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Take The Strain
Sheetmusic to print
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Take The Strain
Choral SATB
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.1022856 Composed by M Cal…
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Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.1022856 Composed by M Calvert. Children,Instructional,Musical/Show. Octavo. 23 pages. Martin Calvert #3478431. Published by Martin Calvert (A0.1022856). Song for a children's group. A bright and pantomime-feel to the overall rhythm. This will be part of a suite of songs exploring feelings and positive messages. Two relatively simple vocal parts in chant and echo with some harmony. Suitable for primary / elementary / middle schools as part of a production or one off. It helps children to understand perseverance and the ability to carry on through any troubles. #mental health support #socialmoraleducation Hyperlink to Sibelius score showing key changes. https://sibl.pub/HyMIIUFKM
$3.99
3.66 €
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Choral SATB
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M Calvert
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Take The Strain
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Martin Calvert
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SheetMusicPlus
Dawn of the Century March - Polka for “Hungry Five” Band
Clarinet,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1371301 Compose…
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Clarinet,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1371301 Composed by E. T. Paull. Arranged by Aaron Hettinga. 20th Century,Chamber,Folk,March,Multicultural,World. 16 pages. Aaron Hettinga #955511. Published by Aaron Hettinga (A0.1371301). Edward Taylor Paull (1858-1924) was an American composer of marches and rags who was successful in producing a large number of circus marches in the late 1800’s/early 1900’s. His “Dawn of the Century March†welcomed in the then-brand new Twentieth Century.This arrangement has been prepared for the instrumentation of Alford’s “Hungry Five†polka band books and serves as a fine addendum to those familiar pieces.  While the clarinet parts tend to be the most active, they often feature diatonic scalar patterns that remain accessible to most intermediate-level players. Though the trumpet part does sneak up to some written high A’s and B-flats during the first strain, the remainder of the piece doesn’t surpass the G on top of the staff. At the risk of sounding sloppy, it may be better to take the tempo a little lesser than a circus march tempo to accommodate. Besides, if playing this piece to accompany Polka dancing, it would be best to take this at a more danceable tempo anyway.This downloadable PDF package contains a full score and a set of parts that are ready to go for adding some extra variety to your German Band’s Oktoberfest OomPah gig!
$19.99
18.36 €
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E
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Dawn of the Century March - Polka for “Hungry Five” Band
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Aaron Hettinga
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SheetMusicPlus
Come, You Faithful, Raise the Strain (Downloadable)
Organ
Organ - Medium - Digital Download SKU: MQ.10-431-3E Composed by David Schelat. East…
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Organ - Medium - Digital Download SKU: MQ.10-431-3E Composed by David Schelat. Easter. 4 pages. MorningStar Music Publishers - Digital Sheet Music #10-431-3E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-431-3E). David Schelat always has a fresh approach (stylistically, rhythmically, or harmonically) to the tunes he uses, and this collection is no exception. If you think, Oh, not THAT tune again, you need to take another look because he will surprise you. EASTER HYMN is set to a lilting waltz, LANCASHIRE as an imitative trio, GAUDEAMUS PARITER as a lively dance, GELOBT SEI GOTT as a fugal setting with a cantus firmus in the pedal, and CHRIST IST ERSTANDEN as a baroque slow movement with a solo for cornet registration. Interesting and rewarding to play and hear.
$5.00
4.59 €
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Organ
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David Schelat
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Come, You Faithful, Raise the Strain
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
"Dear Lord and Father of Mankind"
Organ
Organ - Level 2 - Digital Download SKU: A0.984507 Composed by Robert M. Thompson, A…
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Organ - Level 2 - Digital Download SKU: A0.984507 Composed by Robert M. Thompson, A.Mus.D. (b. 1940). Christian,Contemporary,Sacred. Score. 3 pages. Bob Thompson #6120477. Published by Bob Thompson (A0.984507). A beautifully prayerful setting of this beloved hymn. It expresses the true meaning of the text:Take from our souls the strain and stress..., ..In deeper reverence...., .Drop thy still dews of quietness...
$8.90
8.17 €
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Organ
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Robert M
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"Dear Lord and Father of Mankind"
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Bob Thompson
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SheetMusicPlus
The Last Rose of Summer - for orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.964603 Composed by Traditional.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.964603 Composed by Traditional. Arranged by Betsy Bright. Celtic,Contemporary,Holiday,Irish. Score and parts. 55 pages. Bright Music Company #6854523. Published by Bright Music Company (A0.964603). This original setting of the beloved traditional Irish tune, The Last Rose of Summer, features many soloists throughout the orchestra. The woodwinds present the melody first, followed by a strong verse in the brass. A string quartet follows, bringing a nostalgia and sadness that swells into the full string section. This gorgeous arrangement will leave every audience in tears and gives the orchestra a chance to shine without any strain or complications. Simple enough to be played by a youth orchestra or amateur orchestra, this piece is also musically rich enough to be thoroughly enjoyed by any professional orchestra. The Last Rose of Summer fits beautifully into any type of program, whether as an encore on a Subscription Series or as a feature on a Pops program. And of course any program featuring Celtic music should take the opportunity to include this piece!Duration: 4 minutesDifficulty: Intermediate through advancedInstrumentation: 2.2(1.EH).2.2 - 4.2.3.1 - T+3 - Hp - Strings2 flutesOboe English Horn2 Clarinets in Bb4 Horns in F2 Trumpets in C and Bb3 Trombones (2 tenor, 1 bass)TubaTimpani3 PercussionHarpStrings
$68.95
63.31 €
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Orchestra
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Traditional
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2
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The Last Rose of Summer - for orchestra
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Bright Music Company
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SheetMusicPlus
The Palatka Port March - Score Only
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stew…
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Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!
$10.00
9.18 €
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Concert band
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David M
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The Palatka Port March - Score Only
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DMStewart Music
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SheetMusicPlus
The Palatka Port March
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stew…
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Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart Music (A0.1239680). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Florida on the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferry barges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fish to provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to be so in the future.   The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, this represents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is a linear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you can picture the ships coming from Europe across the ocean and the excitement they felt when they reached it. The second strain is more playful and represents the life that the river has provided for people for centuries. The Trio represents the calmness and civility when Palatka was discovered, and the happiness the settlers must have felt knowing they had found their perfect place to call home. The break strain represents the hard work and efforts that were put forth to secure the land and build a community. There would have been many triumphs and many successes, but the journey would have not been easy. The final strain is the culmination of the piece. This is the celebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building a city. I hope you enjoy, The Palatka Port March!
$50.00
45.91 €
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Concert band
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David M
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The Palatka Port March
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DMStewart Music
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SheetMusicPlus
Hop Off
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletche…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!
$49.99
45.9 €
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Jazz Ensemble
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Fletcher Henderson And His Orchestra
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Hop Off
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Peter Stove
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SheetMusicPlus
That's How the Story Goes - A Christmas Musical for Children
Choral 2-part
Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805210 By Joanna Mills. …
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Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805210 By Joanna Mills. By Joanna Mills. Arranged by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 76 pages. Joanna Mills Music #412247. Published by Joanna Mills Music (A0.805210). This charming, original musical pageant retells the Christmas Story through the eyes of the angels and reminds us to always trust in God. In That’s How the Story Goes, the archangels Michael and Raphael are hosting a heavenly campfire, and all the youngest angels want to hear the Christmas Story. Happy to oblige, the other archangels take turns telling their parts of the story. Gabriel tells of visiting Mary, Uriel tells of visiting Joseph, Sealtiel & Jehudiel tell of their visit to the shepherds, and Barachiel tells of visiting the three wise men in their dreams to warn them about King Herod. The musical features a simple script with minimal memorization which allows for maximum flexibility with age-range, cast size, and rehearsal time-- the longer, adapted scripture readings may be read from a book or binder. Each part of the story is followed by an original song sung by the entire cast. Costumes, sets, and props are also minimal, and there are no scene changes, which allow this show to be staged in any space, including traditional church sanctuaries. Approximate performance time 30 minutes That’s How the Story Goes features five original songs written and arranged for school-aged children by Joanna Mills. The songs are all set in an accessible range for young children, and feature simple tunes which are easy to learn. This package contains two versions of each song; an easy unison version (with optional easy descant or counterpoint harmonies on the final chorus), and a 2-part choir version, which features simple, easy-to-learn harmonies. This allows you to mix and match your arrangements to suit the abilities of your singers and your rehearsal time constraints. For those students who do not read music, the lyrics are included in the script. The piano accompaniments are at an intermediate level and guitar chords are included, which allows older youth to participate as musicians (or allows experienced accompanists to learn them quickly). This complete package contains: • Director’s notes – including suggestions for staging and casting • List of props and costumes • Five songs with the following arrangements provided for each song: o Unison lyric sheets included in the script (for children who do not read music) o Unison Choir arrangement with piano accompaniment and guitar chords o 2-Part Choir arrangement with piano accompaniment and guitar chords visit www.joannamills.ca for more savings and free offers.
$4.99
4.58 €
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Choral 2-part
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Joanna Mills
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That's How the Story Goes - A Christmas Musical for Children
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Joanna Mills Music
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SheetMusicPlus
The Old Rugged Cross
Choral (Single, Orchestra) - Digital Download SKU: H1.C5175DP Arranged by Joel Rane…
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Choral (Single, Orchestra) - Digital Download SKU: H1.C5175DP Arranged by Joel Raney. Piano Accompaniment with Optional Orchestra. Concertato, Lent, General Worship, Cross of Christ, Joy, Stewardship. Octavo. 12 pages. Hope Publishing - Digital #C5175DP. Published by Hope Publishing - Digital (H1.C5175DP). By George Bennard.Beloved hymn by George Bennard Joel Raney has taken the words of George Bennard's beloved hymn and set them to a powerful original melody, creating a dramatic presentation of the Passion story. Ideal for Good Friday, the impact of this piece grows in resonance as strains of Bennard's original melody comes forth in the major key. The Orchestration includes a Conductor's Score and parts for: Piano, Violin 1, Violin 2, Viola, Cello, Oboe, B-flat Trumpet, French Horn and Percussion (chimes, suspended cymbal & timpani).
$3.25
2.98 €
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George Bennard
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The Old Rugged Cross
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Hope Publishing - Digital
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SheetMusicPlus
The Old Rugged Cross
(Single, Orchestra) - Digital Download SKU: H1.C5175ODP Arranged by Joel Raney. Pia…
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(Single, Orchestra) - Digital Download SKU: H1.C5175ODP Arranged by Joel Raney. Piano Accompaniment with Optional Orchestra. Lent, General Worship, Cross of Christ, Joy, Stewardship. Set of Instrumental Parts. 40 pages. Hope Publishing - Digital #C5175ODP. Published by Hope Publishing - Digital (H1.C5175ODP). By George Bennard.Beloved hymn by George Bennard Joel Raney has taken the words of George Bennard's beloved hymn and set them to a powerful original melody, creating a dramatic presentation of the Passion story. Ideal for Good Friday, the impact of this piece grows in resonance as strains of Bennard's original melody comes forth in the major key. The Orchestration includes a Conductor's Score and parts for: Piano, Violin 1, Violin 2, Viola, Cello, Oboe, B-flat Trumpet, French Horn and Percussion (chimes, suspended cymbal & timpani).
$89.95
82.6 €
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George Bennard
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The Old Rugged Cross
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Hope Publishing - Digital
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SheetMusicPlus
In The Real Early Morning
Guitar - Level 3 - Digital Download SKU: A0.1449611 By Jacob Collier. By Jacob Coll…
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Guitar - Level 3 - Digital Download SKU: A0.1449611 By Jacob Collier. By Jacob Collier. Arranged by Justin Roth. This edition: audio, pdf. Contemporary, Folk, Instructional, Pop, Singer/Songwriter. Guitar Tab. 11 pages. Rothirric Music #1029367. Published by Rothirric Music (A0.1449611). This transcription is an acoustic guitar arrangement by Justin Roth, created “in the style of Jacob” in Jacob’s signature DAE(G)AD tuning. Jacob has not performed or released an acoustic guitar version of this song to date. So, certain liberties were taken to adapt his keyboard voicings within the constraints of the range of notes available on the guitar in this tuning while staying as close to the original arrangement as possible. Despite the harmonic complexity of parts of the song, learn the easy and repeatable chord shapes that Jacob actually uses to make this song easier to play than you think. This transcription is intended as a chordal and rhythmic guide to the song, making it more accessible, no matter what your level of playing is. It also indicates primary and secondary chords, giving you the option to simplify the arrangment by eliminating secondary passing chords, if necessary.As a professional fingerstyle guitarist himself, arranger and transcriber, Justin Roth, has been teaching and transcribing Jacob Collier's guitar arrangements with precision and attention to detail unlike no other to date. Supplemental tutorial videos that accompany Justin's transcriptions are available here: https://bit.ly/JCtutorials
$5.99
5.5 €
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Jacob Collier
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In The Real Early Morning
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Rothirric Music
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SheetMusicPlus
Largo from Winter (The Four Seasons)
Violin
Violin Solo - Level 4 - Digital Download SKU: A0.1214644 Composed by Antonio Vivald…
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Violin Solo - Level 4 - Digital Download SKU: A0.1214644 Composed by Antonio Vivaldi. Arranged by Lavender Hill. Baroque,Chamber,Classical,Standards,Wedding. 2 pages. Lavender Hill #811619. Published by Lavender Hill (A0.1214644). A. Vivaldi, Largo from Winter (The Four Seasons) Advanced Intermediate LevelUnaccompanied Violin part: 1 pageTime: 2:00Yes, making music with others is one of the best things about being a violinist, and a string duo, trio or quartet is great for weddings and other private or corporate events.  But sometimes through constraints of availability / space / budget – or just for the thrill of it - we need to go it alone.  That’s when music for unaccompanied violin (not merely solo violin) comes into its own.Here’s the slow movement from Vivaldi's Winter concerto, from The Four Seasons, with the bass line folded into the violin part. I've recorded this with eighth notes, but think of them more as indications than full-length quavers, so you can take care of the upper line. I've written in some ornamentation as well - but feel free to improvise, if you're that way inclined!If you like this, please check out my other arrangements for unacompanied violin, including Baroque, Classical, Romantic, and Classic Jazz.
$9.99
9.17 €
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Violin
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Antonio Vivaldi
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Largo from Winter
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Lavender Hill
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SheetMusicPlus
Hwang Hu (The Empress)
String Orchestra
String Orchestra - Level 5 - Digital Download SKU: A0.1022802 Composed by Yoonjee K…
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String Orchestra - Level 5 - Digital Download SKU: A0.1022802 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 17 pages. Yoonjee Kim #3417595. Published by Yoonjee Kim (A0.1022802). Hwang Hu (The Empress), dedicated to R20, is based on the historical event that occurred about 100 years ago in Korea. In the middle of 19th-century, Korea finished its long isolation and started to be exposed and became involved in the global imperialism. With two commerce treaties, Korea opened its door to other countries including Japan. Korea’s queen Myoung-Sung devoted herself to this modernization and to keep Korea’s independence among these empires at the same time. While Japan was trying to take over the land, the queen restrained it by persuading Russia, France and Germany to intervene. The prime minister of Japan planed the assassination of Myoung-Sung since she was a critical hindrance in accomplishing their domination over Korea. In 1895, Japanese samurais intruded into the palace and murdered the queen in spite of the resistance of the royal guards.
$15.00
13.77 €
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String Orchestra
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Yoonjee Kim
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Hwang Hu
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Yoonjee Kim
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SheetMusicPlus
Symphony In Riffs
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1129024 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1129024 Composed by Benny Carter. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 76 pages. Peter Stove #729548. Published by Peter Stove (A0.1129024). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 1! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). What if Benny Carter had not sailed for Europe in 1935 to become staff arranger with the BBC, but instead had helped out Benny Goodman with providing scores for his ‘Let’s Dance’ program? And suppose Carter had done the same trick that Fletcher Henderson pulled later on, e.g. adapting already existing scores of his own band for the Benny Goodman Orchestra? Carter’s ‘Symphony In Riffs’ is presented here as a piece that could have been a cornerstone of the Goodman band library. The sax soli written by Carter is there, but the clarinet dominates the second strain in a Glenn Miller-styled section, and of course later with an extended solo. Other soloists include trb 1, piano, tpt 2 and ts 1. The two different strains are juxtaposed to each other, to make for a maximum of variety. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Difficult for multiple reasons: • The clarinet soloist must be a first-class ‘BG-wannabe’. Fluent soloist, comfortable in the upper register. • Strong lead-alto required, with an old-skool ‘singing’ tone. • Lead trumpet must be able to ‘carry off’ the final section from bar 197 onwards. • Driving rhythm section needed; swinging (preferably acoustic) rhythm guitarist and a bassist who doesn’t shy away from playing compelling bass-lines. If your band meets these requirements: have fun!
$49.99
45.9 €
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Jazz Ensemble
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Benny Carter
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Symphony In Riffs
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Peter Stove
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SheetMusicPlus
Were You There on That Christmas Night?
Cello, Clarinet, Flute, French Horn - Digital Download SKU: H1.C5472ODP Composed by…
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Cello, Clarinet, Flute, French Horn - Digital Download SKU: H1.C5472ODP Composed by Natalie Sleeth. Arranged by Lloyd Larson. Piano with Optional Cello, Clarinet, Flute, French Horn. Hope's All-time Best Sellers, Vocal Solo Duet Sheet Music. Christmas, Sacred. Set of instrumental parts. 21 pages. Hope Publishing - Digital #C5472ODP. Published by Hope Publishing - Digital (H1.C5472ODP). Matthew 2:1 - Matthew 2:2 - Matthew 2:3 - Matthew 2:4 - Matthew 2:5 - Matthew 2:6 - Matthew 2:7 - Matthew 2:8 - Matthew 2:9 - Matthew 2:10 - Matthew 2:11 - Matthew 2:12 - John 3:16 - Luke 2:14.Popular Christmas carol This Natalie Sleeth blockbuster takes on fresh appeal in Lloyd Larson's tender ballad-setting which includes strains of Silent Night delicately woven into the fabric of Natalie's captivating melody and text. The perfect piece for Christmas Eve or anytime during the Advent/Christmas season. The optional mini-orchestral accompaniment is for flute, clarinet, horn & cello.
$34.95
32.09 €
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Natalie Sleeth
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Were You There on That Christmas Night?
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Hope Publishing - Digital
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SheetMusicPlus
Take My Yoke Upon You, a sacred hymn
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1157412 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1157412 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #757743. Published by Kevin G. Pace (A0.1157412). A delightful sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: My God, my very God, where is thy face today? All I see are clouds through rain; I cannot find my way. My vision is obscured, but my will I give to Thee. Now I sense thy sacred song lending sight to me: Take my yoke upon you; find rest unto your soul. As you let Me guide your life, I will make you whole. My God, my very God, where is thy tender voice? Thou has promised answering; help me to make each choice. I feel I’ve waited long, but my will I give to Thee. Now I hear thy sacred strains serenading me: Take my yoke upon you; find rest unto your soul. As you let Me guide your life, I will make you whole. My God, my very God, where is thy whisp’ring aid? Doubting faith and unbelief cause me to feel afraid. I cannot sense thy thoughts, but my will I give to Thee. Now I feel thy chords of trust reassuring me: Take my yoke upon you; find rest unto your soul. As you let Me guide your life, I will make you whole.
$1.99
1.83 €
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Choral SATB
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Kevin G
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I cannot find my way
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Take My Yoke Upon You, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
A Hymn A Day Volume 5
Harp, Voice
Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. C…
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Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Easter, Lent. 114 pages. Published by Afghan Press Music for the Harp
The fifth of a series of five volumes that are geared toward smaller lever harps with a bass range that goes to the G which is one and ½ octaves below middle C. Volume five includes songs for Lent, Easter and Pentecost. These tunes have the added benefit of being arranged in keys that are accessible to most vocal ranges, which is especially helpful when playing along with congregational singing. Lever changes are indicated with diamond shaped notes. Some tunes have no lever changes, some have a lot. The left hand in a few of the tunes is quite active. 75 tunes, in all.<br> Table of Contents:<br> In the Hour of Trial, We Give Immortal Praise, Soldiers of Christ, Arise, How Firm a Foundation, Must Jesus Bear the Cross Alone, Lord Jesus Christ, My Life, My Light, Near to the Heart of God, Jesus, I My Cross Have Taken, Out of the Depths I Cry to Thee, Lenten Hymn, Break Thou the Bread of Life, O Love, How Deep, How Broad, How High, Here, O My Lord, I See Thee Face to Face, Tell Me the Story of Jesus, Forty Days and Forty Nights, Hail, Thou Once Despised Jesus, O Day of Rest and Gladness, Sing Praise to God Who Reigns Above, Wake, Awake, for Night Is Flying, The Lord Jehovah Reigns, Come, Thou Almighty King, Day by Day and with Each Passing Moment, I'll Praise My Maker While I've Breath, Ah, Holy Jesus, According to Thy Gracious Word, All Hail the Power of Jesus' Name, Jesus, Priceless Treasure, Before Jehovah's Awful Throne, There Is a Balm in Gilead, O Love That Will Not Let Me Go, Bread of Heaven, on Thee We Feed, Awake, My Soul, and With the Sun, The Heavens Declare Thy Glory, Lord, O the Deep, Deep Love of Jesus, Come, Christians, Join to Sing, A Wonderful Savior Is Jesus My Lord, I Am Thine, O Lord, I Am His, and He Is Mine, Turn Your Eyes Upon Jesus, Amazing Grace!, Jesus, Keep Me Near the Cross, Jesus Paid It All, There Is a Green Hill Far Away, Were You There?, Behold the Savior of Mankind, At Calvary, Come, Ye Faithful, Raise the Strain, The Old Rugged Cross, In the Cross of Christ I Glory, All Glory, Laud and Honor, O Sacred Head, Now Wounded, And Can It Be That I Should Gain?, The Day of Resurrection, Go To Dark Gethsemane, Hosanna, Loud Hosanna, Jesus Lives, and So Shall I, Christ, the Lord Is Risen Today, Bread of the World, in Mercy Broken, When I Survey the Wondrous Cross, Cross of Jesus, Cross of Sorrow, The Head That Once Was Crowned, My Savior's Love, The Strife Is O'er, The Battle Done, Christ Arose!, Never Further than Thy Cross, Beneath the Cross of Jesus, Let Us Break Bread Together, Alas! and Did My Savior Bleed?, Christ Jesus Lay in Death's Strong Bands, What Wondrous Love Is This?, Jesus Christ Is Risen Today, Loved With Everlasting Love, Low in the Grave He Lay, O Sons and Daughters, Let Us Sing, Welcome, Happy Morning
$25.00
22.96 €
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Harp, Voice
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A Hymn A Day Volume 5
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Afghan Press Music for the Harp
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SheetMusicPlus
Happy Place
Choral 2-part
Choral Choir (SA) - Level 3 - Digital Download SKU: A0.873034 Composed by Sally Whi…
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Choral Choir (SA) - Level 3 - Digital Download SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0.873034). Composer’s Note - Happy PlaceI’m a lesbian who came-of-age/came-out in the mid 1990s, which means I caught the tail end of those lesbian stereotypes you used to hear about. It made me feel like I’d never inherited The Lesbian Gene. I was never one of the herbal tea sipping, yoga loving, hemp textiles wearing, hippie happy clappy campers of that time. I had girlfriends who were and I tried to humour them sometimes but it was always a strain.I had this one girlfriend who made me go camping once, a gathering with her hippie pagan friends. It was all inoffensive enough, I was having a very nice time sitting in the shade reading my book. Rather stupidly, I made the mistake of letting someone rope me into a thing called D​rumming The Boundary​. They thought I’d be good at it, being a professional musician. I thought it would probably please my girlfriend if I got involved, so I agreed to go along.To my surprise, the drums they’d set up were great instruments, some really top quality djembes that you’d be paying some good money for, so I made the rash assumption that the leader of this activity actually knew what she was doing. We were instructed to start drumming a h​eartbeat​ together, whereupon I discovered that these are people who couldn’t even play a plain old crotchet beat in ensemble. But they seemed to think they were playing in time, swooning and swaying and closing their eyes to ‘feel’ the music. It was starting to make me giggle. These were presumably the same lesbians I’d seen out in Sydney nightclubs who couldn’t dance in time with an electronic beat that repeatedly hits you over the head with its obviousness?! Once I’d had that thought, I couldn’t help my giggle becoming a full-blown guffaw. The dreadlocked hempy lady in charge glared at me, telling me I needed to relax into really f​eeling the heartbeat. ​Could she not see that it was because my whole body was shaking with hysterical laughter at their arhythmic playing? Honestly...I guess I just really don’t like hippies. There, I said it out loud. I tried, I tried really hard, but I just prefer my city life. It’s my ​Happy Place.​-- Sally Whitwell
$1.99
1.83 €
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Choral 2-part
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Sally Whitwell
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Happy Place
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Sally Whitwell
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SheetMusicPlus
Were You There on That Christmas Night?
Vocal ensemble (Orchestra) - Digital Download SKU: H1.8627DP Composed by Natalie Sl…
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Vocal ensemble (Orchestra) - Digital Download SKU: H1.8627DP Composed by Natalie Sleeth. Arranged by Lloyd Larson. Piano with Optional Cello, Clarinet, Flute, French Horn. Christmas, Sacred. Vocal score. 7 pages. Hope Publishing - Digital #8627DP. Published by Hope Publishing - Digital (H1.8627DP). Popular Christmas carol This Natalie Sleeth blockbuster takes on fresh appeal in Lloyd Larson's tender ballad-setting which includes strains of Silent Night delicately woven into the fabric of Natalie's captivating melody and text. The perfect piece for Christmas Eve or anytime during the Advent/Christmas season. The optional mini-orchestral accompaniment is for flute, clarinet, horn & cello.
$7.95
7.3 €
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Natalie Sleeth
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Were You There on That Christmas Night?
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Hope Publishing - Digital
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SheetMusicPlus
Dreidel, Dreidel, Dreidel (AKA The Dreydl Song)
Level 2 - Digital Download SKU: A0.941466 Composed by Traditional. Arranged by Zach…
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Level 2 - Digital Download SKU: A0.941466 Composed by Traditional. Arranged by Zachary B. Poulter. Hanukkah,Jewish,Multicultural,World. 28 pages. Zachary B. Poulter #3619587. Published by Zachary B. Poulter (A0.941466). This energetic, modern take on the Hanukah classic begins in a mysterious, almost noir mood, and develops to a bright and triumphant conclusion, with strains of Maoz Tzur soaring over top. A perfect choice to round out your Christmas time holiday concert. Percussion ensemble, 12 players.
$24.95
22.91 €
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Traditional
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Dreidel, Dreidel, Dreidel
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Zachary B. Poulter
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SheetMusicPlus
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
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Gioachino Rossini
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richa…
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
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Richard Strauss
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.81 €
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Soprano voice, Piano
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Richard Strauss
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
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Soprano voice, Piano
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Richard Strauss
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
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