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3426
On That Cross
Choral SSATTB
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00
2.72 €
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Choral SSATTB
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
On That Cross (Piano part ONLY)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
1.8 €
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
#
SheetMusicPlus
On That Cross (choir pack + piano part + licence)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
14.51 €
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Stuart Richard Brown
#
On That Cross
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Stuart Brown Music
#
SheetMusicPlus
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by Ja…
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Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95
18.09 €
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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SheetMusicPlus
Wrecking Ball
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.845973 By Miley …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan Richard Moccio. Arranged by Kyle Pudenz. Contemporary,Pop. Score and parts. 34 pages. ViolinVagabond Music #5310843. Published by ViolinVagabond Music (A0.845973). Why settle for a bland transcription of Hannah Montana when you can have an action-packed, thrill-filled arrangement that's ALMOST as crazy as Miley Cyrus!? (almost)You've heard the song. You've seen the video. Whether or not you're a Miley super fan, you get the hype and that's why you're here. So take that hype to the next level with a chart that will make your audience go what on earth just happened? the same way Miley does on at least a bi-annual basis. By the way, I'll tell you what just happened: your quartet just came in like a wrecking ball, and smashed every archaic stereotype about classical string players to PIECES!!Gone are the days of strings not being able to feel the groove. Silenced are the cynics who once called us boring and one-dimensional. A new era is upon us, where violins, violas, & cellos can get up, get out, and rock the faces off of the proletariat right alongside our guitar slinging, drumstick twirling brethren! And this chart is just what you need to usher in this oh so bright future for all who rosin the bow:Right from the start, this arrangement takes a unique spin on Miley's pop smash, with a lopsided groove that will have your listeners searching frantically for a downbeat. Their urges will finally be satisfied when the melody takes us back to that oh-so-familiar feeling of 4/4 security... but don't get too comfortable, because when that chorus drops you'd better hold on to your hats. That's right, the train is leaving the station for double-time town! Along this musical journey, you may also encounter glimpses of reggae, jazz, & bluegrass, culminating in a race to the finish that will wre-e-eck any musician who didn't come ready to hang. Oh, and just for funsies I threw in that classic showbiz' moment where the cellist steals the melody, so feel free to ham that up as much as possible, cello players!This arrangement also makes use of modern extended string techniques in order to create rhythmic grooves without the need for additional instruments, including chopping and strum bowing. If you are unfamiliar with these concepts, various resources exist all over the internet to aid you in your quest towards having better time. I recommend this series, for example: https://youtu.be/kfX3kxjC93sPerformance time - 4:20... and if that doesn't make Miley Cyrus proud I don't know what will.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$17.99
16.31 €
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String Quartet: 2 violins, viola, cello
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Miley Cyrus
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Wrecking Ball
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ViolinVagabond Music
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SheetMusicPlus
That's All Right
Organ
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.499510 By A…
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.499510 By Arthur Big Boy Crudup, Elvis Presley, and Johnny Cash. This edition: scorch. E-Z Play Today. Country,Pop,Rock. Score. 2 pages. Published by Hal Leonard - Digital (HX.499510). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.71 €
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Organ
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Arthur Big Boy Crudup, Elvis Presley, and Johnny Cash
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That's All Right
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Hal Leonard - Digital
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SheetMusicPlus
Of That So Sweet Imprisonment (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-3E Composed by J…
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Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-3E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-3E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
2.72 €
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Juliana Hall
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Of That So Sweet Imprisonment
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!'
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.596525 Composed by Juan MarÃa So…
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Piano Solo - Level 4 - Digital Download SKU: A0.596525 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Latin. Score. 7 pages. Juan Maria Solare #3621769. Published by Juan Maria Solare (A0.596525). The piano piece Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!' was composed in Bremen, Germany, in August 2018, for the project 45miniatures by pianist Nick Phillips. The overall character of this piece responds vaguely to Nicholas Phillips' suggestion: playful/childish outbursts, in the form of heckler chords or bad hombre-like non-chord tones. The title depicts a surrealistic, clownesque, ridiculous situation; a dream for some and a nightmare for others.For those totally unaware: the expression Bad Hombres was used by president Donald Trump during the third 2016 United States Presidential Debate. While answering a question about his immigration policy, Donald Trump stated that there were a lot of drug lords in the United States and that they needed to be removed. He concluded his comment by saying we have some bad hombres here and we have to get them out. (thus implying that the responsible of US' drug problems are Latinos)Character and moods: happy, merry, mysterious. About the performance All the piece consists of mini clusters (two minor seconds). The notation can be sometimes obscure (due to the many unavoidable accidentals). To facilitate the reading (deciphering) of the score, the easiest is to follow the highest note of each cluster: they usually form a simple chord. For instance, bar 17 is (melodically speaking) a F7 chord. Got it? L = Left Hand R = Right Hand The verbal comments along the music are not meant to be actually read aloud, but alla mente (like in some Satie's music). However, if you want to recite them at concert, go ahead.Juan MarÃa Solare (http://www.JuanMariaSolare.com)
$2.00
1.81 €
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Piano solo
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Juan MarÃa Solare
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Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!'
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Juan Maria Solare
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SheetMusicPlus
Divertimento in F major for Piano and Harp, Opus 1: "Luna Park rides, Milson's Point, N.S.W., 2061,
Harp and Piano
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1027281 Composed by Australi…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1027281 Composed by Australian neo-classical composer, Mr. Phillip Anthony Russo, and born 19/03/1965. Classical,Contemporary,Instructional,Standards,World. Score and parts. 56 pages. Mr. Phillip Anthony Russo #2029033. Published by Mr. Phillip Anthony Russo (A0.1027281). Divertimento in F major for Piano and Harp, Opus 1. Copyright, 2005, 2010, 2014, by Phillip Russo, born 19/03/1965. All Rights Reserved. This beautiful, melodious and fun piece, which plays for 12 minutes and 17 seconds on the CD, is scored in a bright F major key, has two sections in C major, and employs 43 orchestral instruments, played by 40 musicians. Two percussionists play five instruments. The pianist directs and conducts the work from the piano, or a conductor may be employed instead. I chose a concert grand piano, or a baby grand piano, and a concert harp as the two leading, but not solo, orchestral instruments which are used to showcase the piece. I have included a .mp3 audio clip of this piece to illustrate the neo-classical melodies in it. Divertimenti, were first written by Franz Joseph Haydn, Michael Haydn and Wolfgang Amadeus Mozart during the Classical period, between 1750 and 1809. A divertimento is a short, entertaining, chamber ensemble or orchestral work, usually in the form of an orchestral suite, written in several sections and/or movements. It can have as few as three, or many more instruments! A divertimento does not have a strict format, but a liberal one, within acceptable limits or conventions, and only small chamber ensembles were employed to perform divertimenti in Haydn's and Mozart's day in the eighteenth century. Both a divertimento and a cassation may contain a leading or obbligato instrument(s), or can even be integrated with vocal or choral music. However, divertimenti and cassations never have solo instruments, as in a concerto. An Opus number 1, means that this is the first written work of a composer; opus 2 means the second work, and so forth. 'Opus' means a work, or composition. I sub-titled the piece: Luna Park rides, Milson's Point, N.S.W., 2061, Australia, and circus sideshows. I chose this sub-title because the work reminds me of my childhood days, of the rides at Luna Park, Sydney, such as the Merry-go-Round, the Ferris Wheel, the Cha-Cha, the Dodgem cars, the Rotor, the Mirror Maze, the slippery dips in Coney Island, the River Caves, the Ghost Train - burnt down presumably due to an electrical fault, in December, 1974, killing 7 people, the Giant Pendulum ride, the Giant Spider ride, the Big Dipper, later renamed the Wild Cat and later the Wild Mouse, which is actually a Roller-coaster ride. Some of the Harp part sounds like the movement of the Roller-coaster! Also, the work reminisces on my experience of the Sole Brothers' Circus sideshows, in 1977, such as the targeting games and prizes, and clowns sideshows, which my dad took me to see when I was about 12 years old.
$40.00
36.27 €
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Harp and Piano
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Australian neo-classical composer, Mr
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Divertimento in F major for Piano and Harp, Opus 1: "Luna Park rides, Milson's Point, N.S.W., 2061,
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Mr. Phillip Anthony Russo
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SheetMusicPlus
It's All Right
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874130 By Van Morrison. By…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874130 By Van Morrison. By Van Morrison. Arranged by Jordan R. Tucker. A Cappella. Octavo. 21 pages. Jordan R. Tucker Music #6508085. Published by Jordan R. Tucker Music (A0.874130). This arrangement of Curtis Mayfield's It's All Right (as recorded by Huey Lewis & the News) is an upbeat a cappella tune that recalls the classic charm of 1940s Doo-Wop groups. This arrangement features a barbershop quartet, which a TTBB choir as the backup. A piano reduction for rehearsal purposes is also included. This is a great arrangement for high school and college groups with strong soloists.
$59.99
54.39 €
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Choral TTBB
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Van Morrison
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It's All Right
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Jordan R. Tucker Music
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SheetMusicPlus
All Right Now
Marching band
Marching Band - Level 2 - Digital Download SKU: A0.1184270 By Free. By Andy Fraser …
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Marching Band - Level 2 - Digital Download SKU: A0.1184270 By Free. By Andy Fraser and Paul Rodgers. Arranged by Jay Jordan. Pop,Rock. Score and parts. 32 pages. Pro Creations Music #783648. Published by Pro Creations Music (A0.1184270). This classic by the band Free has seen it's share of marching/pep band arrangements over the years but none that include the cool bass riff in the bridge like this one. The main accompaniment also has a unique take on the chord progression. Overall this arrangement is easy with the exception of some high Cs (concert Bb) in the lead trumpet part. Percussion parts include easy drumline parts for mallets, snare drum, quad drums, single bass drum, and cymbals. Perfect for in-the-stands playing for football and basketball time outs.
$49.99
45.33 €
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Marching band
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Free
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All Right Now
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Pro Creations Music
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SheetMusicPlus
String Quintet based on Beethoven's sketches, op. 79
String Quartet: 2 violins, viola, cello
String Quartet String Quartet,Viola - Level 4 - Digital Download SKU: A0.1004728 Co…
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String Quartet String Quartet,Viola - Level 4 - Digital Download SKU: A0.1004728 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. 20th Century,Classical,Contemporary. Score and parts. 205 pages. Adrian Gagiu #6365523. Published by Adrian Gagiu (A0.1004728). This composition is a premiere, speculative, yet as faithful as possible embodiment of all of Beethoven’s sketches for his String Quintet in C major, Hess 41 (WoO 62), as they have been left by the composer. The usefulness and integrity of more or less hypothetical completions of sketches by great composers remains from case to case controversial. Due to the paucity of the sketches for the aim of attempting a true reconstruction, the present composition in no way falls within such category. It is obviously quite different from what Beethoven himself would have produced if he had lived more, also due to the fact that he usually transformed his preliminary sketches substantially during the compositional process. However, there are some of his frequent, subtle thematic relationships between the sketches for the Quintet movements, and probably some features in the sketches would have been kept in the completed composition. The four-movement design hypothesized by Martin Staehelin and others, as well as other retrospective or relaxed features in the sketches may be a result of a still early stage of the compositional process, or perhaps an indicator of a fourth, neoclassical creative period, together with Op. 135 and the new Finale for Op. 130.To generate a continuity draft of the Quintet, all of Beethoven’s sketches for it were used, with the addition of several ones from the same context within the respective sketchbook and which could be related to the identified Quintet sketches: some sketches are clearly labeled as being for the Quintet, while others are thematically related or written down close to them. With the possible exception of bars 75-94 and 136-155 in movement II (which are variations on the theme) and bars 140-145 in movement IV (which fill in the blank bars in the sketch with a progression based on it), virtually every bar of this composition includes the notes from the sketches in at least one of the instruments. Some of those notes were subject to transpositions and adaptations to fit the formal design, and to editorial choices for the unclear pitches and duration in the sketches.This publication includes the score, parts and continuity draft, the latter being marked with the sources in the sketches for each passage.Total duration: 33 minutes. The mp3 audio clip is the 3rd movement. Performing Rights Organization: SOCAN.
$49.95
45.29 €
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String Quartet: 2 violins, viola, cello
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Ludwig van Beethoven
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String Quintet based on Beethoven's sketches, op. 79
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Adrian Gagiu
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SheetMusicPlus
That's Amore (that's Love)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.931228
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.931228 Composed by Harry Warren. Arranged by Alessandro Macrì. Contemporary. Score and parts. 11 pages. Music Macri Editions #5371685. Published by Music Macri Editions (A0.931228). That's Amore è una canzone del 1953 composta dal compositore Harry Warren e dal paroliere Jack Brooks. Divenne un notevole successo nella registrazione di Dean Martin. Peculiarità del brano è la contaminazione della lingua inglese con alcuni termini in italiano. Il brano è anche una dichiarazione d'affetto per Napoli e per le sue tradizioni come la pizza e la tarantella.La canzone apparve per la prima volta nella colonna sonora del film Occhio alla palla, distribuito dalla Paramount Pictures il 10 agosto 1953. La canzone inserita nel disco singolo pubblicato dalla Capitol Records fu registrata il 13 agosto 1953, con l'orchestra diretta da Dick Stabile, agli studios della Capitol Records al 5505 di Melrose Avenue ad Hollywood. Il 7 novembre 1953 il singolo di That's Amore (sul cui lato B era incisa You're The Right One), raggiunse la posizione numero due della Billboard Hot 100. Il singolo di Dean Martin non riuscì a spodestare dal primo posto Vaya con Dios di Les Paul e Mary Ford, che rimase in vetta per nove settimane consecutive.La canzone rimase indelebilmente identificata con la persona di Dean Martin, al punto che un documentario del 2001 sulla vita dell'artista fu intitolato proprio That's Amore. Anche la biografia dell'artista, scritta nel 2002 dal figlio Ricci Martin fu intitolata That's Amore: A Son Remembers Dean Martin. La stessa canzone di Dean Martin venne usata come sigla della trasmissione radiofonica Andando a cena condotta da Alfredo Antonaros e come sigla della trasmissione Ricette all'italiana andata in onda su Rete 4 con la conduzione di Michela Coppa e Davide Mengacci.
$13.00
11.79 €
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Brass quartet : 2 trumpets, trombone, tuba
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Harry Warren
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That's Amore
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Music Macri Editions
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SheetMusicPlus
That We May Give Ourselves — SATB voices, organ
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1472849 Compos…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1472849 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1050479. Published by Con Spirito Music (A0.1472849). “That We May Give Ourselves” is a short anthem based on a traditional collect — a prayer comprising an invocation, petition, and conclusion — that appears in various Anglican prayer books. The invocation, “Eternal God and Father, by whose power we are created and by whose love we are redeemed” acknowledges the eternity, creative power, and redeeming love of God. The petition, “Guide and strengthen us by your Spirit, that we may give ourselves to your service, and live this day in love to one another, and live this day in love to you” asks for the aid of the Holy Spirit in service to God and recalls Jesus's words in the Gospel of Matthew, 22:37-39: “And [Jesus] said to him, ‘You shall love the Lord your God with all your heart and with all your soul and with all your mind. This is the great and first commandment. And a second is like it: You shall love your neighbor as yourself.’”The conclusion, “through Jesus Christ our Lord,” reflects the mediating role of Jesus Christ the Son, as expressed in I Timothy 2:5 (“For there is one God, and there is one mediator between God and men, the man Christ Jesus”) and Ephesians 2:18 (“For through him we both have access in one Spirit to the Father”).Appropriate at any time of year, this short anthem of dedication is an ideal offertory selection. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.81 €
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Choral SATB
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Todd Marchand
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That We May Give Ourselves — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
That We May Give Ourselves — SAB voices, organ
Choral 3-part
Choral Choir,Choral,SAB Chorus - Level 3 - Digital Download SKU: A0.1472847 Compose…
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Choral Choir,Choral,SAB Chorus - Level 3 - Digital Download SKU: A0.1472847 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1050477. Published by Con Spirito Music (A0.1472847). “That We May Give Ourselves” is a short anthem based on a traditional collect — a prayer comprising an invocation, petition, and conclusion — that appears in various Anglican prayer books. The invocation, “Eternal God and Father, by whose power we are created and by whose love we are redeemed” acknowledges the eternity, creative power, and redeeming love of God. The petition, “Guide and strengthen us by your Spirit, that we may give ourselves to your service, and live this day in love to one another, and live this day in love to you” asks for the aid of the Holy Spirit in service to God and recalls Jesus's words in the Gospel of Matthew, 22:37-39: “And [Jesus] said to him, ‘You shall love the Lord your God with all your heart and with all your soul and with all your mind. This is the great and first commandment. And a second is like it: You shall love your neighbor as yourself.’”The conclusion, “through Jesus Christ our Lord,” reflects the mediating role of Jesus Christ the Son, as expressed in I Timothy 2:5 (“For there is one God, and there is one mediator between God and men, the man Christ Jesus”) and Ephesians 2:18 (“For through him we both have access in one Spirit to the Father”).Appropriate at any time of year, this short anthem of dedication is an ideal offertory selection. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.81 €
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Choral 3-part
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Todd Marchand
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That We May Give Ourselves — SAB voices, organ
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Con Spirito Music
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SheetMusicPlus
All I Want For Christmas Is You
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1126238 By Justin Bieber Duet With …
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Piano Solo - Level 4 - Digital Download SKU: A0.1126238 By Justin Bieber Duet With Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Amy J. Snyder. Christmas,Contemporary,Film/TV,Holiday,Singer/Songwriter. Score. 7 pages. Amy J. Snyder #726934. Published by Amy J. Snyder (A0.1126238). The infamous Mariah Carey Christmas song, All I Want For Christmas Is You, for advanced intermediate piano solo. This arrangement begins with lots of rubato like the original recorded version, but then enters the fast triplet chords followed by the swinging 16th octaves. The left hand keeps a steady beat throughout the rest of the song, while the right hand carries the melody. This is such a fun piece to play through the Christmas season! Very festive! (If the fast triplets are too difficult to play up to tempo, try playing them as swinging 16ths.) Great for Christmas parties and holiday events. Lyrics included. Written by Mariah Carey and Walter Afanasieff; arranged by Amy J Snyder. Visit Amy at https://www.facebook.com/amyjsnyder7/. If you like this arrangement, check out Amy's other Christmas arrangements such as : Have Yourself a Merry Little Christmas, White Christmas, That's Christmas to Me, I Heard the Bells on Christmas Day, Mary Did You Know, Believe, When Christmas Comes to Town, Noel, Where Are You Christmas, Happy Holidays, and more! Duets also! Copyright © 1994 BEYONDIDOLIZATION, SONY/ATV MUSIC PUBLISHING LLC, TAMAL VISTA MUSIC, WALLYWORLD MUSIC and KOBALT MUSIC COPYRIGHTS SARL This arrangement Copyright © 2019 BEYONDIDOLIZATION, SONY/ATV MUSIC PUBLISHING LLC, TAMAL VISTA MUSIC, WALLYWORLD MUSIC and KOBALT MUSIC COPYRIGHTS SARL All Rights for BEYONDIDOLIZATION Controlled and Administered by UNIVERSAL TUNES, A Division of SONGS OF UNIVERSAL, INC. All Rights for SONY/ATV MUSIC PUBLISHING LLC, TAMAL VISTA MUSIC and WALLYWORLD MUSIC Administered by SONY/ATV MUSIC PUBLISHING LLC, 424 Church Street, Suite 1200, Nashville, TN 37219 All Rights Reserved Used by Permission.
$5.25
4.76 €
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Piano solo
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Justin Bieber Duet With Mariah Carey
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arranged by Amy J Snyder
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All I Want For Christmas Is You
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Amy J. Snyder
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SheetMusicPlus
With All My Heart I Thank You
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.818338 By Stephen R Dalrympl…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.818338 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship. Score. 32 pages. Stephen R Dalrymple #6200707. Published by Stephen R Dalrymple (A0.818338). With all My Heart I Thank You ♫ original song by Stephen R Dalrymple ♫ CCLI #7153226 ♫ Worship Team Edition ♫ Based on Psalm 9 ♫ Thanks anyway… I suppose I should thank you… Thank you!... Thanks a lot (NOT!)… I thank you from the bottom of my heart… Thank you very much. That’s the nicest thing anyone’s every done for me. Our expressions of gratitude can represent quite a range of emotion. Ungrateful < lukewarm < minimal < genuine < deeply felt < extravangantly expressed. ♫ ‘With all my heart’ is often a Christian cliché. But it caught my eye in this Psalm of David. ♫ David had a lot to be thankful for. His early experiences, physical strength, musical abilities, organizational talent, leadership abilities, his loyal following, his wealth, the rise from shepherd (pretty low status in Hebrew culture) to monarch, his extended and extensive family, the many, many times God had rescued him from physical danger, and God’s grace that saved him from rightfully being publicly executed as an adulterer. ♫ “With all my heart.†I need to ask myself “Is my gratitude to God fresh, heartfelt, and appropriate?†♫ music © 2020 (copyright registered in Worthy Worship and 6 Other Unpublished Works) ♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ sequenced by the composer ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the vocal with piano accompaniment and 2) vocal with piano accompaniment for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).
$4.50
4.08 €
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Piano, Voice
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Stephen R Dalrymple
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With All My Heart I Thank You
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Stephen R Dalrymple
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SheetMusicPlus
Paisley's Sonata
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brow…
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Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........
$4.99
4.52 €
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Piano solo
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Michael C
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Paisley's Sonata
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Michael C. Brown
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.62 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
There'll Be Peace In The Valley For Me (tra.arr.)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1240614 Composed by John R Cash. Ar…
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Piano Solo - Level 4 - Digital Download SKU: A0.1240614 Composed by John R Cash. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #835999. Published by Timothy Stapay (A0.1240614). This arrangement of There'll Be Peace In The Valley For Me is arranged in a traditional country-style. Sung by many famous country artists, including Johnny Cash. Also known on the song credits as John R Cash.Johnny Cash on his 1969 At San Quentin live album (he recorded the studio version in 1962 and released it as a single).Lyrics:Oh well, I'm tired and so wearyBut I must go aloneTill the lord comes and calls, calls me away, oh yesWell the morning's so brightAnd the lamp is alightAnd the night, night is as black as the sea, oh yesThere will be peace in the valley for me, some dayThere will be peace in the valley for me, oh Lord I prayThere'll be no sadness, no sorrowNo trouble, trouble I seeThere will be peace in the valley for me, for meWell the bear will be gentleAnd the wolves will be tameAnd the lion shall lay down with the lamb, oh yesAnd the beasts from the wildShall be lit by a childAnd I'll be changed, changed from this creature that I am, oh yesThere will be peace in the valley for me, some dayThere will be peace in the valley for me, oh Lord I prayThere'll be no sadness, no sorrowNo trouble, trouble I seeThere will be peace in the valley for me, for me
$5.99
5.43 €
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Piano solo
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John R Cash
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There'll Be Peace In The Valley For Me
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Timothy Stapay
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SheetMusicPlus
In the Pirate's Wake: 1st Violin
Violin (band part)
String Orchestra - Digital Download SKU: AX.00-PC-0016009_VN1 1st Violin. Co…
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String Orchestra - Digital Download SKU: AX.00-PC-0016009_VN1 1st Violin. Composed by Richard Rigg. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016009_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016009_VN1). UPC: 038081454382.Hoist the Jolly Roger and break out the cutlasses! With the added percussion, this piece is a fun and exciting introduction to the key of D-minor, reminiscent of the glory days of piracy, certain to entertain every member of your audience. Students will use a variety of right-hand techniques, including double up-bows, bow lifts, and pizzicato. They will expand their rhythmic knowledge by using a dotted eighth/sixteenth note combination. Left-hand technique is challenged through straight-forward third position work for first violins and alternating between C-natural and C-sharp in most parts. Students will also develop good ear-training skills in the passages that use parallel-thirds.Concert/Contest; Festival.
$5.99
5.43 €
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Violin (band part)
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Richard Rigg
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Festival.
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In the Pirate's Wake: 1st Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
In the Pirate's Wake: 1st Percussion
Percussion (band part)
String Orchestra - Digital Download SKU: AX.00-PC-0016009_PC1 1st Percussion…
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String Orchestra - Digital Download SKU: AX.00-PC-0016009_PC1 1st Percussion. Composed by Richard Rigg. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016009_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016009_PC1). UPC: 038081454382.Hoist the Jolly Roger and break out the cutlasses! With the added percussion, this piece is a fun and exciting introduction to the key of D-minor, reminiscent of the glory days of piracy, certain to entertain every member of your audience. Students will use a variety of right-hand techniques, including double up-bows, bow lifts, and pizzicato. They will expand their rhythmic knowledge by using a dotted eighth/sixteenth note combination. Left-hand technique is challenged through straight-forward third position work for first violins and alternating between C-natural and C-sharp in most parts. Students will also develop good ear-training skills in the passages that use parallel-thirds.Concert/Contest; Festival.
$5.99
5.43 €
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Percussion (band part)
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Richard Rigg
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Festival.
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In the Pirate's Wake: 1st Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Alleys
Alto voice, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859665 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859665 Composed by Sydney Stevens. Folk,New Age,Pop. 10 pages. Sydney Stevens, Water Music #2959555. Published by Sydney Stevens, Water Music (A0.859665). Contact: sydneystevenspianostudio@gmail.comAlleys: Deeply heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music is arranged for piano/vocal/chords. From Album: Cycles of Life Theme: Coming into one's own: Alleys, back roads of our lives they find us.. Mood: Contemplative, soulful. Nurturing one's own strength. Musical Traits: Major key that modulates into a minor interlude. Right hand reflects the vocal line. Performance Time: 5:07 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to.
$4.95
4.49 €
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Alto voice, Piano
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Sydney Stevens
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Alleys
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Sydney Stevens, Water Music
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SheetMusicPlus
I'm Gonna Wash That Man Right Outa My Hair
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1282920 Composed by Oscar …
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1282920 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Ruby Rhea/Ken Potter. A Cappella,Barbershop,Broadway,Musical/Show,Pop. Octavo. 5 pages. Ken Potter #874171. Published by Ken Potter (A0.1282920). This arrangement for SSAA (SAI) was originally written by Ruby Rhea for SAI. Â I (Ken Potter) am acting on behalf of, with permission from the family, of the now deceased Ruby Rhea. Â As curator of her arrangements, I am posting to legally clear the chart for quartets and choruses to use. Â Please observe all copyright laws and contest rules for clearance. Â Ruby wanted her charts to be used by the public legally. Â Please note that I do not receive compensation for managing her charts. Â Contact me directly if you need to speak to me about Ruby Rhea's material. Â (310-702-5285).
$2.00
1.81 €
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Choral SSAA
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Oscar Hammerstein and Richard Rodgers
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I'm Gonna Wash That Man Right Outa My Hair
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Ken Potter
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SheetMusicPlus
For the Fallen (Choral suite - SATB, Piano)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1137248 Composed by John R…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1137248 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737448. Published by John Ross (A0.1137248). “For the Fallen†was written for Bec Beall and her choir “Lux Alba†and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow oldâ€) has become known as the “Ode of Remembranceâ€, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Postâ€. The second movement, “They went with songs to the battle†portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust†compares the war dead to stars and constellations. They move “in marches upon the heavenly plainâ€. Will Longstaff’s painting “Menin Gate at Midnight†(reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow oldâ€. A version of this suite with organ accompaniment is also available on this website.
$1.99
1.8 €
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Choral SATB
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John Ross
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For the Fallen
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John Ross
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SheetMusicPlus
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