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1651
Red Sails In The Sunset (arr. Fred Sokolow)
Lap Steel Guitar
Lap Steel Guitar - Digital Download SKU: HX.1436582 By Hugh Williams. Arranged by F…
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Lap Steel Guitar - Digital Download SKU: HX.1436582 By Hugh Williams. Arranged by Fred Sokolow. This edition: scorch. Country. Guitar Tab. 1 pages. Hal Leonard - Digital #686900. Published by Hal Leonard - Digital (HX.1436582).
$4.99
4.49 €
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Lap Steel Guitar
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Hugh Williams
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Red Sails In The Sunset
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Hal Leonard - Digital
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SheetMusicPlus
Caeleb Tee - Four Bagatelles
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.912735 Composed by Caeleb Tee. 20th…
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Piano Solo - Level 4 - Digital Download SKU: A0.912735 Composed by Caeleb Tee. 20th Century,Concert,Jazz,Ragtime. Score. 20 pages. Caeleb Tee #4354743. Published by Caeleb Tee (A0.912735). Four Bagatelles, is a set of 4 stylized jazz pieces for solo piano, composed by Caeleb Tee.Duration: 9 minutesLike Caeleb Tee on Facebook: https://www.facebook.com/caelebtee.composerOfficial Website: www.caelebtee.com
$14.99
13.48 €
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Piano solo
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Caeleb Tee
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Caeleb Tee - Four Bagatelles
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Caeleb Tee
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SheetMusicPlus
Playing Drumset - Playing Drums at the Music School
Drums
Drum Set,Drums - Level 3 - Digital Download SKU: A0.1472262 Composed by Béla Ugró…
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Drum Set,Drums - Level 3 - Digital Download SKU: A0.1472262 Composed by Béla Ugró. Blues,Classical,Jazz,Multicultural,Standards,World. Score. 89 pages. Bela Ugro #1049964. Published by Bela Ugro (A0.1472262). Discover the comprehensive guide to mastering the drumset with Playing Drumset - Playing Drums at the Music School. This 89-page document is meticulously designed to provide an in-depth learning experience for aspiring drummers at the music school level. Authored by the talented Béla Ugró, this music sheet includes a diverse range of exercises, solos, and patterns that cater to various musical genres and techniques.**Content:****I. Chapter**- **1. Part:** Exercises Préparatoires**II. Chapter**- **1. Part:** Exercises Préparatoires (Eighth)- Solo 1 (Beats – Pop – Rock)- **2. Part:** Exercises Préparatoires (12/8)- **3. Part:** Exercises Préparatoires (Hi-Hat open – close)- Solo 2 (12/8)- Solo 3 (Rock solo)**III. Chapter**- **1. Part:** Exercises Préparatoires (Triola)- **2. Part:** Shuffle Patterns 5- **3. Part:** Jazz (Swing Patterns 7)- **4. Part:** Jazz music genres (Bebop Patterns 9)**IV. Chapter**- **1. Part:** Latin – American – Music (Brazilian Music)- **2. Part:** Caribbean Music**V. Chapter**- **1. Part:** Exercises Préparatoires (Sixteenths)- **2. Part:** Rock/Funk Patterns 13- **3. Part:** Permutation Study- **4. Part:** Exercises Préparatoires (6/8 – 12/8)- **5. Part:** Sixteen Variations (Rock Patterns 16)- **6. Part:** Sixteen Variations (6/8 – 12/8)**VI. Chapter**- **1. Part:** Exercises Préparatoires (Dotted Eighth and Sixteenth Notes)**VII. Chapter**- **1/A:** Rudiments – 4/4 Playing- **1/B:** Rudiments – 6/8 Playing- **2/A:** Rudiments – 4/4 Playing- **2/B:** Rudiments – 6/8 Playing- **3/A:** Rudiments – 4/4 Playing- **3/B:** Rudiments – 6/8 Playing- **4/A:** Rudiments – 4/4 Playing- **4/B:** Rudiments – 6/8 Playing- 40 International Drum Rudiments**Keywords:**- Drumset exercises- Music school drumming- Béla Ugró- Drumset solos- Percussion techniques- Drum patterns- Latin-American music- Jazz drumming- Rock/Funk drumming- Drum rudiments.
$20.00
17.98 €
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Drums
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Béla Ugró
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Playing Drumset - Playing Drums at the Music School
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Bela Ugro
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Clarinet Quintet: 5 clarinets
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.48 €
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Clarinet Quintet: 5 clarinets
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Herbie Hancock
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
Caeleb Tee - Beautiful
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.912742 Composed by Caeleb …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.912742 Composed by Caeleb Tee. A Cappella,Christian,Concert,Contemporary,Sacred,Wedding. Octavo. 6 pages. Caeleb Tee #4366422. Published by Caeleb Tee (A0.912742). Set for SATB divisi a capella. Text based on Ecclesiastes 3:11He hath made everything beautiful in his time. He hath set eternity in their hearts, yet no man can know the work that God has made from the beginning to the end.duration: 4 minutesSuitable for church service and school concert.
$1.99
1.79 €
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Choral SATB
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Caeleb Tee
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Caeleb Tee - Beautiful
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Caeleb Tee
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SheetMusicPlus
Caeleb Tee - Out of the Depths
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.912740 Composed by Caeleb …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.912740 Composed by Caeleb Tee. A Cappella,Christian,Concert,Easter,Sacred. Octavo. 6 pages. Caeleb Tee #4366420. Published by Caeleb Tee (A0.912740). Psalm 130:1-3 is set for SATB divisi a capella. Suitable for church service and school concerts.Out of the depths have I cried unto thee, O Lord. Lord, hear my voice: let thine ears be attentive to the voice of my supplications. If thou, Lord, shouldest mark iniquities, O Lord, who shall stand? duration: 5:30.
$1.99
1.79 €
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Choral SATB
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Caeleb Tee
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Caeleb Tee - Out of the Depths
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Caeleb Tee
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SheetMusicPlus
Caeleb Tee - Veni
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.912739 Composed by Caeleb …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.912739 Composed by Caeleb Tee. A Cappella,Christian,Christmas,Sacred. Octavo. 5 pages. Caeleb Tee #4366416. Published by Caeleb Tee (A0.912739). Traditional hymn text Veni, veni, Emmanuel (O Come, O Come Emmanuel) is set for choral SATB a capella (no divisi).Suitable for different sizes of ensemble. Suitable for Advent/Christmas.duration: 4:30Text:Veni, veni Emmanuel!Captivum solve Israel!Qui gemit in exilio,Privatus Dei Filio,Gaude, gaude, Emmanuelnascetur pro te, Israel.Translation:O come, O come, Emmanuel,And ransom captive Israel,That mourns in lonely exile here,Until the Son of God appear.Rejoice! Rejoice! EmmanuelShall come to thee, O Israel.
$1.99
1.79 €
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Choral SATB
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Caeleb Tee
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Caeleb Tee - Veni
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Caeleb Tee
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SheetMusicPlus
A Caribbean Holiday (2-Part or Unison Choir, Optional Steel Drum or Mallet Instrument, Piano Accompaniment)
Choral 2-part
Piano Accompaniment, Marimba, Vibraphone, Xylophone, Choir, 2-part choir, piano, optio…
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Piano Accompaniment, Marimba, Vibraphone, Xylophone, Choir, 2-part choir, piano, optional steel drum or pitched percussion - Easy/Beginner - Digital Download Composed by Cathy Stamegna. Latin, South American, Christmas, Hanukkah, Children's Music. Score, Set of Parts. 11 pages. Published by Cathy Stamegna
A Caribbean Holiday (2-Part or Unison Choir, Optional Steel Drum or Mallet Instrument, Piano Accompaniment). The winter holidays remind us of cold weather, snow, and winter coats. Singers will begin this multicultural holiday number all bundled up and then reveal their island apparel under those stuffy jackets! Everyone will enjoy singing about Christmas, Hanukkah, and Kwanzaa this year where it’s warm - even if it’s only on stage! Appropriate and accessible for a Children’s or Middle School Choir’s school or concert program. Set of Parts.
$2.25
2.02 €
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Choral 2-part
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Cathy Stamegna
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A Caribbean Holiday
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SheetMusicPlus
Nineteen Skeletal Duets for Euphoniums (in treble clef)
Instrumental Duet Euphonium,Instrumental Duet - Level 2 - Digital Download SKU: A0.9174…
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Instrumental Duet Euphonium,Instrumental Duet - Level 2 - Digital Download SKU: A0.917407 Composed by Gregory Fritze. Classical,Contemporary,Instructional,Jazz. Score and parts. 44 pages. Musica Nova USA #5997955. Published by Musica Nova USA (A0.917407). Nineteen Skeletal Duets for Euphoniums is a set of duets of easy to moderate difficulty specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Trombones are the same duets but in bass clef. Twenty-two Skeletal Duets for Horns uses the first 19 as in the euphonium set with three additional duets added. Some of the euphonium and horn duets are in the same key so they can be played together.1. CraniumThis duet presents the cantabile singing style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.2. StirrupThis duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo where the less skilled students work best in the slower tempos – a common choice for all of the duets.3. HumerusThis waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.4. VertebraThis is in a rock style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.5. AxisLegato scales and syncopated rhythms are the features of this duet.6. TibiaThis duet alternates in rock style and swing. Articulations and manipulation of swing rhythms are important.7. ClavicleThe key of A for this duet provides variation for the students.
$20.00
17.98 €
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Gregory Fritze
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Nineteen Skeletal Duets for Euphoniums
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Musica Nova USA
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SheetMusicPlus
Thirteen
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.976729 Composed by Robert …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.976729 Composed by Robert Myers. Christian,Contemporary,Sacred. Octavo. 43 pages. WheatMyer Music #5317821. Published by WheatMyer Music (A0.976729). There are 150 psalms in the Bible, each one originally meant to be sung; and so they were for most of the last 3,000 years, beginning at the Jerusalem Temple. They were adopted as the primary song text of the early church as evidenced by Col. 3:16 and maintained in the Western church throughout medieval times. Psalms were the featured texts of most of the Reformers and were the sole mode of sacred singing among the first American settlers. Of late, hymns and choruses and popular songs with human texts have almost entirely replaced the singing of God’s word in many churches. This scarcity of Psalms in the Church’s song is a great loss which frequently motivates me to promote their increase. Thus, THIRTEEN , one member of my first suite of new Psalm settings, is offered as a to help bring the Psalms back into modern worship. The thirteenth Psalm holds a complaint, a petition, and a confession of faith and the music of THIRTEEN portrays each with text painting appropriate to the psalmist's words. A staggering timpani ostinato buffets away beneath the choir's tripartite how long complaint, followed by a dissonant recitative petition which transitions through shimmering tonal clusters into a joyful, major-key, confession of faith blended with a NT perspective from Eph. 3:20-21. THIRTEEN is challenging music, both in music and message, but for the adventurous music department it provides the opportunity to plumb the depths of scripture with artistry worthy of the rich heritage of Psalmody to use music to express the full message of God’s revelation. THIRTEEN is fitting to program liturgically as a musical exposition of the Psalm or in a sacred or secular concert setting. The very light orchestration complements the vocal performance with rich instrumental color without overwhelming the voices.
$55.00
49.46 €
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Choral SATB
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Robert Myers
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Thirteen
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WheatMyer Music
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SheetMusicPlus
Bartók: Fifteen Hungarian Peasant Songs, Sz.71 (Nos. 7 - 14) - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Flute, Oboe, Clarinet, Bassoon, Horn in F - Advanced Intermediate - Digital Download…
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Flute, Oboe, Clarinet, Bassoon, Horn in F - Advanced Intermediate - Digital Download Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Modern, Folk, European, Recital. Score, Set of Parts. 25 pages. Published by RayThompsonMusic
Fifteen Hungarian Peasant Songs, Sz. 71, BB 79 is a collection of short folk melodies arranged for piano by Hungarian composer Béla Bartók. It was composed between 1914 and 1918. In 1933, Bartók adapted and orchestrated parts of the piece as Hungarian Peasant Songs, Sz. 100, BB 107, commonly known by its Hungarian name, Magyar parasztdalok([ˈmɒɟɒr ˈpɒrɒstˌdɒlok]).<br> My arrangement for standard wind quintet is based on the piano music.<br> <br> The collection consists of fifteen movements, some of which are grouped together. A typical performance lasts 13–15 minutes. The movements in my arrangement are as follows:(7-14)<br> <br> Old Dance Tunes<br> 7.Allegro<br> 8 Allegretto<br> 9 Allegretto<br> 10 L'istesso tempo<br> 11 Assai moderato<br> 12 Allegretto<br> 13 Poco più vivo – Allegretto Allegro<br> 14 Allegro
$14.95
13.44 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Bela Bartok (1881-1945)
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Bartók: Fifteen Hungarian Peasant Songs, Sz.71
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RayThompsonMusic
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SheetMusicPlus
Bartók: Fifteen Hungarian Peasant Songs, Sz.71 (Old Dance Tunes) 7.Allegro - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Modern,…
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Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Modern, Recital. Score, Set of Parts. 8 pages. Published by RayThompsonMusic
Fifteen Hungarian Peasant Songs, Sz. 71, BB 79 is a collection of short folk melodies arranged for piano by Hungarian composer Béla Bartók. It was composed between 1914 and 1918. In 1933, Bartók adapted and orchestrated parts of the piece as Hungarian Peasant Songs, Sz. 100, BB 107.<br> The collection consists of fifteen movements, some of which are grouped together. A typical performance lasts 13–15 minutes.<br> <br> This is movement 7 (one of the Old Dance Tunes)<br> <br> Very Short, only 43 seconds long, but great for an encore!<br>
$2.49
2.24 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Bela Bartok (1881-1945)
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Bartók: Fifteen Hungarian Peasant Songs, Sz.71
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SheetMusicPlus
Fifteen Flute Folk Song Duets
Flute
Flute Solo - Level 1 - Digital Download SKU: A0.865259 Arranged by Chris Cooke. Fol…
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Flute Solo - Level 1 - Digital Download SKU: A0.865259 Arranged by Chris Cooke. Folk. Individual part. 21 pages. Chris Cooke #4362587. Published by Chris Cooke (A0.865259). This is my second collection of folk songs for flute. These are slightly more difficult than the first set and are suitable for second year students. The range is from F above middle C to the high F above the staff. Simple and complex meters are represented and note values include sixteenths. Students will have fun mimicking the train whistle in two of the songs and the second player will keep Grandfather’s Clock ticking until the last note. The songs with their keys are: The Ants Go Marching, G minor The Bear Went Over the Mountain, F Do Your Ears Hang Low?, F The Farmer in the DellE-flat Goober Peas, B-flat Home on the Range, F I’ve Been Workin’ on the Railroad, F Kookaburra, E-flat Michael Finnegan, F My Grandfather’s Clock, G Old Susanna, E-flat Polly Wolly Doodle, E-flat Red River Valley, G She’ll be Comin’ ‘Round the Mountain, F Skip to my Lou, E-flat
$6.95
6.25 €
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Flute
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Fifteen Flute Folk Song Duets
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Chris Cooke
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
8.99 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
YMCA for Steel Drum Band
By The Village People. Arranged by Mark McCafferty. Pop, Wedding. Score, Set of Parts. 15 …
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By The Village People. Arranged by Mark McCafferty. Pop, Wedding. Score, Set of Parts. 15 pages. Published by Mark McCafferty (H0.123123-953350). - Score,Set of Parts - Pop,Wedding - Mark McCafferty
$20.00
17.98 €
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The Village People
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YMCA for Steel Drum Band
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Mark McCafferty
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SheetMusicPlus
Up On The Housetop
Percussion Ensemble Instrumental Solo,Piano,Steel Pan - Level 2 - Digital Download SKU:…
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Percussion Ensemble Instrumental Solo,Piano,Steel Pan - Level 2 - Digital Download SKU: A0.920771 Composed by Benjamin Russell Hanby. Arranged by Shaula Kitan Walko. Children,Christmas,Holiday,Multicultural,Traditional,World. Score and individual part. 4 pages. Shady Lady Music #4808063. Published by Shady Lady Music (A0.920771). Arranged for solo or unison Jumbie Jam steel drum tuned in G and includes a piano accompaniment.This arrangement of Up On The Housetop is appropriate for the Jumbie Jam steel drum player who has become fairly comfortable finding their way around the instrument. Great for at home, recital, and classroom. Individual parts are available for the classroom. An MP3 piano accompaniment and a tempo practice MP3 file are also available. This set contains one Jumbie Jam diagram, one Jumbie Jam part, and one Piano accompaniment.
$4.99
4.49 €
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Benjamin Russell Hanby
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Up On The Housetop
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Shady Lady Music
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SheetMusicPlus
Up On The Housetop – Individual Part
Percussion Ensemble Instrumental Solo,Steel Pan - Level 2 - Digital Download SKU: A0.93…
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Percussion Ensemble Instrumental Solo,Steel Pan - Level 2 - Digital Download SKU: A0.933096 Composed by Benjamin Russell Hanby. Arranged by Shaula Kitan Walko. Children,Christmas,Holiday,Multicultural,Traditional,World. Individual part. 1 pages. Shady Lady Music #538857. Published by Shady Lady Music (A0.933096). Individual part only. Does not include piano accompaniment.Single sheet of the Jumbie Jam part, arranged for solo or unison Jumbie Jam steel drum tuned in G.This arrangement of Up On The Housetop is appropriate for the Jumbie Jam steel drum player who has become fairly comfortable finding their way around the instrument. Great for at home, recital, and classroom. A set including a single part with a piano accompaniment is available. An MP3 piano accompaniment and a play-along MP3 file for practicing the song at various tempos are also available.
$1.99
1.79 €
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Benjamin Russell Hanby
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Up On The Housetop – Individual Part
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Shady Lady Music
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SheetMusicPlus
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Choral SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
8.99 €
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Choral SATB
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Sixteen Going On Seventeen
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.782605 Composed by Richard Rodgers.…
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Easy Piano - Level 2 - Digital Download SKU: A0.782605 Composed by Richard Rodgers. Arranged by Ashlee T Busch. Broadway,Film/TV. Score. 5 pages. Ashlee T Busch #3539775. Published by Ashlee T Busch (A0.782605). Roger's and Hammerstein's plucky classic from the hit musical The Sound of Music is fun for any pianist. This slightly challenging rendition gives the early intermediate pianist a fun set of musical obstacles to conquer. The contrasting opening section versus middle and ending sections allows teachers a great opportunity to address stylistic differentiation. Lyrics are included so feel free to sing along!
$4.99
4.49 €
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Easy Piano
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Richard Rodgers
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Sixteen Going On Seventeen
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Ashlee T Busch
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SheetMusicPlus
Sixteen Going On Seventeen (for saxophone quartet)
Saxophone Quartet: 4 saxophones
By Rodgers & Hammerstein. Arranged by Ralph Raymond Hays. Score, Set of Parts. 14 …
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By Rodgers & Hammerstein. Arranged by Ralph Raymond Hays. Score, Set of Parts. 14 pages. Published by Ralph Raymond Hay
$12.99
11.68 €
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Saxophone Quartet: 4 saxophones
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Rodgers & Hammerstein
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Hammerstein
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Sixteen Going On Seventeen
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Ralph Raymond Hay
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SheetMusicPlus
Sixteen Going On Seventeen (for clarinet quartet)
Clarinet Quartet: 4 clarinets
Clarinet Quartet (SSSB or SSAB) - Intermediate - Digital Download By Rodgers & Ha…
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Clarinet Quartet (SSSB or SSAB) - Intermediate - Digital Download By Rodgers & Hammerstein. Arranged by Ralph Raymond Hays. Score, Set of Parts. 14 pages. Published by Ralph Raymond Hays
This delightful arrangement exudes the wit and charm of one of Rodgers and Hammerstein's most endearing works. It can be performed with Professor Hays' arrangements of The Sound of Music, My Favorite Things, Edelweiss, Do-Re-Mi, Maria, Something Good, and Climb Ev'ry Mountain to form a SOUND OF MUSIC Suite. https://www.sheetmusicplus.com/search?Ntt=ralph+Raymond+hays+woodwind+quintet+sound+of+music
$12.99
11.68 €
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Clarinet Quartet: 4 clarinets
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Rodgers & Hammerstein
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Hammerstein
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Sixteen Going On Seventeen
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Ralph Raymond Hays
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SheetMusicPlus
Smells Like Teen Spirit
Steel Drum Band Bass,Double Second,Double Tenor,Drum Set,Lead,Single Guitar,Steel Drum Ban…
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Steel Drum Band Bass,Double Second,Double Tenor,Drum Set,Lead,Single Guitar,Steel Drum Band,Steel Pan - Level 2 - Digital Download SKU: A0.1313680 By Nirvana. By Dave Grohl, Krist Novoselic, and Kurt Cobain. Arranged by J. Craig. Grunge,Rock. Score and Parts. 21 pages. JCMuse #902405. Published by JCMuse (A0.1313680). For steel drum ensemble. Includes score, lead pan, double tenor pan, double 2nd pan, guitar pan, bass pan and drum set.
$24.99
22.47 €
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Nirvana
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Smells Like Teen Spirit
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JCMuse
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SheetMusicPlus
Self Esteem
Drums
Drum Set,Drums - Level 2 - Digital Download SKU: A0.1242001 By The Offspring. By De…
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Drum Set,Drums - Level 2 - Digital Download SKU: A0.1242001 By The Offspring. By Dexter Holland. Arranged by Carlos Sanchez. Grunge,Instructional,Rock. Score. 3 pages. Carlos Sanchez #837360. Published by Carlos Sanchez (A0.1242001). Drumset transcription of Self Esteem(album version) by The Offspring; originally performed by Ron Welty; transcribed/arranged by Carlos Sanchez. Sanchez is a professional percussionist with nearly 30 years of experience transcribing and/or arranging music for marching bands, drumlines, and cover bands. Sanchez prides himself on the accuracy of his transcriptions and you should be able to easily play along with the original album version of this song. Be sure to look for other publications by Carlos Sanchez. Have fun and enjoy!Drumset Transcriptions:Amber - 311Beautiful Disaster - 311Breakout - Foo FightersCochise - AudioslaveCome Out and Play - The OffspringCrazy Bitch - BuckcherryGo With The Flow - Queens Of The Stone AgeI Hate Everything About You - Three Days GraceInside Our Home - 311Inside The Fire - DisturbedJudith - A Perfect CircleJudith(Easy Version) - A Perfect CircleJust A Girl - No DoubtLive Wire - Motley CrueMonkey Wrench - Foo FightersOn A Roll - 311Panama - Van HalenPerfect Mistake - 311Places That The Mind Goes - 311Pretty Fly(For A White Guy) - The OffspringRun - Foo FightersRunning - 311Self Esteem - The OffspringSex Type Thing - Stone Temple PilotsShow Me How To Live - AudioslaveSquare Hammer - GhostThis Dying Soul - Dream TheaterToo Much To Think - 311Tribute - Tenacious DUnchained - Van HalenBass Transcriptions:This Dying Soul - Dream TheaterVacant - Dream TheaterMarching Band Arrangements:Come Out and Play - The OffspringFull Band Transcriptions:Vacant - Dream Theater
$5.99
5.39 €
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Drums
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The Offspring
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Self Esteem
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Carlos Sanchez
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SheetMusicPlus
La Bamba for Steel Band
By Ritchie Valens. Arranged by Scott Meister. Score, Set of Parts. 16 pages. Published by …
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By Ritchie Valens. Arranged by Scott Meister. Score, Set of Parts. 16 pages. Published by Scott Meister (H0.162787-448600). - Score,Set of Parts - - Scott Meister
$20.00
17.98 €
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Ritchie Valens
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La Bamba for Steel Band
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Scott Meister
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SheetMusicPlus
I'm Yours for Steel Band
By Jason Mraz. Arranged by John Willmarth. Score, Set of Parts. 36 pages. Published by Joh…
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By Jason Mraz. Arranged by John Willmarth. Score, Set of Parts. 36 pages. Published by John Willmarth Music (H0.356199-138763). - Score,Set of Parts - - John Willmarth Music
$25.00
22.48 €
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Jason Mraz
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I'm Yours for Steel Band
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John Willmarth Music
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SheetMusicPlus
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