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The Can Can for Bassoon and Piano
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Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.78 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Craters of the Moon for Oboe, Clarinet, Bassoon, and Piano
Oboe, Piano (duet)
Small Ensemble Clarinet,Oboe,Piano - Level 5 - Digital Download SKU: A0.755293 Comp…
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Small Ensemble Clarinet,Oboe,Piano - Level 5 - Digital Download SKU: A0.755293 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 101 pages. Sy Brandon #5770547. Published by Sy Brandon (A0.755293). This composition was composed for Trio De Bois (Oboe, Clarinet, Bassoon) and Piano. There are three movements that are inspired by Craters of the Moon National Monument and Preserve. It is especially appropriate during this 50th anniversary of the moon walk as the astronauts trained at this location. The first movement is called Violent Past. Much of this movement is built around the dissonant intervals of a half step and the tritone.These intervals are used both melodically and harmonically. The second movement is called Lunar Landscape and is more evocative rather than descriptive. It creates a feeling of vastness and openness.This movement is a tribute to the 50th anniversary of landing on the moon that is being celebrated at the same time that this movement was created. The Apollo 14 astronauts trained at Craters of the Moon in 1969 in order to learn more about volcanic geology. The movement is built around a walking passacaglia theme that is mainly in the left hand of the piano. After its initial statement, the passacaglia theme is accompanied by open 4ths and 5ths in the piano that later appear in the oboe and clarinet, and then in imitation between the piano and high winds. A more melodic variant of the passacaglia theme occurs in the bassoon over the original in the piano. All this material is developed before the opening material returns in the original key and tempo before eventually fading into the distance. Forces of Nature is the title of the third movement. There are five natural phenomena in the park that are represented musically, The Great Rift, Lava Flow, Vents, Cinder Cones, and Lava Tubes. Each of these have a motif that is descriptive and the motifs transform and combine as the movement progresses.
$14.99
13.61 €
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Oboe, Piano (duet)
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Sy Brandon
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Craters of the Moon for Oboe, Clarinet, Bassoon, and Piano
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Sy Brandon
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SheetMusicPlus
Bach: Wachet auf for Bassoon & Piano
Bassoon, Piano (duet)
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.…
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.549851 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555069. Published by jmsgu3 (A0.549851). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.65 €
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Bassoon, Piano (duet)
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Johann Sebastian Bach
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Bach: Wachet auf for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Dance The Night
Bassoon, Piano (duet)
Bassoon,Piano - Level 3 - Digital Download SKU: A0.1272537 By Dua Lipa. By Andrew W…
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.1272537 By Dua Lipa. By Andrew Watt (Andrew Wotman), Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Glauco Fernandes. Chamber,Film/TV,Pop,Wedding. Score and part. 11 pages. Glauco Fernandes #864762. Published by Glauco Fernandes (A0.1272537). **Title: Experience the Unique Harmony - Bassoon and Piano Arrangement for Dance The Night**In this thrilling musical arrangement for bassoon and piano, you'll have the opportunity to experience the unique harmony while interpreting the captivating song Dance The Night, sung by the talented Dua Lipa and featured in the acclaimed Barbie movie soundtrack, released with great success in theaters in 2023. Whether you're an experienced bassoonist or a pianist looking to embark on new challenges, this sheet music is the perfect combination to immerse yourself in the beauty of the melody.**Key Points:**1. **For Bassoon and Piano:** Enjoy the special harmony between the bassoon and piano as you bring Dance The Night to life. Both instruments will come together to create an engaging and unforgettable musical experience.2. **Versatility for Bassoonists and Pianists:** This arrangement is designed to accommodate musicians of different skill levels. Experienced bassoonists will find exciting nuances that will elevate their performance, while pianists can explore new musical possibilities alongside the bassoon.3. **Enchanting Melody:** Dance The Night captivates and moves people around the world with its captivating melody and inspiring lyrics. With this sheet music, you'll be able to infuse your performance with the magic of the song, connecting deeply with the story of the Barbie movie.4. **Emotional Expression:** Each note in this sheet music is essential to telling the story of the music. Let your emotions flow as you breathe life into the melody, expressing your passion and personal style through the bassoon and piano.5. **Add a Musical Gem to Your Collection:** Seize the opportunity to add this unique musical arrangement to your repertoire. Whether it's for honing your musical skills or connecting with an emotionally compelling cinema story, Dance The Night is a gem that will enrich your musical experience.6. **Enchant Your Audience:** Surprise your listeners with the captivating interpretation of this unforgettable melody. With this arrangement, you'll be ready to touch the hearts of everyone and create lasting musical memories.7. **Share Your Unique Interpretation:** Music has the power to connect people. With Dance The Night, you can share your unique and emotional interpretation of this iconic song with the world, delivering the inspiring message of the music to different hearts.Discover the magic of music through this beautiful bassoon and piano arrangement for Dance The Night. Let your instruments sing the melody, taking you and your audience on an exciting and unforgettable musical journey. Embark on this musical adventure and allow the magic of the music to overflow in every note played by the bassoon and in every chord reproduced by the piano.
$6.99
6.35 €
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Bassoon, Piano (duet)
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Dua Lipa
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Dance The Night
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Glauco Fernandes
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SheetMusicPlus
Dance The Night
Bassoon, Piano (duet)
Bassoon,Piano - Level 3 - Digital Download SKU: A0.1272535 By Dua Lipa. By Andrew W…
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.1272535 By Dua Lipa. By Andrew Watt (Andrew Wotman), Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Glauco Fernandes. Chamber,Film/TV,Pop,Wedding. Score and part. 11 pages. Glauco Fernandes #864760. Published by Glauco Fernandes (A0.1272535). **Title: Experience the Unique Harmony - Bassoon and Piano Arrangement with Chord Symbols for Dance The Night**In this thrilling musical arrangement for bassoon and piano with chord symbols, you'll have the opportunity to experience the unique harmony while interpreting the captivating song Dance The Night, sung by the talented Dua Lipa and featured in the acclaimed Barbie movie soundtrack, released with great success in theaters in 2023. Whether you're an experienced bassoonist or a pianist looking to embark on new challenges, this sheet music is the perfect combination to immerse yourself in the beauty of the melody.**Key Points:**1. **For Bassoon and Piano with Chord Symbols:** Enjoy the special harmony between the bassoon and piano, with included chord symbols to facilitate the interpretation. Both instruments will come together to create an engaging and unforgettable musical experience.2. **Versatility for Bassoonists and Pianists:** This arrangement is designed to accommodate musicians of different skill levels. Experienced bassoonists will find exciting nuances that will elevate their performance, while pianists can explore new musical possibilities alongside the bassoon.3. **Enchanting Melody:** Dance The Night captivates and moves people around the world with its captivating melody and inspiring lyrics. With this sheet music, you'll be able to reproduce the magic of the music on your own instruments, connecting deeply with the story of the Barbie movie.4. **Emotional Expression:** Each note in this sheet music is essential to telling the story of the music. Let your emotions flow as you breathe life into the melody, expressing your passion and personal style through the bassoon and piano.5. **Add a Musical Gem to Your Collection:** Seize the opportunity to add this unique musical arrangement to your repertoire. Whether it's for honing your musical skills or connecting with an emotionally compelling cinema story, Dance The Night is a gem that will enrich your musical experience.6. **Enchant Your Audience:** Surprise your listeners with the captivating interpretation of this unforgettable melody. With this arrangement, you'll be ready to touch the hearts of everyone and create lasting musical memories.7. **Share Your Unique Interpretation:** Music has the power to connect people. With Dance The Night, you can share your unique and emotional interpretation of this iconic song with the world, delivering the inspiring message of the music to different hearts.Discover the magic of music through this beautiful bassoon and piano arrangement with chord symbols for Dance The Night. Let your instruments sing the melody, taking you and your audience on an exciting and unforgettable musical journey. Embark on this musical adventure and allow the magic of the music to overflow in every note played by the bassoon and in every chord reproduced by the piano.
$6.99
6.35 €
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Bassoon, Piano (duet)
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Dua Lipa
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Dance The Night
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Glauco Fernandes
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SheetMusicPlus
Thierry Pélicant: Concerto for Bassoon and Orchestra, piano reduction and solo part
Bassoon, Piano (duet)
Bassoon,Piano - Level 5 - Digital Download SKU: A0.534689 Composed by Thierry Pé…
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Bassoon,Piano - Level 5 - Digital Download SKU: A0.534689 Composed by Thierry Pélicant. 20th Century,Concert,Contemporary. Score and part. 25 pages. Musik Fabrik Music Publishing #6230963. Published by Musik Fabrik Music Publishing (A0.534689). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the piano reduction and solo part. The score is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$19.95
18.11 €
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Bassoon, Piano (duet)
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Thierry Pélicant
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Thierry Pélicant: Concerto for Bassoon and Orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Can Can for Bassoon and Piano
Bassoon, Piano (duet)
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.…
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.557678 Composed by Jacques Offenbach. Arranged by David Burndrett. Contemporary. Score and parts. 6 pages. David Burndrett #433149. Published by David Burndrett (A0.557678). This works well as a concert piece or just for fun! Download includes the score and both of the parts.
$4.95
4.49 €
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Bassoon, Piano (duet)
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Jacques Offenbach
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The Can Can for Bassoon and Piano
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David Burndrett
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Bassoon & Piano
2 Bassoons (duet)
Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.550922…
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Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.550922 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and parts. 12 pages. Jmsgu3 #4888319. Published by jmsgu3 (A0.550922). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.91 €
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2 Bassoons (duet)
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J
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Bach-Gounod: Ave Maria, Schwencke version for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Bassoon & Piano
2 Bassoons (duet)
Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.549232 Composed by J…
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Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.549232 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. 9 pages. Jmsgu3 #3468756. Published by jmsgu3 (A0.549232). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.91 €
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2 Bassoons (duet)
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Johann Sebastian Bach
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Bach: Bist du bei mir BWV 508 for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Pomp and Circumstance March No. 1 for Bassoon and Piano
Bassoon, Piano (duet)
Bassoon,Piano - Level 3 - Digital Download SKU: A0.1039918 Composed by Edward Elgar…
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.1039918 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #644792. Published by Diego Marani (A0.1039918). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for bassoon with piano is suitable for classroom, repertoire and recital.
$9.99
9.07 €
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Bassoon, Piano (duet)
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Edward Elgar
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Pomp and Circumstance March No. 1 for Bassoon and Piano
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Diego Marani
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SheetMusicPlus
A Mighty Fortress is Our God by Luther for Bassoon and Piano
Bassoon, Piano (duet)
Bassoon,Piano - Level 1 - Digital Download SKU: A0.1076828 Composed by Martin Luthe…
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Bassoon,Piano - Level 1 - Digital Download SKU: A0.1076828 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. Score and part. 4 pages. Woods Only, Arrangements #680943. Published by Woods Only, Arrangements (A0.1076828). This easy arrangement for bassoon and piano has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$1.99
1.81 €
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Bassoon, Piano (duet)
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Martin Luther
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A Mighty Fortress is Our God by Luther for Bassoon and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Holiday Etudes/Duets Piano Accompaniment Book
Piano Accompaniment
Instrumental Duet,Piano Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.75…
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Instrumental Duet,Piano Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.754850 Composed by Sy Brandon. Holiday,Instructional,Standards. Score and parts. 44 pages. Sy Brandon #3009099. Published by Sy Brandon (A0.754850). This is the piano accompaniment book to go along with a transcription for all instruments (C, Bb, F, Eb, Bass Clef, Tenor Clef, Alto Clef, Tuba books are available and interchangeable) of a set of intermediate tuba etudes depicting various holidays throughout the year. These etudes received first prize in the Tuba Universal Brotherhood Association’s 1996 Composition Competition. The etudes are published in duet form in order for them to be used as either an etude book and/or a duet. The second part is designed to be playable by the teacher or a more advanced student. There is a piano accompaniment book designed to accompany either the etude or duet. The alto and tenor clef books can be used for practice in these clefs for bassoonists and trombonists. The mp3 sample contains Mother's Day as a solo with piano.
$9.99
9.07 €
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Piano Accompaniment
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Sy Brandon
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Holiday Etudes/Duets Piano Accompaniment Book
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Sy Brandon
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SheetMusicPlus
Just A Closer Walk With Thee, Gospel Hymn for Bassoon and Piano
Bassoon, Piano (duet)
Bassoon,Piano - Level 2 - Digital Download SKU: A0.592886 Composed by Traditional. …
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Bassoon,Piano - Level 2 - Digital Download SKU: A0.592886 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413285. Published by David McKeown (A0.592886). Just a Closer Walk With Thee is a beautiful spiritual arranged here for Solo Bassoon and Piano.Little is known of the origins of Just a Closer Walk With Thee, other than it was sung in African-American churches in the nineteenth century. National religious conventions in the 1930s gave the hymn a wider audience. Many versions were recorded in the 1940s and Just a Closer Walk With Thee was quickly adopted as a standard by the New Orleans Jazz revival.
$2.49
2.26 €
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Bassoon, Piano (duet)
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Traditional
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Just A Closer Walk With Thee, Gospel Hymn for Bassoon and Piano
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David McKeown
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SheetMusicPlus
Five Ragtime Solos by Scott Joplin for Bassoon and Piano
Bassoon, Piano (duet)
Bassoon,Piano - Level 3 - Digital Download SKU: A0.1118303 Composed by Scott Joplin…
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.1118303 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719821. Published by David McKeown (A0.1118303). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Bassoon with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.07 €
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Bassoon, Piano (duet)
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Scott Joplin
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Five Ragtime Solos by Scott Joplin for Bassoon and Piano
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David McKeown
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SheetMusicPlus
Turkish March by Beethoven for Bassoon
Bassoon, Piano (duet)
Bassoon,Piano - Level 2 - Digital Download SKU: A0.1155641 Composed by Ludwig van B…
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Bassoon,Piano - Level 2 - Digital Download SKU: A0.1155641 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755945. Published by Woods Only, Arrangements (A0.1155641). This arrangement adapted for bassoon and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
1.81 €
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Bassoon, Piano (duet)
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Ludwig van Beethoven
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Turkish March by Beethoven for Bassoon
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Woods Only, Arrangements
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SheetMusicPlus
Luna, The Black Cat for Bassoon and Piano
Bassoon, Piano (duet)
Bassoon,Piano - Level 2 - Digital Download SKU: A0.933853 Composed by William Pagan…
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Bassoon,Piano - Level 2 - Digital Download SKU: A0.933853 Composed by William Pagan-Perez. Standards. Score and part. 7 pages. William Pagan-Perez #5712303. Published by William Pagan-Perez (A0.933853). Luna, The Black Cat...This is a short, single-movement solo piece with an accompaniment of the piano to have fun! According to the music grading chart by the American Band College, this piece can be placed between the performing levels grade 1 and grade 2 or also it can be cataloged as an early-intermediate level for those young musicians that are taking their first steps to play solo music.
$5.99
5.44 €
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Bassoon, Piano (duet)
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William Pagan-Perez
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Luna, The Black Cat for Bassoon and Piano
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William Pagan-Perez
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÅ
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.19 €
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Orchestra
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÅ
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
35.36 €
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Orchestra
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Arioso (Largo) from Cantata 156 for bassoon and piano
Bassoon, Piano (duet)
Bassoon,Piano - Digital Download SKU: A0.1038964 Composed by Johann Sebastian Bach.…
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Bassoon,Piano - Digital Download SKU: A0.1038964 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical,Wedding. Score and part. 5 pages. Amadeus Music #643961. Published by Amadeus Music (A0.1038964). Ornamented bassoon part included. Johann Sebastian Bach (1685 –1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity
$5.95
5.4 €
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Bassoon, Piano (duet)
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Johann Sebastian Bach
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Arioso
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Amadeus Music
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SheetMusicPlus
Morning Mood by Grieg for Bassoon and Piano with Chords
Bassoon, Piano (duet)
Bassoon,Piano - Level 3 - Digital Download SKU: A0.1412585 Composed by Edvard Grieg…
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.1412585 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period,Wedding. Score and part. 4 pages. Glauco Fernandes #994601. Published by Glauco Fernandes (A0.1412585). Dive into the serenity of dawn with our exclusive arrangement of Edvard Grieg's Morning Mood from the Peer Gynt Suite. This carefully crafted arrangement is perfect for musicians looking to not only enrich their repertoire but also capture the tranquil and inspiring essence of Grieg's famous melody.For educators and music teachers, this score becomes a valuable pedagogical resource, allowing students to explore the nuances of Romantic composition and develop a deep appreciation for the ability to evoke images and emotions through music. Introducing Morning Mood into lessons can offer a window into the vast world of program music, encouraging a more intimate and expressive connection with musical performance.This arrangement is equally valuable for professional musicians, providing a refined and expressive piece for concerts, special events, and even moments of personal reflection. The universality and timeless beauty of Morning Mood make it a desirable addition to any musician's repertoire, standing out in occasions ranging from formal recitals to more intimate ceremonies.Our arrangement of Morning Mood promises to be a rewarding addition for students seeking musical growth as well as for professionals wishing to enchant their audience with the tranquil beauty of dawn. Maintaining the essence and charm of Grieg's original composition, this arrangement invites everyone to experience the magic of one of the most emblematic moments in classical music.Tags: Edvard Grieg, Peer Gynt, Morning Mood, Romantic music, music education, arrangement, repertoire for events, classical music, sheet music, musical growth, expressive performance.
$6.99
6.35 €
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Bassoon, Piano (duet)
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Edvard Grieg
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Morning Mood by Grieg for Bassoon and Piano with Chords
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Glauco Fernandes
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SheetMusicPlus
Morning Mood by Grieg for Bassoon and Piano
Bassoon, Piano (duet)
Bassoon,Piano - Level 3 - Digital Download SKU: A0.1412588 Composed by Edvard Grieg…
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.1412588 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period,Wedding. Score and part. 4 pages. Glauco Fernandes #994605. Published by Glauco Fernandes (A0.1412588). Dive into the serenity of dawn with our exclusive arrangement of Edvard Grieg's Morning Mood from the Peer Gynt Suite. This carefully crafted arrangement is perfect for musicians looking to not only enrich their repertoire but also capture the tranquil and inspiring essence of Grieg's famous melody.For educators and music teachers, this score becomes a valuable pedagogical resource, allowing students to explore the nuances of Romantic composition and develop a deep appreciation for the ability to evoke images and emotions through music. Introducing Morning Mood into lessons can offer a window into the vast world of program music, encouraging a more intimate and expressive connection with musical performance.This arrangement is equally valuable for professional musicians, providing a refined and expressive piece for concerts, special events, and even moments of personal reflection. The universality and timeless beauty of Morning Mood make it a desirable addition to any musician's repertoire, standing out in occasions ranging from formal recitals to more intimate ceremonies.Our arrangement of Morning Mood promises to be a rewarding addition for students seeking musical growth as well as for professionals wishing to enchant their audience with the tranquil beauty of dawn. Maintaining the essence and charm of Grieg's original composition, this arrangement invites everyone to experience the magic of one of the most emblematic moments in classical music.Tags: Edvard Grieg, Peer Gynt, Morning Mood, Romantic music, music education, arrangement, repertoire for events, classical music, sheet music, musical growth, expressive performance.
$6.99
6.35 €
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Bassoon, Piano (duet)
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Edvard Grieg
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Morning Mood by Grieg for Bassoon and Piano
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Glauco Fernandes
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SheetMusicPlus
"Green Sleeves" - Beautiful easy version for BASSOON and PIANO
Bassoon, Piano (duet)
Bassoon,Piano - Level 1 - Digital Download SKU: A0.1405717 Composed by Johann Pache…
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Bassoon,Piano - Level 1 - Digital Download SKU: A0.1405717 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Chamber,Classical,Medieval,Renaissance,Traditional. Score and part. 5 pages. Iury Cardoso #988781. Published by Iury Cardoso (A0.1405717). Easy BASSOON/PIANO arrangement of the piece: Green Sleeves (English folk song)(Score and bassoon part: 5 pages)This arrangement of Green Sleeves transforms the traditional English folk song into an easy version for BASSOON and PIANO, presenting new harmonys, textures and musical colors. This arrangement is ideal for beginner students who want to improve their technique and also for presentations at recitals or gatherings, inspiring the public with the timeless beauty of the Green Sleeves melody.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians.- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols on this website.- This arrangement is also a version for teacher/student: the student can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard).- Duet version available: On this site there is also a version of this arrangement for several WOODWIND DUETS (with or without piano accompaniment).- Solo version available: On this site, there is also a version of this arrangement for BASSOON solo.See more arrangements by Iury Cardoso, thank you so much!easy green sleeves for bassoon and pianoeasy green sleeves sheet musicgreensleeves for bassoon and pianogreen sleeves bassoon and piano sheet musicgreen sleeves beautiful bassoon with pianobeautiful bassoon and piano green sleevesgreen sleeves beautiful arrangement for bassoon and pianogreen sleeves easy bassoon pianoeasy bassoon chamber musiceasy bassoon and piano for beginnersbeautiful bassoon with piano sheet musiceasy bassooneasy pianoteacher student duetgreen sleeves sheet musicgreensleeves best easy arrangement for bassoon and pianogreen sleaves arrangement for easy bassoon pianoclassic sheet music for bassoon piano.
$3.99
3.62 €
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Bassoon, Piano (duet)
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Johann Pachelbel
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"Green Sleeves" - Beautiful easy version for BASSOON and PIANO
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Iury Cardoso
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SheetMusicPlus
"Green Sleeves" - Beautiful easy version for BASSOON and PIANO
Bassoon, Piano (duet)
Bassoon,Piano - Level 1 - Digital Download SKU: A0.1405719 Composed by English Folk…
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Bassoon,Piano - Level 1 - Digital Download SKU: A0.1405719 Composed by English Folk Song. Arranged by Iury Cardoso. Chamber,Classical,Medieval,Renaissance,Traditional. Score and part. 5 pages. Iury Cardoso #988783. Published by Iury Cardoso (A0.1405719). Easy BASSOON/PIANO arrangement of the piece: Green Sleeves (English folk song)(Score and bassoon part: 5 pages)This arrangement of Green Sleeves transforms the traditional English folk song into an easy version for BASSOON and PIANO, presenting new harmonys, textures and musical colors. This arrangement is ideal for beginner students who want to improve their technique and also for presentations at recitals or gatherings, inspiring the public with the timeless beauty of the Green Sleeves melody.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians.- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website.- This arrangement is also a version for teacher/student: the student can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard).- Duet version available: On this site there is also a version of this arrangement for several WOODWIND DUETS (with or without piano accompaniment).- Solo version available: On this site, there is also a version of this arrangement for BASSOON solo.See more arrangements by Iury Cardoso, thank you so much!easy green sleeves for bassoon and pianoeasy green sleeves sheet musicgreensleeves for bassoon and pianogreen sleeves bassoon and piano sheet musicgreen sleeves beautiful bassoon with pianobeautiful bassoon and piano green sleevesgreen sleeves beautiful arrangement for bassoon and pianogreen sleeves easy bassoon pianoeasy bassoon chamber musiceasy bassoon and piano for beginnersbeautiful bassoon with piano sheet musiceasy bassooneasy pianoteacher student duetgreen sleeves sheet musicgreensleeves best easy arrangement for bassoon and pianogreen sleaves arrangement for easy bassoon pianoclassic sheet music for bassoon piano.
$3.99
3.62 €
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Bassoon, Piano (duet)
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English Folk Song
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"Green Sleeves" - Beautiful easy version for BASSOON and PIANO
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Iury Cardoso
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SheetMusicPlus
You Are The Reason
Bassoon, Piano (duet)
Bassoon,Piano - Level 2 - Digital Download SKU: A0.1238330 By Calum Scott. By Calum…
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Bassoon,Piano - Level 2 - Digital Download SKU: A0.1238330 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Milanov. Pop,Wedding. Score and part. 7 pages. Milanov #833795. Published by Milanov (A0.1238330). You are the reason by Calum Scott for Bassoon and Piano. Easy Intermediate. C Major.You Are the Reason by Calum Scott is a heartfelt and emotionally charged song that captures the essence of love and longing. With his soulful and captivating vocals, Scott expresses the profound impact one person can have on another's life, serving as a reminder that they are the reason for their happiness and the driving force behind their strength. The song beautifully articulates the vulnerability and devotion that comes with love, creating an intimate and powerful connection between the listener and the heartfelt lyrics that resonate long after the song ends.
$8.99
8.16 €
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Bassoon, Piano (duet)
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Calum Scott
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You Are The Reason
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Milanov
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SheetMusicPlus
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