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Tea for Two for Piano Solo
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Three Chromicons for piano solo
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon For…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.<br> <br> The sound sample is the live performance.<br> <br> The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).<br> <br> Ford explains the significance of these unique scores:<br> <br> "In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."<br> <br> "By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."<br> <br> "Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."<br> <br> "Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."<br> <br> "Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."<br> <br> Video of Chromicon III<br> https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00
11.21 €
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Piano solo
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Joseph Dillon Ford
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Three Chromicons for piano solo
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David Warin Solomons
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SheetMusicPlus
Audacious Binary Forms for Pianist (one or two pianos)
Piano solo
Piano Solo - Digital Download SKU: A0.901081 Composed by Paul Copeland. 20th Centur…
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Piano Solo - Digital Download SKU: A0.901081 Composed by Paul Copeland. 20th Century,Contemporary. Score. 50 pages. Paul Copeland #5988217. Published by Paul Copeland (A0.901081). Audacious Binary Forms for pianist playing one or two pianos, won Australia’s most prestigious piano composition competition the Jean Bogan Prize for Piano Composition 2016. The world premiere was performed by Michael Kieran Harvey. He is considered by many as being one of Australia’s greatest living concert pianists. Michael specializes in performing world premieres of compositions by Australian composers. He is also a prolific composer of avant-garde music. ABSTRACT FROM THE GENERAL DIRECTIONS Audacious Binary Forms for piano is in a fractured binary form. Two types of structures exist; lettered structures, which are experimental structures, and explore the sonorities of the piano, and numbered structures, which are more traditional structures. A structure may be a single page or more than one page. Each page in a structure is to be played sequentially. For example, with structure C, consisting of three pages, C1, C2, C3, each page is played sequentially in numerical order, C1, C2, C3. EXPERIMENTAL STRUCTURESThe structures A, B, C, D, E, F, G, Percussion, CADENZA, and CODA are experimental. TRADITIONAL STRUCTURESThe structures 1, 2, 3, 4, 5, and 6, are traditional. PREPARING THE SCORE FOR PERFORMANCE There are four different options for a performance. MINIMALIST OPTIONThe 13 cards cut from the CUTOUT page are shuffled. Card 4 Rag (1,2) is removed. The 12 cards are placed face down. One card is revealed representing the structure that is to be performed. A member of the audience can be invited to shuffle the cards. STOCHASTIC OPTION An audience member or members can be invited to shuffle all the pages of the score. The resultant random sequence of pages becomes the whole score for the performance. PERFORMER’S OPTIONThe performer prepares the structures according to his musical tastes. All of the experimental structures should be performed. The performer is free to play none, some, or all of the traditional structures. Please note that each structure remains an independent structure and is played sequentially. For example, structure C, consisting of three pages would be played C1, C2, C3 in that order. PERFORMER/COMPOSER OPTIONMonths before the concert the performer can contact me at paulcopeland1@bigpond.com, to discuss the performance, and to work out an ideal performance structure for the work, taking into consideration the venue, expected size of audience, size of auditorium, music program, and if two pianos will be available. IMPORTANT INFORMATION REGARDING SHEET MUSIC SIZE Please note that the score should be printed on separate pages (the notated pages), not back to back. Ideally the score should be printed on A3 pages in colour. However the score can still be printed in grayscale. The sheet music file is approximately 15Mb because the score is in full color. BIOGRAPHICAL INFORMATION Paul Copeland is an award-winning multi-genre composer, graphic artist, programmer, teacher, and author, based in his home city of Melbourne. His compositional styles range from neo-classical, jazz, ragtime, and musical theatre to electronic, avant-garde, post-avant-garde, and experimental music. Born in 1947, Copeland grew up an only child in a musical household. His mother was a talented singer, his father an accomplished amateur pianist, composer of popular music, and internationally renowned travelling telepathist known as Argus The Boy Prophet. Copeland's musical studies commenced at the age of 16 when he began studying piano, and a year later, he enrolled at the Melba Conserv.
$20.00
18.68 €
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Piano solo
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Paul Copeland
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Audacious Binary Forms for Pianist
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Paul Copeland
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SheetMusicPlus
Tea for Two for Piano Solo (from Art Tatum's 1933 recording)
Piano solo
Composed by Vincent Youmans. Arranged by Flavio Regis Cunha. 20th Century, Jazz, Blu…
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Composed by Vincent Youmans. Arranged by Flavio Regis Cunha. 20th Century, Jazz, Blues, Bebop, Recital. Score. 16 pages. Published by Flavio Regis Cunha
$5.99
5.6 €
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Piano solo
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Vincent Youmans
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Tea for Two for Piano Solo
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Flavio Regis Cunha
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SheetMusicPlus
The Swan, (Le Cygne), by Saint-Saens, for Alto Saxophone and Piano
Alto Saxophone and Piano
Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by Camille S…
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Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by Camille Saint- Saens (1835-1921). Arranged by David McKeown. Romantic Period, Repertoire, General Instructional, Recital. Score, Solo Part. 7 pages. Published by David McKeown
Le Cygne, or The Swan, is the penultimate movementof Camille Saint-Saëns’ 1886 suite, Carnivalof the Animals. Most often played as a solo piece for cello with piano,the original version was scored for solo instrument and two pianos. It was the only movement for the Carnivalthat the composer allowed to be heard in public during his lifetime. Thisversion for Alto Saxophone with Pianoaccompaniment has been arranged to best suit the key and pitch of the soloinstrument. The pdf file contains both the piano accompaniment and the separatesolo part.<br> <br> Musicians at an intermediate level and above willfind this ideal for formal and informal performances. The melody is expressiveand legato; the piano accompaniment is challenging in its constant semiquaverarpeggios. The overall performance time is around three minutes. The linked full-length youtube performance is the Clarinet version of this arrangement.<br> <br> Teacherswill enjoy using this arrangement as a fun way to help with expressive playing.The legato in both parts demand precise fingers.
$4.60
4.3 €
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Alto Saxophone and Piano
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Camille Saint- Saens
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The Swan,
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David McKeown
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SheetMusicPlus
Solitude is Oneself [piano]
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. Co…
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Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. Contemporary Classical, Post-Romantic, Neo-Classical, Repertoire, Funeral. Score. 8 pages. Published by Juan Maria Solare
Solitudeis Oneself: Three piano pieces:<br> <br> 1 NeverUnderestimate the Difficulties of Simple Things<br> <br> 2 Too MuchBut Still Not Enough<br> <br> 3 Waitingfor Perfection is Waiting Forever<br> <br> Tranquil, relaxing, "chill",minimalist, expressive music for solo piano.<br> <br> You can "use" this music formeditation, study, learning, sleeping, relax or praying.<br> <br> The phrase wherethe title (Solitude is Oneself)comes from belongs to Javier Adúriz (1948-2011), Argentine poet, one ofmy best teachers and friends (the original Spanish reads "La soledad es uno mismo").<br> <br> Don'tsee any negative aspects in Solitude. In Spanish there is only one word forSolitude and Loneliness (namely "Soledad"). Loneliness is a state ofisolation, without dialog, feeling abandoned and without external points ofreference. But I conceive Solitude as a highely creative state, in which one isfaced to what one actually wants to achieve, with one's thoughts, with one'sself.<br> <br> NeverUnderestimate the Difficulties of Simple Things. Lots of times I have seenthis in several persons - and in myself: when something is simple, easy anduncomplicated, we tend to underestimate it too much and its hidden difficultiesend up tackling us. We leave to the last moment a text that seems easy tolearn, and we do not assimilate it as we could. Or a chess game that is(really) won, but we feel over-confident, we play with superficiality, we makeslight mistakes one after the other and loose control of the situation.<br> <br> Thistitle can be understood as self-referent: this particular piano piece seems tobe simple... until you try to perform it really well and record it.<br> <br> About the ArtWork / Cover Art of Solitudeis Oneself:<br> <br> It shows a human face (concretely the composer's)faced simmetrically to its silhouette, in black. This illustration alludes tothe title: Solitude is Oneself. Is oneself (the person) facing his ownsolitude, his internal misterious being. A real human facing his own shadow. Itis not a negative shadow: is the shadow of which Shamanism speaks, the ownshadow from where one draws strength.<br> <br> The music is dedicated to Mr. Cadmiel Pérez from República Dominicana.<br> <br> Solitude isOneself was recorded by the composer and released as single on Friday 17August 2018 on Spotify, Deezer, Apple Music, Qobuz, Tidal, Amazon mp3 and nearly all streaming platforms you canimagine.<br> <br> In Spotify is here:<br> <br> https://open.spotify.com/album/6KffxzDSVYJqZuNEK3Bj0h<br> <br> In Bandcamp is here:<br> <br> https://juanmariasolare.bandcamp.com/album/solitude-is-oneself<br> <br> If you readSpanish you can find more about this music here:<br> <br> https://es.quora.com/blog/musica-neoclasica/La-soledad-es-uno-mismo-m%C3%BAsica-para-piano
$3.00
2.8 €
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Piano solo
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Juan María Solare
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Solitude is Oneself [piano]
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Juan Maria Solare
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 11 Canton Solothurn – Bruder lustig-Polka
2 Flutes, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182137 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182137 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 5 pages. Helene Schulthess #781902. Published by Helene Schulthess (A0.1182137). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.6 €
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2 Flutes, Piano
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Helene Schulthess
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Swiss Folk Dance for two flutes and piano – 11 Canton Solothurn – Bruder lustig-Polka
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Helene Schulthess
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SheetMusicPlus
Angels We Have Heard on High - Christmas Carol Arrangement for Solo Piano with Narration by Stephen R Dalrymple, minimalist style
Piano solo
Piano Solo - Digital Download Arranged by Stephen R. Dalrymple (Dalrymple Designs). C…
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Piano Solo - Digital Download Arranged by Stephen R. Dalrymple (Dalrymple Designs). Contemporary Classical, Minimalism, Christmas. Score. 8 pages. Published by Dalrymple Designs
Angels We HaveHeard on High (minimalist)<br> <br> Christmas carolarrangement for piano solo with narration by Stephen R Dalrymple<br> <br> sequenced by thecomposer<br> <br> © 2018, ℗ 2020 Stephen R Dalrymple<br> <br> In 2017 I began researching andwriting a university level music textbook explaining contemporary classicalmusic composition techniques. In 2018 I finished the 300+ page manuscript and usedit to teach two university music course in Haiti that year.<br> <br> It had been many years since I hadtaken the course myself, and needed to add to my knowledge of late 20thCentury and early 21st Century classical music composition techniques.During my research I grew interested in a classical music minimalist styleinfluenced by Terry Riley and Philip Glass. I have tried to use some of theirideas in this composition. There are 10 sections that can be repeated,reordered, and combined so that the performer actually makes a contribution tothe creation of the work.<br> <br> Playing the piano at church behind areading of Luke 2, was my first experiment in this new form of music. When Ireturned home, I began to experiment in writing down the experience andrefining the work according to these minimalist ideas. The composition could beperformed with or without the narration, with a single narrator in a singlelanguage, or with the narration in multiple languages and/or with multiplevoices.<br> <br> Suitable for preludes,offertories, concerts, personal meditation. Includes 2 versions 1) piano score,letter size 2) piano score, small pageformat for performing from 10.1 inch tablet. UpdatedDecember 2020.<br> <br> (Note: Tell your computer whichpages you want to print. There are programs online that will allow you to splitpdf files so that you can choose the correct part of the pdf for your tablet.)
$4.50
4.2 €
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Piano solo
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Angels We Have Heard on High - Christmas Carol Arrangement for Solo Piano with Narration by Stephen R Dalrymple, minimalist style
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Dalrymple Designs
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SheetMusicPlus
Tea for Two - Vocal Solo with Piano
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1369454 Composed by Vincent …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1369454 Composed by Vincent Youman�. Arranged by Nancy Frese Tabb. Broadway,Holiday,Musical/Show,Standards,Wedding. Score. 5 pages. Nancy Frese Tabb #953818. Published by Nancy Frese Tabb (A0.1369454). The delightful song 'Tea for Two' is arranged as a vocal solo with an Easy Piano accompaniment. The voice part is mid-range and any flats and sharps are written in the score. Perfect for Valentine's Day or any nostalgic event.
$1.99
1.86 €
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Piano, Voice
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Vincent Youman�
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Tea for Two - Vocal Solo with Piano
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Nancy Frese Tabb
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SheetMusicPlus
Tea For Two
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.785595 By Liberace. By Vincent Youm…
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Piano Solo - Level 5 - Digital Download SKU: A0.785595 By Liberace. By Vincent Youmans. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show. Score. 10 pages. Timothy Stapay #6216707. Published by Timothy Stapay (A0.785595). Tea For Two is arranged for piano solo, in the style of famous piano showman Liberace! Now you can learn
$7.99
7.46 €
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Piano solo
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Liberace
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Tea For Two
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Timothy Stapay
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SheetMusicPlus
Gold 2 - Finger Olympiad (piano)
Piano solo
Piano Solo - Level 1 - Digital Download SKU: A0.924231 Composed by Cynthia Moyes. I…
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Piano Solo - Level 1 - Digital Download SKU: A0.924231 Composed by Cynthia Moyes. Instructional. Score. 23 pages. Cynthia Moyes #3222373. Published by Cynthia Moyes (A0.924231). Gold 2 – Teaches transposition and scales.Gold 2 is the third level in the Finger Olympiad warm up and recognition series. Students in the Gold 2 level are comfortable with two hand playing and with the instrument in general. Continuing in the style of Bronze and Silver, note reading is not required. Focus on finger coordination, musicianship, and solid practice habits will be further enforced, and transposition in the keys F#, C#, Ab, Eb, Bb, and F learned. Scales in the same six keys will also be learned. The Finger Olympiad series is based on solid, modern, scientific learning strategies, avoiding some of the most common frustrations students encounter. Instead focus is on attitudes, achievements and recognition. Finger Olympiad trains and focuses on specific skills for developing complete musicianship. Because of the focus on musical fundamentals, this workbook can be used for either independent study, or in a teacher-student setting as a supplement to any other method. Following Gold 1, Gold 2 also prepares the student for more creative activities. This 2 book progression is comfortably paced for most students. However, adults or other students wishing to transpose to all keys in one book should use Gold Complete. Digital download includes a warm-up book, flash cards, and recognition certificate. As the name indicates, a Gold medal may be ordered to recognize the completion of this level.PRINTING TIPS: This product works best with color, 2 sided printing. Pages 21-23 may be printed on cardstock for better durability. For more practice tips, follow Finger Olympiad on facebook.
$3.99
3.73 €
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Piano solo
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Cynthia Moyes
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Gold 2 - Finger Olympiad
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Cynthia Moyes
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SheetMusicPlus
Gold 1 - Finger Olympiad (Piano)
Piano solo
Piano Solo - Level 1 - Digital Download SKU: A0.924232 Composed by Cynthia Moyes. I…
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Piano Solo - Level 1 - Digital Download SKU: A0.924232 Composed by Cynthia Moyes. Instructional. Score. 23 pages. Cynthia Moyes #3222365. Published by Cynthia Moyes (A0.924232). Gold 1 – Teaches transposition and scales.Gold 1 is the third level in the Finger Olympiad warm up and recognition series. Students in the Gold 1 level are comfortable with two hand playing and with the instrument in general. Continuing in the style of Bronze and Silver, note reading is not required. Focus on finger coordination, musicianship, and solid practice habits will be further enforced, and transposition in the keys C, G, D, A, E, and B learned. Scales in the same six keys will also be learned. The Finger Olympiad series is based on solid, modern, scientific learning strategies, avoiding some of the most common frustrations students encounter. Instead focus is on attitudes, achievements and recognition. Finger Olympiad trains and focuses on specific skills for developing complete musicianship. Because of the focus on musical fundamentals, this workbook can be used for either independent study, or in a teacher-student setting as a supplement to any other method. Gold 1 is the third complete warm up book in the Finger Olympiad warm-up and recognition series. Gold 2 follows, training the remaining keys. This 2 book progression is comfortably paced for most students. However, adults or other students wishing to transpose to all keys in one book should use Gold Complete. Digital download includes a warm-up book, flash cards, and recognition certificate. As the name indicates, a Gold medal may be ordered to recognize the completion of this level. For more practice tips, follow Finger Olympiad on facebook.
$3.99
3.73 €
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Piano solo
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Cynthia Moyes
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Gold 1 - Finger Olympiad
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Cynthia Moyes
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SheetMusicPlus
20 Easy Hymns and Spirituals, BOOK 1 (Beginner Piano Solos)
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1374785 By Sharon Wilson. By Africa…
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Easy Piano - Level 1 - Digital Download SKU: A0.1374785 By Sharon Wilson. By African-American Spiritual, Elisha Albright Hoffman, Fanny J. Crosby, Georg C. Strattner, Horatio G. Spafford, John H. Stockton, Martin Luther, Philip P. Bliss, Rowland Hugh Prichard, and William J. Kirkpatrick. Arranged by Sharon Wilson. Children,Christian,Easter,Sacred,Spiritual. Score. 40 pages. Sharon Wilson #959316. Published by Sharon Wilson (A0.1374785). Beginner Piano SolosMiddle C PositionFive-Finger formatThis is a collection of 20 hymns and spirituals arranged for beginning piano students. These arrangements are formatted in the traditional five-finger style with the melody split between the hands and without key signatures.  All 20 songs are written in Middle C Position where all notes are played singly centered around Middle C (diagrams are provided showing notes and finger placement). No fingering is notated on the sheet music to encourage students to learn to read the notes instead of using the fingering numbers to play the song. Thus, this collection makes a great sight-reading book, especially if some of the songs are unfamiliar. Some songs require playing the B-flat note in the left hand or the F-sharp note in the right hand. For the few songs that use one of these two black notes, the flats or sharps are displayed beside the note on the staff, not in the key signature (special diagrams are provided showing finger placement for the sharps and flats used).These arrangements are perfect for introducing classic Christian songs to beginning pianists. They can be used as supplementary repertoire for first year piano students. Lyrics are included for sing-along enjoyment.Song titles included in this collection:   A Mighty FortressAlleluia! Sing to Jesus (HYFRYDOL)Blessed Be the NameFather, Lead Me Day by DayGlory to His NameHow Firm a FoundationI'm Gonna SingI've Got Peace Like a RiverIt Is Well with My SoulJesus Bids Us ShineJesus Is a Rock in a Weary LandNothing But the BloodOnly Trust Him RedeemedShall We Gather at the RiverThere Is a Happy LandWe Are Climbing Jacob's LadderWe Shall OvercomeWhat Heavenly MusicWhat a Wonderful SaviorVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$10.00
9.34 €
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Easy Piano
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Sharon Wilson
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20 Easy Hymns and Spirituals, BOOK 1
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Sharon Wilson
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SheetMusicPlus
Tropical Dance 2 (Classical Music for Tablet Series)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.818294 By Stephen R Dalrymple. By J…
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Piano Solo - Level 3 - Digital Download SKU: A0.818294 By Stephen R Dalrymple. By Justin Elie. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Romantic Period. Score. 10 pages. Stephen R Dalrymple #4994299. Published by Stephen R Dalrymple (A0.818294). Tropical Dance 2 by Justin Elie (Classical Music for Tablet Series) ♫ Justin Elie 1883-1931 was one of the few Haitian composers whose works were published outside Haiti and enjoyed an international reputation for his works. He received his early education in Haiti, studying with pianist Ermine Faubert from 1889 to 1894 and enrolling briefly at the prestigious institution de Saint Louis de Gonzague in Port-au-Prince. ♫ In 1895, at the age of 12 he traveled to France and enrolled at the Cours Masset, a preparatory school for the Paris Conservatory. In 1901 at the age of 17 he entered the Paris Conservatoire. Elie returned to Haiti in 1905. ♫ He undertook a concert tour in 1909 and 1910, featuring works by European composers, and visited Jamaica, Puerto Rico, St. Thomas, Curaçao, Venezuela, and Cuba. Elie's concerts were especially well received in Jamaica. Justin Elie enjoyed the most prominent international reputation of all the Haitian composers. ♫ Justin Elie drew on Native American music for his creative inspiration. Elie wrote several pieces that used Native American (Haitian, and Central and South American) musical motifs and descriptive programs that put these native cultures at the center of Haitian musical life. Unlike Lamothe, whose audience was primarily drawn from Haiti, Elie developed his career in the United States. ♫ Eager to make a career of music composition, Justin Elie emigrated to the US in 1922 moving to New York City. His wife, Lily, joined him in New York in 1923 and the two of them performed frequently in recitals that included Elie's compositions. (based on http://chevalierdesaintgeorges.homestead.com/Elie.html) ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
3.73 €
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Piano solo
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Stephen R Dalrymple
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Tropical Dance 2
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Stephen R Dalrymple
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SheetMusicPlus
Tea for Two
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1379823 Composed by Vincent Youmans…
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Piano Solo - Level 3 - Digital Download SKU: A0.1379823 Composed by Vincent Youmans. Arranged by MICHAEL TARRO. Broadway,Jazz,Musical/Show,Ragtime,Standards. Score. 3 pages. Michael Tarro #964529. Published by michael Tarro (A0.1379823). This arrangement has been modified by changing the original style of the music from Cha-Cha to Ragtime and jazz. It also contains a tag ending, which creates variety on the ending. The song is arranged for Intermediate pianists.Michael Tarro is  currently an author for Hal Leonard and Santorella Publications.  Additional pieces by Michael Tarro are available on this website.  https://www.sheetmusicplus.com/search?Ntt=michael+tarroThank you for your interst!Michael.
$4.99
4.66 €
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Piano solo
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Vincent Youmans
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Tea for Two
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michael Tarro
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SheetMusicPlus
Marie-Agnès Nataf: IL FUOCO RUBATO Anamorphoses III for piano
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.533330 Composed by Marie-Agnès N…
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Piano Solo - Level 3 - Digital Download SKU: A0.533330 Composed by Marie-Agnès Nataf. Concert,Contemporary. Score. 7 pages. Musik Fabrik Music Publishing #2344341. Published by Musik Fabrik Music Publishing (A0.533330). Il fuoco rubato is one of the 3 pieces for piano solo Anamorphoses whose titles areBartoquade I, Bartoquade II b and Il fuoco rubato. These pieces can be linked together as awhole, in that order. The duration is of 5 minutes. They can also be played separately, orgrouped by two (Bartoquades I et II b, duration 3’). The same approach governs the writing ofthese compositions : taking model on works of the repertoire and transforming them as muchas possible while keeping a lot of important parameters.There are many cautionary accidentals. They are not enclosed in brackets to avoidoverloading writing. They are not systematically mentionned. In case of doubt, one willconsider the logic of the composition. When useful, one can distribute differently notesbetween the 2 hands on the condition of respecting the balance between voices. The sign *[on measure 80 means chromatic cluster (F-F#-G). Marie-Agnès NATAF was born on March 2, 1952 at Issy-les-Moulineaux, in the suburbs of Paris, Before deciding to devote herself completely to music, she began by studying both mathematics and musics at the same time. She had a varied base in her musical training, which allowed her to understand the teaching of her main teacher Narcis BONET. She studied the piano, chamber music, musical analysis, harmony and also to a lesser degree the flute, counterpoint and conducting. As a pianist, she received a First Prize in Piano and in Chamber Music at the Orsay Conservatory, the Gold Medla at the National Music School of Cahcan and the Artist Diploma at the Ecole Normale de Musique de Paris – in the class of Germaine MOUNIER. For composition, she studied with Narcis BONET (who later invited her to the Conservatoire Américain of Fontainebleau as accompanist and teacher of French Diction), Yoshihisa TAÃRA, and Edith CANAT de CHIZY. Having taught for a time at the Ecole Normale de Musique de Paris, she is currently professor of piano at the Conservatoire Erik Satie of Villebon-sur-Yvette, Marie-Agnès Nataf has a double career of performer and composer. In both areas, she is especially attracted to chamber music, for the rich musical and human exchanges that this type of music permits. She has written her works Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, Révolte sans paroles and Elan brisé for her colleagues the mezzo-soprano Nicole PARAMYTHIOTTI and the flutiste Isabelle MARCHAL with whom he has given concerts for many years. As a performer, she has premiered works by composers such as Gian-Paolo CHITI, Gloria COATES, Jean-Marie MACHADO, Yoshifumi UMEZAWA, Miao Wen WANG, without speaking of her own compositions. She also tries to discover high quality works of music which are rarely performed, especially works by women composers such as Thérèse BRENET, Dianne GOOLKASIAN-RAHBEE, Ruth LOMON. Her principal works are Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, for mezzo-soprano and piano, 8'30, 1981-83-86. Bartoquade I - Anamorphoses I, 1', et Bartoquade II b - Anamorphoses II, 2', for piano, 1990 revised in 2012. Il fuoco rubato - Anamorphoses III for piano, 2', 1991 revised in 2012. Révolte sans paroles for mezzo-soprano, flute and piano, 16'30, 2000. and Elan brisé and flute and piano, 6'30, 2005. In 2001, on the ocassion of the premier of Révolte sans paroles at the Centre Culturel Jacques Brel of of Villebon-sur-Yvette, she was invited to give a conference on her works at the Conservatoire Erik Satie. In April 2002, her songs were selected by the ensemble North /South Consonance directed by Max LIFCHITZ in a competition. In 2012, the Bartoquades were chosen to be on the list of works proposed by the FFEM for their examination list for intermediate pianists. On the su.
$7.95
7.43 €
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Piano solo
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Marie-Agnès Nataf
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Marie-Agnès Nataf: IL FUOCO RUBATO Anamorphoses III for piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tea For Two
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.948601 Composed by Irving Caesar an…
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Piano Solo - Level 3 - Digital Download SKU: A0.948601 Composed by Irving Caesar and Vincent Youmans. Arranged by Robert Blond. Contemporary. Score. 5 pages. Robert blond #5298343. Published by robert blond (A0.948601). Standard from 1924 Broadway musical No, No, NanetteContrasting styles: standard bounce; swing in style of Bob Zurke (simplified)Quotes from the introduction of Leonard Bernstein's New York, New York (in the intro) and from the introduction of In the Mood ( in the ending)Melody alternatively in right hand and left hand.
$4.99
4.66 €
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Piano solo
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Irving Caesar and Vincent Youmans
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Tea For Two
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robert blond
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SheetMusicPlus
Tea for two
Easy Piano
Piano Solo - Level 1 - Digital Download SKU: A0.1365946 Composed by V. Youmans. Arr…
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Piano Solo - Level 1 - Digital Download SKU: A0.1365946 Composed by V. Youmans. Arranged by Gianluca Giovannetti. Film/TV. Score. 3 pages. Gianluca Giovannetti #950284. Published by Gianluca Giovannetti (A0.1365946).
$4.74
4.43 €
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Easy Piano
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V
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Tea for two
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Gianluca Giovannetti
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SheetMusicPlus
Chopin - Waltz in E minor op. posth. arr. for Piano and Violin, B.56 KK IVa/15
Violin and Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.799603 Composed by Frederic Chopi…
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Piano,Violin - Level 4 - Digital Download SKU: A0.799603 Composed by Frederic Chopin. Arranged by Nicole Elyse DiPaolo. Romantic Period. 7 pages. Nicole Elyse DiPaolo #3123257. Published by Nicole Elyse DiPaolo (A0.799603). This is my own arrangement of one of my favorite Chopin waltzes for the piano. As the Duo del Mare, violinist Amy Schlicher and I performed this arrangement aboard the ms Zaandam cruise liner, where it proved very popular. Because Amy and I did not have extra time or venues in which to rehearse, I intentionally made this arrangement very accessible (so that we could play it well without rehearsal or an intermediate-level duo could master it with some practice). This waltz would make a great encore or showpiece on your next program.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 and 2017 National Society of Arts and Letters Vocal Competitions (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .
$5.95
5.56 €
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Violin and Piano
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Frederic Chopin
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Chopin - Waltz in E minor op. posth. arr. for Piano and Violin, B.56 KK IVa/15
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Nicole Elyse DiPaolo
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SheetMusicPlus
Bagatelle in G major for Late Elementary Solo Piano
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1167665 Composed by Sibylle Kuder. …
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Piano Solo - Level 2 - Digital Download SKU: A0.1167665 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional,Traditional. Score. 2 pages. Sibylle Kuder #768014. Published by Sibylle Kuder (A0.1167665). Very classical sounding, with Alberti Bass eighth notes, and right hand melody which consists mostly of quarter notes and occasional eighth and half notes. More pleasing than exciting. Musical interest will come from observing the articulation, especially the two-note slurs, and the staccato notes. The biggest challenge is probably balance between the hands: the right hand must sing above the left hand: mezzo forte actually means probably close to forte for the right hand, while the left hand must be piano. Bagatelle means trifle. The form is A-B-A* where the form of the A section in itself is A-B-B*-A* which means there is not that much material to learn. A student at this level will be familiar with Alberti Bass but does probably not have the stamina for a full page of continuous eighth notes, therefore, at the end of every four-measure phrase, the left hand gets a break, in the form of two quarter notes or a half note, instead of continuous eighth notes. Two pages, Level 2. ~ I frequently make changes to my compositions. If you would like to make sure that you have the latest edition, please send an email to sibyllekuder@gmail.com ~ If there is a newer edition I will gladly send you the updated PDF file!
$1.99
1.86 €
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Piano solo
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Sibylle Kuder
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Bagatelle in G major for Late Elementary Solo Piano
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Sibylle Kuder
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 2 Canton Bern – Polka
2 Flutes, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1176752 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1176752 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 4 pages. Helene Schulthess #776833. Published by Helene Schulthess (A0.1176752). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.6 €
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2 Flutes, Piano
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Helene Schulthess
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Swiss Folk Dance for two flutes and piano – 2 Canton Bern – Polka
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Helene Schulthess
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 1 Canton Zurich – Schottisch
2 Flutes, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1176750 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1176750 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 4 pages. Helene Schulthess #776830. Published by Helene Schulthess (A0.1176750). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.6 €
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2 Flutes, Piano
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Helene Schulthess
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Swiss Folk Dance for two flutes and piano – 1 Canton Zurich – Schottisch
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Helene Schulthess
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 3 Canton Lucerne – Katharina–Schottisch
2 Flutes, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1179558 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1179558 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Contest,Country,Festival,Folk,Patriotic,Traditional. Score. 6 pages. Helene Schulthess #779538. Published by Helene Schulthess (A0.1179558). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.6 €
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2 Flutes, Piano
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Helene Schulthess
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Swiss Folk Dance for two flutes and piano – 3 Canton Lucerne – Katharina–Schottisch
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Helene Schulthess
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 4 Canton Uri – Mazurka
2 Flutes, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1179563 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1179563 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Contest,Country,Festival,Folk,Patriotic,Traditional. Score. 5 pages. Helene Schulthess #779544. Published by Helene Schulthess (A0.1179563). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.6 €
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2 Flutes, Piano
#
Helene Schulthess
#
Swiss Folk Dance for two flutes and piano – 4 Canton Uri – Mazurka
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Helene Schulthess
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 7 Canton Obwalden – Walzer
2 Flutes, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1179575 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1179575 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Contest,Country,Festival,Folk,Patriotic,Traditional. Score. 3 pages. Helene Schulthess #779557. Published by Helene Schulthess (A0.1179575). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.6 €
#
2 Flutes, Piano
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Helene Schulthess
#
Swiss Folk Dance for two flutes and piano – 7 Canton Obwalden – Walzer
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Helene Schulthess
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 8 Canton Glarus – Schottisch
2 Flutes, Piano
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1179578 By Helene Schulthess.…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.1179578 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Contest,Country,Festival,Folk,Patriotic,Traditional. Score. 3 pages. Helene Schulthess #779561. Published by Helene Schulthess (A0.1179578). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.6 €
#
2 Flutes, Piano
#
Helene Schulthess
#
Swiss Folk Dance for two flutes and piano – 8 Canton Glarus – Schottisch
#
Helene Schulthess
#
SheetMusicPlus
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