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You've selected:
T'Aria
Sheetmusic to print
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3551
T'Aria (Opus 327) (Bass Solo)
Cello
Cello Solo - Level 3 - Digital Download SKU: A0.596443 Composed by Daniel Hay. Clas…
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Cello Solo - Level 3 - Digital Download SKU: A0.596443 Composed by Daniel Hay. Classical,Contemporary,Multicultural,World. Individual part. 1 pages. Daniel Hay Music #5808665. Published by Daniel Hay Music (A0.596443). This bass clef solo was created for a special friend, hence the title T'Aria is a song for T. The attached YouTube video is of a practice session in the Washington mountains outside the hand-built cabin the composer, Daniel Hay, made and lived in for three years. Note that the instrument played is a Moeck Tuju Tenor Recorder so is not really a bass clef instrument but the composer's bass was lost during Hurricane Katrina. The sound sample is voiced in Cello. Good piece for Cello or Bassoon.
$2.29
2.09 €
#
Cello
#
Daniel Hay
#
T'Aria
#
Daniel Hay Music
#
SheetMusicPlus
T'Aria (Opus 327) (Treble Solo)
Tenor Recorder
Recorder Solo,Tenor Recorder - Level 3 - Digital Download SKU: A0.596442 Composed b…
(+)
Recorder Solo,Tenor Recorder - Level 3 - Digital Download SKU: A0.596442 Composed by Daniel Hay. Classical,Contemporary,Multicultural,World. Individual part. 1 pages. Daniel Hay Music #5808647. Published by Daniel Hay Music (A0.596442). Solo composition created by composer Daniel Hay. The name is created from an individual's name and aria used to mean song. The attached YouTube link is performed on a Moeck Tuju Tenor Recorder from a practice season outside the composer's hand-built cabin in the mountains of Washington state. The sample sound file is voiced in Oboe, but the piece is good for Soprano or Tenor Recorder, and of course, Oboe, Clarinet, or Flute.
$2.29
2.09 €
#
Tenor Recorder
#
Daniel Hay
#
T'Aria
#
Daniel Hay Music
#
SheetMusicPlus
The Queen of the Night Aria for Flute Choir
Flute ensemble
Flute, Woodwind Choir or Ensemble, Flute Choir - Intermediate - Digital Download Co…
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Flute, Woodwind Choir or Ensemble, Flute Choir - Intermediate - Digital Download Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Shane T. Sprankel. Classical Period, Opera. 37 pages. Published by Shane T Sprankel
This setting of the famous coloratura aria makes a wonderful feature for your piccolo player in this rich arrangement from Mozart's "The Magic Flute".<br> <br> Instrumentation<br> Piccolo<br> Flute 1<br> Flute 2<br> Flute 3<br> Flute 4<br> Flute 5<br> Flute 6 (substitute for Alto Flute 1)<br> Flute 7 (substitute for Alto Flute 2)<br> Alto Flute 1<br> Alto Flute 2<br> Alto Flute 3 (substitute for Bass Flute)<br> Bass Flute<br> Opt. String Bass
$30.00
27.38 €
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Flute ensemble
#
Wolfgang Amadeus Mozart
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The Queen of the Night Aria for Flute Choir
#
Shane T Sprankel
#
SheetMusicPlus
Ariana Grande - Needy
Piano, Voice
Piano/Vocal/Chords, Piano Accompaniment - Intermediate - Digital Download By Ariana G…
(+)
Piano/Vocal/Chords, Piano Accompaniment - Intermediate - Digital Download By Ariana Grande. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
Here's how to play "needy" by Ariana Grande on piano!<br> <br> With this sheet music, you can play the accompaniment of Ariana Grande's song "needy".<br> "Needy" is a beautiful, calm piece which makes for a great piano ballad!<br> <br> It's an accurate piano arrangement of the full song, including the beautiful string outro.<br> <br> These piano sheets come with a seperate system for the singer, including the song's full lyrics.<br> <br> "needy" is the second track on Ariana Grande's fifth studio album "thank u, next" (released in February 2019).<br> <br> It's a beautiful, calm ballad with an interesting chord progression in the background - which you can play with these piano sheets.<br> <br> Here are the full lyrics to "needy" by Ariana Grande:<br> <br> If you take too long to hit me back<br> I can't promise you how I’ll react<br> But all I can say<br> Is at least I'll wait for you<br> Lately I've been on a roller coaster<br> Tryna get a hold of my emotions<br> But all that I know, is I need you close<br> And I'ma scream and shout for what I love<br> Passionate but I don't give no fucks<br> I admit that I'm a lil' messed up<br> But I can hide it when I'm all dressed up<br> I'm obsessive and I love too hard<br> Good at overthinking with my heart<br> How you even think it got this far?<br> This far<br> And I can be needy, way too damn needy<br> I can be needy, tell me how good it feels to be needed<br> I can be needy, so hard to please me<br> I know it feels so good to be needed<br> Sorry if I'm up and down a lot (Yeah)<br> Sorry that I think I'm not enough<br> And sorry if I say sorry way too much<br> You can go ahead and call me selfish (Selfish)<br> But after all this damage I can't help it (Help it)<br> But what you can trust, is I need your touch<br> I'ma scream and shout for what I love<br> Passionate but I don’t give no fucks<br> I admit that I'm a lil' messed up<br> But I can hide it when I'm all dressed up<br> I’m obsessive and I love too hard<br> Good at overthinking with my heart<br> How you even think it got this far?<br> This far<br> And I can be needy, way too damn needy<br> I can be needy, tell me how good it feels to be needed<br> I can be needy, so hard to please me<br> I know it feels so good to be needed
$4.99
4.55 €
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Piano, Voice
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Ariana Grande
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Ariana Grande - Needy
#
Mario Stallbaumer
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.39 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.39 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.39 €
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Guitar
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Richard Strauss
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.39 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
Alto voice, Piano
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richa…
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.17 €
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Alto voice, Piano
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Richard Strauss
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Bulgaria - North Bulgaria
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1488144 Composed by T. A. Roncevic. Folk,Multicultural,World. 20 pages. T. A. Roncevic #1065025. Published by T. A. Roncevic (A0.1488144). This is one of six Bulgarian pieces for a string quartet (Violins 1 & 2, Viola, Cello). It is from the North Bulgarian region. The meters are 2/4, 7/8 (3,2,2), and a slow and fast 7/8 (2,2,3). The performers stomp their heel during the last measure.
$5.00
4.56 €
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String Quartet: 2 violins, viola, cello
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T
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2, Viola, Cello)
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Bulgaria - North Bulgaria
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T. A. Roncevic
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SheetMusicPlus
Aria variata (alla Man. Italiana) in A minor, BWV 989
Piano solo
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
4.99 €
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Piano solo
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Bach
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Tomplay
CAVALLI Francesco: Cara sè tù sapessi, aria from the cantata, - Voice and Piano (F majo
Medium voice, Piano
Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868778 Composed by Fra…
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Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868778 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4580895. Published by Really Good Music, LLC. (A0.868778). Cara sè tù sapessi is an aria from Solo cantata V In duri lacci, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F major (C4 – D5) for low voice.
$5.95
5.43 €
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Medium voice, Piano
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Francesco CAVALLI
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CAVALLI Francesco: Cara sè tù sapessi, aria from the cantata, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
CAVALLI Francesco: Cara sè tù sapessi, aria from the cantata, - Voice and Piano (A majo
High voice
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868777 Composed by Franc…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868777 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4580893. Published by Really Good Music, LLC. (A0.868777). Cara sè tù sapessi is an aria from Solo cantata V In duri lacci, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A major (E4 – F#5) for high voice.
$5.95
5.43 €
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High voice
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Francesco CAVALLI
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CAVALLI Francesco: Cara sè tù sapessi, aria from the cantata, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
Bach - Aria (Du mußt glauben, du mußt hoffen) BWV 155 No.2 - Bassoon and Harpsichord
Bassoon, Piano (duet)
Instrumental Duet Bassoon,Harpsichord,Instrumental Duet - Level 4 - Digital Download SK…
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Instrumental Duet Bassoon,Harpsichord,Instrumental Duet - Level 4 - Digital Download SKU: A0.517310 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. Score and parts. 8 pages. Santino Cara #4353991. Published by Santino Cara (A0.517310). Score and part of the Aria Du mußt glauben, du mußt hoffen BWV 155 No.2 for Bassoon and Harpsichord. Transcribed by Santino Cara from Cantata Mein Gott, wie lang, ach lange by Johann Sebastian Bach.
$8.80
8.03 €
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Bassoon, Piano (duet)
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Bach Johann Sebastian
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Bach - Aria
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Santino Cara
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SheetMusicPlus
Como aunque culpa (Recitativo and Aria)
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1287155 Composed by Manuel d…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1287155 Composed by Manuel de Sumaya (1678-1755). Arranged by Luis Enrique Téllez. Baroque,Christmas. Score. 3 pages. Luis Enrique Téllez #878164. Published by Luis Enrique Téllez (A0.1287155). Reduction for Voice and Piano of the Recitativo and Aria Como anque culpa by Manuel de Sumaya (1678-1755). Archive of the Chatedral of Oaxaca, México (Mexican Colonial period). Work for Christmas season.
$15.00
13.69 €
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Piano, Voice
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Manuel de Sumaya
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Como aunque culpa
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Luis Enrique Téllez
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SheetMusicPlus
Lamento d'Arianna (Tenor Sax)
Tenor Saxophone
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
2.99 €
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Tenor Saxophone
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Claudio Monteverdi
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Tomplay
VIVALDI Antonio: Quel tuo ciglio languidetto, an aria from the opera "Il Farnace", - Voic
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868968 Composed by Anton…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868968 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5372531. Published by Really Good Music, LLC. (A0.868968). Quel tuo ciglio languidetto is an aria (Minuèt) from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1738. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C major (D4 – G5) for high voice.
$5.95
5.43 €
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High voice
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Antonio VIVALDI
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VIVALDI Antonio: Quel tuo ciglio languidetto, an aria from the opera "Il Farnace", - Voic
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Really Good Music, LLC.
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SheetMusicPlus
VIVALDI Antonio: Quel tuo ciglio languidetto, an aria from the opera "Il Farnace", - Voic
Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868970 Composed by Ant…
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Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868970 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5372533. Published by Really Good Music, LLC. (A0.868970). Quel tuo ciglio languidetto is an aria (Minuèt) from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1738. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of A major (B3 – E5) for low voice.
$5.95
5.43 €
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Antonio VIVALDI
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VIVALDI Antonio: Quel tuo ciglio languidetto, an aria from the opera "Il Farnace", - Voic
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Really Good Music, LLC.
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SheetMusicPlus
W.A.Mozart - O Isis und Osiris - Zauberflöte, Sarastro's Aria - Chamber Orchestra Version
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1311414 Composed by Wolfgang…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1311414 Composed by Wolfgang Amadeus Mozart. Arranged by Vasilis Tsiatsianis. Chamber,Classical,Early Music,Opera,Wedding. 13 pages. Arcadia Verlag #900420. Published by Arcadia Verlag (A0.1311414). We are thrilled to present the new orchestral arrangement of the aria O Isis und Osires from Mozart's opera The Magic Flute, created by renowned musician and arranger Vasilis Tsiatsianis.In this arrangement, Vasilis preserves Mozart's style and essence while adding a richness and orchestral grandeur to the piece. With skill and sensitivity, he expands the instrumentation while remaining true to Mozart's original vision.The new arrangement provides a more complete and immersive musical experience, with additional layers of sound textures and a refined balance between the different sections of the orchestra. Dramatic moments are heightened, while delicate nuances are enhanced, resulting in an exciting and captivating interpretation.Now, you have the opportunity to purchase this exclusive sheet music on our online sales platform. Whether you are looking for a new addition to your personal repertoire or planning an orchestral performance, this arrangement will undoubtedly enrich your musical experience.Don't miss the chance to explore the talent and creativity of Vasilis Tsiatsianis in this new arrangement of the O Isis und Osires aria. Place your order now and immerse yourself in the magic of Mozart's masterpiece.Acquire the sheet music on our website and delve into the enchantment of The Magic Flute like never before!The Aria of Sarastro from Magic Flute (Zauberflöte) arranged for Chamber Orchestra without Corni di Bassetto and Trombones. 0.0.2.1-2.0.0.0-Voice-Strings. Original Tonality. German Text.
$45.00
41.07 €
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Chamber Orchestra
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Wolfgang Amadeus Mozart
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W.A.Mozart - O Isis und Osiris - Zauberflöte, Sarastro's Aria - Chamber Orchestra Version
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Arcadia Verlag
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SheetMusicPlus
La Retour de Wicklon. Aria Pastorale. Las Seul & Waltz for the Piano
Piano solo
Piano - Digital Download SKU: LV.1287 Composed by T. Bennison. Lester S. Levy Colle…
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Piano - Digital Download SKU: LV.1287 Composed by T. Bennison. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1287). La Retour de Wicklon. Aria Pastorale. Las Seul & Waltz for the Piano. Composed by T. Bennison. Published [1818] by W. Dubois at his Piano Forte and Music Store, No. 126 Broadway in New York. Composition of three sectional movements with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
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Piano solo
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T
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La Retour de Wicklon. Aria Pastorale. Las Seul & Waltz for the Piano
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Ave Maria by Bach & Gounod, Duo or Trio
Large Ensemble Cello,Flute,Harp,Low Voice,Medium Voice,Oboe,Violin - Level 3 - Digital Dow…
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Large Ensemble Cello,Flute,Harp,Low Voice,Medium Voice,Oboe,Violin - Level 3 - Digital Download SKU: A0.836145 Composed by Melody by Charles Gounod, based on Prelude in C by J. S. Bach. Arranged by Stephanie Bennett. Christian,Christmas,Contemporary,Sacred,Wedding. Score and parts. 15 pages. Harpworld Music Co. #6235681. Published by Harpworld Music Co. (A0.836145). The beautiful prayer AVE MARIA, melody by Charles Gounod (1818-1893) based on PRELUDE IN C by Johann Sebastian Bach (1685-1750). Adapted beautifully for pedal harp, with alto voice (vocal range from G below middle C, to the second E above middle C). Voice part could be sung by a baritone an octave lower than written. Flute, violin or oboe (playing an octave higher than written) may be substituted for the voice. There is an optional cello part (doubling the low notes of the harp part), so it can be played as a duo OR a trio. Perfect for any Christian occasion: Christmastime, funerals, weddings (especially the 'Marian presentation' of some Catholic weddings, in which the bride offers flowers to a statue of Virgin Mary). About 4 minutes and 20 seconds long with the repeat (or 2 minutes and 10 seconds long if you don't take the repeat, but go directly to the second ending). The PDF includes ALL three parts. The harp part also shows the vocal part on a small staff. There is a separate part (included) for the voice (or flute or violin or oboe) and a separate part (included) for the cello. The layout is such that if you can print out double-sided, the harp part and the vocal part have front and back covers. The cello part is only one page. Arranged by Stephanie Bennett (One of our country's top harpists - the Hollywood Reporter), www.harpworld.com.
$12.00
10.95 €
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Melody by Charles Gounod, based on Prelude in C by J
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Ave Maria by Bach & Gounod, Duo or Trio
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Harpworld Music Co.
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SheetMusicPlus
"Eugene Onegin": Olga's Aria. DICTION SCORE with IPA & translation
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1313841 By Peter Ilyich Tcha…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1313841 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 7 pages. Natalia Melnik #902561. Published by Natalia Melnik (A0.1313841). Tchaikovsky Olga's Scene and Aria from Eugene OneginDiction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation.FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) is available at https://www.russian4singers.com/product-page-2/tchaikovsky-olga-s-scene-and-aria-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channelhttps://www.youtube.com/watch?v=fDO_Vwl2TJI&t=18s
$8.50
7.76 €
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Piano, Voice
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Peter Ilyich Tchaikovsky
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"Eugene Onegin": Olga's Aria. DICTION SCORE with IPA & translation
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Natalia Melnik
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SheetMusicPlus
Quella fiamma che m'accende ( Extract from Aria Antiche Vol.1 )
Acoustic Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.1369426
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Acoustic Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.1369426 By Cecilia Bartoli. By Benedetto Marcello. Arranged by Terry Carpenter. Baroque. 17 pages. Terry Carpenter #953783. Published by Terry Carpenter (A0.1369426). Transcription for classical guitar of a lyrical aria extract from volume one of the famous Aria Antiche by Alessandro Parisotti. I have added a tablature of the guitar part and the chords. Thus, no need for a piano: you can sing and accompany yourself on the beach or near the campfire! If the guitar part seems sometimes difficult, play the chords - it works!I didn't always respect the constraint of transcribing in first position, and it would have been a shame to ignore certain melodic movements.Listen to the version of Cecilia Bartoli to get the right feeling, on the YouTube link belowOn the pdf, you will find the score, the voice part, the guitar part and a guitar and tablature part.The mp3 was made by musical software.Contact: carpentermusic@yahoo.com.
$4.99
4.55 €
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Cecilia Bartoli
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Quella fiamma che m'accende
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Terry Carpenter
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SheetMusicPlus
True Love: A Quiet Thing (Aria for Baritone or Duet with soprano)
Vocal duet
Voice Duet Voice - Level 3 - Digital Download SKU: A0.730209 Composed by James Nath…
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Voice Duet Voice - Level 3 - Digital Download SKU: A0.730209 Composed by James Nathaniel Holland. Broadway,Holiday,Jazz,Love,Musical/Show. 6 pages. James Nathaniel Holland #37195. Published by James Nathaniel Holland (A0.730209). After All, Isn't True Love but a Quiet Thing? (Aria for Baritone, or duet with Soprano) from the One Act, American Opera The One Upstairs Music by James Nathaniel Holland website: http://lacoronadelossantos.net/jamesnathanielholland.html YouTube Video: https://www.youtube.com/watch?v=_66A5_8_xFA SYNOPSIS: Setting: NYC. An unsuspecting woman (Loie, soprano) moves into a volatile apartment situation with a crazy neighbor above who keeps banging on the floor at the slightest provocation. It's war! Find out who wins and how in the end. In this aria Scott (baritone), the boyfriend of Loie, finally have a moment alone in Loie's apartment. Sound clip: Charles Schneider, Baritone.
$4.95
4.52 €
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Vocal duet
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James Nathaniel Holland
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True Love: A Quiet Thing
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James Nathaniel Holland
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SheetMusicPlus
Affani del pensier ( Extract from Aria antiche Vol. 1 )
Acoustic Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.1347945
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Acoustic Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.1347945 By Alessandro Parisotti. By Giorgio Federico Händel. Arranged by Terry Carpenter. Baroque. 10 pages. Terry Carpenter #932759. Published by Terry Carpenter (A0.1347945). For Voice and classical guitarTranscription for classical guitar of a lyrical aria extract from volume one of the famous Aria Antiche by Alessandro Parisotti. I have added a tablature of the guitar part and the chords. Thus, no need for a piano: you can sing and accompany yourself on the beach or near the campfire! If the guitar part seems sometimes difficult, play the chords - it works! I suggest you to play it at a lower tempo than Parisotti's tempo. Notice that Parisotti's version is in C minor and the orchestral version is in B minor, sounds great for strings. The guitar part is quite tricky : Handel's chiselled writing made the transcription for guitar a delicate affair, and I couldn't help stepping out of the first positions of the instrument to follow the contours of the original.Listen to Sonia Theodoridou version on the YouTube link below.On the pdf, you will find the score, the voice part, the guitar part and a guitar and tablature part.Contact: carpentermusic@yahoo.com.
$4.99
4.55 €
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Alessandro Parisotti
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Affani del pensier
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Terry Carpenter
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SheetMusicPlus
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