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176
Domenico Gabrielli, (1659-1690) Canon a due transcribed and edited by Klaus Stoll
Cello, String Bass (duet)
Instrumental Duet Cello,Double Bass,Instrumental Duet - Digital Download SKU: A0.892492…
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Digital Download SKU: A0.892492 Composed by Domenico Gabrielli. Arranged by Klaus Stoll. Renaissance. Score and parts. 8 pages. Mesa Music Publishing #5200631. Published by Mesa Music Publishing (A0.892492). Domenico Gabrielli, (1659-1690) Canon a due transcribed and edited by Klaus Stoll. Includes bass part in actual pitch (octave higher) and in orchestra tuning. Can be played as a cello/bass duo or with two double basses.
$11.75
10.74 €
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Cello, String Bass (duet)
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Domenico Gabrielli
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Domenico Gabrielli,
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Mesa Music Publishing
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SheetMusicPlus
Four Elizabethan Trios, transcribed and edited by Joel DiBarto
String Ensemble,String Trio Double Bass - Level 4 - Digital Download SKU: A0.892514…
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String Ensemble,String Trio Double Bass - Level 4 - Digital Download SKU: A0.892514 Composed by John Bull 1562-1628, John Wilbye 1574-1638, Thomas Morley 1557-1603, and Thomas Tompkins 1572-1654. Arranged by Joel DiBartolo. Renaissance. Score and parts. 20 pages. Mesa Music Publishing #5354291. Published by Mesa Music Publishing (A0.892514). Four Elizabethan Trios, transcribed and edited by Joel DiBartolo In Nomine, John Bull 1562-1628 Lady, Those Eyes, Thomas Morley 1557-1603 As Fair As Morn, John Wilbye 1574-1638 Dance of Robin Hood, Thomas Tompkins 1572-1654 These pieces in Renaissance counterpoint style sound especially well with three double basses. The first bass part goes to treble clef, highest note is a thumb position C.
$17.60
16.09 €
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John Bull 1562-1628, John Wilbye 1574-1638, Thomas Morley 1557-1603, and Thomas Tompkins 1572-1654
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Four Elizabethan Trios, transcribed and edited by Joel DiBarto
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Mesa Music Publishing
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SheetMusicPlus
Giovanni Palestrina, Three Ricercars, transcribed and edited by Klaus Stoll.
String Quartet: 2 violins, viola, cello
String Quartet Double Bass,String Quartet - Digital Download SKU: A0.892508 Compose…
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String Quartet Double Bass,String Quartet - Digital Download SKU: A0.892508 Composed by Giovanni Palestrina (c. 1525 – 2 February 1594). Arranged by Klaus Stoll. Renaissance. Score and parts. 24 pages. Mesa Music Publishing #5208919. Published by Mesa Music Publishing (A0.892508). Giovanni Palestrina, Three Ricercars, transcribed and edited by Klaus Stoll. These contrapuntal pieces are from the collection titled Ricercari Sopra Li Tuoni A Quattro. Palestrina’s careful treatment of dissonance makes these pieces very agreeable for bass quartet.
$19.00
17.37 €
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String Quartet: 2 violins, viola, cello
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Giovanni Palestrina
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Giovanni Palestrina, Three Ricercars, transcribed and edited by Klaus Stoll.
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Mesa Music Publishing
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SheetMusicPlus
Renaissance Madrigals Arranged for Strings, set 2
String Ensemble - Level 3 - Digital Download SKU: A0.719774 Composed by Many. Arran…
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String Ensemble - Level 3 - Digital Download SKU: A0.719774 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 46 pages. Curtis Hanson #6258399. Published by Curtis Hanson (A0.719774). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals in this collection are arranged for string trios, quartets, and quintets. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example is of the first few pieces in the collection.
$29.99
27.42 €
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Many
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Renaissance Madrigals Arranged for Strings, set 2
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Curtis Hanson
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SheetMusicPlus
Renaissance Madrigals Arranged for Strings, set 3
String Ensemble - Level 3 - Digital Download SKU: A0.719775 Composed by Many. Arran…
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String Ensemble - Level 3 - Digital Download SKU: A0.719775 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 63 pages. Curtis Hanson #6258417. Published by Curtis Hanson (A0.719775). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals in this collection are arranged for string trios, quartets, and quintets. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example contains one piece from each of the three composers included, John Dowland, Thomas Morley, and Thomas Weelkes, three English giants in this genre.
$29.99
27.42 €
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Many
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Renaissance Madrigals Arranged for Strings, set 3
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Curtis Hanson
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SheetMusicPlus
Renaissance Madrigals Arranged for Strings, set 1
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.719773 Composed by Many. Arra…
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String Orchestra - Level 3 - Digital Download SKU: A0.719773 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 60 pages. Curtis Hanson #6258371. Published by Curtis Hanson (A0.719773). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals, lieder, and chansons in this collection are arranged for string quartet and quintet. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example is of the first few pieces in the collection.
$29.99
27.42 €
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String Orchestra
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Many
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Renaissance Madrigals Arranged for Strings, set 1
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Curtis Hanson
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SheetMusicPlus
RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arran…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 83 pages. Socrates Arvanitakis #915591. Published by Socrates Arvanitakis (A0.1327548). FROM THE PREFACEThe fourth volume of Renaissance music for classical guitar contains twenty mostly well-known and a few more rare intermediate Renaissance pieces taken mainly from lute and vihuela sources. I have tried to keep the upper level of technical difficulty to the contemporary grade VI level of the A.B.R.S.M. which takes the student to the advanced level (grades VII-VIII).The pieces are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in increasing the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.THEMATIC INDEX OF THIS VOLUME  & NAVIGATION BY ACTIVE LINKSThe thematic index following the cover page of this volume contains active links to the decorated pages of the pieces.The titles of the pieces are also active links interconnecting decorated and tablature pages of the same piece.The header in pages containing  the title of a piece is an active link bringing back to the thematic index. The YOUTUBE logo icons in the thematic index are external links to particular performances of these pieces by various artists.Socrates ArvanitakisLondon 2023CONTENTSPavana 1 Luys MilanPavana 2 L. MilanPavana 3 L. MilanPavana 4 L. MilanPavana 5 L. MilanPavana 6 L. MilanGallarda - Alonso de MudarraGuardame las Vacas I - Luis de NarvaezGuárdame las vacas II - Luis de NarvaezDance Of The Washerwomen - Hans NeusidlerTedesca - AnonymousAlmain - Richard AllisonGreensleeves 1-traditional/AnonymousGreensleeves 2- Francis CuttingAlman in Am - Robert Johnson The Round Battle Galliard - John DowlandThe King of Danemark's Galliard - John DowlandThe Night Watch - Anthony HolborneThe Cobbler - AnonymousGo From My Window - Anonymous.
$15.00
13.71 €
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Guitar
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Various
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RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
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Socrates Arvanitakis
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SheetMusicPlus
The Renaissance Vihuela and Guitar in Sixtenth-Century Spain
Guitar
Music transcribed and adapted for modern guitar. Composed by Frank W. Koonce. Frank…
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Music transcribed and adapted for modern guitar. Composed by Frank W. Koonce. Frank Koonce. Early Music/Renaissance. E-book. 192 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.21590EB). - e-book - Early Music/Renaissance - Mel Bay Publications - Digital Sheet Music
ISBN 9781609746810. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing the transcription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576.As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar.* A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576* A companion volume to The Baroque Guitar in Spain and the New World (MB21122)*Intended to help bridge the gap between scholarly editions and performance editions* An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar.
$29.99
27.42 €
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Guitar
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Frank W
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The Renaissance Vihuela and Guitar in Sixtenth-Century Spain
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
IL TEDESCO (Viva, viva Bacco ognor) - G.G. Gastoldi - For STB Choir
Choral 3-part
Choral Choir (3-Part Mixed) - Digital Download SKU: A0.723967 Composed by Giovanni …
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Choral Choir (3-Part Mixed) - Digital Download SKU: A0.723967 Composed by Giovanni Giacomo Gastoldi. Renaissance. Octavo. 2 pages. Renato Tagliabue #3386417. Published by Renato Tagliabue (A0.723967).
$7.50
6.86 €
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Choral 3-part
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Giovanni Giacomo Gastoldi
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IL TEDESCO
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Renato Tagliabue
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SheetMusicPlus
John Dowland: Selected Pieces In Tablature and Modern Notation For Renaissance Guitar and Baritone U
Ukulele
Ukulele - Level 2 - Digital Download SKU: A0.810024 Composed by John Dowland. Arran…
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Ukulele - Level 2 - Digital Download SKU: A0.810024 Composed by John Dowland. Arranged by Michael P. Walker. Renaissance. Score. 105 pages. Michael P Walker #6013465. Published by Michael P Walker (A0.810024). Here are compositions by John Dowland who was an English musician and lutenist of the late Renaissance, transcribed for the Renaissance guitar and baritone ukulele. Most are also playable on the tenor and soprano ukulele and, of course, may be played on the guitar.
$19.95
18.24 €
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Ukulele
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John Dowland
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John Dowland: Selected Pieces In Tablature and Modern Notation For Renaissance Guitar and Baritone U
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Michael P Walker
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SheetMusicPlus
Anthology of Selected Pieces
Guitar
Composed by John Dowland (1563-1626). Arranged by Raymond Burley. This edition: Shee…
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Composed by John Dowland (1563-1626). Arranged by Raymond Burley. This edition: Sheet music. Downloadable. Schott Music - Digital #Q23822. Published by Schott Music - Digital
$13.99
12.79 €
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Guitar
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John Dowland (1563-1626)
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Anthology of Selected Pieces
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Schott Music - Digital
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SheetMusicPlus
Early Renaissance Motets Arranged for Strings
String Ensemble - Level 3 - Digital Download SKU: A0.719744 Composed by Many. Arran…
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String Ensemble - Level 3 - Digital Download SKU: A0.719744 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 47 pages. Curtis Hanson #4839401. Published by Curtis Hanson (A0.719744). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. The pieces in this collection, arranged for a variety of string ensembles, instruments most closely able to mimic the inflections of the human voice, are of the multi-part motets only. Any plainchant intonations have been omitted. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first and last piece in the collection.
$24.99
22.85 €
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Many
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Early Renaissance Motets Arranged for Strings
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Curtis Hanson
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SheetMusicPlus
A sad paven for these distracted tymes (=A sad pavan for these distracted times) (arrangement for 5
Recorder - Digital Download SKU: A0.756655 Composed by Thomas Tomkins. Arranged by …
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Recorder - Digital Download SKU: A0.756655 Composed by Thomas Tomkins. Arranged by Gil Garty. Renaissance. Recorder Ensemble. 10 pages. Gil Garty #5309589. Published by Gil Garty (A0.756655). Originally for harpsichord. Arranged for 5 recorders (SATTB).
$5.00
4.57 €
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Thomas Tomkins
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A sad paven for these distracted tymes
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Gil Garty
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SheetMusicPlus
John Dowland (1562-1605) Jacobean Melody, for double bass and viola, transcribed and edited by Klau
Instrumental Duet Double Bass,Instrumental Duet,Viola - Digital Download SKU: A0.892504…
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Instrumental Duet Double Bass,Instrumental Duet,Viola - Digital Download SKU: A0.892504 Composed by John Dowland (1562-1605). Arranged by Klaus Stoll. Renaissance. Score and parts. 6 pages. Mesa Music Publishing #5200667. Published by Mesa Music Publishing (A0.892504). This is John Dowland’s lute song Come again, sweet love doth now invite arranged for bass and viola. The viola has the lute part and the bass is the singer.
$13.20
12.07 €
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John Dowland
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John Dowland
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Mesa Music Publishing
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SheetMusicPlus
EASY RENAISSANCE GUITAR MUSIC - Volume 3
Guitar
Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. …
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Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 77 pages. Socrates Arvanitakis #889149. Published by Socrates Arvanitakis
This collection contains sixty easy Renaissance pieces from various European countries, and from works of well known, but also obscure or anonymous composers, transcribed for the classical guitar mainly from lute, vihuela, and bandore sources. The pieces will be published in three volumes, each volume containing twenty pieces. <br> I have tried to include pieces of varied difficulty in all three volumes and also to keep the upper level of technical difficulty to the contemporary grade IV level of the A.B.R.S.M. which takes the student to the intermediate level (grades IV-VI).<br> The pieces in each volume are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in doubling the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.<br> The inclusion of tablatures which shows a preference for open string combinations whenever that is possible, clarifies sufficiently the left hand playing positions without need for additional fingerings.<br> Having said that, my professional advice to all guitar students is to abandon completely their reliance on tablatures and study seriously through many easy collections of music such as the present one in order to familiarise themselves to all aspects of musical notation. And always have in mind that tablatures were invented and still are in use only for fretted instruments, and only due to commercial (publisher’s) considerations primarily, while other string instrumentalists neither have them available, nor need them in order to study/play music.<br> <br> Metronome marks are only suggestions that need not be taken too literally and are placed mainly for guiding a score writer programme such as Sibelius for performance and extraction of audio and video files. To this end many other expression and/or technique and tempo marks may have been added to the score and made invisible.<br> <br> NAVIGATION INDEXES – External and Internal links<br> <br> The second page in every volume is an index divided into three columns. The first column has the titles of the pieces as active invisible links which take the user to the relevant tablature page. The header of that page brings the user back to this index.<br> The second column has visible links (in frames) to live performances of the pieces either by professional guitarists or students, which are only for getting familiar with the music, but not as suggestions that particular performances should be followed for study purposes.<br> The third column contains active links to information about particular composers, found mainly in Wikipedia, but sometimes also in other external sources.<br> The third page in every volume contains a thematic index of active links to the decorated (without tablatures) pages of the pieces. The header of every decorated page brings the user back to this index.<br> Finally, the titles of all decorated and tablature pages are active links of interconnection between these pages.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$15.00
13.71 €
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Guitar
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Various
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EASY RENAISSANCE GUITAR MUSIC - Volume 3
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Socrates Arvanitakis
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SheetMusicPlus
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
C Instruments
C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermis…
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C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian
Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or “choirs” of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.<br> <br> Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.<br> <br> I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.<br> <br> At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at<br> <br> https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS<br> <br> As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the “standards” that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.
$11.46
10.48 €
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C Instruments
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Various
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Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
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Wold Meridian
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SheetMusicPlus
Eight Sweelinck Duets for T-B Recorders
Recorder Ensemble
Recorder - Level 2 - Digital Download SKU: A0.1283062 Composed by Jan PieterszoonSw…
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Recorder - Level 2 - Digital Download SKU: A0.1283062 Composed by Jan PieterszoonSweelinck. Arranged by John Geohegan. Baroque,Renaissance. Recorder Ensemble. 68 pages. JGJG Sheet Music LLC #874354. Published by JGJG Sheet Music LLC (A0.1283062). Five chansons for two voices by Jan Pieterszoon Sweelinck, published 1612.Beautiful and varied duets from an early Baroque innovator in counterpoint. Â Three chansons are in two parts and two chansons are single songs. Â All eight songs are notated to be playable individually. Â Limited ranges and easy key signatures (C and F) allow you to concentrate on timing.Adapted for Tenor / Bass recorder duets. Â Also offered as Soprano / Alto duets, and as Alto / Tenor duets.
$8.00
7.31 €
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Recorder Ensemble
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Jan PieterszoonSweelinck
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Eight Sweelinck Duets for T-B Recorders
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JGJG Sheet Music LLC
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SheetMusicPlus
Eight Sweelinck Duets for A-T Recorders
Recorder Ensemble
Recorder - Level 2 - Digital Download SKU: A0.1283060 Composed by Jan Pieterszoon S…
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Recorder - Level 2 - Digital Download SKU: A0.1283060 Composed by Jan Pieterszoon Sweelinck. Arranged by John Geohegan. Baroque,Renaissance. Recorder Ensemble. 68 pages. JGJG Sheet Music LLC #874351. Published by JGJG Sheet Music LLC (A0.1283060). Five chansons for two voices by Jan Pieterszoon Sweelinck, published 1612.Beautiful and varied duets from an early Baroque innovator in counterpoint. Â Three chansons are in two parts and two chansons are single songs. Â All eight songs are notated to be playable individually. Â Limited ranges and easy key signatures (C and F) allow you to concentrate on timing.Adapted for Alto / Tenor recorder duets. Â Also offered as Soprano / Alto duets, and as Tenor / Bass duets.
$8.00
7.31 €
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Recorder Ensemble
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Jan Pieterszoon Sweelinck
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Eight Sweelinck Duets for A-T Recorders
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JGJG Sheet Music LLC
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SheetMusicPlus
Eight Sweelinck Duets for S-A Recorders
Recorder Ensemble
Recorder - Level 2 - Digital Download SKU: A0.1283055 Composed by Jan Pieterszoon S…
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Recorder - Level 2 - Digital Download SKU: A0.1283055 Composed by Jan Pieterszoon Sweelinck. Arranged by John Geohegan. Baroque,Renaissance. Recorder Ensemble. 68 pages. JGJG Sheet Music LLC #874346. Published by JGJG Sheet Music LLC (A0.1283055). Five chansons for two voices by Jan Pieterszoon Sweelinck, published 1612. Beautiful and varied duets from an early Baroque innovator in counterpoint.  Three chansons are in two parts and two chansons are single songs.  All eight songs are notated to be playable individually.  Limited ranges and easy key signatures (C and F) allow you to concentrate on timing.Adapted for Soprano / Alto recorder duets.  Also offered as Alto / Tenor duets and as Tenor / Bass duets.
$8.00
7.31 €
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Recorder Ensemble
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Jan Pieterszoon Sweelinck
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Eight Sweelinck Duets for S-A Recorders
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JGJG Sheet Music LLC
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SheetMusicPlus
The Third Book of Songs for Flute Quartet
Flute Quartet: 4 flutes
Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.559766
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Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.559766 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 66 pages. Lisa L Ochoco #4726485. Published by Lisa L Ochoco (A0.559766). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.This collection of 20 songs from his Third Book of Songs is arranged for flute quartet – 4 C flutes or 3 C flutes and alto. Most of these songs are rather short, so it is recommended that each song is played in its entirety at least twice. I arranged these songs so that the 1st flute always has the melody. To practice fairness in all parts, the parts should be rotated, to give each musician a chance to play the melody. Song list: 1. Farewell Too Fair 2. Time Stands Still 3. Behold a Wonder Here 4. Daphne Was Not so Chaste 5. Me, Me, and None but Me 6. When Phoebus First did Daphne Love 7. Say Love if Ever Thou Didst Find 8. Flow Not so Fast Ye Fountains 9. What if I Never Speed? 10. Love Stood Amaz’d 11. Lend Your Ears to My Sorrow 12. By a Fountain Where I Lay 13. O What Hath Overwrought 14. Farewell Unkind 15. Weep You no More, Sad Fountains 16. Fie on This Feigning 17. I Must Complain 18. It was a Time When Silly Bees 19. The Lowest Trees Have Tops 20. What Poor Astronomers are They If each song is played twice in its entirety, you will have almost an hour's worth of music. If you love Renaissance music, this will be a great addition to your repertoire!
$12.00
10.97 €
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Flute Quartet: 4 flutes
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a Fountain Where I Lay
13
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John Dowland
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The Third Book of Songs for Flute Quartet
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Lisa L Ochoco
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SheetMusicPlus
Renaissance Motets Arranged for Strings - Palestrina, set 3
String Ensemble - Level 3 - Digital Download SKU: A0.719750 Composed by Giovanni Pi…
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String Ensemble - Level 3 - Digital Download SKU: A0.719750 Composed by Giovanni Pierluigi da Palestrina. Arranged by Curtis Hanson. Renaissance. Score and parts. 89 pages. Curtis Hanson #4839431. Published by Curtis Hanson (A0.719750). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for.For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are all set for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.
$29.99
27.42 €
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Giovanni Pierluigi da Palestrina
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Renaissance Motets Arranged for Strings - Palestrina, set 3
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Curtis Hanson
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SheetMusicPlus
Renaissance Motets Arranged for Strings - Palestrina, set 1
String Ensemble - Level 3 - Digital Download SKU: A0.719747 Composed by Giovanni Pi…
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String Ensemble - Level 3 - Digital Download SKU: A0.719747 Composed by Giovanni Pierluigi da Palestrina. Arranged by Curtis Hanson. Renaissance. Score and parts. 83 pages. Curtis Hanson #4839423. Published by Curtis Hanson (A0.719747). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are all set for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.
$29.99
27.42 €
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Giovanni Pierluigi da Palestrina
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Renaissance Motets Arranged for Strings - Palestrina, set 1
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Curtis Hanson
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SheetMusicPlus
Renaissance Motets Arranged for Strings - Victoria, Di Lasso
String Ensemble - Level 3 - Digital Download SKU: A0.719746 Composed by Tomas Luis …
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String Ensemble - Level 3 - Digital Download SKU: A0.719746 Composed by Tomas Luis de Victoria / Orlando di Lasso. Arranged by Curtis Hanson. Renaissance. Score and parts. 67 pages. Curtis Hanson #4839417. Published by Curtis Hanson (A0.719746). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are all set for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.
$29.99
27.42 €
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Tomas Luis de Victoria / Orlando di Lasso
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Renaissance Motets Arranged for Strings - Victoria, Di Lasso
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Curtis Hanson
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SheetMusicPlus
16th Century Motets and Anthems Arranged for Strings
String Ensemble - Level 3 - Digital Download SKU: A0.719745 Composed by Many. Arran…
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String Ensemble - Level 3 - Digital Download SKU: A0.719745 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 49 pages. Curtis Hanson #4839405. Published by Curtis Hanson (A0.719745). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are arranged for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first piece in the collection.
$24.99
22.85 €
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Many
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16th Century Motets and Anthems Arranged for Strings
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Curtis Hanson
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SheetMusicPlus
AH! CANNOT SIGHS OR TEARS NOR AUGHT ELSE MOVE THEE. (for Clarinet Choir)
Clarinet Ensemble
Woodwind Ensemble Clarinet - Level 1 - Digital Download SKU: A0.1377700 Composed by…
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Woodwind Ensemble Clarinet - Level 1 - Digital Download SKU: A0.1377700 Composed by John Wilbye. Arranged by Alan Edgar. Renaissance. 35 pages. Alan Edgar Ted Moon #962294. Published by Alan Edgar Ted Moon (A0.1377700). Instrumentation: Eb Clarinet, four Bb Clarinets, Alto, Bass, Contra-alto and Contrabass Clarinets. The son of a tanner, John Wilbye was born at Brome, Suffolk. Wilbye is probably the most famous of all the English madrigalists; his pieces have long been favourites and are often included in modern collections. His madrigals include Weep, weep mine eyes, Weep, O mine eyes and Draw on, sweet night. He also wrote the poem, Love not me for comely grace. His style is characterized by delicate writing for the voice, acute sensitivity to the text and the use of “false relations between the major and minor modes.The text for this one goes:Ah! cannot sighs not tears, nor aught else move thee To pity me, who more than life do love thee?O cruel fates! see, now away she’s flying,And fly, alas! alas! and leave me dying.Farewell, most fair, farewell, yet more disdainful: Was never grief like mine, nor death more painful.No 30 from the Second Set of Madrigals, 1598. originally for SSATTB a capella. As Wilbye labelled this Apt for Viols or Voices, I felt justified in making this arrangement.
$21.00
19.2 €
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Clarinet Ensemble
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John Wilbye
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AH! CANNOT SIGHS OR TEARS NOR AUGHT ELSE MOVE THEE.
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Alan Edgar Ted Moon
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SheetMusicPlus
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