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That's Not Very Nice!
Sheetmusic to print
92 sheet music found
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That's Not Very Nice!
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1419921 By Andrew McD…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1419921 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #1001344. Published by Andrew Mc Donald (Macka Records) (A0.1419921). That's Not Very Nice is a song about something we can say to someone when they are rude or swear.If respect is something we wish for when talking to someone then a rebuke is a good strategy for such behaviour. A good way to reprimand is to say That is not very nice or maybe you could have said that a better way! What we allow shows the person that we are. This is the piano and vocals score.
$4.99
4.47 €
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Piano, Vocal and Guitar
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Andrew McDonald
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That's Not Very Nice!
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Andrew Mc Donald
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SheetMusicPlus
Kimberly's Song for solo classical fingerstyle guitar (+ TAB)
Guitar notes and tablatures
Guitar - Level 3 - Digital Download SKU: A0.1268986 Composed by Keith W. Gehle. Cla…
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Guitar - Level 3 - Digital Download SKU: A0.1268986 Composed by Keith W. Gehle. Classical,New Age,Wedding. Guitar Tab. 6 pages. Keith Gehle #861520. Published by Keith Gehle (A0.1268986). “Kimberly’s Song†was written for my wife while we were dating and recorded shortly thereafter as part of my Wintersong album of 20 original pieces for solo guitar. Although initially recorded on the classical guitar, it also sounds very nice on the steel string acoustic and is not too challenging for an intermediate player. This PDF includes standard notation with tablature for ease of learning as well as a two page “notes only†version. “Kimberly’s Song†is a charming and sentimental ballad that will surely touch the hearts of listeners at concerts, weddings and gigs.
$2.99
2.68 €
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Guitar notes and tablatures
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Keith W
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Kimberly's Song for solo classical fingerstyle guitar
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Keith Gehle
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SheetMusicPlus
"Kimberly's Song" for solo classical fingerstyle guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1413633 By Keith Gehle. By Keith W…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1413633 By Keith Gehle. By Keith W. Gehle. Classical,New Age,Wedding. Individual part. 2 pages. Keith Gehle #995418. Published by Keith Gehle (A0.1413633). “Kimberly’s Song†was written for Keith’s wife while they were dating and recorded shortly thereafter as part of his Wintersong album of 20 original pieces for solo guitar. Although initially recorded on the classical guitar, it also sounds very nice on the steel string acoustic and is not too challenging for an intermediate player. There’s also a version with TAB available on this site. “Kimberly’s Song†is a charming and sentimental ballad that will surely touch the hearts of listeners at concerts, weddings and gigs.
$2.99
2.68 €
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Guitar
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Keith Gehle
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"Kimberly's Song" for solo classical fingerstyle guitar
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Keith Gehle
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SheetMusicPlus
She's Leaving Home
Choral 3-part
Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.1372216 By The Beatl…
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Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.1372216 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jon Arterton. Pop. 6 pages. Jon Arterton #956478. Published by Jon Arterton (A0.1372216). This poignant song was released as part of the Beatles 1967 album Sgt. Pepper’s Lonely Hearts Club Band. It tells the story of a young woman who has decided to leave her parents’ home. The SAB arrangement features a very nice solo. “Wednesday morning at five o'clock as the day begins, silently closing her bedroom door, leaving the note that she hoped would say more, she goes down the stairs to the kitchen clutching her handkerchief, quietly turning the backdoor key, stepping outside, she is free.â€.
$2.25
2.02 €
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Choral 3-part
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The Beatles
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She's Leaving Home
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Jon Arterton
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SheetMusicPlus
Angel, Blow that Trumpet
Choral TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1445608 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1445608 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 22 pages. Artist of Note, Inc. #1025450. Published by Artist of Note, Inc. (A0.1445608). Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)TTBB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTBB and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts are a lot of fun and the trumpet part features an easily playable/adaptable ending that nails the piece (actually the lower version is really nice). Plus, with the single exception of swinging the eighth note pairs, there’s no improvisation required here. These parts are really best for good, legit players just as written.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/se/ID_No/1538200/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/explore?q=Ken+Litton&lang=defaultAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$1.99
1.78 €
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Choral TTBB
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Ken Litton
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Angel, Blow that Trumpet
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Artist of Note, Inc.
#
SheetMusicPlus
Angel, Blow that Trumpet
Double Bass,Piano - Level 3 - Digital Download SKU: A0.1446334 Composed by Ken Litt…
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Double Bass,Piano - Level 3 - Digital Download SKU: A0.1446334 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. Accompaniment. Duration 213. Artist of Note, Inc. #1026140. Published by Artist of Note, Inc. (A0.1446334). MP3 Accompaniment [~3:30]Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)SATB or TTBB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTBB and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts are a lot of fun and the trumpet part features an easily playable/adaptable ending that nails the piece (actually the lower version is really nice). Plus, with the single exception of swinging the eighth note pairs, there’s no improvisation required here. These parts are really best for good, legit players just as written.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/se/ID_No/1538200/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/explore?q=Ken+Litton&lang=defaultAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$4.99
4.47 €
#
Ken Litton
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Angel, Blow that Trumpet
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Artist of Note, Inc.
#
SheetMusicPlus
Angel, Blow that Trumpet
Choral SATB
Choral Choir,Choral,SATB Chorus - Digital Download SKU: A0.1436603 Composed by Ken …
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Choral Choir,Choral,SATB Chorus - Digital Download SKU: A0.1436603 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 20 pages. Artist of Note, Inc. #1016714. Published by Artist of Note, Inc. (A0.1436603). Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)SATB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTNN and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts a lot of fun and the trumpet part features an easily playable/adaptable ending that really nails the piece (actually the lower version is really nice). It turns out that they are really best for good, legit players just as written in a swing style.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directsheetmusicdirect.comSheet Music Plussheetmusicplus.comAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$1.99
1.78 €
#
Choral SATB
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Ken Litton
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Angel, Blow that Trumpet
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Artist of Note, Inc.
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SheetMusicPlus
'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.569824 Composed by Austin Ralphso…
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Concert Band - Level 1 - Digital Download SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #3684193. Published by Austin Ralphson (A0.569824). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at  https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-volume-2-extra-value-bundle-of-music-for-classrooms-and-school-ensembles-digital-sheet-music/20924154?ac=1&aff_id=559837** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. IT'S TIME FOR REGGAE is the third piece in this series, and has typical characteristics of the style, including the off-beat rhythm in parts 3 and 4, and the bass line which becomes more fluid in the more difficult part 5s. You could also have a drummer play an authentic 'one-drop' rhythm with the kick and side-stick both on 2 and 4. Please listen to the mp3 file, which is an electronic example of the piece being played with a typical setup. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99
13.44 €
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Concert band
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Austin Ralphson
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'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
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Austin Ralphson
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SheetMusicPlus
Sail Along Silvery Moon
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1490039 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1490039 Composed by Harry Tobias and Percy Wenrich. Arranged by John Ivor Holland. 20th Century,Jazz,Pop,Standards. 24 pages. John Ivor Holland #1066902. Published by John Ivor Holland (A0.1490039). Sail Along Silvery Moon is a song written by Harry Tobias and Percy Wenrich in 1937 and originally performed by Bing Crosby, although covered later on by many artists including Andy Williams, Gene Autry and Slim Whitman. It reached #4 on the U.S. pop chart in 1937. in December 1957, saxophonist Billy Vaughn released an instrumental version of the song which went to #5 on the U.S. pop chart and #1 in Germany and in Canada. The following year, the song went #1 in Norway and made #4 in Australia. This arrangement for jazz ensemble follows the alto and tenor sax duet version by Vaughn, but makes these parts available for flute and clarinet if a doubling option is desired. There are short solos throughout, but nothing too complicated, it's a warm, nostalgic chart that would fit nicely into any programme.
$49.99
44.81 €
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Jazz Ensemble
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Harry Tobias and Percy Wenrich
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Sail Along Silvery Moon
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John Ivor Holland
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SheetMusicPlus
All Of Me
Guitar notes and tablatures
Guitar - Advanced Intermediate - Digital Download SKU: A0.499455 Composed by Gerald…
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Guitar - Advanced Intermediate - Digital Download SKU: A0.499455 Composed by Gerald Marks and Seymour Simons. Arranged by Mark Hanson. Contemporary. Guitar Tab. 6 pages. Published by Accent On Music, LLC / Mark Hanson (A0.499455). Very nice jazzy fingerstyle solo arrangement of the jazz standard All of Me -- in the key for G, standard tuning. This includes Mark Hanson's trademark playability, cool voicings of chords, inner voice movement and a bassline supportive of the melody. Alternating-bass largely. A very cool arrangement that was meant for Mark's Great American Songbook for Fingerstyle Guitar book/recording, but due to © issues, ended up here instead of in the book! Performance audio is on his CD: https://markhansonguitar.com/product/great-american-songbook-for-guitar-cd/.
$6.99
6.27 €
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Guitar notes and tablatures
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Gerald Marks and Seymour Simons
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All Of Me
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Accent On Music, LLC / Mark Hanson
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SheetMusicPlus
There Will Never Be Another You
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.985000 Composed by Harry Warren. A…
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Solo Guitar - Level 3 - Digital Download SKU: A0.985000 Composed by Harry Warren. Arranged by Michael New. Contemporary. Individual part. 2 pages. Winterbee Music Company #4810051. Published by Winterbee Music Company (A0.985000). Here's a nice arrangement of Warren & Gordon's There Will Never Be Another You. Its short (1 page) and sweet and the kind of piece that you'll want to play every day. Its written for finger style guitar and is a great technical warmup for both hands.
$4.99
4.47 €
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Guitar
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Harry Warren
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There Will Never Be Another You
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Winterbee Music Company
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SheetMusicPlus
In My Place
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.799114 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Dan Sanchez. Rock. Score and parts. 15 pages. Dan Sanchez #4775803. Published by Dan Sanchez (A0.799114). One of Coldplay's Greatest Hits, this arrangement of In My Place can be performed with a String Quartet or Trio (the 2nd Violin Part is optional). This includes the score and all parts.This is one of my favorite Coldplay songs, and it comes in handy for wedding preludes and processionals now and again, due to its nice walking tempo and well-balanced harmonies. It’s just a great, great song. 1st Violin and Viola trade off the melody, but that’s not to say the 2nd violin and cello have boring parts. Everyone has something to work with here!One thing that sets my arrangements apart from others is that I fit all of my parts on 2 sheets of music. This makes it so the songs can fit into a binder, without the need for flipping pages!Another great thing is that I include cue lines on each part, so that every player in the ensemble can see one other person’s music at the same time. This is so amazingly useful and has saved countless performances in the past. If someone skips a beat or misses a measure, you can now see where they are and reconnect! This also helps with sight-reading and keeping the group together in general.
$12.99
11.65 €
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String Quartet: 2 violins, viola, cello
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Coldplay
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In My Place
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Dan Sanchez
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SheetMusicPlus
Summertime - Waltz for Easy String Orchestra
String Orchestra
String Orchestra - Level 2 - Digital Download SKU: A0.835237 Composed by Claudio Po…
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String Orchestra - Level 2 - Digital Download SKU: A0.835237 Composed by Claudio Porstmann. 20th Century,Classical,Concert,Instructional,Standards. Score and parts. 6 pages. Claudio Porstmann #4628049. Published by Claudio Porstmann (A0.835237). This is a sweet little waltz in viennese style for string orchestra. It's only a page long, and ideally suited for string players in Grades 3 or 4.This waltz is a really fun play, quick, lively with nice melodies that everyone will enjoy. It's not very difficult, which makes it popular with string instrument students, since the piece sounds very good without ages of practice. Give this waltz a try if you're looking for a quick little piece to break the practice routine in the string orchestra.
$4.99
4.47 €
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String Orchestra
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Claudio Porstmann
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Summertime - Waltz for Easy String Orchestra
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Claudio Porstmann
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SheetMusicPlus
Christmas Time Is Here
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1316546 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1316546 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Iguana. 20th Century,A Cappella,Christmas,Film/TV,Jazz. 2 pages. Iguana #905283. Published by Iguana (A0.1316546). This is a 4 part (SATB) arrangement for choirs, with chords notation.Although the original song is in F, this arrangement is in G with the intention of adapting it better to smaller choirs, since the low F doesn't sound as nice when it's not very robust. The arrangement is simple and respects the original harmony proposed by Vince Guaraldi, with a few minor changes. If you wish, you can create a connecting line for the basses from bar 4 to 5, as it's an interval that can easily go out of tune.This is a simple arrangement, ideal for Snoopy and Charlie Brown fans who have or are part of a small choir that wants to rehearse and sing songs for the Christmas season. May the Peanuts gang always live on in us and our music-making!
$1.99
1.78 €
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Choral SATB
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Lee Mendelson and Vince Guaraldi
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Christmas Time Is Here
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Iguana
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SheetMusicPlus
Breaking Up Is Hard To Do
Choral SSAA
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.853700 By Neil Seda…
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.853700 By Neil Sedaka. By Howard Greenfield and Neil Sedaka. Arranged by Larry Wright. A Cappella,Barbershop. 5 pages. Larry Wright #4412137. Published by Larry Wright (A0.853700). A WOMEN'S 4-part, barbershop arrangement of this classic, medium tempo'd ballad song; it can be sung a cappella or performed using either the available piano/bass parts or the pre-recorded, fully orchestrated accompaniment track. The arrangement for both the accompanied and a cappella versions is EXACTLY THE SAME. Sung a cappella, it's a very nice piece. Sung using the accompaniment, it's a show stopper... and, with that in mind, I recommend it being performed as the last song in your program. IMPORTANT NOTE: by FIRST purchasing the $100 COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant vocal learning trax, but also be able to purchase the sheet music from SMP for their lowest $1.89/$1.99 per-copy price,... NOT the current much higher $14.25 per-copy price. PLUS, you also get to select a second Arrmt/Trax COMBO of your choice from my website store for FREE!!!! Of course, you'll still need to pay the per-copy fees to the publisher who controls the song licensing of the second song. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT part-predominant vocal Learning Trax <www.larrywrightmusic.com>.
$15.00
13.45 €
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Choral SSAA
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Neil Sedaka
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Breaking Up Is Hard To Do
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Larry Wright
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SheetMusicPlus
Christmas Time Is Here
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1316535 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1316535 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Iguana. 20th Century,A Cappella,Christmas,Film/TV,Jazz. 2 pages. Iguana #905268. Published by Iguana (A0.1316535). This is a 4 part (SATB) arrangement for choirs. Although the original song is in F, this arrangement is in G with the intention of adapting it better to smaller choirs, since the low F doesn't sound as nice when it's not very robust. The arrangement is simple and respects the original harmony (transposed) proposed by Vince Guaraldi, with a few minor changes. If you wish, you can create a connecting line for the basses from bar 4 to 5, as it's an interval that can easily go out of tune.This simple arrangement is ideal for Snoopy and Charlie Brown fans who have or are part of a choir that wants to rehearse and sing songs for the Christmas season. May the Peanuts gang always live on in us and our music-making!
$1.99
1.78 €
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Choral SATB
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Lee Mendelson and Vince Guaraldi
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Christmas Time Is Here
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Iguana
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SheetMusicPlus
Fantaisie by Hue for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.981961 Composed by Geo…
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Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.981961 Composed by Georges Hue. Arranged by Hannah Haefele. Romantic Period. 34 pages. Hannah Haefele #6662891. Published by Hannah Haefele (A0.981961). Fantaisie by Hue is an amazing French work for the flute. Playing it with a full orchestra can be great, but that's not accessible to everyone. The piano reduction is nice, but what if you want to play it as a soloist with more players?This flute choir arrangement of the Hue Fantaisie is an excellent option. You can use the authentic flute part or the edited version from the arrangement, and both will work with the flute choir parts.You'll get a score as well as a set of parts to print and use with your ensemble. Give this piece a go on your next ensemble concert, and have a member play the solo or a guest artist!It's a fun piece for intermediate to advanced groups to tackle. And it's a great way to share some French music with audiences.
$24.95
22.37 €
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Flute ensemble
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Georges Hue
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Fantaisie by Hue for Flute Choir
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Hannah Haefele
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SheetMusicPlus
La Serenissima (2013) for ten wind instruments
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.86…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.869288 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo … III. 48 pages. Thomas Oboe Lee #431451. Published by Thomas Oboe Lee (A0.869288). Instrumentation: 2 flutes, 2 oboes, 2 clarinets in Bb, 2 horns in F, 2 bassoons Program note.Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Strauss’ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Puccini’s music that conducive to a transformation into TOL music. Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancy’s group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro … II. Largo … III. Presto … IV. Allegretto … V. Adagio … VI. Molto Allegro … TRIO Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww
$9.99
8.96 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Thomas Oboe Lee
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La Serenissima
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Thomas Oboe Lee
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SheetMusicPlus
La Serenissima (2013) for ten wind instruments
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.86…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.869301 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo … III. 48 pages. Thomas Oboe Lee #431227. Published by Thomas Oboe Lee (A0.869301). Program note. Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Strauss’ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Puccini’s music that conducive to a transformation into TOL music.Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancy’s group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro … II. Largo …III. Presto … IV. Allegretto … V. Adagio … VI. Molto Allegro … TRIO Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww
$9.99
8.96 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Thomas Oboe Lee
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La Serenissima
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Thomas Oboe Lee
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SheetMusicPlus
Etude in C, Le Couppey-Nolte
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte …
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Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99
3.58 €
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Piano solo
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Eric Paul Nolte and Felix Le Couppey
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
America's Favorite Hymns - Brass
Brass Quartet: 2 trumpets, horn, trombone
Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, …
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Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, Sacred. Score and parts. 179 pages. Colin Kirkpatrick Publications #6326509. Published by Colin Kirkpatrick Publications
Here’s a new collection of thirty-two of America’s best-loved hymn tunes for brass, at a bargain price too! The arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing.<br> <br> The publication consists of full scores for each hymn plus separate instrumental parts and an optional simplified keyboard part. All the arrangements are in four parts, reflecting the traditional SATB voicing. The parts include 1st trumpet in B flat; 2nd trumpet in B flat; horn in F; horn in E flat; trombone and optional tuba; bass in B flat and bass in E flat. There are also two optional baritone parts in B flat (T.C.) and C (B.C.) in case you need them. They are the same as the tenor part. In some hymns, you might prefer to assign any baritones to doubling the bass or doubling the melody an octave lower. The baritone part in C is also playable by trombone. The trombone and tuba parts appear on a single staff. Of course, you can use any number of instruments to a particular part. The scores and all the parts are contained in a single 178-page PDF file.<br> <br> <br> The optional keyboard part has been simplified and whenever possible limited to single notes in the left hand part and no more than two-note chords in the right. Using the keyboard part, you can use the arrangements as solos, duets or trios. Because the music has been set in brass-friendly keys, the arrangements are not compatible with the string collection of the same title.<br> <br> The collection includes the following titles: A Mighty Fortress Is Our God (Ein’ Feste Burg); All Creatures Of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Abide with Me (Eventide); All Hail the Power of Jesus’ Name (Coronation); Amazing Grace (Trad); At the Cross (Alas and Did My Savior Bleed) (Hudson); Be Thou My Vision (Slane); Blessed Assurance (Assurance); Blest Be the Tie That Binds (Dennis - Nägeli); Come Thou Fount of Every Blessing (Nettleton); Come We That Love the Lord (St. Thomas); Crown Him with Many Crowns (Diademata); Guide Me O Thou Great Jehovah (Cwm Rhondda); Holy, Holy, Holy (Nicea); How Firm a Foundation (Foundation); It is Well with my Soul (Ville du Havre); Jesus Christ is Risen Today (Easter Hymn); Jesus, Lover of My Soul (Hollingside); Jesus Paid it All (All to Christ); Joy to the World (Antioch); Just as I Am, Without one Plea (Woodworth); Love Divine, All Loves Excelling (Hyfrydol); Nearer my God to Thee (Bethany); Praise To the Lord, The Almighty (Lob den Herren); Rock of Ages (Top¬la¬dy); Shall we gather at the River? (Hanson Place); The Day thou Gave us, Lord is Ended (St. Clement); To God Be The Glory (To God be the Glory); There is a Fountain (Cleansing Fountain); What a Friend We Have in Jesus (Converse) and When I Survey the Wondrous Cross (Hamburg).<br> <br> The audio demo contains the following titles (1) Love Divine, all Loves Excelling; (2) Abide with Me; (3) That a Friend we have in Jesus; (4) Nearer my God to Thee; (5) Shall we gather at the River?
$16.99
15.23 €
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Brass Quartet: 2 trumpets, horn, trombone
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Various
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Worship, Sacred
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America's Favorite Hymns - Brass
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Colin Kirkpatrick Publications
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SheetMusicPlus
Debussy: Danse bohémienne - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1372535 Composed by Claude Debussy. Arranged by Ray Thompson. 19th Century,Romantic Period. 11 pages. RayThompsonMusic #956846. Published by RayThompsonMusic (A0.1372535). Debussy: Danse bohémienne La Danse bohémienne (Bohemian Dance) is a piano piece composed in the late summer of 1880. This is the composer's first published piano work. It was judged by Tchaikovsky as follows...It's really a very nice thing, though really too short; not one thought is expressed through to the end and the form is extremely messy and devoid of wholeness ...  It was written when he was eighteen years old for Nadejda von Meck, Tchaikovsky's rich and generous patroness. Frank Dawes writes of the Danse bohémienne, there is perhaps a mild gipsiness that may have been picked up from the gipsy singers at the Moscow cabarets that Debussy is reputed to have frequented. In texture the piece has something of the salon style of Tchaikovsky, though very much simplified. This straightforward piece, in B minor and 2/4 time, isn't altogether without a few dashes of polka rhythm, but its only notable point of originality comes in the coda, where a tonic chord over a submediant pedal point highlights the interval of a major seventh, possible slightly Russian in character.The score was first published in 1932 by Schott (Maintence), then by Henle (1991, ed. Ernst-Günter Heinemann) and Durand (2000, ed. Roy Howat)It is arranged for standard wind quintet.
$14.95
13.4 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Claude Debussy
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Debussy: Danse bohémienne - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Next Level Bassoon: Etudes, Exercises & Engaging Songs For The Emerging Bassoonist
Bassoon - Level 1 - Digital Download SKU: A0.1474103 Composed by James Smith. Class…
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Bassoon - Level 1 - Digital Download SKU: A0.1474103 Composed by James Smith. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Educational Method. 44 pages. Ensemble Llama Music #1051737. Published by Ensemble Llama Music (A0.1474103). I’m a bassoonist, and I don’t like the teaching materials for bassoon that are out there. There’s not enough depth and engagement in them, and nothing that supports the everyday music teacher. So I set out to create something that I would feel comfortable giving to my private students to help them grow as musicians. There are many types of music in the book: etudes, exercises, warm-ups, backwards and upside down duets (one person plays normally, the other person reads the music in an unusual way), improvised music, and composition. Musical styles range across a variety of cultures and genres such as classical, blues, fiddle tunes, marches, contemporary, musicals, and more. Using carefully crafted etudes, exercises, and songs in a variety of styles, your bassoon students are going to to find immediate success. The bite-sized examples encourage students to focus on tone, as they extend their technique and range on this wonderful instrument. Examples from the book:1.1 - Memories1.2 - Can-Can1.3 - Baby-Back Blues1.4 - Somewhere Nice1.5 - Go Down, Moses1.6 - Magenta Sky (A Backwards Duet)1.7 - Cakewalk1.8 - Red River Valley1.9 - Symphony No. 6, Mvt. 2 (Tchaikovsky)1.10 - Arkansas Traveler1.11 - Give My Regards to Broadway (key of B Flat Major)1.12 - In The Hall of the Mountain King1.13 - Landlord Fill The Flowing Bowl1.14 - It Ain't Gonna Rain No Mo'1.15 - Shalom Chaverim1.16 - Londonderry Air1.17 - Theme & Variations, Für Elise1.18 - Ominous (A Backwards Duet)Create & Improvise: St. Louis Blues (W.C. Handy)1.19 - Interlude1.20 - L'Adieu Des Bergers1.21 - Washington Post March1.22 - The Sea Monster - A Short Improvised Piece1.23 - Give My Regards to Broadway (key of G Major)1.24 - Anna Lisle (The Alma Mater Song)Critical Hit - Bassoon Concert Piece2.1 - More Memories2.2 & 2.3 - Ten Little Indians2.4 - Parliament (An Upside-Down Duet)2.5 - Bassoon Warm-Up2.6 - F Major Studies2.7 - Airang2.8 - Arpeggio In Blue2.9 - C Major Studies2.10 - Mazurka in A-flat Major2.11 - Etudes With Flats2.12 - Take Me Out To The Ball Game2.13 - Arpeggios (Part 1)2.14 - Etudes With Arpeggios2.15 - The Sar Spangled Banner2.16 - Arpeggios (Part 2)2.17 - More Arpeggio Studies2.18 - Battle Hymn of the Republic2.19 - Arpeggios (Part 3)2.20 - Kolme Varista2.21 - Swallowtail Jig2.22 - Jesu, Joy of Man's Desiring2.23 - St. Anne's Reel2.24 - Dear Old Stockholm2.25 - Esprit De CorpsSketch On a Theme From The Sorceror's Apprentice - Bassoon Concert Piece.
$29.99
26.88 €
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James Smith
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Variations, Für Elise
1
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Next Level Bassoon: Etudes, Exercises & Engaging Songs For The Emerging Bassoonist
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Ensemble Llama Music
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SheetMusicPlus
Growing Into Me
Choral 2-part
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.873030 Composed by Sally Whi…
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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.873030 Composed by Sally Whitwell. Contemporary. Octavo. 12 pages. Sally Whitwell #3869009. Published by Sally Whitwell (A0.873030). Composer’s Note - Growing into meOn a particularly blustery Winter's day, I went to the National Arboretum in my home town of Canberra, Australia, with a bunch of very lovely kids from the Woden Valley Youth Choir (WVYC). Their director Alpha Gregory had asked me to come and do a composition workshop with the kids, to which I had replied with an enthusiastic YES!.I'd done this kind of thing with WVYC before, but this time around I wanted to take it somehow to the next level, to give the piece a real sense of place, a specific and experiential connection to the local community or landscape, and the Arboretum seemed a natural choice for me for an inspirational excursion. I had a family connection to it myself at the time, my cousin Emma worked there and was very passionate about it. Also, it is an outdoorsy kind of place and I have such fond memories of outdoorsy exploratory kinds of activities filling my entire childhood, a very typically Canberran thing. I'm sure the WVYC kids have a similar experience and I hope they know how lucky they are!So we put on our winter coats and scarves and hiked up the mountain, being sure to not only look at what was there, but also to listen, to touch, to smell. It was truly a multi sensory experience. Then we all went down to a local church hall and talked about what we saw and heard and smelt and the kids were just bursting with wonderful ideas for our new song. I've incorporated as many of their ideas as possible into the completed product, as well as my own over-arching theme; the oldest of the trees at the National Arboretum are only a couple of years older than some of the children in the group, so it seemed a nice parallel to make, their growing up alongside each other. It is my hope that the writing of this piece bonds these children to this important and magical place, so ripe with possibility, and that the connection is a lasting and meaningful one for them. It certainly will be for me.-- Sally Whitwell
$1.99
1.78 €
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Choral 2-part
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Sally Whitwell
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Growing Into Me
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Sally Whitwell
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SheetMusicPlus
Caffeinated Dreams (SATB, Percussion, and Solo Monkey)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.799640 Composed by D. M. G…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.799640 Composed by D. M. Gardner. 20th Century,Contemporary. Octavo. 34 pages. D. M. Gardner Music #50653. Published by D. M. Gardner Music (A0.799640). Caffeinated Dreams is a humorous piece that pokes fun at high-dollar coffee by depicting a figurative monkey that is constantly trying to steal your latte. Anyone who has had the need for a nice warm caramel latte on a cold day (or any day) will enjoy this composition. Caffeine addicted people everywhere understand how difficult it is to get that monkey off your back... The one that's always telling you to cut back on your coffee habit. Watch out, or he'll steal your latte too! Caffeinated Dreams was inspired by the large number of coffee shops in Omaha, Nebraska, specifically one called Caffeine Dreams. If you are ever in the area, you should check it out. Also of note, there are small humorous illustrations throughout the score and parts to help inspire the performers. Perhaps you could attempt to get a local establishment to let you sing this piece for acup of java. I would.Humorous - You and your audience will love this piece!SATB/Solo Monkey with Conga, Bass Drum, Claves, Sand Block**Please note the MIDI audio sample does not reproduce any of the choir's non-singing vocalizations, of which there are many. Additionally, no monkey could be reached in time to make this recording, so that too is omitted. That being said, I think you will still very much enjoy this piece!Premiere: University of Nebraska at Omaha - University ChorusDifficulty: Moderate - A great piece for just about any choir...but especially for those old enough to drink a lot of coffee.Approx. 2 minutes and 30 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$1.99
1.78 €
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Choral SATB
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D
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Caffeinated Dreams
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D. M. Gardner Music
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SheetMusicPlus
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