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2885
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1898
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874
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535
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382
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211
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172
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135
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132
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80
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1211
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845
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352
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238
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207
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190
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156
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149
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89
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74
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64
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43
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23
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16
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10
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7
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5
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2
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VOICE
Choral SATB
6398
Choral 3-part
1970
Choral 2-part
1285
Choral TTBB
1123
Choral Unison
808
Choral SSAA
697
Vocal duet, Piano
300
Voice solo
221
Vocal duet
179
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127
High voice
127
Low voice, Piano
121
Soli, Mixted choir and accompaniment
106
Tenor voice, Piano
76
Choral
72
Baritone voice, Piano
57
Mezzo-Soprano voice, Piano
55
Medium voice, Piano
52
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41
Choral SSAATTBB
33
High voice, Piano
29
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20
Tenor voice
18
Soprano voice
17
Choral SSATTB
16
Low voice
14
Voice, Guitar
11
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4
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3
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2
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Choral SSAATB A Cappella
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1
Voice, Basso continuo
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Voix Masculines
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WOODWIND
Flute and Piano
1602
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1378
Saxophone (band part)
1316
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1289
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1253
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1114
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1114
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1084
Alto Saxophone and Piano
992
Flute, Oboe, Clarinet, Bassoon
970
Flute
884
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807
Clarinet Quartet: 4 clarinets
782
2 Flutes (duet)
674
2 Clarinets (duet)
640
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613
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605
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439
Oboe (band part)
404
Clarinet (band part)
384
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343
Flute, Clarinet (duet)
326
Descant (Soprano) Recorder
324
Flute Quartet: 4 flutes
312
Baritone Saxophone, Piano
288
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275
2 Oboes (duet)
252
Clarinet Ensemble
249
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234
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221
Harmonica
211
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209
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194
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191
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188
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182
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171
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167
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166
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165
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158
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156
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148
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142
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124
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121
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117
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113
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107
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87
Saxophone
80
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76
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76
Recorder Quartet
74
Treble (Alto) Recorder, Piano
72
Soprano Saxophone
70
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63
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62
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58
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55
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55
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55
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53
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52
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49
English Horn
49
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47
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47
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40
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39
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37
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36
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32
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29
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25
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24
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24
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23
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22
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22
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19
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18
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18
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17
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15
2 Clarinets, Piano
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Bass Clarinet
15
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14
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12
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12
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12
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9
4 Oboes
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Pennywhistle
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6
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Bagpipe
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2 Flutes and Harp
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Brass Quintet: 2 trumpets, horn, trombone, tuba
1413
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946
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899
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741
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662
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659
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643
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552
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444
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395
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381
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333
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297
Tuba
296
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267
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265
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250
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203
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192
Brass Quartet: 4 trombones
170
Brass Quartet
163
English horn, Piano
142
Tuba (band part)
140
Trombone ensemble
104
2 Tubas (duet)
87
Brass Quartet: 4 horns
84
Trumpet ensemble
78
Trumpet, Horn (duert)
74
Euphonium
60
English Horn
49
Brass Quartet: 4 trumpets
47
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39
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28
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28
4 Tubas
26
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25
3 Trombones (trio)
25
3 Trumpets (trio)
23
Tuba and Organ
21
Bb Instruments
19
Trombone, Organ
18
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17
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16
Tuba or Euphonium or Saxhorn
14
Trumpet, Bassoon (duet)
14
Brass Quartet: 2 trumpets, 2 trombones
14
French Horn and Harp
13
Trombone, Horn (duet)
12
Trumpet, Cello (duet)
12
3 Tubas (trio)
11
3 French horns (trio)
11
English Horn, Guitar (duet)
11
Euphonium, Tuba (duet)
10
Trumpet, Harp
10
Bass Trombone
9
Trombone, Tuba (duet)
9
Horn, Cello (duet)
8
French horn and Basson (duet)
8
Horn and Organ
8
Cornet
7
Trumpet, Trombone, Piano
6
Horn, Tuba (duet)
6
Trumpet, Tuba (duet)
5
Trombone and Orchestra
4
Trumpet and Guitar
4
Trumpet, violin (duet)
4
2 Trumpets, Keyboard (piano or organ)
3
2 English horns and Pianoforte
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Trombone, Violin (duet)
3
Clarinet, Horn (duet)
3
Trumpet, Cello, Piano
2
2 Trombones, Piano
2
English horn, Harp (duet)
2
Trumpet, Orchestra
2
F Instruments
1
Cornet and Orchestra
1
4 Euphoniums
1
3 Euphoniums
1
Trumpet, Euphonium (duet)
1
Tuba ensemble
1
Horn, Cello and Piano
1
Horn and Orchestra
1
Instrumentations suivantes
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STRINGS
String Quartet: 2 violins, viola, cello
3256
Violin and Piano
2189
Cello, Piano
1407
Violin
1359
Viola, Piano
1186
Cello (band part)
808
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732
Viola
715
Harp
665
2 Violins (duet)
589
2 Cellos (duet)
469
String Trio: violin, viola, cello
413
String Quintet: 2 violins, viola, cello, bass
391
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372
2 Violas (duet)
368
Violin (band part)
360
Cello
334
Double Bass
314
Double bass, Piano (duet)
267
Doublebass (band part)
257
Viola (band part)
235
String Trio: 2 violins, cello
161
Piano Trio: Violin, Viola, Piano
114
Viola, Cello (duet)
112
2 Harps (duet)
104
Violin, Guitar (duet)
100
4 Cellos
95
2 Double basses (duet)
79
String Trio: 3 violins
65
Cello, String Bass (duet)
58
Cello, Guitar (duet)
56
String Trio: 3 cellos
44
Viola, Guitar (duet)
42
Harp, Flute (duet)
42
Harp, Violin (duet)
36
String quartet: 4 violins
34
String Quartet : 4 violas
33
Violin, Bassoon (duet)
29
String Trio: 2 violins, viola
22
String Quintet: 2 violins, 2 violas, cello
22
String Trio: 3 violas
22
String trio
20
Violin ensemble
18
Harp, Cello (duet)
17
2 Violins, Piano
17
Cello, Organ
17
Viola and Bassoon
17
Viola and Harp
17
Harp, Voice
15
Violin, Basso continuo
14
Violin, Clarinet, Piano (trio)
14
Viola ensemble
14
Flute, Doublebass (duet)
10
Cello Ensemble
7
4 Double Basses
6
3 Harps
6
Harp, Violin, Violoncello
6
Autoharp
6
Violin, Organ
6
Violoncello, Basso continuo
5
Cello, Orchestra
4
Violin, Cello, Clarinet
4
Harp and Organ
3
Harp (band part)
3
Harp, Trombone (duet)
3
Violin, Tuba (duet)
3
Harp and Piano
3
Viola, Organ
3
5 Harps
2
Viola and orchestra
2
Violin, Trumpet and Piano
2
2 Violas, Piano
2
2 Cellos, Piano
1
Harp and mandolin
1
4 Harps
1
Instrumentations suivantes
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PERCUSSION & ORCHESTRA
Concert band
7873
Orchestra
1914
String Orchestra
1739
Handbells
1251
Jazz Ensemble
836
Brass ensemble
720
Chamber Orchestra
708
Percussion (band part)
294
Drums
259
Percussion Ensemble
224
Jazz combo
197
Drum (band part)
138
Marching band
138
Timpani
60
Marimba
58
Percussion
56
Snare drums
53
Vibraphone
30
Timpani (band part)
27
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
27
Xylophone
20
Xylophone, Piano
14
Piano and Orchestra
13
Orchestra, Violin
10
Woodwind Quintet
7
School Ensemble
6
Xylophone or Marimba or Vibraphone
4
3 Marimbas
4
Brass Quintet: other combinaisons
3
Big band
2
2 Marimbas
2
2 Snare Drums (duet)
2
Drums-Marching band
1
Voice Mezzo-Soprano, Orchestra
1
Bongos
1
Vibraphone and Marimba
1
Woodwind Quartet: any 4 woodwinds
1
Bodhran
1
Marimba, Saxophone (duet)
1
Marimba and Organ
1
Conga
1
Marimba, Piano (duet)
1
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OTHERS
Musical course - Solfege
16
Music Theory
2
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Percussion Ensemble
Sheetmusic to print
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O COME O COME EMMANUEL/COME THOU LONG-EXPECTED JESUS - 3 octave HANDBELLS
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.807001 Arranged by Glen Po…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.807001 Arranged by Glen Poehlmann. Christian,Christmas,Sacred. Score and parts. 12 pages. Arrangements by GPoehlmann #6207567. Published by arrangements by GPoehlmann (A0.807001). O COME, O COME EMMANUEL with COME THOU LONG-EXPECTED JESUS3 octave HANDBELLS with optional Percussion85 measures. Performance Time approx 3:00. Medium Difficult (Grade 3+)Key: F (d minor). Meter: 3/4 - 4/4. Percussion 1 Snare Drum, Bass Drum, Suspended Cymbal, Triangle, Mark TreePercussion 2 Timpani (F, A, C, D) 2-4 DRUMS
$5.00
4.67 €
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Percussion Ensemble
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Meter: 3/4 - 4/4.
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O COME O COME EMMANUEL/COME THOU LONG-EXPECTED JESUS - 3 octave HANDBELLS
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arrangements by GPoehlmann
#
SheetMusicPlus
Disconnected
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.993048 Composed by Sebastian Perdomo…
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Percussion Ensemble - Digital Download SKU: A0.993048 Composed by Sebastian Perdomo. Contemporary. Score and parts. 16 pages. Sebastian Perdomo #4833387. Published by Sebastian Perdomo (A0.993048). DISCONNECTED is an energetic and enticing indoor percussion show about an individual who starts disconnected to society, reconnects with the ensemble. At the very end, a plot twist occurs where the main character ends up being completely alone with noconnections or relationships.
$875.00
816.69 €
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Percussion Ensemble
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Sebastian Perdomo
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Disconnected
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Sebastian Perdomo
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SheetMusicPlus
Dinamo
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.962290 Composed by Sergio Roberto de…
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Percussion Ensemble - Digital Download SKU: A0.962290 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 64 pages. Sergio Roberto de Oliveira #2613315. Published by Sergio Roberto de Oliveira (A0.962290). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$14.99
13.99 €
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Percussion Ensemble
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Sergio Roberto de Oliveira
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Dinamo
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Sergio Roberto de Oliveira
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SheetMusicPlus
Fanfare for the Uncommon Student
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.958075 Composed by David B…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.958075 Composed by David Berlin. 20th Century,Graduation,Instructional,Standards. Score and parts. 44 pages. David Berlin #2988815. Published by David Berlin (A0.958075). P.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #1255cc} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323; min-height: 15.0px} span.s1 {text-decoration: underline} In collaboration with the Philadelphia Classical Symphony and director, Karl Middleman and Partners in Distance Learning, a music composition project was launched in 2005 for students in Pennsylvania. I created an instructional web site called HOW TO WRITE A FANFARE. Students from around the state worked through the program and sent us their final projects. The committee selected the best ones submitted and we brought the students and their families to Philadelphia where the Philadelphia Classical Symphony performed their pieces on a public concert. The web site is still on line and the student's pieces can be heard. at: http://tozier.net/dberlin/fanfare/index.htm/ Please feel free to use this website in conjunction with my printed score and recording for yourself, students or your circle of friends. This score and recording was my contribution to the concert. It is 90 seconds long at 120 BPM.
$3.99
3.72 €
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Percussion Ensemble
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David Berlin
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font: 12.0px Helvetica
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Fanfare for the Uncommon Student
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David Berlin
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SheetMusicPlus
Concerto a Capriccio (Concerto on a Lark) for Piano and Orchestra (Complete Full Score and Instrume
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939795 Composed by Richard…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939795 Composed by Richard St. Clair. 20th Century. Score and parts. 231 pages. Richard St. Clair #3896021. Published by Richard St. Clair (A0.939795). This 15-minute light-hearted piano concerto for full-size symphony orchestra was composed in sketch form in 1970 and the orchestration was finalized in 2018. Listeners will undoubtedly hear references to the neoclassical music of the earlier part of the 20th century, which was a major influence on the composer in the late 1960s and early 1970s. The full score and complete parts are for sale all contained on the provided PDF file, and a Finale-generated MP3 sound clip is provided here.
$60.00
56 €
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Percussion Ensemble
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Richard St
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Concerto a Capriccio
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Richard St. Clair
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SheetMusicPlus
Silent Night Prelude for percussion octet
Percussion Ensemble
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz X…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
4.66 €
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Percussion Ensemble
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Franz Xaver Gruber
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Silent Night Prelude for percussion octet
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Pharaoh Publications
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SheetMusicPlus
Don't Worry, Be Happy
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include E♭ and B♭. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
13.99 €
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Percussion Ensemble
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Bobby McFerrin
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Come To Me
Percussion Ensemble
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork …
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 pages. Bluesilhouettes Music #935388. Published by Bluesilhouettes Music (A0.1350568). If you had a day, and all you listened to was Björk, you’d have a fascinating day. The experience would be marked by a kaleidoscope of varying styles from pop, avant-garde, or jazz. Is it mainstream - probably not. But, the artist is definitely recognizable (as a name), appearing across multiple genres. As a source of background to her song ‘Come to Me,’ I borrowed a palindromic idea exploited by Radiohead in their ‘Pyramid song...’ if we truly expand a swing feel to a twelve-eight meter and extend the pattern across two measures - the eighth notes would provide a total of twenty-four possibilities - and as in this work you get four, five, six, five, four a palindrome on 45654 that (when added) equals twenty-four.This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Full mock-up digital audio: available here
$34.99
32.66 €
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Percussion Ensemble
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Bjork Gudmundsdottir
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Come To Me
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Bluesilhouettes Music
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SheetMusicPlus
Four Minutes - Four Daydreams
Percussion Ensemble
Percussion Ensemble - Level 2 - Digital Download SKU: A0.835744 Composed by Paul Bu…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.835744 Composed by Paul Burnell. 20th Century,Contemporary. Score and parts. 3 pages. Paul Burnell #548979. Published by Paul Burnell (A0.835744). Composed 2000. Duration: 4:00. For ensemble with instruments in C, Bb, F Eb, voices and percussion as directed in the score. The music is presented as a performing score. Where no clef is given, play with as if with a clef as directed in the score text (see Minute two). Transposing instruments play as written and do not transpose. It is allowed, however, for special transposed parts to be created in order to ensure an even distribution of the intended chordal harmony where this would otherwise be missing. There should be a few seconds silence between each of the four sections. During Minute one players other than the soloist strum their fingers rapidly on the body of their instruments, chairs etc., very quietly - producing an almost imperceptible dull sound (not 'tinny' or 'bright'). Programme Note: 'Four Minutes - Four Daydreams' was composed by Paul Burnell in 2000. It was first performed by the London CoMA Ensemble, conductor Simon Foxley, at Morley College, London on the 29th October 2000. The piece has four distinct sections, each 1 minute long. Like an extended daydream each section is progressively more developed. The piece was included on the 2013 album 'Cabbage Heads'.
$1.99
1.86 €
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Percussion Ensemble
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Paul Burnell
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Four Minutes - Four Daydreams
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Paul Burnell
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SheetMusicPlus
The Hammer & Anvil
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1029072 Composed by Jake G…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1029072 Composed by Jake Garratt. Contemporary,Folk,Standards,World. Score and parts. 1 pages. J Garratt Composer #4615943. Published by J Garratt Composer (A0.1029072). 'The Hammer & Anvil' is the piece that adorns the balustrade of the band stand in Parade Gardens, Bath, UK. The band stand was forged by the National Heritage Ironwork Group as a gift to the city during their 2018 'BathIron' festival. The piece is written for 2 treble clef parts and a bass clef part and can be performed by any group of instruments. For the original performance it was performed on 2 Bb Clarinets and a Bass Clarinet.About the piece:'The Hammer & Anvil' is derived from the melody of an English folk song about a blacksmith (ironworker) which has been adapted and augmented to be used as a melodic foundation throughout the piece, similar to an isorhythm in medieval compositions. The piece is in two sections: the A section where the folk melody is confined to the bass and the B section where the melody is split between all three parts. A repeated rhythmic motif, representative of an ironworker using his hammer and anvil, is used to accompany and/or decorate this melody.
$2.99
2.79 €
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Percussion Ensemble
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Jake Garratt
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The Hammer & Anvil
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J Garratt Composer
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SheetMusicPlus
Holiday Bolero for Percussion Ensemble
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785. Published by Pharaoh Publications (A0.935382). Holiday Bolero for percussion ensemble arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the percussion ensemble arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment, particularly in the snare drum part. All of the keyboard parts require only two mallets per player, with the exception of the vibe part’s necessity of 3 or 4 mallets. There are no key changes, or mallet and hand independence. Pedaling on the vibes for the most part is suggested by the harmonic rhythm and is not notated. Setup of the general percussion part in the manner of a multiple percussion solo, where all playing surfaces are comfortably accessible. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
9.32 €
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Percussion Ensemble
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Holiday Bolero for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
One Hour to Madness
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.935385 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitman’s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second theme’s clear Bb major tonality. The work’s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 ½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
4.66 €
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Percussion Ensemble
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Dan Heslink
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One Hour to Madness
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Percussion Sextet
Percussion Ensemble
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Hes…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.66 €
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Percussion Ensemble
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Christmas Calypso for Percussion Sextet
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Marimba Quartet
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.66 €
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Percussion Ensemble
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Christmas Calypso for Marimba Quartet
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Pharaoh Publications
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SheetMusicPlus
Sharks' Teeth, a Musical Game for Percussion
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935392 Composed by Dan Hes…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935392 Composed by Dan Heslink. Contemporary. Score and parts. 23 pages. Pharaoh Publications #6203899. Published by Pharaoh Publications (A0.935392). Sharks’ Teeth, a Game for any Number of Percussionists. . . . . . . . . . . . . . . Dan Heslink Sharks’ Teeth is a musical game, or contest, between two or more percussionists. It is based on rhythm, and can therefore be executed on any combination of indefinitely-pitched percussion instruments. Its execution relies on guided improvisation governed by preconceived thematic material and manners of elaboration. In addition to the two or more contestants, another musician functions as a Game Meister (GM) who controls that game’s progress and evaluation. Enclosed are the game instructions for a contest of guided improvisation, and a notated example for two percussionists and Game Meister, Shark’s Tooth. This score can also be played on recital. After reading the contest instructions, the composer recommends that contestants next play the notated example before attempting the game through improvisation. Besides being fun to play, this game is also an excellent tool for fostering concentration, musicality, memory and an understanding of musical structure. The composer, Dan Heslink, assigned a difficulty level of medium, and can be contacted at dan@dheslink.com.
$9.99
9.32 €
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Percussion Ensemble
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Dan Heslink
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Sharks' Teeth, a Musical Game for Percussion
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Pharaoh Publications
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SheetMusicPlus
The COVID Awakening
Percussion Ensemble
Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Gr…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. Published by Adam B. Grim (A0.939390). The COVID Awakening is a marimba quartet for two 5.0 octave instruments. This piece is inspired by minimalism and minimalist compositional techniques combined with layering found in West African drumming, though it is not the only source of this specific technique. It was written during the beginning of the summer of 2020, when the Coronavirus, COVID-19, had started its grips on the United States in the forms of illness, death, and economic and emotional distress. This piece reflects on these early feelings of quarantines and sheltering in place, and using the techniques listed above the listeners are pulled in to listen between the notes. These reflections are found not in the music itself, but is different with every listen. The listeners’ ears will venture as they wish, and make this piece new with every performance, even though the notes and rhythms never change. Instrumentation: Two 5.0 octave marimbas, though only one marimba needs to be the full range. Marimba 1 can be a much smaller instrument if necessary. I’d suggest using rubber/latex mallets. Unless the performance is in a reasonably dry hall, this articulation and tone benefit does wonders for this piece. Each player needs only 2 mallets.
$25.00
23.33 €
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Percussion Ensemble
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Adam Grim
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The COVID Awakening
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Adam B. Grim
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcíaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
46.67 €
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Percussion Ensemble
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
Another Place
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Gr…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
32.67 €
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Percussion Ensemble
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Sweet Dreams (are Made Of This)
Percussion Ensemble
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1324084 By The Eurythmics.…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1324084 By The Eurythmics. By Annie Lennox and David Stewart. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 100 pages. Bluesilhouettes Music #912276. Published by Bluesilhouettes Music (A0.1324084). Annie Lennox and David Stewart had recently ended their relationship and disbanded their band. They still worked together - and built this song in a tiny warehouse using whatever technology they could get their hands on. In a day where most music was produced in the large studios backed by industry money - they pioneered a hit without the big studio. Securing a loan, they procured essential equipment—a compact setup comprising an 8-track tape recorder, mixer, effects processors, synthesizers, a drum computer, and a compact dynamic microphone. Some of the emotions from their lives went into the song - a fresh start on the heels of emotional events. Reflecting on that period, Lennox candidly remarked, “I was feeling very vulnerable. The song was an expression of how I felt: hopeless and nihilistic.”This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Listen to mockup offsite
$34.99
32.66 €
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Percussion Ensemble
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The Eurythmics
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Sweet Dreams
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Bluesilhouettes Music
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SheetMusicPlus
Black Hole Sun
Percussion Ensemble
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1345315 By Soundgarden. By…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1345315 By Soundgarden. By Chris Cornell. Arranged by David R. Peoples. Classical,Contemporary,Grunge,Rock. 68 pages. Bluesilhouettes Music #930151. Published by Bluesilhouettes Music (A0.1345315). What I really like about this song is its uniqueness... is it grunge? Psychedelic? Alternative? Hard Rock? Contemporary chamber music? Theoretically - is it some sort of jazz-fuzed harmonic progression or a clever soundscape of melody notes outside of chords? This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of rock, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Hear full digital audio mockup offsite
$34.99
32.66 €
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Percussion Ensemble
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Soundgarden
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Black Hole Sun
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Bluesilhouettes Music
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SheetMusicPlus
Winter Samba
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.809675 Composed by Robert …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.809675 Composed by Robert E. Proctor. Contemporary,Jazz,Latin,Pop. Score and parts. 43 pages. R. E. Proctor #10033. Published by R. E. Proctor (A0.809675). One of four seasonal works, Winter Samba is winter as the title implies, fall, summer, and srping are also represented in the three other works: Mid Summer's Song, Fall’s Fling, and Spring Breeze Boogie. The pieces are light hearted, whimsical, works that are ideal for high school or community orchestras.
$3.95
3.69 €
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Percussion Ensemble
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Robert E
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Winter Samba
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R. E. Proctor
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SheetMusicPlus
Professor Burble's fourth invention
Percussion Ensemble
Percussion Ensemble - Level 4 - Digital Download SKU: A0.576482 Composed by David W…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.576482 Composed by David Warin Solomons. 20th Century,Contemporary,Jazz. Score and parts. 27 pages. David Warin Solomons #26925. Published by David Warin Solomons (A0.576482). A mad professor I invented during my childhood has been given fictional responsibility for some of my more outside the box compositions. I called him Professor Burble; he was probably inspired by TV cartoons in the 1960s.... The first Invention was for guitar solo (published by Productions d'Oz), the third one one was for two wind instruments (published by Musik Fabrik), and this one - number 4 - is for piano, strings, gong, cymbal, bass drum and side drum. It is in a relentless 5/4 rhythm and starts with a fugato idea on piano and strings (including several divisi moments), with gongs, cymbal and snare drums beginning about a minute into the piece.
$12.00
11.2 €
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Percussion Ensemble
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David Warin Solomons
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Professor Burble's fourth invention
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David Warin Solomons
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SheetMusicPlus
To Divide and Conquer the Skies and Above, op. 87
Percussion Ensemble
Percussion Ensemble - Level 4 - Digital Download SKU: A0.938777 Composed by Michael…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.938777 Composed by Michael A Yenny. Concert,Contemporary,Standards. Score and parts. 31 pages. Michael A Yenny #50903. Published by Michael A Yenny (A0.938777). Wow! A brilliant fanfare for percussion ensemble. Score outline played here. E-flat major. Features trills, syncopation, and rhythmic repeated notes. An easily accessible work for a dedicated HS or college ensemble. Instrumentation: xylophone, vibes, bells, chimes, SD/BD, timpani (3). Duration: 1 minute 30 seconds. C) 2005. Level: Late intermediate. Score and parts complete are available.
$5.95
5.55 €
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Percussion Ensemble
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Michael A Yenny
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To Divide and Conquer the Skies and Above, op. 87
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Michael A Yenny
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SheetMusicPlus
Ball and Rock
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.979688 Composed by Chris B…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.979688 Composed by Chris Blaber. 20th Century,Contemporary. Score and parts. 12 pages. Chris Blaber #506787. Published by Chris Blaber (A0.979688). A lighthearted piece for two players on one 4.3 octave marimba. A definite crowd pleaser with catchy melodies and interesting rhythms throughout.
$2.50
2.33 €
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Percussion Ensemble
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Chris Blaber
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Ball and Rock
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Chris Blaber
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SheetMusicPlus
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