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Ten Solos for Flute and Piano
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Ten Solos for Flute and Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.735585 Composed by Various. Arrang…
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Flute,Piano - Level 3 - Digital Download SKU: A0.735585 Composed by Various. Arranged by Andrew Middleton. 20th Century,Romantic Period. Score and part. 56 pages. Andrew Middleton #5020111. Published by Andrew Middleton (A0.735585). Ten solos of varying difficulty arranged for flute and piano accompaniment. All pieces are sold separately but buying all 10 together means each piece only costs $1! The collection includes:Anitra’s Dance from Peer Gynt by Edvard GriegChanson nuit by Edward ElgarDanse Macabre by Camille Saint-SaensVoices of Spring by Johann Strauss Jr.Gnossienne No. 1 by Erik SatieMazurka in F Minor by Anatoly LyadovPavane Op. 50 by Gabriel FaurePrelude in E Minor by Fredric ChopinRomance Op. 17 by Carl ReineckeValse Impromtu by Edvard GreigThis collection of pieces is also available for: oboe, cor anglais, clarinet, soprano sax, alto sax, tenor sax and bassoon.
$8.00
7.19 €
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Flute and Piano
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Various
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Ten Solos for Flute and Piano
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Andrew Middleton
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SheetMusicPlus
14 Fun Solos for Flute and Piano
Flute and Piano
Piano Accompaniment, Flute - Early Intermediate - Digital Download Composed by Tradition…
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Piano Accompaniment, Flute - Early Intermediate - Digital Download Composed by Traditional. Arranged by Tim Curd. Classical Period, Repertoire, Folk, Latin, Patriotic. Score, Solo Part. 46 pages. Published by Tim Curd
14 Fun Solos for Flute and Piano This collection of popular traditional solos have been written at an easier standard and are suitable for the advancing beginner or student. A mix of styles are included from patriotic anthems, work songs, sea shanties, calypso, classical, and tunes from old English folklore. The Tunes Are: 1. The Banana Boat Song 2. Twinkle, Twinkle Little Star and Variation 3. Drunken Sailor 4. Ten Green Bottles 5. Greensleeves 6. Daisy, Daisy 7. Scarborough Fair 8. Skye Boat Song 9. Scotland The Brave 10. The Cucaracha 11. William Tell 12. Kalinka 13. Yellow Bird 14. Mango Walk Solo and piano parts are included.
$9.99
8.98 €
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Flute and Piano
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Traditional
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14 Fun Solos for Flute and Piano
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Tim Curd
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SheetMusicPlus
Ten Romantic Solos for Oboe and Piano
Oboe, Piano (duet)
Composed by Various. Arranged by Andrew Middleton. Romantic Period. Score and part. 56…
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Composed by Various. Arranged by Andrew Middleton. Romantic Period. Score and part. 56 pages. Andrew Middleton #5318199. Published by Andrew Middleton
Ten solos of varying difficulty from the Romantic Period arranged for oboe and piano accompaniment. All pieces are sold separately but buying all 10 together means each piece only costs $1! The collection includes:<br> <br> \"Anitra’s Dance\" from Peer Gynt by Edvard Grieg<br> <br> Chanson nuit by Edward Elgar<br> <br> Danse Macabre by Camille Saint-Saens<br> <br> Voices of Spring by Johann Strauss Jr.<br> <br> Gnossienne No. 1 by Erik Satie<br> <br> Mazurka in F Minor by Anatoly Lyadov<br> <br> Pavane Op. 50 by Gabriel Faure<br> <br> Prelude in E Minor by Fredric Chopin<br> <br> Romance Op. 17 by Carl Reinecke<br> <br> Valse Impromtu by Edvard Greig<br> <br> This collection of pieces is also available for: flute, cor anglais, clarinet, soprano sax, alto sax, tenor sax and bassoon.
$8.00
7.19 €
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Oboe, Piano (duet)
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Various
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Ten Romantic Solos for Oboe and Piano
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Andrew Middleton
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SheetMusicPlus
Ten Romantic Solos for Bassoon and Piano
Bassoon, Piano (duet)
Bassoon,Piano - Level 3 - Digital Download SKU: A0.735672 Composed by Various. Arra…
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.735672 Composed by Various. Arranged by Andrew Middleton. Romantic Period. Score and part. 58 pages. Andrew Middleton #5318591. Published by Andrew Middleton (A0.735672). Ten solos of varying difficulty from the Romantic Period arranged for tenor saxophone and piano accompaniment. All pieces are sold separately but buying all 10 together means each piece only costs $1! The collection includes:Anitra’s Dance from Peer Gynt by Edvard GriegChanson nuit by Edward ElgarDanse Macabre by Camille Saint-SaensVoices of Spring by Johann Strauss Jr.Gnossienne No. 1 by Erik SatieMazurka in F Minor by Anatoly LyadovPavane Op. 50 by Gabriel FaurePrelude in E Minor by Fredric ChopinRomance Op. 17 by Carl ReineckeValse Impromtu by Edvard GreigThis collection of pieces is also available for: flute, oboe, cor anglais clarinet, soprano sax, alto sax and tenor sax.A backing track for this arrangement can be found at https://youtu.be/_LqM0nHZCEkFor more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$8.00
7.19 €
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Bassoon, Piano (duet)
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Various
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Ten Romantic Solos for Bassoon and Piano
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Andrew Middleton
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SheetMusicPlus
10 Christmas Solos for Flute (with piano accompaniment) vol. 1
Flute and Piano
Composed by Various. Arranged by B C Dockery. Christian, Christmas, Concert, Sacred. …
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Composed by Various. Arranged by B C Dockery. Christian, Christmas, Concert, Sacred. Score and part. 26 pages. Ben Dockery #6075959. Published by Ben Dockery
Ten Christmas arrangements for solo flute with optional piano accompaniment. Great for lessons, recitals, caroling, church services, and Christmas parties.<br> Includes:<br> <br> Jingle Bells<br> What Child Is This<br> Silent Night<br> O Come All Ye Faithful<br> Joy to the World<br> Away in a Manger<br> We Three Kings<br> Away in a Manger (Cradle Song)<br> O Holy Night<br> The First Noel
$8.99
8.09 €
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Flute and Piano
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Various
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10 Christmas Solos for Flute
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Ben Dockery
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SheetMusicPlus
"Crocodile Teeth" for Flute and Piano
Flute and Piano
Flute,Piano - Digital Download SKU: A0.935497 Composed by Kazys Daugela. Children. …
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Flute,Piano - Digital Download SKU: A0.935497 Composed by Kazys Daugela. Children. Score and part. 4 pages. Kazys Daugela #6210087. Published by Kazys Daugela (A0.935497). First Concert Solos for the Young Player. It is easy and more enjoyable to focus on this piece of music that you can play with imagination. What advice would I give young musicians, so they will always love playing music:1.Always try to play with ease;2.Release any and all tension;3.Your music will flow if your body feels free;4.Think about breathing, and use the least amount of effort to execute a phrase;5.Learning a musical instrument enhances these skills and uses your head, as well as your heart;6.Making music will always enrich everything you do in life.
$1.99
1.79 €
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Flute and Piano
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Kazys Daugela
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"Crocodile Teeth" for Flute and Piano
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Kazys Daugela
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SheetMusicPlus
Scottish Folk Song Medley, for Flute and Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.763444 Composed by Trad Scottish. …
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Flute,Piano - Level 3 - Digital Download SKU: A0.763444 Composed by Trad Scottish. Arranged by Nigel Williams. Celtic,Concert,Instructional,Standards. Score and part. 8 pages. Nigel Williams #5733247. Published by Nigel Williams (A0.763444). Three popular Scottish folk songs, Skye Boat Song, Eriskay Love Lilt, Loch Lomond, arranged as a medley. The melody lies mainly in the flute but occasionally the piano leads and this allows the flute to present counter-melodies. The flute writing is mainly in the second octave and the upward moving piano accompaniment sits nicely under the fingers. This arrangement is ideal repertoire for High School flute players wanting interesting and innovative holiday repertoire. The performance duration is three minutes and the full score has a separate one page flute score and two page piano score attached. Enjoy browsing my extensive range of flute solos, duets, flute trios and quartets on SMP.
$4.99
4.49 €
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Flute and Piano
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Trad Scottish
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Scottish Folk Song Medley, for Flute and Piano
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Nigel Williams
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SheetMusicPlus
Now Thank We All Our God, for Flute and Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.763435 Composed by Johann Cruger. …
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Flute,Piano - Level 2 - Digital Download SKU: A0.763435 Composed by Johann Cruger. Arranged by Nigel Williams. Baroque,Holiday,Multicultural,Sacred,Standards,World. Score and part. 10 pages. Nigel Williams #5726425. Published by Nigel Williams (A0.763435). The well known melody Nun Danket is arranged in a contemplative style for flute and piano. The flute writing is straightforward, stating the chorale melody in equal length phrases and mainly in the second octave. The piano accompanies with gentle upward moving eighth-note figures, the overall effect is one of contemplation and a sense of quiet fulfillment. This arrangement would be an ideal prelude or reflective offering in a service of worship. The performance duration is over two and a half minutes and the full score has a separate flute part attached. Enjoy browsing my extensive range of instrumental solos, duets, trios, quartets and ensemble arrangements on SMP.
$4.99
4.49 €
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Flute and Piano
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Johann Cruger
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Now Thank We All Our God, for Flute and Piano
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Nigel Williams
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SheetMusicPlus
Nearer, My God, To Thee, for Flute and Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.763437 Composed by Lowell Mason. A…
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Flute,Piano - Level 2 - Digital Download SKU: A0.763437 Composed by Lowell Mason. Arranged by Nigel Williams. Easter,Holiday,Lent,Sacred,Standards. Score and part. 8 pages. Nigel Williams #5728833. Published by Nigel Williams (A0.763437). Lowell Mason's hymn tune Bethany is embraced by congregations from all denominations. This gentle arrangement for flute and piano is an ideal prelude or reflective offering during a service of worship. Also ideal repertoire for Middle and Junior High School players. The performance duration is in excess of two minutes and the full score has a one-page flute part attached. Enjoy browsing my extensive range of instrumental solos, duets, trios, quartets and ensemble arrangements, all available on SMP.
$4.99
4.49 €
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Flute and Piano
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Lowell Mason
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Nearer, My God, To Thee, for Flute and Piano
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Nigel Williams
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SheetMusicPlus
Sullivan: The Lost Chord for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549447 Composed by Sir A…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497143. Published by jmsgu3 (A0.549447). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.24 €
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Tenor Saxophone and Piano
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for Tenor Sax & Piano
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jmsgu3
#
SheetMusicPlus
Easy Classical Flute Solos
Flute and Piano
Composed by Johann Sebastian Bach, Ludwig van Beethoven, George Frideric Handel, Wol…
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Composed by Johann Sebastian Bach, Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart and other composers. Arranged by Javier Marcó. Romantic Period, Classical Period, Baroque Period, Etudes and Exercises, Classroom. Set of Parts. 28 pages. Published by Javier Marco
This collection features a selection of classical pieces by the world's most renowned composers: Johann Sebastian Bach, Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Edvard Grieg, Johann Pachelbel, Giuseppe Verdi, Edward Elgar, Richard Wagner and Johannes Brahms.<br> <br> All the pieces are presented in simplified version for the beginner.<br> <br> Includes:<br> <br> 1812 Overture, Op. 49<br> An der schönen blauen Donau, Op. 314<br> Bourrée, BWV 996<br> Dance of the Flowers, Op. 71a<br> Eine kleine Nachtmusik, K.525<br> Für Elise, WoO 59<br> Greensleeves<br> Guten Abend, gut’ Nacht<br> I Dovregubbens hall<br> Jesus bleibet meine Freude, BWV 147<br> Kanon in D-Dur<br> La Donna è Mobile<br> la Primavera, RV. 269<br> Menuett, BWV Anh 114<br> Ode an die Freude, Op. 125<br> Pomp and Circumstance March Nº1, Op. 39<br> Treulich geführt<br> Water Music, HWV 349
$9.99
8.98 €
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Flute and Piano
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Johann Sebastian Bach, Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart and other composers
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Easy Classical Flute Solos
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Javier Marco
#
SheetMusicPlus
Sullivan: The Lost Chord for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seym…
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Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497233. Published by jmsgu3 (A0.549456). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.24 €
#
Flute and Piano
#
Sir Arthur Seymour Sullivan
#
dynamic control
#
Sullivan: The Lost Chord for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Faith of Our Fathers, for Flute and Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.763847 Composed by Henry F Hemy. A…
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Flute,Piano - Level 2 - Digital Download SKU: A0.763847 Composed by Henry F Hemy. Arranged by Nigel Williams. Lent,Sacred,Standards. Score and part. 8 pages. Nigel Williams #6593953. Published by Nigel Williams (A0.763847). Popular hymn tune St Catherine, arranged for flute and piano. Ideal in a service of worship and great high school classroom repertoire. Score and parts. Enjoy browsing my extensive selection of flute solos, duets, trios and quartets available on SMP.
$4.99
4.49 €
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Flute and Piano
#
Henry F Hemy
#
Faith of Our Fathers, for Flute and Piano
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Nigel Williams
#
SheetMusicPlus
Four Simple Pieces for Flute
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1434991 Composed by Dorothy Pillin…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1434991 Composed by Dorothy Pilling. 20th Century,Classical,Contest,Festival. Score and part. 22 pages. Forsyth Brothers Ltd #1015095. Published by Forsyth Brothers Ltd (A0.1434991). These short but perfectly formed pieces are intended for flautists of about a year's standing. It is hoped that this small album will also help to foster in young players a taste for ensemble playing: the two simple trios also include oboe and clarinet, but if these instruments are not available the parts may be played on a violin. Buffoon The Cuckoo Ländler Jig Bercuse (Trio for Flute, Oboe and Piano) Sarabande (Trio for Flute, Clarinet and Piano) Pilling was a much loved figure in the Mancunian musical world, known to generations of young pianists for her imaginative piano teaching pieces. Most famous for classic 'Harmonization of Melodies at the Keyboard' series, Dorothy Pilling also composed many piano duets and solos, as well as songs and other works. According to the Voxturturis blog:'Her music remains fresh and light; characterised by strong melodies and late romantic harmony which she improvised well and the pieces are, in the main, short. Instantly appealing to players and audiences alike, most of her work shows a high degree of compositional craft'.
$9.99
8.98 €
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Flute and Piano
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Dorothy Pilling
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Four Simple Pieces for Flute
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Forsyth Brothers Ltd
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SheetMusicPlus
Meditation on I Love to Tell the Story, for Flute and Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.763868 Composed by W G Fischer. Ar…
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Flute,Piano - Level 2 - Digital Download SKU: A0.763868 Composed by W G Fischer. Arranged by Nigel Williams. Folk,Instructional,Lent,Sacred,Standards. Score and part. 8 pages. Nigel Williams #6700951. Published by Nigel Williams (A0.763868). A quiet piece to play at any time in a service of worship where a reflective and contemplative mood is required. Also great high school student repertoire. Score downloads with one page flute part and two page piano part attached. Enjoy browsing my extensive selection of flute and woodwind solos, duets, trios and quartets available on SMP.
$4.99
4.49 €
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Flute and Piano
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W G Fischer
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Meditation on I Love to Tell the Story, for Flute and Piano
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Nigel Williams
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SheetMusicPlus
A Day in the Life of a Fool (Manha de Carnaval): Piano Accompaniment
Piano (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017477_K Piano Accompaniment…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017477_K Piano Accompaniment. Composed by Luiz Bonfá. Arranged by Terry White. Jazz; Latin. Part. 5 pages. Alfred Music - Digital Sheet Music #00-PC-0017477_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017477_K). UPC: 038081509396.A Day in the Life of a Fool (Manha de Carnaval) arranged by Terry White is a bossa nova groove---but not just any bossa---this one stands above the rest. Superb harmonies, nice voicings, a nice sax soli, written solos for alto and trumpet, a big shout chorus, and all very tasty throughout. This chart also includes a variety of optional parts plus flute, clarinet, and vibes. Tempo is 128 BPM. (4:00).
$3.00
2.7 €
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Piano (band part)
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Luiz Bonfá
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Latin
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A Day in the Life of a Fool
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Sullivan: The Lost Chord for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 4 - Digital Download SKU: A0.549448 Composed by Sir Arthur Seymo…
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Oboe,Piano - Level 4 - Digital Download SKU: A0.549448 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497149. Published by jmsgu3 (A0.549448). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Requires sensitivity & dynamic control.Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$26.95
24.24 €
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Oboe, Piano (duet)
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for Oboe & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir A…
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494745. Published by jmsgu3 (A0.549444). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.24 €
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Clarinet and Piano
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Sir Arthur Seymour Sullivan
#
dynamic control
#
Sullivan: The Lost Chord for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549443 Composed by Sir Ar…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.24 €
#
Alto Saxophone and Piano
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Sir Arthur Seymour Sullivan
#
dynamic control
#
Sullivan: The Lost Chord for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Cello & Piano
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seym…
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Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.24 €
#
Cello, Piano
#
Sir Arthur Seymour Sullivan
#
dynamic control
#
Sullivan: The Lost Chord for Cello & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Viola & Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seym…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.24 €
#
Viola, Piano
#
Sir Arthur Seymour Sullivan
#
dynamic control
#
Sullivan: The Lost Chord for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Baritone Sax & Piano
Baritone Saxophone, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Si…
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.24 €
#
Baritone Saxophone, Piano
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Sir Arthur Seymour Sullivan
#
dynamic control
#
Sullivan: The Lost Chord for Baritone Sax & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for French Horn & Piano
French Horn and Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthu…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.24 €
#
French Horn and Piano
#
Sir Arthur Seymour Sullivan
#
dynamic control
#
Sullivan: The Lost Chord for French Horn & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Trombone & Piano
Trombone and Piano
Piano,Trombone - Level 4 - Digital Download SKU: A0.549458 Composed by Sir Arthur S…
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Piano,Trombone - Level 4 - Digital Download SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497267. Published by jmsgu3 (A0.549458). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.24 €
#
Trombone and Piano
#
Sir Arthur Seymour Sullivan
#
dynamic control
#
Sullivan: The Lost Chord for Trombone & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Violin & Piano
Violin and Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.549439 Composed by Sir Arthur Sey…
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Piano,Violin - Level 3 - Digital Download SKU: A0.549439 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 14 pages. Jmsgu3 #3494667. Published by jmsgu3 (A0.549439). Score: 9 pages, solo part: 2 pages, piano part: 4 pages. Duration: 4:18. Suitable for a recital of church meditation. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.24 €
#
Violin and Piano
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Sir Arthur Seymour Sullivan
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Sullivan: The Lost Chord for Violin & Piano
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jmsgu3
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SheetMusicPlus
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