The Call Sheet Music to download and print

The Call

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.

Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1148567 Composed by Music by Richard Milburn. Arranged by F. Leslie Smith. Country,Folk,Historic,Traditional. 27 pages. Sweetwater Brass Press #748729. Published by Sweetwater Brass Press (A0.1148567). Listen to the Mocking Bird was first published in 1855. The melody originated with Richard Milburn, a Philadelphia African-American who has been described variously as a panhandling busker and as a musically inclined barber. A songwriter and publisher by the name of Septimus Winner heard Milburn's tune, arranged it, added words, put it into print and claimed credit for its creation under the pseudonym Alice Hawthorne. Supposedly, Winner sold the rights to the song for five dollars. Listen to the Mocking Bird grew to be one of the most popular songs of the mid-19th century, a real hit. Its sheet music, by one estimate, sold more than 20 million copies. It was sung and performed particularly often during the Civil War, and troops used its melody as a marching tune. It remains somewhat of a standard and has been recorded numerous times, especially as a favorite of bluegrass musicians. In the lyrics, the singer is remembering his loved one. She has passed away but he recalls their good life together. They particularly enjoyed the call of the mocking bird, which even now is singing o'er her grave. This arrangement opens in E-flat major with Trumpet 1 introducing the sweetly sad melody, I'm dreaming now of Hally. After the introduction, the tempo picks up to allegro and whirls along. It does slow down several times, and there are four one-measure deviations from the 4/4 time signature: one 6/4, two 2/4s and one 1/4. At measure 65, the key changes to B-flat major for the finale. Trumpets 1 and 2 each play one A-above-their-staff eighth note as their highest pitch; the rest of the music stays well within the normal playing range of the five instruments. Completed in 2022, performance time runs about 3 minutes, 23 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

Come Hear the Bells - In Dulci Jubilo Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.987755 Comp…(+)

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.987755 Composed by Traditional. Arranged by Dana Taylor. Christian,Christmas,Classical,Contemporary. 22 pages. Dana Taylor Music #3056197. Published by Dana Taylor Music (A0.987755). In Dulci Jubilo was first published in 1400, then modified often. The current version if relatively modern, and the one that most hymnals use. I've used the 6/4 dancing form more than the chant. Both are beautiful, but this is more in the spirit of Come Hear the Bells. The bassoon has a cantus firmus at mm 29, and is otherwise featured.This is the fourth of five Christmas carols for woodwind quintet, in various styles. They share the themes of coming together and heeding the call of bells to celebrate the holidays.They would work separately running between 2 and 3 minutes or all together for about 13 minutes. So they would give your winds a chance to shine in contrast to your full ensemble. They would also fit nicely as holiday music at the local airport or in the lobby before your concert.They are intended for advanced high school, college or community musicians.Check out my other works here at SMP or on my website: DanaTaylorMusic.com.2017 Chamber Music Contest Entry - PD Arrangement
$12.00 11.07 € #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #Traditional #Come Hear the Bells - In Dulci Jubilo #Dana Taylor Music #SheetMusicPlus

Call of a Warrior (Orchestration) Jazz combo

Jazz Combo - Level 3 - Digital Download SKU: A0.1257807 By Brindis and Breeze. By C…(+)

Jazz Combo - Level 3 - Digital Download SKU: A0.1257807 By Brindis and Breeze. By Cazz Brindis and Garrett Breeze. Arranged by Garrett Breeze. Contemporary,Hip-Hop,Pop,R & B,Rock,Singer/Songwriter. 36 pages. Lagom Music #851041. Published by Lagom Music (A0.1257807). **This product is the instrumental score and parts only.**Celebrating determination, grit, and courage, this original show choir song by Cazz Brindis and Garrett Breeze features a blend of hip-hop and rock elements. Â Available in SATB, SAB, and SSA it is suitable for performance with piano only, full show band, or accompaniment tracks. Â *Instrumental accompaniment and tracks sold separately*LYRICS:Â Something has been lurking in the corners of my mind,Â Circling in my blood like vultures in the sky.Â There's no turning back, time to raise the flag,Â I'm sending out a signal for my sisters, my brothers...Â Hear the battle cry echoing insideÂ To remind us we are the ones, we are the warriors!Â In the final fight, when it's do or dieÂ Remember we are the ones, we are the ones whoÂ Hear the song, the call of a warrior!Â Waves are getting stronger, now they throw us overboard,Â Fire raining down til it burns the ocean floor.Â Grab your sword and shield. Let your arrows fly!Â We'll rage against the darkness for our mothers, our fathers, our futures, our warriors!
$150.00 138.38 € #Jazz combo #Brindis and Breeze #Call of a Warrior #Lagom Music #SheetMusicPlus