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You've selected:
Take Five - Score Only
Sheetmusic to print
32 sheet music found
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26
H.P. Takes Five Wind Quintet Edition
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.955719 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.955719 Composed by Henry Purcell. Arranged by Phil Thrift. Baroque,Contemporary. 19 pages. Phil Thrift #5314603. Published by Phil Thrift (A0.955719). H.P. Takes Five is a cheeky take on Henry Purcell’s famous trumpet tune. Instead of 4/4 time, it’s in 5/4, with a few 7/4 measures thrown in for a bit more fun! Purcell (1659–95) wrote much incidental music for plays and so-called semi-operas performed in London’s theaters, and often included a trumpet tune as a signal for the next act. A trumpet was the only instrument that could be heard above the noise of the audience! This is the wind quintet adaptation of the arrangement originally written for brass quintet. The lead moves around the parts and so this is indicated to make sure that the appropriate line remains prominent. Pay attention to all the tenuto and staccato marks. Make sure that the ff in measures 26, 42, 52, and at the end are as loud as you can get them without overblowing. The fluid lines of the lyrical middle section will test your powers of concentration.
$7.99
7.37 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Henry Purcell
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H.P. Takes Five Wind Quintet Edition
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Phil Thrift
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SheetMusicPlus
Take Five
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1341988 By …
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1341988 By Paul Desmond. By Paul Desmond. Arranged by Ander. 19th Century,Chamber,Jazz. 23 pages. Woods Only, Arrangements #927501. Published by Woods Only, Arrangements (A0.1341988). This arrangement of Take Five has been carefully adapted for a Woodwind Quintet, offering a new sonic texture for this classic piece. Maintaining the essence of the original music, this arrangement preserves the fundamental guidelines of jazz, including non-linear rhythms and a dancing sound. The harmonic complexity and rhythmic freedom of jazz are skillfully incorporated, allowing each instrument of the quintet to contribute to the rich sonic tapestry. The original piece, Take Five, is notable for its unusual time signature and its captivating melody, and this arrangement maintains these central elements while introducing the unique coloring and expressiveness of the wind instruments. Therefore, this arrangement of Take Five for Woodwind Quintet is a respectful tribute to Paul Desmond’s original composition, while offering a new perspective through the prism of wind instruments. It celebrates the freedom and creativity of jazz, while highlighting the beauty and versatility of the Woodwind Quintet.
$19.99
18.43 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Paul Desmond
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Take Five
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Woods Only, Arrangements
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SheetMusicPlus
Five Lyrics of Robert Herrick - Roger Quilter
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1171401 Composed by Roger …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1171401 Composed by Roger Quilter. 20th Century,Classical. Octavo. 24 pages. Forsyth Brothers Ltd #771738. Published by Forsyth Brothers Ltd (A0.1171401). A delightful early opus from one of the most individual English songwriters of the Twentieth Century, Roger Quilter (1877-1953). The texts are taken from the works of Seventeenth Century English poet Robert Herrick (ca 1591-1674) whose lyrics Quilter also set to music in his Opus 8 song-cycle To Julia (1905). The Opus 7 settings are dedicated to Quilter's friend Percy Grainger.FIVE LYRICS OF ROBERT HERRICK (SATB & Piano): Cupid A Dirge Morning Song To Electra To Violets  CupidLove, like a beggar came to meWith hose and doublet torn;His shirt bedangling from his knee,With hat and shoes outworn. He asked an alms; I gave him bread,And meat too for his need,Of which, when he had fully fed,He wished me all good speed.Away he went, but as he turned,In faith I know not how,He touched me so, as that I burnedAnd am tormented now. Love’s silent flames and fires obscureThen crept into my heart;And though I saw no bow, I’m sureHis finger was the dart. A DirgeHere she lies, in bed of spice,Fair as Eve in ParadiseFor her beauty was suchPoets could not praise too much.Virgins come, and in a ringHer supremest requiem sing.Then depart but see ye treadLightly, lightly o’er the dead.Morning Song Let's now take our time,While we're in our prime,And old, old age is afar off:For the evil, evil daysWill come on apace,Before we can be aware of. To ElectraI dare not ask a kiss;I dare not beg a smile;Lest, having that or this,I might grow proud the while. No, no, the utmost shareOf my desire shall beOnly to kiss the airThat lately kissèd thee. To VioletsWelcome, maids of honour!You do bringIn the SpringAnd wait upon her She has virgins manyFresh and fair;Yet you areMore sweet than anyY'are the maiden posiesAnd so graced,To be placed'Fore damask roses.Yet though thus respectedBy and byYe do lie,Poor girls, neglected.
$9.99
9.21 €
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Choral SATB
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and by
Ye do lie,
Poor girls, neglected
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Roger Quilter
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Five Lyrics of Robert Herrick - Roger Quilter
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Forsyth Brothers Ltd
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SheetMusicPlus
Beyond Her Only Dreaming
Violin and Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1444309 Composed by J. Francis Ba…
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Piano,Violin - Level 3 - Digital Download SKU: A0.1444309 Composed by J. Francis Ball, Mercedes M Yardley. Arranged by J.Francis Ball. Classical,Contemporary. 30 pages. J.Francis Ball #1024223. Published by J.Francis Ball (A0.1444309). Program Notes Mercedes M. Yardley is a dark fantasist who wears poisonous flowers in her hair. She is a two-time Bram Stoker Award winner for Little Dead Red and “Fracture.” She is the author of Darling, the Stabby Award-winning Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love, Pretty Little Dead Girls, and Love is a Crematorium. Mercedes lives in Las Vegas and can be found at mercedesmyardley.com. J. Francis Ball Is a composer, violinist, and guitarist who has performed in multiple bands, in collaborations, in orchestras, and solo projects. He has recorded and released ten studio albums with The Unwieldies and The Psyatics. His classical, jazz, romantic, and punk musical influences can be heard in all his contemporary compositions. J. Francis Ball was born and raised in Pittsburgh, PA, and currently lives and performs in Las Vegas. His Words This collaboration began with a powerful name. I asked Mercedes to listen to and name an early piano composition I wrote. Her reply was “Beyond Her Only Dreaming.” The original composition was ultimately scrapped, but the name stuck with me. It inspired the muses whispering in my haunted ear. I wrote five musical tone poems that were loosely based on a woman’s dream. During the creative process, I asked Mercedes to listen to the tones and use her imagination to create sketches for each section. Her spoken poetry powerfully frames a woman’s dreams, fears, desires, and hope for love. They blend seamlessly with the music and are so masterfully written that they create a picture frame to use as structure but leave the canvas blank. This allows the listener to also take part in this collaboration and paint their own visions of how they experience the music. J.F.B.Her Words I’m a dreamer and writer of words, but I love music. When John asked me to name his original musical piece, I was delighted. I had recently written a story based on Robert Chamber’s famed The King in Yellow collection and, due to the sound and feel of John’s piece, loosely named the composition after my short story. John took this title and created a brilliant new musical composition. After listening to it, I was influenced to create spoken- word pieces that match the emotion of the music while also hearkening back to the original short story. The piece you’ll hear contains poetry influenced by original music inspired by a short story based on a collection written in 1895. Time is a flat circle. This is how art moves and breathes, and I’m truly honored to take part. MMY.
$5.99
5.52 €
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Violin and Piano
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J
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Beyond Her Only Dreaming
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J.Francis Ball
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SheetMusicPlus
Take Five (solo only)
C Instruments
C Instrument - Digital Download SKU: HX.1106144 By Jimmy Frisaura. This edition: sc…
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C Instrument - Digital Download SKU: HX.1106144 By Jimmy Frisaura. This edition: scorch. Jazz,Standards. Real Book - Melody/Chords. 3 pages. Hal Leonard - Digital #810540. Published by Hal Leonard - Digital (HX.1106144).
$1.99
1.83 €
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C Instruments
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Jimmy Frisaura
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Take Five
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Hal Leonard - Digital
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SheetMusicPlus
Sing of the Lord's Goodness
Choral (Choral) - Digital Download SKU: H1.C5110DP Arranged by John Carter. Piano w…
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Choral (Choral) - Digital Download SKU: H1.C5110DP Arranged by John Carter. Piano with Optional Piano/4-hand. General Worship, God's Attributes/Character, Adoration & Praise. Octavo. 16 pages. Hope Publishing - Digital #C5110DP. Published by Hope Publishing - Digital (H1.C5110DP). By Ernest Sands.Uplifting praise song by Ernest Sands Not only a wonderful and uplifting song of praise, but a distinctly memorable one for its unique rhythmic pattern of five beats per measure. John Carter has appropriated Dave Brubeck's Take Five in a four-hand piano accompaniment that is accessible and fun to play - a wonderful celebration of the Lord's goodness.
$3.25
3 €
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Ernest Sands
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Sing of the Lord's Goodness
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Hope Publishing - Digital
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SheetMusicPlus
I Gotta Feeling
Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Digital Download …
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Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.752383 By The Black Eyed Peas. By Allan Pineda, David Guetta, Frederic Riesterer, Jaime Gomez, Stacy Ferguson, and Will Adams. Arranged by Rob Bushnell. Hip-Hop,Pop,R & B. 38 pages. RBMusic #5210549. Published by RBMusic (A0.752383). Produced by David Guetta and Frédéric Riesterer, I Gotta Feeling is the second single from the album The E.N.D., the fifth released by The Black Eyed Peas. It debuted at number two on the Billboard Hot 100, behind the group’s song Boom Boom Pow, making the one of only eleven artists who have held the top two positions at the same time. It reached number one in the US charts and won the group the Grammy for the Best Pop Performance by a Duo or Group with Vocals. The album also won Best Pop Vocal Album and Best Short Form Music Video as well as being nominated for Album of the Year and Record of the Year. I Gotta Feeling became the first song to sell over 7 million digital copies in the United States in March 2011 and holds the record as the best digital seller in history. It spent 14 consecutive weeks at the of the Billboard Hot 100, making it the longest-running number-one single of 2009. This arrangement includes oompah sections, as well as alternative parts for tenor horn, treble-clef euphonium, and tubas (both bass and treble clef). A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=uSD4vsh1zDA. Other searchable terms: World Music Awards, Frederic Riesterer, William Adams, Allan Pineda, Jaime Gomez, Stacy Ferguson, will.i.am, Square Prod, Paris, France, Metropolis Studios, London, England, United Kingdom, Take a Dive, Bryan Pringle, The Police, Every Breath You Take, Five Stairsteps, Ooh Child, I'll Go Crazy If I Don't Go Crazy Tonight, Kick-off Party, The Oprah Winfrey Show, Super Bowl XLV, FIRST Robotics Competition World Championships, Queen Elizabeth II, Diamond Jubilee, Jessie J, Southeast Asian Games, J Rey, Soul, Jessica Reynoso, Apl.de.ap, Fergie, Taboo, Hollywood Boulevard, Dipdive, Mikey Mee, Little Minx, Katy Perry, Kid Cudi, Gossip, Dean Caten, Dan Caten, Dsquared2, RuPaul, Ongina, CBS, CNN, Winter Olympics, Vancouver, Sochi, The Big Band Theory, Miami Medical, Horrid Henry, G-Force
$16.99
15.66 €
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The Black Eyed Peas
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I Gotta Feeling
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RBMusic
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SheetMusicPlus
I Gotta Feeling
Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Digital Download …
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Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.752385 By The Black Eyed Peas. By Allan Pineda, David Guetta, Frederic Riesterer, Jaime Gomez, Stacy Ferguson, and Will Adams. Arranged by Rob Bushnell. Hip-Hop,Pop,R & B. 41 pages. RBMusic #5213267. Published by RBMusic (A0.752385). Produced by David Guetta and Frédéric Riesterer, I Gotta Feeling is the second single from the album The E.N.D., the fifth released by The Black Eyed Peas. It debuted at number two on the Billboard Hot 100, behind the group’s song Boom Boom Pow, making the one of only eleven artists who have held the top two positions at the same time. It reached number one in the US charts and won the group the Grammy for the Best Pop Performance by a Duo or Group with Vocals. The album also won Best Pop Vocal Album and Best Short Form Music Video as well as being nominated for Album of the Year and Record of the Year. I Gotta Feeling became the first song to sell over 7 million digital copies in the United States in March 2011 and holds the record as the best digital seller in history. It spent 14 consecutive weeks at the of the Billboard Hot 100, making it the longest-running number-one single of 2009. This arrangement includes oompah sections, as well as alternative parts for tenor horn, treble-clef euphonium and tubas. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=uSD4vsh1zDA. Other searchable terms: World Music Awards, Frederic Riesterer, William Adams, Allan Pineda, Jaime Gomez, Stacy Ferguson, will.i.am, Square Prod, Paris, France, Metropolis Studios, London, England, United Kingdom, Take a Dive, Bryan Pringle, The Police, Every Breath You Take, Five Stairsteps, Ooh Child, I'll Go Crazy If I Don't Go Crazy Tonight, Kick-off Party, The Oprah Winfrey Show, Super Bowl XLV, FIRST Robotics Competition World Championships, Queen Elizabeth II, Diamond Jubilee, Jessie J, Southeast Asian Games, J Rey, Soul, Jessica Reynoso, Apl.de.ap, Fergie, Taboo, Hollywood Boulevard, Dipdive, Mikey Mee, Little Minx, Katy Perry, Kid Cudi, Gossip, Dean Caten, Dan Caten, Dsquared2, RuPaul, Ongina, CBS, CNN, Winter Olympics, Vancouver, Sochi, The Big Band Theory, Miami Medical, Horrid Henry, G-Force
$16.99
15.66 €
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The Black Eyed Peas
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I Gotta Feeling
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RBMusic
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SheetMusicPlus
Rhythm Flashcards for 5/4 Meter
Level 3 - Digital Download SKU: A0.968890 Composed by Jodi Austin. Instructional. 1…
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Level 3 - Digital Download SKU: A0.968890 Composed by Jodi Austin. Instructional. 17 pages. Jo Austin #4985053. Published by Jo Austin (A0.968890). 34 Rhythm Flashcards for 5/4 meter. If your students are playing Mission Impossible or Take Five this semester, you NEED these flashcards! The rhythms selected range from basic (quarter notes and eighth notes) to syncopation. I've included some of the trickier rhythms from commonly taught pieces in 5/4.You will need a pdf reader to view the files. Each 8 1/2 X 11 page features two unique flashcards. You will need to slice each page in half to use the flashcards. Printing on cardstock and laminating is recommended.
$3.00
2.77 €
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Jodi Austin
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Rhythm Flashcards for 5/4 Meter
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Jo Austin
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SheetMusicPlus
Four Folk Songs
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899139 Composed by Bella Bartok. A…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899139 Composed by Bella Bartok. Arranged by Rod Whittle. Folk. Individual part. 4 pages. Maggie Creek Music #4349077. Published by Maggie Creek Music (A0.899139). for solo classical guitar 4 pp (7 min.)BELA BARTOK Welcome to the enchanting world of Bartok’s folk music. These pieces have been transcribed from arrangements for flute and guitar. Bela Bartok, considered one of the 20th century’s most important composers, was born in Hungary in 1881. A prodigy, he was a professor at the Budapest Music Academy by the age of 26. His interest in traditional music led him to make many journeys (with his colleague Zolta Kodaly) through Hungary, Romania and Slovakia collecting songs and dances, the styles of which were synthesised into compositions of his own. He emigrated to the USA in 1940 where he died five years later of leukaemia. The pieces are deceptively simple, and it would be a mistake to take their natural forms, clear melodies, tonal harmonies and strong rhythms as an invitation to play inattentively. Quite the contrary. They stand any amount of playing, but only when the composing is heeded, the dynamics observed, and modulations anticipated.
$5.00
4.61 €
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Guitar
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Bella Bartok
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Four Folk Songs
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Maggie Creek Music
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SheetMusicPlus
Take Five
Piano, Vocal and Guitar
By Dave Brubeck. By Paul Desmond. For piano, voice and guitar (chords only). Jazz. Piano/V…
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By Dave Brubeck. By Paul Desmond. For piano, voice and guitar (chords only). Jazz. Piano/Vocal/Guitar. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.6 €
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Piano, Vocal and Guitar
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Dave Brubeck
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Take Five
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
The Peanut Vendor (el Manisero)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .  Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.   Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).     Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio MachÃn on the vocal; its sales may well have been more than the million-plus sheet music copies sold.     English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.    Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.   This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)     Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
11.98 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Stan Kenton & His Orchestra
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The Peanut Vendor
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Sweetwater Brass Press
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SheetMusicPlus
Gretchen am Spinnrade
Choral 2-part
Choral Choir,Choral (TB) - Level 3 - Digital Download SKU: A0.1346468 Composed by F…
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Choral Choir,Choral (TB) - Level 3 - Digital Download SKU: A0.1346468 Composed by Franz Schubert. Arranged by D. Jason Bishop. 19th Century,Classical,Instructional,Romantic Period. 18 pages. Tully Road Music #931255. Published by Tully Road Music (A0.1346468). Gretchen am Spinnrade (D. 118, Op. 2) is one of Schubert’s first, most successful, and most widely recognized accomplishments in the genre of the Lied, a 19th-century German art song for solo voice and piano. Schubert composed over 600 Lieder, but the breadth and compositional maturity of this 1814 example are an early indication of his gift for the form. The text is a strophic poem taken from Johann Wolfgang von Goethe’s play Faust, depicting a scene in which Gretchen, sitting at the spinning wheel (spinnrade), daydreams about Faust, a man with whom she is infatuated though she has only just met him and barely knows him. Schubert employs the first stanza as a refrain, repeating the text (“My peace is gone/My heart is heavy/I will never again find themâ€) to heighten the dramatic intensity as Gretchen becomes increasingly overwhelmed by her feelings. The piano accompaniment, with its relentless sixteenth notes in the right hand, depicts both Gretchen’s accumulating madness and the perpetual motion of the spinning wheel. Sixty-five measures pass before the pattern breaks, when Gretchen is so overcome by her emotions that she stops spinning while imagining Faust’s kiss. It then takes three tries to get the spinnrade turning again, which we hear in measures 69-71 before the spinning figure resumes in measure 72 to accompany Gretchen’s doleful refrain. This arrangement is also available for 3-part treble (SSA) voices published by Hal Leonard Corporation, 00140699.
$2.60
2.4 €
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Choral 2-part
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Franz Schubert
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Gretchen am Spinnrade
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Tully Road Music
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.63 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.63 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.63 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.63 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Musik Fabrik Music Publishing
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SheetMusicPlus
Brahms: Serenade No. 2 in A Op.16 Mvt. II Scherzo - symphonic wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.14887…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1488743 Composed by Johannes Brahms. Arranged by Ray Thompson. 19th Century,Romantic Period. 20 pages. RayThompsonMusic #1065594. Published by RayThompsonMusic (A0.1488743). The two Serenades, Op. 11 and 16, represent early efforts by Johannes Brahms to write orchestral music. They both date from after the 1856 death of Robert Schumann when Brahms was residing in Detmold and had access to an orchestra.Brahms had a goal of reaching Ludwig van Beethoven's level in writing symphonies, and worked long and hard on his first symphony, completing it only in 1876 when he was 43 years old. As preliminary steps in composing for orchestra, he chose early on to write some lighter orchestral pieces, these Serenades.The second serenade was first sent to Clara Schumann, who was delighted by it. It was written in 1859 and dedicated to her.The first public performance, reportedly for full orchestra (version lost?), was in Hamburg on 10 February 1860.Brahms himself reworked the piece for piano 4 hands in 1875.The same year he revisited the orchestral version, this time for a small chamber orchestra.The new scoring was for :piccolo,2 flutes,2 oboes,2 clarinets (in A for movements I, IV, V; in C for movement II; and in B flat for movement III),2 bassoons, 2 horns, violas, cellos, and double basses.(omitting violins, brass, and percussion)The five movements take approximately thirty minutes to perform.Allegro moderato (A major)Scherzo. Vivace (C major) – Trio (F major) (This arrangement)Adagio non troppo (A minor, ends in A major with a Picardy third)Quasi menuetto (D major) – Trio (F♯ minor)Rondo. Allegro (A major)Arranged wind dectet/decet/double wind quintet and bass.Horns in C basso ( as in original) but alternative Horn in F parts provided.My clarinet parts are for Bb clarinets.
$14.95
13.78 €
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Johannes Brahms
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in C for movement II
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Brahms: Serenade No. 2 in A Op.16 Mvt. II Scherzo - symphonic wind dectet
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RayThompsonMusic
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SheetMusicPlus
Duets For Violin & Violoncello 178-193 (volume 12)
Violin, Cello (duet)
Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1409338 Compose…
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Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1409338 Composed by Socrates Arvanitakis. 21st Century,Classical,Traditional. 75 pages. Socrates Arvanitakis #991962. Published by Socrates Arvanitakis (A0.1409338). GENERAL PREFACE – ΓΕÎΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS178 ΠΑΙΔΙΑ ΣΑΠΘΕΛΤΕ ΛΕΒΕÎΤΙΑ (Lads, Since You Want Some Valour)179 ΠΑΛΙ ΜΕΘΥΣΜΕÎΟΣ ΕΙΣΑΙ (Again You're Drunk)180 ΠΑÎΑΓΙΩΤΙΣΣΑ (The Girl From Panaghia)181 ΠΑÎΤΡΕΥΟΥΠΤΗΠΑΓΑΠΗ ΜΟΥ (They Wed My Love to Someone Else)182 ΠΑÎΩ ΣΕ ΨΙΛΗ ΡΑΧΟΥΛΑ (On Top Of A High Mountain Ridge)183 ΠΑΠΑΔΙΕΣ ΟΙ (The Priests' Wives)184 ΠΑΠΑΚΙ (Little Duckling)185 ΠΑΠΑΛΑΜΠΡΑΙÎΑ (Priest Lambro's Wife)186 ΠΑΡΑΠΟÎΙΑΡΙΚΟ (The Little complainer)187 ΠΑΡΑΣΚΕΥΟΥΛΑ (Paraskevoula)188 ΠΑΡΕ ΜΑΡΙΩ ΤΗ ΡΟΚΑ ΣΟΥ (Mary, Take Your Distaff)189 ΠΑΤΡΙÎΙΑ (The Lass from Patras)190 ΠΕÎΤΟΖΑΛΗΣ (Five Steps Dance - Pentozalis-Crete)191 ΠΕΡΔΙΚΟΥΛΑ Η (The Little Partridge)192 ΠΕΡΙΒΟΛΙ ΤΟ (The Orchard )193 ΠΕΡΙΒΟΛΙΠΕΙΧΑ (I Had An Orchard).
$20.00
18.44 €
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Violin, Cello (duet)
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Socrates Arvanitakis
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Duets For Violin & Violoncello 178-193
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Socrates Arvanitakis
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SheetMusicPlus
Bohemian Rhapsody
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.924181 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by E.Gonzalez. Rock. 22 pages. Gonzalez Music #3532959. Published by Gonzalez Music (A0.924181). Bohemian Rhapsody is a song by the British rock band Queen. It was written by Freddie Mercury for the band's 1975 album A Night at the Opera. It is a six-minute suite,[1] consisting of several sections without a chorus: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda.[2] The song is a more accessible take on the 1970s progressive rock genre.[3] It was reportedly the most expensive single ever made at the time of its release, although the exact cost of production cannot be determined.[4]When it was released as a single, Bohemian Rhapsody became a commercial success, staying at the top of the UK Singles Chart for nine weeks and selling more than a million copies by the end of January 1976.[5] It reached number one again in 1991 for another five weeks when the same version was re-released following Mercury's death,[6] eventually becoming the UK's third-best-selling single of all time.[7] It is also the only song to be the UK Christmas number one twice by the same artist.[8] It topped the charts in several other markets as well, including Canada, Australia, New Zealand, Ireland, and The Netherlands, later becoming one of the best-selling singles of all time selling over 6 million copies worldwide. In the United States, the song originally peaked at number nine in 1976. It returned to the chart at number two in 1992, behind Kris Kross's Jump, and also appeared in the film Wayne's World, which contributed to the revival of its American popularity.
$15.99
14.74 €
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Saxophone Quartet: 4 saxophones
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Queen
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Bohemian Rhapsody
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Gonzalez Music
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SheetMusicPlus
The Brass Player: Fantasy on Ich bin ein Musikant
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.44 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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F
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The Brass Player: Fantasy on Ich bin ein Musikant
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Sweetwater Brass Press
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SheetMusicPlus
Fugue sur le Cromorne - For Woodwinds
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.742425 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.742425 Composed by Louis Couperin. Arranged by Arte Nova Music Lab. Concert,Renaissance,Standards,World. 4 pages. Arte Nova Music Lab #3676475. Published by Arte Nova Music Lab (A0.742425). Louis Couperin (French: [lwi kupÊɛ̃]) (c. 1626 – 29 August 1661) was a French Baroque composer and performer. He was born in Chaumes-en-Brie and moved to Paris in 1650–1651 with the help of Jacques Champion de Chambonnières. Couperin worked as organist of the Church of St. Gervais in Paris and as musician at the court. He quickly became one of the most prominent Parisian musicians, establishing himself as a harpsichordist, organist, and violist, but his career was cut short by his early death at the age of thirty-five.None of Couperin's music was published during his lifetime, but manuscript copies of some 200 pieces survive, some of them only rediscovered in the mid-20th century. The first historically important member of the Couperin family, Couperin made seminal contributions to the development of both the French organ school and French harpsichord school. His innovations included composing organ pieces for specificregistrations and inventing the genre of the unmeasured prelude for harpsichord, for which he devised a special type of notation. Taken from https://en.wikipedia.org/wiki/Louis_Couperin
$15.00
13.83 €
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Flute, Oboe, Clarinet, Bassoon
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Louis Couperin
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Fugue sur le Cromorne - For Woodwinds
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Arte Nova Music Lab
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SheetMusicPlus
Please Please Please
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1499182 By Sabrina Carpenter. By Amy Allen, Jack Antonoff, and Sabrina Carpenter. Arranged by Max Stannard. Pop. Brass Band. 35 pages. Max Stannard Music #1075231. Published by Max Stannard Music (A0.1499182). This is an arrangement of the pop song Please, Please, Please for brass band. It has a challenging euphonium and xylophone part, which takes on the role of synth, with some help from sop and horn. The song was Sabrina Carpenter's first number on on the Billboard Hot 100 chart. The music video for Please Please Please serves as a sequel to the Espresso music video released earlier in 2024. In the music video for Espresso, Carpenter gets arrested at the end. I ended the last video getting arrested, so naturally I thought it would be satisfying to start the 'Please Please Please' video in jail, said the singer. I liked the idea of falling in love with a convict and being shocked and embarrassed every time he commits crimes. In the United Kingdom, with Please Please Please at number one and her previous song Espresso at number two on the UK Singles Chart, Carpenter became the first female artist to hold the top two positions of the chart for five weeks in a row and matched Ed Sheeran as the only artist to hold this feat in general.
$29.99
27.65 €
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Sabrina Carpenter
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Please Please Please
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Max Stannard Music
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SheetMusicPlus
Mary, Did You Know?
Flute ensemble
Flute,Piccolo - Level 3 - Interactive Download SKU: A0.1311516 By Pentatonix. By Bu…
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Flute,Piccolo - Level 3 - Interactive Download SKU: A0.1311516 By Pentatonix. By Buddy Greene and Mark Lowry. Arranged by Carol Boudreau. This edition: Interactive Download. Christian,Christmas,Classical,Folk,Holiday,Jazz,Praise and Worship. 29 pages. Duration 198. Carol Boudreau #2lXeqbJq5f7KAP5Twgjy6N. Published by Carol Boudreau (A0.1311516). Key: D major.Contemporary classic Christmas tune arranged for flute ensemble consisting of Piccolo, three to five C flutes, Alto flute and Bass flute In the style of A Capella group, Pentatonix, this arrangement takes it a step further and adds fullness to the overall sound with an arrangement for six to eight players. The fourth flute part is optional, and divisi; if only one person is playing it, the upper notes are preferred. Play the off-beats with precision and confidence, and strive for a true cantibile sound.
$19.99
18.43 €
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Flute ensemble
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Pentatonix
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Mary, Did You Know?
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Carol Boudreau
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