and video YouTube tutorial. Step into the captivating world of classical music with my carefully curated collection of easy piano sheet music, specially designed for beginner pianists. Immerse yourself in the timeless beauty of Symphony No. 40 in G Minor I. Molto Allegro (K. 550) by Wolfgang Amadeus Mozart, a masterpiece from the classical era. Unlock your musical potential with my sheet music, complete with fingering, articulation, and detailed dynamics markings, ensuring a seamless learning experience for aspiring pianists. Embrace the powerful and expressive spirit of the Molto Allegro as you effortlessly master each note. To enhance your musical journey, I offer a valuable YouTube tutorial video, providing expert guidance and insights to refine your performance and capture the essence of Mozart's genius. Whether you're a novice seeking a fulfilling challenge or an enthusiast eager to expand your repertoire, this easy-level arrangement is perfect for all piano lovers. Embrace the magic of Mozart's Symphony and transport yourself to the captivating era of classical music. Keywords: easy piano sheet music, beginner pianists, Symphony No. 40, G Minor, Molto Allegro, K. 550, Wolfgang Amadeus Mozart, classical era, fingering, articulation, dynamics, YouTube tutorial, piano, notes, music, musicians, song, powerful, classical music, genius, harmonious, repertoire, melodies.
$5.00
4.59 €
#
Easy Piano
#
Wolfgang Amadeus Mozart
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Symphony No. 40 in G Minor
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Darek
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
16.53 €
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Brass quartet : 2 trumpets, trombone, tuba
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Co…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
13.77 €
#
Brass quartet : 2 trumpets, trombone, tuba
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Symphony No. 40 by Mozart for Brass Quartet
Brass quartet : 2 trumpets, trombone, tuba
Brass Quartet - Level 3 - Digital Download SKU: A0.1381160 Composed by Wolfgang Ama…
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Brass Quartet - Level 3 - Digital Download SKU: A0.1381160 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical. 20 pages. Woods Only, Arrangements #965865. Published by Woods Only, Arrangements (A0.1381160). Introducing the sheet music for an arrangement of the first movement of Mozart’s Symphony No. 40 for Brass Quartet. This arrangement has been carefully reduced to a duration of approximately 2 minutes and 20 seconds, retaining the essence of the original theme while providing practicality in performance. Intended for performance groups with musical experience, this arrangement can also be used as educational material for music students, suitable for academic recitals, concerts and ceremonies. Symphony No. 40 in G minor, K. 550 was written by Wolfgang Amadeus Mozart in 1788 and is one of only two symphonies he wrote in a minor key, also referred to as the “Great G minor symphonyâ€.
$7.99
7.34 €
#
Brass quartet : 2 trumpets, trombone, tuba
#
Wolfgang Amadeus Mozart
#
Symphony No. 40 by Mozart for Brass Quartet
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Woods Only, Arrangements
#
SheetMusicPlus
Symphony No. 40 by Mozart for Viola Quartet
String Quartet: 2 violins, viola, cello
String Quartet String Quartet,Viola - Level 3 - Digital Download SKU: A0.1374799 Co…
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String Quartet String Quartet,Viola - Level 3 - Digital Download SKU: A0.1374799 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical. 20 pages. Woods Only, Arrangements #959331. Published by Woods Only, Arrangements (A0.1374799). Introducing the sheet music for an arrangement of the first movement of Mozart’s Symphony No. 40 for Viola Quartet. This arrangement has been carefully reduced to a duration of approximately 2 minutes and 20 seconds, retaining the essence of the original theme while providing practicality in performance. Intended for performance groups with musical experience, this arrangement can also be used as educational material for music students, suitable for academic recitals, concerts and ceremonies. Symphony No. 40 in G minor, K. 550 was written by Wolfgang Amadeus Mozart in 1788 and is one of only two symphonies he wrote in a minor key, also referred to as the “Great G minor symphonyâ€.
$7.99
7.34 €
#
String Quartet: 2 violins, viola, cello
#
Wolfgang Amadeus Mozart
#
Symphony No. 40 by Mozart for Viola Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Symphony No. 40 by Mozart for String Quartet
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1374791 Composed…
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1374791 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical. 20 pages. Woods Only, Arrangements #959322. Published by Woods Only, Arrangements (A0.1374791). Introducing the sheet music for an arrangement of the first movement of Mozart’s Symphony No. 40 for String Quartet. This arrangement has been carefully reduced to a duration of approximately 2 minutes and 20 seconds, retaining the essence of the original theme while providing practicality in performance. Intended for performance groups with musical experience, this arrangement can also be used as educational material for music students, suitable for academic recitals, concerts and ceremonies. Symphony No. 40 in G minor, K. 550 was written by Wolfgang Amadeus Mozart in 1788 and is one of only two symphonies he wrote in a minor key, also referred to as the “Great G minor symphonyâ€.
$7.99
7.34 €
#
String Quartet: 2 violins, viola, cello
#
Wolfgang Amadeus Mozart
#
Symphony No. 40 by Mozart for String Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Symphony No. 40 by Mozart for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Level 3 - Digital Download SKU: A0.1287259 Composed by Wolfgang Ama…
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Brass Quintet - Level 3 - Digital Download SKU: A0.1287259 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical. 18 pages. Woods Only, Arrangements #878275. Published by Woods Only, Arrangements (A0.1287259). Introducing the sheet music for an arrangement of the first movement of Mozart’s Symphony No. 40 for Brass Quintet. This arrangement has been carefully reduced to a duration of approximately 2 minutes and 20 seconds, retaining the essence of the original theme while providing practicality in performance. Intended for performance groups with musical experience, this arrangement can also be used as educational material for music students, suitable for academic recitals, concerts and ceremonies. Symphony No. 40 in G minor, K. 550 was written by Wolfgang Amadeus Mozart in 1788 and is one of only two symphonies he wrote in a minor key, also referred to as the “Great G minor symphonyâ€.
$9.99
9.17 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Wolfgang Amadeus Mozart
#
Symphony No. 40 by Mozart for Brass Quintet
#
Woods Only, Arrangements
#
SheetMusicPlus
Scaredy-Cat! (Theme from Mozart's "Symphony No. 40 in G Minor (KV. 550)"
Choral Unison
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.727551 Composed by Wolfg…
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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.727551 Composed by Wolfgang Amadeus Mozart. Arranged by Carol Troutman Wiggins. Children,Classical,Holiday,Instructional. Octavo. 4 pages. Carol Troutman Wiggins #4798581. Published by Carol Troutman Wiggins (A0.727551). SCAREDY-CAT!(Theme from Mozart's Symphony No. 40 in G Minor (KV. 550)UnisonThis song has a lot going on! A great vocal warm-up for any age. Using the theme from Mozart's Symphony No. 40 in G Minor, students learn a classical theme while warming up or performing as a song!This song concentrates on the following:Words ending in t Ee-ow mouth formation using octave leapsWords ending in rPlus, this is a great song for Halloween!Chords included for additional instrumentsPiano Accompaniment Track on this site.
$2.25
2.07 €
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Choral Unison
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Wolfgang Amadeus Mozart
#
Scaredy-Cat!
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Carol Troutman Wiggins
#
SheetMusicPlus
Mozart - Symphony No. 25 in G minor - transposed parts for Horn in F (Hn. 1, 2, 3, 4)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1205869 By Brian Harris. By Wol…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1205869 By Brian Harris. By Wolfgang Amadeus Mozart. Arranged by Brian Harris. Classical,Traditional. Score and Parts. 10 pages. Bandroom.com Publications #804059. Published by Bandroom.com Publications (A0.1205869). ___________________________________________________ Symphony No. 25 in G minor - transposed parts for Horn in F (Hn. 1, 2, 3, 4) Sinfonie in g K. 183 (K.6: 173 dB)Works with Barenreiter and other editions.These transposed parts have prevalent measure numbers, but the rehearsal letters (taken from the Barenreiter Urtext) might be in different locations in other editions. These are not edited parts, but are simply transposed into F from the publisher's original printing.Recently performed in concert, the parts have been highly proofed and edited for clarity and accuracy.Comment: Having both paired parts on a single staff (1st/2nd Horn; 3rd/4th Horn) can help with balance issues by allowing certain notes to be played by only one player; this is especially true for certain high notes in the 1st/2nd parts..Original keys:Mov. 1 - Horn 1 & 2 in B (B-flat); Horn 3 & 4 in GMov. 2 - Horn 1 & 2 in Es (E-flat); Horn 3 & 4 - tacetMov. 3 - Horn 1 & 2 in B (B-flat); Horn 3 & 4 in GMov. 4 - Horn 1 & 2 in B (B-flat); Horn 3 & 4 in G_______________________________________________.
$5.00
4.59 €
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Orchestra
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Brian Harris
#
Mozart - Symphony No. 25 in G minor - transposed parts for Horn in F
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Bandroom.com Publications
#
SheetMusicPlus
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