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You've selected:
Take the "A" Train: Drums
Sheetmusic to print
20 sheet music found
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1
Take the A Train: Drums
Drum (band part)
Jazz Ensemble - Digital Download Drums. Composed by Billy Strayhorn (1915-1967). Ar…
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Jazz Ensemble - Digital Download Drums. Composed by Billy Strayhorn (1915-1967). Arranged by Victor Lopez. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016700_D. Published by Alfred Music - Digital Sheet Music
$3.00
2.69 €
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Drum (band part)
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Billy Strayhorn
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Take the A Train: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Take the A Train: Drums
Drum (band part)
Jazz Ensemble - Digital Download Drums. Composed by Billy Strayhorn (1915-1967). Ar…
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Jazz Ensemble - Digital Download Drums. Composed by Billy Strayhorn (1915-1967). Arranged by Vince Gassi. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC- 0017144_D. Published by Alfred Music - Digital Sheet Music
$3.00
2.69 €
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Drum (band part)
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Billy Strayhorn
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Take the A Train: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Take The "a" Train
Jazz combo
Jazz Combo - Level 2 - Digital Download SKU: A0.1172430 By Duke Ellington. By Billy…
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Jazz Combo - Level 2 - Digital Download SKU: A0.1172430 By Duke Ellington. By Billy Strayhorn. Arranged by Brian Streckfus. Blues,Jazz,Standards. 36 pages. Brian Streckfus #762919. Published by Brian Streckfus (A0.1172430). There is a cheaper version with just the full (conductor's) score. This version includes all parts and is a 36 page PDF. Key: C MajorInstrumentation (8): Alto Sax Tenor Sax Baritone Sax Bb Trumpet Tenor Trombone Guitar Piano Bass Guitar Features:Drums have important hits notated while also showing improvisation symbols.Navigation and section markersMany composer indicationsTo Do's:Piano needs a page turn in their part. Chord nomenclature in a jazz style would be nice.ArticulationsQuestions or suggestions? Please email brianstreckfus@gmail.com.
$24.99
22.43 €
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Jazz combo
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Duke Ellington
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Take The "a" Train
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Brian Streckfus
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SheetMusicPlus
Take The "a" Train
Jazz combo
Jazz Combo - Level 4 - Digital Download SKU: A0.1355103 By Duke Ellington. By Billy…
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Jazz Combo - Level 4 - Digital Download SKU: A0.1355103 By Duke Ellington. By Billy Strayhorn. Arranged by Nigel Hanley. Funk,Jazz,Standards,Video Game. 61 pages. Nigel Hanley Music #939819. Published by Nigel Hanley Music (A0.1355103). * Key of F * female jazz vocal - medium range This chart is a little big band arrangement of Billy Strayhorn's 'Take The 'A' Train' in the style of Nikki Yanofsky. The instrumentation is:pianoguitarbassdrums-------trumpet 1trumpet 2trombone-------------alto saxtenor saxbaritone sax----------The complete mp3 track can be downloaded at  www.nigelhanleymusic.comOther keys and instrumentation available on request:  info@nigelhanley.comSuitable for: jazz bands, cabaret shows and bands, bands with horns, talent quests, cruise ship bands, high school & college bands, tribute shows.* 1940s * 2010s* cabaret * swing * jazz *
$39.99
35.9 €
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Jazz combo
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Duke Ellington
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college bands, tribute shows
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Take The "a" Train
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Nigel Hanley Music
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SheetMusicPlus
Take The "a" Train
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1288968 By Duke El…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1288968 By Duke Ellington. By Billy Strayhorn. Arranged by Bert Ligon [BertLigonMusic.com]. Jazz,Standards. Score and Parts. 49 pages. Bert Ligon Music #879814. Published by Bert Ligon Music (A0.1288968). Jazz String Ensemble arrangement of the Duke Ellington Classic written by Billy Strayhorn. (Violin 1, Violin 2, Viola, Cello, Jazz Bass, Piano, Drums, Optional Guitar). A solo section is available for any and all improvisers. Chord changes and suggested solos are included for each section. Everyone should be encouraged to improvise; however, the section may be skipped. Fantastic tune to introduce students to a Jazz Classics and program a tune audiences will know and love. Look for other Jazz Classic tunes from Bert Ligon Music
$49.99
44.88 €
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Jazz Ensemble
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Duke Ellington
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Take The "a" Train
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Bert Ligon Music
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SheetMusicPlus
Take The "a" Train
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.718041 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.718041 Composed by Billy Strayhorn. Arranged by Daryl McKenzie. Contemporary. Score and parts. 35 pages. Daryl McKenzie #4574077. Published by Daryl McKenzie (A0.718041). Arranged for Jazz Combo - Sax 1 Tenor, Sax 2 Alto, Trumpet 1, Trumpet 2, Trombone, Piano, Guitar, Bass, Drums. Playable with Sax 1 Tenor, Trumpet 1 and Trombone. Solo changes for all instruments. Suitable for students or for jazz combo gigs.More arrangements by Daryl McKenzie: https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128?aff_id=674845www.mckenziemusicproductions.comYoutube Playlist: https://www.youtube.com/playlist?list=PLgP3xAGju1BJ-n99W8ow5xCGRfwTzfwT0
$29.99
26.92 €
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Jazz Ensemble
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Billy Strayhorn
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Take The "a" Train
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Daryl McKenzie
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SheetMusicPlus
Take The "a" Train
Small Ensemble - Level 5 - Digital Download SKU: A0.748054 Composed by Billy Strayh…
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Small Ensemble - Level 5 - Digital Download SKU: A0.748054 Composed by Billy Strayhorn. Arranged by Patrick Sheehan. Contemporary. Score and parts. 138 pages. Patrick Sheehan #5335105. Published by Patrick Sheehan (A0.748054). INSTRUMENTATION: Lead Vocal I, Lead Vocal II, Background Vocal I, Background Vocal II, Background Vocal III, Background Vocal IV, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Keyboard I, Keyboard II, Electric Guitar I, Electric Guitar II, Bass, Tambourine, Drumset. All parts transcribed by ear from the original recording from CHICAGO NIGHT AND DAY big band album, released in 1995. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00
22.44 €
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Billy Strayhorn
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Take The "a" Train
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Patrick Sheehan
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SheetMusicPlus
Take the "A" Train: Drumset
Drum (band part)
Marching Band - Digital Download SKU: AX.00-PC-0018221_DS Instructional. 1 pages. A…
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Marching Band - Digital Download SKU: AX.00-PC-0018221_DS Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018221_DS. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018221_DS). UPC: 038081386591.
$3.00
2.69 €
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Drum (band part)
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Take the "A" Train: Drumset
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Take The A Train
Drums
By Billy Strayhorn. Jazz, Standards. Drum Transcription. 4 pages. Published by Hal L…
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By Billy Strayhorn. Jazz, Standards. Drum Transcription. 4 pages. Published by Hal Leonard - Digital
$2.99
2.68 €
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Drums
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Billy Strayhorn
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Take The A Train
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Hal Leonard - Digital
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SheetMusicPlus
Billy Strayhorn: Take The "A" Train - drums
Drums
Instantly printable sheet music by Billy Strayhorn for drums of MEDIUM skill level. / jazz…
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Instantly printable sheet music by Billy Strayhorn for drums of MEDIUM skill level. / jazz,standards
$4.97
4.46 €
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Drums
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Billy Strayhorn
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Virtualsheetmusic
Take the "A" Train (arr. Michael Sweeney) - Drums
Drum (band part)
Jazz Ensemble Jazz Ensemble - Level 1.5 - Digital Download SKU: HX.481684 By Duke E…
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Jazz Ensemble Jazz Ensemble - Level 1.5 - Digital Download SKU: HX.481684 By Duke Ellington. By Billy Strayhorn. Arranged by Michael Sweeney. This edition: scorch. Jazz,Standards. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.481684).
$6.00
5.39 €
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Drum (band part)
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Duke Ellington
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Take the "A" Train
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Hal Leonard - Digital
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SheetMusicPlus
Take The 'A' Train (arr. Mark Taylor) - Drums
Drum (band part)
By Duke Ellington. By Billy Strayhorn (1915-1967). Arranged by Mark Taylor. Jazz, Stand…
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By Duke Ellington. By Billy Strayhorn (1915-1967). Arranged by Mark Taylor. Jazz, Standards. Jazz Ensemble. 2 pages. Published by Hal Leonard - Digital
$6.00
5.39 €
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Drum (band part)
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Duke Ellington
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Take The 'A' Train
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Hal Leonard - Digital
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SheetMusicPlus
When The Saints (Medley)
Choral Unison
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.975463 Composed by John …
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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.975463 Composed by John Redmon, Jr., and Thomas J. Dawson. Arranged by John P. Redmon Music (ASCAP)/adm. by Reaching Records. Children,Christian,Jazz,Jewish,Traditional. Octavo. 16 pages. John P. Redmon Music (ASCAP)/adm. by Reaching Records #6247627. Published by John P. Redmon Music (ASCAP)/adm. by Reaching Records (A0.975463). When The Saints (Medley) moves swiftly with a playful and danceable delivery as frisky drums and glorious trumpet sound incredible alongside the strategic backing vocals from the Fresh Start Baptist Church Male Chorus... (Take Effects - https://takeeffectreviews.com/).This piano/vocal/choral arrangement is fun for the whole family! This medley includes : When The Saints / I’m Gonna Sing, Sing, Sing / This Train Is Bound For Glory / Swing Low. As in the original recording, the score incorporates vocal rounds leaving you in a frenzy of joy.When The Saints (Medley) appears on the album Honoring Louis Armstrong featuring Louis Armstrong Impressionist John Redmon and accompanied by The Thomas J. Dawson, Jr. iOrchestra.This version of When The Saints (Medley) is perfect for sing-alongs, bar songs, church gatherings, and festivals.The recorded version is just a little over 4 minutes but oh how quickly these four minutes fly by.John Redmon and Thomas Dawson, Jr. are both ASCAP affiliates.You can follow John Redmon on the following social media sites:Facebook: https://m.facebook.com/johnredmonmusic/Instagram: https://www.instagram.com/johnredmonmusic/Twitter: https://twitter.com/johnredmonmusicFor more album information, visit: https://www.honoringlouisarmstrong.com/Record Label: https://www.reachingrecords.com/
$4.99
4.48 €
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Choral Unison
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John Redmon, Jr
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When The Saints
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John P. Redmon Music
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SheetMusicPlus
The Letter: Drums
Choir - Digital Download SKU: AX.00-PC-0016208_D Drums. Composed by Wayne Ca…
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Choir - Digital Download SKU: AX.00-PC-0016208_D Drums. Composed by Wayne Carson Thompson. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016208_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016208_D). UPC: 038081384696.Here's a rockin' remake of a timeless '60s hit, perfect for the pop portion of your concert. Give me a ticket for an airplane. Ain't got time to take no fast train. Kickin' groove!Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
2.69 €
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Wayne Carson Thompson
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Recorded Acc. Available.
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The Letter: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Happy Place
Choral 2-part
Choral Choir (SA) - Level 3 - Digital Download SKU: A0.873034 Composed by Sally Whi…
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Choral Choir (SA) - Level 3 - Digital Download SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0.873034). Composer’s Note - Happy PlaceI’m a lesbian who came-of-age/came-out in the mid 1990s, which means I caught the tail end of those lesbian stereotypes you used to hear about. It made me feel like I’d never inherited The Lesbian Gene. I was never one of the herbal tea sipping, yoga loving, hemp textiles wearing, hippie happy clappy campers of that time. I had girlfriends who were and I tried to humour them sometimes but it was always a strain.I had this one girlfriend who made me go camping once, a gathering with her hippie pagan friends. It was all inoffensive enough, I was having a very nice time sitting in the shade reading my book. Rather stupidly, I made the mistake of letting someone rope me into a thing called D​rumming The Boundary​. They thought I’d be good at it, being a professional musician. I thought it would probably please my girlfriend if I got involved, so I agreed to go along.To my surprise, the drums they’d set up were great instruments, some really top quality djembes that you’d be paying some good money for, so I made the rash assumption that the leader of this activity actually knew what she was doing. We were instructed to start drumming a h​eartbeat​ together, whereupon I discovered that these are people who couldn’t even play a plain old crotchet beat in ensemble. But they seemed to think they were playing in time, swooning and swaying and closing their eyes to ‘feel’ the music. It was starting to make me giggle. These were presumably the same lesbians I’d seen out in Sydney nightclubs who couldn’t dance in time with an electronic beat that repeatedly hits you over the head with its obviousness?! Once I’d had that thought, I couldn’t help my giggle becoming a full-blown guffaw. The dreadlocked hempy lady in charge glared at me, telling me I needed to relax into really f​eeling the heartbeat. ​Could she not see that it was because my whole body was shaking with hysterical laughter at their arhythmic playing? Honestly...I guess I just really don’t like hippies. There, I said it out loud. I tried, I tried really hard, but I just prefer my city life. It’s my ​Happy Place.​-- Sally Whitwell
$1.99
1.79 €
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Choral 2-part
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Sally Whitwell
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Happy Place
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Sally Whitwell
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SheetMusicPlus
Take the "A" Train: Drums
Drum (band part)
By The Delta Rhythm Boys. By Billy Strayhorn (1915-1967). Arranged by Frank Foster. For Ja…
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By The Delta Rhythm Boys. By Billy Strayhorn (1915-1967). Arranged by Frank Foster. For Jazz Ensemble. Instructional. Part. 4 pages. Published by Alfred Music. Digital Sheet Music
$3.00
2.69 €
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Drum (band part)
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The Delta Rhythm Boys
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Take the "A" Train: Drums
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
Highlands [2 violins]
2 Violins (duet)
Violin Duet Violin - Level 2 - Digital Download SKU: A0.596615 By John Winstead and…
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Irish. 5 pages. Juan Maria Solare #6208589. Published by Juan Maria Solare (A0.596615). Highlands for two violins About the genesis of my work Highlands: There was a composition competition in Scotland (The Gordon Stewart Memorial Competition), they asked to write a short march for Scottish bagpipes. I said to myself: I don't know anything about the bagpipes, this could be an opportunity to get to know the instrument better. So I began to investigate and discovered that there is a huge literature, many works. Of course: all the works are impressively similar, because it is a relatively limited instrument (with forgiveness of the pipers). But this is an unimportant detail for our story. So, with a collection of bagpipe sheet music at hand, I began to investigate the possibilities of the instrument. And I made a huge mistake: Bagpipe scores are written without accidentals, but they are actually in A major. Sharps are not written simply because there is NO alternative. They can't play anything else (at least the traditional bagpipes), so the sheet music ommits the superfluous sharps. In short: then I composed my melody for that contest in A minor ... which is impossible to play on bagpipes. The fact of having written the melody on board a train prevented me from listening to dozens of works for bagpipes as a reference (at that time - June 2015 - I did not have a mobile internet connection). When I realized the mistake (in time) I rewrote that melody in major mode (well, Mixolydian ...), added some typical bagpipe ornamentation and retitled it: Ballone Castle (the name of the castle of the organizers of the contest, the Stewart Society). And now what do I do with the original melody, in minor mode? Instead of throwing it away (which I never do) I titled it Highlands, and it is the work that you are about to hear, or whose score you are holding. I didn't win that contest in Scotland. But I recorded Ballone Castle and posted it on Spotify: Ballone Castle (for bagpipes) - on Spotify (there is a version with drums and another without them). As for Highlands, the saxophone version was recorded by my Chinese friend Yu Han for the album Images of Elsewhere (Images of Elsewhere (saxophone)). In this case, there are also two versions: solo saxophone and sax with electronic sounds. The electronic sounds here actually simulate the typical bagpipe pedal (drone) note. A version of Highands for oboe Solo was recorded by John Winstead (Highlands (oboe solo)) Comparing both pieces (Highlands and Ballone Castle) it is verified how the simple change of mode (major / minor), in addition to the change of instrument, can work wonders for musical perception. They are two related but independent works, each with its own defined character - like two twins. But the story continues. In October 2020 I began an intense dialogue with the violinist Miguel Ãngel Cotignola, from Mendoza (Argentina). I suggested him to film Highlands. He suggestd me to write a second violin part. I did it. He filmed it on the shore of Lake Potrerillos, in Mendoza (Argentina). This video can be seen here: Highlands (for two violins)Juan MarÃa Solare
$2.00
1.8 €
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2 Violins (duet)
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John Winstead and Miguel Angel Cotignola
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Highlands [2 violins]
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Juan Maria Solare
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SheetMusicPlus
Take the "A" Train: Drums
Drum (band part)
By Billy Strayhorn (1915-1967). Arranged by Alan Baylock. For Jazz Ensemble. Instructional…
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By Billy Strayhorn (1915-1967). Arranged by Alan Baylock. For Jazz Ensemble. Instructional. Part. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.00
2.69 €
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Drum (band part)
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Billy Strayhorn
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Take the "A" Train: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Wrecking Ball
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.845973 By Miley …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan Richard Moccio. Arranged by Kyle Pudenz. Contemporary,Pop. Score and parts. 34 pages. ViolinVagabond Music #5310843. Published by ViolinVagabond Music (A0.845973). Why settle for a bland transcription of Hannah Montana when you can have an action-packed, thrill-filled arrangement that's ALMOST as crazy as Miley Cyrus!? (almost)You've heard the song. You've seen the video. Whether or not you're a Miley super fan, you get the hype and that's why you're here. So take that hype to the next level with a chart that will make your audience go what on earth just happened? the same way Miley does on at least a bi-annual basis. By the way, I'll tell you what just happened: your quartet just came in like a wrecking ball, and smashed every archaic stereotype about classical string players to PIECES!!Gone are the days of strings not being able to feel the groove. Silenced are the cynics who once called us boring and one-dimensional. A new era is upon us, where violins, violas, & cellos can get up, get out, and rock the faces off of the proletariat right alongside our guitar slinging, drumstick twirling brethren! And this chart is just what you need to usher in this oh so bright future for all who rosin the bow:Right from the start, this arrangement takes a unique spin on Miley's pop smash, with a lopsided groove that will have your listeners searching frantically for a downbeat. Their urges will finally be satisfied when the melody takes us back to that oh-so-familiar feeling of 4/4 security... but don't get too comfortable, because when that chorus drops you'd better hold on to your hats. That's right, the train is leaving the station for double-time town! Along this musical journey, you may also encounter glimpses of reggae, jazz, & bluegrass, culminating in a race to the finish that will wre-e-eck any musician who didn't come ready to hang. Oh, and just for funsies I threw in that classic showbiz' moment where the cellist steals the melody, so feel free to ham that up as much as possible, cello players!This arrangement also makes use of modern extended string techniques in order to create rhythmic grooves without the need for additional instruments, including chopping and strum bowing. If you are unfamiliar with these concepts, various resources exist all over the internet to aid you in your quest towards having better time. I recommend this series, for example: https://youtu.be/kfX3kxjC93sPerformance time - 4:20... and if that doesn't make Miley Cyrus proud I don't know what will.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$17.99
16.15 €
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String Quartet: 2 violins, viola, cello
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Miley Cyrus
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Wrecking Ball
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ViolinVagabond Music
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SheetMusicPlus
Silent Night Prelude for percussion octet
Percussion Ensemble
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz X…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
4.48 €
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Percussion Ensemble
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Franz Xaver Gruber
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Silent Night Prelude for percussion octet
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Pharaoh Publications
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SheetMusicPlus
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