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You've selected:
That Mysterious Rag
Sheetmusic to print
17 sheet music found
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1
Mobile Carnival Rag-Tango
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1295710 Composed by Donald Ashwande…
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Piano Solo - Level 4 - Digital Download SKU: A0.1295710 Composed by Donald Ashwander. Ragtime. Score. 7 pages. The Donald Ashwander Estate #886009. Published by The Donald Ashwander Estate (A0.1295710). Mobile Carnival Rag-Tango is a captivating solo piano composition by the versatile composer Donald Ashwander. This dynamic piece takes listeners on a thrilling and unexpected musical journey through the colorful and enigmatic world of Mardi Gras, offering a unique blend of ragtime and tango styles.The story behind Mobile Carnival Rag-Tango reveals the fascinating evolution of a composer's creative process. Initially conceived as a reflection of the exuberant and joyous atmosphere of Mardi Gras, Donald Ashwander set out to capture the frantic gaiety that characterizes this celebrated event. However, as he began to compose, the music took an unexpected turn, veering into darker and more mysterious territory.Rather than resisting this creative detour, Donald chose to embrace it. He allowed the music to lead him on an uncharted path, surrendering to the muse's guidance. The result is a composition that defies conventional expectations and leads the listener into a realm that is completely unpremeditated, a place where light and shadow dance together in a mesmerizing musical tapestry.The final page of the sheet music contains special program notes by Donald Ashwander.
$5.95
5.39 €
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Piano solo
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Donald Ashwander
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Mobile Carnival Rag-Tango
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The Donald Ashwander Estate
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SheetMusicPlus
Imposed Tragedy Movements I & II
Saxophone and Guitar
Instrumental Duet Alto Saxophone,Guitar,Instrumental Duet - Level 4 - Digital Download …
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Instrumental Duet Alto Saxophone,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1004081 Composed by James F. Hodgdon III. 20th Century,Contemporary,Instructional,Standards. Score and parts. 12 pages. Jhcompositions #3447403. Published by Jhcompositions (A0.1004081). Classical guitar and saxophone are not often seen together. This work was commissioned by two such musicians that had only found a small amount of material for the pairing. Both movements show virtuosity of each instrument and the players will find that the frequently changing time signatures make the piece seem mysterious. The balancing of these two instruments can be tricky and requires the players to work with each other carefully when getting used to the timbres together.The piece was inspired by the story of Orpheus and his travel to and from the underworld. The story is timeless and shows the importance the musicians in greek culture.Great training for the use of varying time signatures. This is the complete work.Duration: Apx. 6:45.
$8.99
8.14 €
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Saxophone and Guitar
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James F
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Imposed Tragedy Movements I & II
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Jhcompositions
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SheetMusicPlus
That Mysterious Rag from A Real Girl - Piano/Vocal
Piano, Voice
That Mysterious Rag Digital Sheetmusic - instantly downloadable sheet music plus an intera…
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That Mysterious Rag Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal, instruments: Voice;Piano; 4 pages -- 20th-Century~~Ragtime~~Show/Broadway~~Tin Pan Alley
$3.25
2.94 €
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Piano, Voice
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Piano/Vocal
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Musicnotes
Soleil-Feu
Violin and Piano
Violin and piano - difficult - Digital Download SKU: S9.Q21833 For violin and pi…
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Violin and piano - difficult - Digital Download SKU: S9.Q21833 For violin and piano. Composed by Thierry Pecou. This edition: Sheet music. Downloadable. Duration 6 minutes. Schott Music - Digital #Q21833. Published by Schott Music - Digital (S9.Q21833). This work is part of a cycle of five short pieces for a single instrument and piano, focused on the five ages in the cosmogony of Ancient Mexican civilisation. The peoples of the Mexican highlands believe that time follows specific cycles and that the world was created following the pattern of 'trial and error'. The creation of the world is divided into several periods which are termed 'suns' (we are currently living in the fifth phase named 'Ollin'). Each period will be brought to an end through a natural catastrophe. Solei-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl).The element of fire is reflected in the musical soundscape of this work, constructed from rampant, rhythmic motifs, fragmented splinters, spinning upswings and impacts reverberating through space. An intimate dialogue develops between violin and piano on the basis of extremely simple figures. Interconnecting lines and dense musical material are thrown against each other in a play of contrasting registers and blended tonal colouring, creating a mysterious and disturbing mythological universe coloured by its ontological pessimism. Thierry PécouSoleil-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl) as described in the cosmogony of Ancient Mexican civilisation. The element of fire is reflected in the musical soundscape of this work; rampant, rhythmic motifs, fragmented splinters, spinning upswings and impacts reverberating through space create a mysterious and disturbing mythological universe coloured by its ontological pessimism. Thierry Pécou.
$16.99
15.39 €
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Violin and Piano
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Thierry Pecou
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Soleil-Feu
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Schott Music - Digital
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SheetMusicPlus
That Mysterious Rag
Piano, Voice
Composed by Irving Berlin & Ted Snyder. Supernatural beings, Ghosts, Portraits, Music. Les…
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Composed by Irving Berlin & Ted Snyder. Supernatural beings, Ghosts, Portraits, Music. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21649). - - - Johns Hopkins University Sheridan Libraries
$5.99
5.43 €
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Piano, Voice
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Irving Berlin & Ted Snyder
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That Mysterious Rag
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Fantasy Waltzes: No. 8
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1474978 Composed by William Alwyn. …
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Piano Solo - Level 3 - Digital Download SKU: A0.1474978 Composed by William Alwyn. Arranged by Zellev. 20th Century,Barbershop,Broadway,Children,Comedy,Musical/Show. Score. 3 pages. Zellev Music #1052569. Published by Zellev Music (A0.1474978). Key Signature: G majorTime Signature: 3/4Tempo: Vivace, ma ritmico (vivace, considerably, 148bpm)Difficulty: IntermediateWilliam Alwyn (1905-1985) Fantasy Waltzes: No. 8 in G Major The Fantasy Waltzes is a suite of eleven piano pieces composed in London between June 1954 and April 1955 and is arguably one of Alwyn’s finest works for piano solo. Alwyn uses the basic three-four waltz rhythm with a great variety of style, and much of the music has that of a romantic approach, although here and there are nods to the composer’s earlier neo-classical style. The idea for the Fantasy Waltzes originated while Alwyn was on holiday in Norway after a visit to Grieg’s lakeside home. Although conceived as a continuous cycle, the suite does divide into two parts, Nos. 1-6 and Nos. 7-11, which encompass many moods from happy to sad, to mysterious and solemn, with the eighth waltz being one of the most attractive of the set. The Fantasy Waltzes are dedicated to the New Zealand pianist Richard Farrell, who gave the first performance of the work in a BBC broadcast on 2nd June 1957. Less than a year later, Farrell’s promising career as a concert pianist was cut tragically short after being killed in a car accident. Alwyn admired Farrell’s playing greatly and dedicated the fifth of his Twelve Preludes for piano to Farrell’s memory.
$4.00
3.62 €
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Piano solo
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William Alwyn
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Fantasy Waltzes: No. 8
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Zellev Music
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SheetMusicPlus
A Whitman Triptych: II. What Is the Grass? (Downloadable)
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SK…
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85
2.58 €
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David Conte
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A Whitman Triptych: II. What Is the Grass?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
190.2 €
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Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
190.2 €
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Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
The Black Mass
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1143117 Composed by Piano Sonat…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1143117 Composed by Piano Sonata No. 9 Op. 68 Alexander Scriabin. Arranged by Blake P. McCabe. 20th Century,New Age. Score and parts. 43 pages. Blake P. McCabe #743479. Published by Blake P. McCabe (A0.1143117). This composition is an arrangement of Scriabin’s Piano Sonata No. 9 Op 68. This piece has traditionally been nicknamed The Black Mass and was written for piano. Scriabin himself accepted this nickname for the piece and earlier on wrote a piece that would be nicknamed The White Mass. The Black mass was completed in 1913, a mere 2 years before his untimely death. The piece is built upon his ‘mystic chord, a hexachord built on fourths. Scriabin described this chord of embodying the divine and having a smoky tonal color, stemming from his own perception of sound as color. This piece moves from haunting sounds in its first motif to a chilling climax, returning to a mysterious murmur, and moves through multiple tempos to drag the listener along its march through its gothic vision, until finally returning to its first motif and leaving the listener haunted by the dark, colorful visions it invokes. To date of publication of this arrangement, I have yet to find an arrangement of The Black Mass for orchestra, band, nor symphony. The piece has many layers within it and includes complex polyrhythms typical of his music. The dark uncurrent, along with the form and choice of lack of direct key signature pose a unique challenge in the arrangement of this piece. I have deigned to maintain the feel of the original piano version, including his choice of time signatures and rhythmic choices while bringing it to life through the sounds of a modified symphony orchestra. This arrangement relies on the timbres of the instrument families to portray the emotional colors of the piece and particularly highlights the woodwind section of the symphony orchestra, along with the angelic sounds of the harp. Percussion is added through timpani, xylophone, glockenspiel, and multi-percussion to heighten the emotional experience of the arrangement.
$35.00
31.7 €
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Orchestra
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Piano Sonata No
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The Black Mass
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Blake P. McCabe
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SheetMusicPlus
Medioevo By Jannes Jacobs
Concert band
Concert Band - Digital Download SKU: A0.1012109 Composed by Jannes Jacobs. Contempo…
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Concert Band - Digital Download SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by Jannes Jacobs (A0.1012109). Medioevo is a Composition based on impressions from the dark ages. The composer wrote the piece to take you on a journey through this remarkable period of time.Part 1: The Promised Beginning Land Of Departurethe part opens with a decisive rhythm in the lower brass, woodwind and percussion section. The theme played by the woodwinds is written to give the listeners a middle eastern feeling. This represents the crusades. The higher brass section play a nice and static counter theme.Part 2: Enchanted DominionThis section a bit mysterious and magic, played by mallets and flutes. The theme from the Oboe represents the ghost of a warlock trapped on the dominion. As we pas trough the dominion we need the protection of the church represented by the Harpsichord (clavecimbel) and clarinets.Part 3: The rustling ForestsAfter leaving the Enchanted Dominion we gallop with our horse trough the Rustling Forests. These forest show fast winds and have a lyric theme played by the trumpets and saxesPart 4: The SquareOnce trough the Forests we get to the Village square where the market is on going. We have several sales men selling their goods. These are represented in the themes of the woodwinds. The confusion gets to much and we try to hide from the sales men. The trumpets represent this part in a piano 5/4 movement which bring a big contrast trough the noises from the market place. In the end we need to get through the market place so we find a way to keep the sales men away by playing a wonderful legato melody which the dwarf’s taught us.Part 5: Dwarf’sThese social and kind people have a little village outside of the town where joyful melodies sound from both children as adults and elderly dwarf’s. the themes are divided under the different solo players of the woodwind sections.Part 6: Run or HideAfter a nice time with the Dwarf’s we continue our path but soon we face a large army coming our way. What do we do Run or Hide? This part is full of different melodies and counter melodies to represent the indecisiveness of the Dark Ages.Part 7: NeverlandWe arrive in the land of the elves where the tenor sax and horns play an agitato atmosphere to represent our hart beat when we see these beautiful creatures. The themes from the flutes and euphoniums show the grace and beauty of the elves. While the harp creates an elf like atmosphere.Part 8 The castle Gardenswe arrive in the castle gardens. These gardens are the most beautiful in the whole land. It makes the orchestra say Ahh. While the percussion section gives it a magical feeling. After being amassed we soon find out that these gardens are made for the Authorities and paid by our tax money which gives us a double feeling. Should this money not be better spend on good music?Part 9 Black Powderafter we find out the castle lord wrongly used or tax money we go and find some black powder to blow him up. After being hunted down by the castle lord trying to get some black powder. We find ourselves in the glorious fight.Part 10: Rageour glorious fight with the castle lord continues into an enormous climax where we are stroke down and ends up with a one way ticket to the graveyard.Part 11: The GraveyardThe whole orchestra sings a spiritual song to guide us into the afterlives. An angle comes to collect our soul (represented by the piccolo flute). And slowly or name is forgotten.
$15.00
13.59 €
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Concert band
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Jannes Jacobs
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Medioevo By Jannes Jacobs
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Jannes Jacobs
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SheetMusicPlus
Quest
Small Ensemble Bass Trombone,Percussion,Tuba - Level 5 - Digital Download SKU: A0.74299…
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Small Ensemble Bass Trombone,Percussion,Tuba - Level 5 - Digital Download SKU: A0.742996 Composed by Ian Deterling. Contemporary. Score and parts. 101 pages. Ian Deterling #6136837. Published by Ian Deterling (A0.742996). All three movements of Quest are cinematically dark. Inspired by epic films that have wonderful scores, this piece travels through mysterious lands, experiences tragic loss, is sprinkled with a few comedic moments, and ends in a virtuosic and celebratory dance!Instrumentation: Trombone, Bass Trombone, or TubaPercussion 1 - Bass Drum; Marimba; Ribbon Crasher or TambourinePercussion 2 - Wind Gong or Tam-Tam; VibraphonePercussion 3 - Timpani
$32.00
28.98 €
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Ian Deterling
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- Bass Drum
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Quest
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Ian Deterling
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SheetMusicPlus
PULVER Lev: "An Eye for an Eye", musical scenes from Act 3, for Symphony Orchestra (Full score + set
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.868918 Composed by Lev PULVER (…
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Full Orchestra - Level 4 - Digital Download SKU: A0.868918 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical/Show,World. Score and parts. 118 pages. Really Good Music, LLC. #4835567. Published by Really Good Music, LLC. (A0.868918). Music to the performance of the Moscow State Yiddish Theater (GOSET) An oyg far an oyg (An Eye for an Eye) had been composed by theater’s musical director Lev PULVER (1883 – 1970) in 1942. The production was one of the earliest, if not the first, artistic incarnations of the theme of the Holocaust and the Jewish resistance to the Nazis. This publication is based on the autograph manuscripts of the orchestral scores of two episodes from Act 3 of the play, realized and edited by Sergei PICHUGIN. The editor hopes that the revival of the music to one of the most mysterious and tragic performances of the GOSET will be viewed as a modest tribute to the memory of the victims of the Holocaust and World War II. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of An Eye for an Eye.
$120.00
108.69 €
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Orchestra
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Lev PULVER
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PULVER Lev: "An Eye for an Eye", musical scenes from Act 3, for Symphony Orchestra
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Really Good Music, LLC.
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SheetMusicPlus
David Warin Solomons: Five Poems by Melissanthi for medium voice and guitar
Small Ensemble Guitar,Low Voice,Medium Voice - Level 4 - Digital Download SKU: A0.53391…
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 4 - Digital Download SKU: A0.533911 Composed by David Warin Solomons. Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3066951. Published by Musik Fabrik Music Publishing (A0.533911). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard,comprise a complete vocal cycle of five poems set to music as a posthumoustribute by the composer to the Athenian poet Melissanthi (1910-1991),in the manner of the old tombeaux of the Baroque era, atradition also used by many composers of the first half of the 20th century.This composer confirms, with reference to his own experience of Melissanthi'spoetry these five from among her many poems have made a such a great impacton my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name wasEve Chougia-Skandalaki, and the mysterious atmospheres invokedby David Solomons' music introduce the listener to an ethereal andmetaphysical dimension, allowing us a glimpse into the unknown and the intangible.A recurring theme, which unites the five lyrics by an invisible thread, isan incessant fluctuation between the real and the unreal, between the knownand the unknown and between reality and unreality.The inevitable abandonment of the mind to the seductive charms of thesurreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems thereforerequire particular emotional involvement, in an overall picture where everysingle note is a tiny but essential constituent of a larger and more complexmusical architecture. The harmonic structure of the five compositions presentsa substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords.This creates an indissoluble unity, such that it would spoil the completenessof the whole cycle of compositions if it were broken.Alessandro BalsiminiTranslation by David W. Solomons
$19.95
18.07 €
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David Warin Solomons
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David Warin Solomons: Five Poems by Melissanthi for medium voice and guitar
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Musik Fabrik Music Publishing
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SheetMusicPlus
David W. Solomons: Five Poems by Melissanthi for medium voice and guitar
Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - Digital Download SKU: A0.53440…
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - Digital Download SKU: A0.534408 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3466270. Published by Musik Fabrik Music Publishing (A0.534408). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard, comprise a complete vocal cycle of five poems set to music as a posthumous tribute by the composer to the Athenian poet Melissanthi (1910-1991), in the manner of the old tombeaux of the Baroque era, a tradition also used by many composers of the first half of the 20th century. This composer confirms, with reference to his own experience of Melissanthi's poetry these five from among her many poems have made a such a great impact on my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name was Eve Chougia-Skandalaki, and the mysterious atmospheres invoked by David Solomons' music introduce the listener to an ethereal and metaphysical dimension, allowing us a glimpse into the unknown and the intangible. A recurring theme, which unites the five lyrics by an invisible thread, is an incessant fluctuation between the real and the unreal, between the known and the unknown and between reality and unreality. The inevitable abandonment of the mind to the seductive charms of the surreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems therefore require particular emotional involvement, in an overall picture where every single note is a tiny but essential constituent of a larger and more complex musical architecture. The harmonic structure of the five compositions presents a substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords. This creates an indissoluble unity, such that it would spoil the completeness of the whole cycle of compositions if it were broken.1. The Capital 19802. The Houses Where We Have Lived3. We Have Cast Anchor4. Outside and Inside5. Hour Zero
$19.95
18.07 €
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David Warin Solomons
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David W. Solomons: Five Poems by Melissanthi for medium voice and guitar
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Musik Fabrik Music Publishing
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SheetMusicPlus
American Vignettes
Brass Quintet: 2 trumpets, horn, trombone, tuba
Composed by Sy Brandon. 21st Century, 20th Century, Contemporary Classical, Folk, Recital.…
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Composed by Sy Brandon. 21st Century, 20th Century, Contemporary Classical, Folk, Recital. Score, Set of Parts. 88 pages. Published by Sy Brandon (S0.188057). - Score,Set of Parts - 21st Century,20th Century,Contemporary Classical,Folk,Recital - Sy Brandon
American Vignettes was composed during 2011 for the Lyric Brass of Pacific Lutheran University. They were looking for a composition to include on a CD of American music and one that would feature each of the musicians. The first movement, ?Barn Dance?, features the first trumpet and after a syncopated, fanfare-style introduction, the movement uses fragments and elaborations of "Old Chisholm Trail" and "Short?nin Bread". For the second movement, I wanted to write a blues and feature the other trumpet player on Flugelhorn. As I was working on the movement, the blues seem very mysterious and lonely, so I titled the movement 4 A.M. Blues. It reflects someone who can?t sleep and is contemplating the deep mysteries of life and feels very alone in the world. Movement 3 is the tuba feature and is called "Spirituals". I use three different spirituals in this movement, "Nobody Knows the Trouble I?ve Seen". "Cotton Needs Picking" and "Every Time I Feel the Spirit." Movement 4 ?Fiesta? is a trombone feature and represents the Southwest. The Southwestern flavor is accomplished through alternating 6/8 and 3/4 and the bright colors of the muted brass playing staccato eighth note rhythms and "ay" sounding motifs. The Horn is featured in the fifth movement ?From Sea to Shining Sea? that starts with a jazz harmony version of ?America the Beautiful? followed by a jazz waltz built from motifs of the song. The last movement is called ?Harlem Jump? and is an up-tempo jive with Be-bop type solos written for each of the musicians. ?
$14.99
13.58 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Sy Brandon
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American Vignettes
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Sy Brandon
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SheetMusicPlus
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