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The Masters of the Violin
Violin
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Compos…
(+)
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. IV. Schott Music - Digital #Q45248. Published by Schott Music - Digital
The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$16.99
15.18 €
#
Violin
#
Mathieu Crickboom
#
The Masters of the Violin
#
Schott Music - Digital
#
SheetMusicPlus
The Masters of the Violin
Violin
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Compos…
(+)
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. I. Schott Music - Digital #Q42354. Published by Schott Music - Digital
French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$15.99
14.28 €
#
Violin
#
Mathieu Crickboom
#
The Masters of the Violin
#
Schott Music - Digital
#
SheetMusicPlus
The Masters of the Violin
Violin
The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. …
(+)
The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. II. Schott Music - Digital #Q42355. Published by Schott Music - Digital
French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$15.99
14.28 €
#
Violin
#
Mathieu Crickboom
#
The Masters of the Violin
#
Schott Music - Digital
#
SheetMusicPlus
The Arban Manual (Pre 2013)
Trumpet
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.14 €
#
Trumpet
#
Eric Bolvin
#
The Arban Manual
#
SheetMusicPlus
The Arban Manual - Hooten Edition
Trumpet
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.14 €
#
Trumpet
#
Eric Bolvin
#
The Arban Manual - Hooten Edition
#
SheetMusicPlus
3 Pieces for the Piano - Opus 1
Piano solo
Piano Solo - Digital Download SKU: A0.1087984 Composed by Eamon Mukhopadhyay. Conte…
(+)
Piano Solo - Digital Download SKU: A0.1087984 Composed by Eamon Mukhopadhyay. Contemporary. Score. 31 pages. Eamon Mukhopadhyay #692177. Published by Eamon Mukhopadhyay (A0.1087984). These three pieces are to mimic studies of voicing and touch through lyrical forms. Each specific BPM marking in the tempo is intentionally preceded with ossia rather than ca.. This is to emphasize complete tempo freedom for the performer. The BPM markings are simply given as an initial baseline, showing the general tempo that the composer would perform these pieces at. Neither of the three pieces finish with a triad. Instead, they end with some form of extended harmony, whether it be through a chord or arpeggio. Neither the specific meaning of the piece nor the method to play the piece is included in the piece descriptions following this sentence, as those choices are specific to the performer. Nocturne in A Major (Op. 1 No. 1) uses both contemporary and traditional harmonic concepts, with add9 chords and extended harmonies integrating further color into the piece. Much material of Winter Landscapes in E-Flat Minor (Op. 1 No. 2) is built upon a simple four-note motif (in regards to scale degrees, the motif follows the pattern of 1-7-2-1). To note - this piece never resolves to the traditional E-Flat minor triad. Lastly, Tribute in D major (Op. 1 No. 3), similar to the other two pieces (of the Op. 1 set), uses multiple forms of extended harmonies through chords and arpeggios, such as add9 and dominant thirteenth harmony.
$1.99
1.78 €
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Piano solo
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Eamon Mukhopadhyay
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3 Pieces for the Piano - Opus 1
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Eamon Mukhopadhyay
#
SheetMusicPlus
Mastering the Classical Guitar Book 2B
Guitar
Composed by Wissam Abboud. Mastering The Classical Guitar. Classical. E-book and onl…
(+)
Composed by Wissam Abboud. Mastering The Classical Guitar. Classical. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30686MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119314.<br> <br> Mastering the Classical Guitar Book 2B is the fourth book in a carefully graduated method series that uses a broad spectrum of technical exercises, music theory, chord studies, and repertoire to provide a solid technical foundation for the beginning to advanced-intermediate classical guitar student. This book is appropriate for students who have completed Books 1A, 1B and 2A and can read standard notation in the first and second positions. The book is written in three sections: Progressive Studies and Pieces, Technical Exercises, and Chords and Chord Progressions. Tips on how to integrate the three sections are given throughout the book. Mastering the Classical Guitar Book 2B introduces: notes on the second string, ascending and descending slurs, ornamentation, polyphony, and playing in the third and fifth positions. The bookas chord studies venture into new territory of seventh chords and jazz chord progressions. Teachers will welcome the generous number of attractive intermediate-level recital pieces by Aguado, Carulli, Carcassi, Coste, Giuliani, Mertz, Sor, and Tarrega. Written in standard notation only. Includes access to online audio.
$17.99
16.07 €
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Guitar
#
Wissam Abboud
#
Mastering the Classical Guitar Book 2B
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Ernesto García de León - 20 Estudios (20 Studies), Op. 50 - Collected Works, Volume 2
Guitar
Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Im…
(+)
Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Impressionistic. Score. 36 pages. Published by Michael Lorimer Editions
Ernesto García de León's 20 Studies, Op. 50 is an ingenious collection thataddresses fundamental questions about how to develop and maintain guitar technique. It is designed toserve guitar teachers and students as well as performers and concert audiences. Since it explores notjust the technique of our instrument, but its musicaland expressive aspects as well, it makes daily technical work enjoyable, not tedious—even for someone only beginning to study the guitar.<br> <br> For guitar teachers and students, 20 Studies canserve as a basic curriculum or it can complementother methods or other sets of studies. For performers, it provides a complete overview and tune-up ofthe guitar technique in one graded set of daily studies that can be played in less than half an hour. Thiswarm-up then provides the player delicious concertrepertoire—as the complete set, or in smaller groups,or in combinations with other music by ErnestoGarcía de León.<br> <br> These musical exercises are also useful to rectify,reform or rehabilitate the guitar technique.<br> <br> The materials out of which the twenty studies aredeveloped are first idiomatic patterns of the guitarand then the variety of musical styles so appealing toand characteristic of Ernesto García de León. For example, classic examples of the music of theCaribbean coastal basin in general and thecomposer's native state Veracruz in particular appearunvarnished in #12 (a rumba veracruzana) and #20(a son). The other studies blend elements of Mexicanmusic in general—songs of the revolution, nativedances, boleros, children's songs, and so forth—withelements of European classical music, Beatles, NewAge music, jazz and other musical styles, in a wayintended to appeal to the player and to the listener.<br> <br> As the summary on pages 34 and 35 illustrates,the first sixteen studies explore basic formulas for theright hand. At the same time, they also address thefull range of left hand techniques—including balanceand positioning, independence of the fingers, longitudinal and transversal movements, shifts by substitution, by displacement, by jump, and by positions,barring, stretches and contractions, damping, pivoting, crossed movements, and movements with fixedfingers. The last four studies concern the slur.<br> <br> Though each of the basic right- and left-hand formulas explored in the twenty studies is relativelysimple in itself, each is a building block of a solidtechnique. Mastery of the complete set of twentystudies—less than half an hour of music—integratesall the formulas and develops the technique to a levelat which an enormous range of the guitar repertoirebecomes available.
$16.95
15.14 €
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Guitar
#
Ernesto Garcia de Leon
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Ernesto García de León - 20 Estudios
#
Michael Lorimer Editions
#
SheetMusicPlus
Selected Studies for Saxophone
Saxophone SKU: HL.4470690 For Saxophone. Concert Band Method. Woodwind Metho…
(+)
Saxophone SKU: HL.4470690 For Saxophone. Concert Band Method. Woodwind Method. Instructional, Method and Studies. Instructional book. 80 pages. Rubank Publications #RUBL106. Published by Rubank Publications (HL.4470690). ISBN 9781423445272. UPC: 073999706901. 9x12 inches. Edited by H. Voxman.For all saxophones These excellent studies are the next step for students who have completed the advanced level method for their instrument. The full-page etudes in this series, key-centered and supported by scale and arpeggio exercises, take the student to that next level of performance wherein their accumulated skills allow them to play full-length performance pieces with a high level of musicianship and competence. As such, many states include these pieces in their all-state audition lists.
$9.99
8.92 €
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Selected Studies for Saxophone
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Rubank Publications
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SheetMusicPlus
Selected Studies
Cornet/Trumpet Cornet; Trumpet SKU: HL.4470680 For Cornet or Trumpet. Edited…
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Cornet/Trumpet Cornet; Trumpet SKU: HL.4470680 For Cornet or Trumpet. Edited by Himie Voxman. Concert Band Method. Brass Method. Instruction. 80 pages. Rubank Publications #RUBL108. Published by Rubank Publications (HL.4470680). ISBN 9781423445265. UPC: 073999706802. 9.0x12.0x0.197 inches. Edited H. Voxman.These excellent studies are the next step for students who have completed the advanced level method for their instrument. The full-page etudes in this series, key-centered and supported by scale and arpeggio exercises, take the student to that next level of performance wherein their accumulated skills allow them to play full-length performance pieces with a high level of musicianship and competence. As such, many states include these pieces in their all-state audition lists.
$9.99
8.92 €
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Trumpet
SKU: HL
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Selected Studies
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Rubank Publications
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SheetMusicPlus
Selected Studies
Clarinet SKU: HL.4470670 For Clarinet. Edited by Himie Voxman. Concert Band …
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Clarinet SKU: HL.4470670 For Clarinet. Edited by Himie Voxman. Concert Band Method. Woodwind Method. Instruction. 80 pages. Rubank Publications #RUBL78. Published by Rubank Publications (HL.4470670). ISBN 9781423445258. UPC: 073999706703. 9.0x12.0x0.198 inches. Edited by H. Voxman.These excellent studies are the next step for students who have completed the advanced level method for their instrument. The full-page etudes in this series, key-centered and supported by scale and arpeggio exercises, take the student to that next level of performance wherein their accumulated skills allow them to play full-length performance pieces with a high level of musicianship and competence. As such, many states include these pieces in their all-state audition lists.
$9.99
8.92 €
#
Selected Studies
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Rubank Publications
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SheetMusicPlus
Selected Studies
Baritone B.C. Baritone B.C.; Euphonium SKU: HL.4470730 For Baritone B.C.. Ed…
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Baritone B.C. Baritone B.C.; Euphonium SKU: HL.4470730 For Baritone B.C.. Edited by Himie Voxman. Brass Method. Instruction. 72 pages. Rubank Publications #RUBL160. Published by Rubank Publications (HL.4470730). ISBN 9781495075056. UPC: 073999707304. 9.0x12.0x0.185 inches. Edited by H. Voxman.For Baritone T.C. see HL00153642 These excellent studies are the next step for students who have completed the advanced level method for their instrument. The full-page etudes in this series, key-centered and supported by scale and arpeggio exercises, take the student to that next level of performance wherein their accumulated skills allow them to play full-length performance pieces with a high level of musicianship and competence. As such, many states include these pieces in their all-state audition lists.
$9.99
8.92 €
#
Euphonium
SKU: HL
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Selected Studies
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Rubank Publications
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SheetMusicPlus
Selected Studies
Flute SKU: HL.4470700 For Flute. Edited by Himie Voxman. Concert Band Method…
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Flute SKU: HL.4470700 For Flute. Edited by Himie Voxman. Concert Band Method. Woodwind Method. Instruction. 80 pages. Rubank Publications #RUBL140. Published by Rubank Publications (HL.4470700). ISBN 9781423445289. UPC: 073999707007. 9.0x12.0x0.206 inches. Edited H. Voxman.These excellent studies are the next step for students who have completed the advanced level method for their instrument. The full-page etudes in this series, key-centered and supported by scale and arpeggio exercises, take the student to that next level of performance wherein their accumulated skills allow them to play full-length performance pieces with a high level of musicianship and competence. As such, many states include these pieces in their all-state audition lists.
$9.99
8.92 €
#
Selected Studies
#
Rubank Publications
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SheetMusicPlus
Selected Studies
Trombone SKU: HL.4470720 For Trombone. Edited by Himie Voxman. Concert Band …
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Trombone SKU: HL.4470720 For Trombone. Edited by Himie Voxman. Concert Band Method. Brass Method. Instruction. 72 pages. Rubank Publications #RUBL159. Published by Rubank Publications (HL.4470720). ISBN 9781423445296. UPC: 073999707205. 9.0x12.0x0.175 inches. Edited by H. Voxman.These excellent studies are the next step for students who have completed the advanced level method for their instrument. The full-page etudes in this series, key-centered and supported by scale and arpeggio exercises, take the student to that next level of performance wherein their accumulated skills allow them to play full-length performance pieces with a high level of musicianship and competence. As such, many states include these pieces in their all-state audition lists.
$9.99
8.92 €
#
Selected Studies
#
Rubank Publications
#
SheetMusicPlus
Selected Studies
Oboe SKU: HL.4470710 For Oboe. Edited by Himie Voxman. Concert Band Method. …
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Oboe SKU: HL.4470710 For Oboe. Edited by Himie Voxman. Concert Band Method. Woodwind Method. Instruction. 76 pages. Rubank Publications #RUBL107. Published by Rubank Publications (HL.4470710). ISBN 9781540001405. UPC: 073999707106. 9.0x12.0x0.183 inches. Edited by H. Voxman.These excellent studies are the next step for students who have completed the advanced level method for their instrument. The full-page etudes in this series, key-centered and supported by scale and arpeggio exercises, take the student to that next level of performance wherein their accumulated skills allow them to play full-length performance pieces with a high level of musicianship and competence. As such, many states include these pieces in their all-state audition lists.
$8.99
8.03 €
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Selected Studies
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Rubank Publications
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
34.79 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
34.79 €
#
Piano solo
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
#
SheetMusicPlus
The Fairy-Queen
2 Recorders (duet)
2 treble recorders. 2 oboes - 2trumpets - timpani / kettle drums - strings (violin 1, viol…
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2 treble recorders. 2 oboes - 2trumpets - timpani / kettle drums - strings (violin 1, violin 2, viola, bass [violoncello / double bass / lute etc.]) - Digital Download SKU: S9.Q48712 Opera. Composed by Henry Purcell. This edition: study score. Ernst Eulenburg - Opera - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q48712. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q48712). English.A London theatre-goer, attending the first performance of Purcell's opera in May 1692, may have expected to see a new and exciting production, in which he was promised that the composer, 'Mr Purcell [...] joyns Delicacy and Beauty of the Italian way [with] the Graces and Gayety of the French'. Not only would there have been music to attract the ear, but the eye too would have been entertained as each successive scene unfolds with a brilliant theatrical transformation. The present edition of Purcell's operatic masterpiece offers the first ever complete and ordered publication of any of Purcell's operas, with the inclusion of the complete and performable musical and spoken text in sequential order. The editor, Michael Burden, is Fellow and Dean of New College, Oxford, University Reader in Opera Studies and Director of New Chamber Opera. His other publications include Performing the Music of Henry Purcell (OUP 1996) and Henry Purcell's Operas: The Complete Texts (OUP 2000).
$59.99
53.58 €
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2 Recorders (duet)
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Henry Purcell
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The Fairy-Queen
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Two Hands One Harp, Melodic Studies and Practice Solos, for all harps
Harp
Harp - Level 2 - Digital Download SKU: A0.541762 Composed by Cindy Blevins. Contemp…
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Harp - Level 2 - Digital Download SKU: A0.541762 Composed by Cindy Blevins. Contemporary,Instructional,New Age. Educational Exercises. 62 pages. Cindy Blevins #3125473. Published by Cindy Blevins (A0.541762). This book was written to supplement my other harp learning materials. If you have used Interactive Harp, Grow Your Skills, Harp In Hand, The Harp In Hand Companion, (Un)Tangled Fingers, Rhythm Matters, the Melodic Studies, or even if you haven't!You need C below middle C and 24-26 strings. No levers needed. There are 50 pages of music and several pages of text. There are a few sample pages to view. The audio sample is an excerpt of Friday Is Sigh Day.The first section of the book contains 20 all new one-page melodic studies, from easy to approximately early intermediate level. The studies have lots of fingerings and brackets to help you establish good habits for placing and fingering. Each melodic study has a paragraph or more of tutorial text which goes along with it.The solos section contains 20 all new harp solos. There are 10 one-page and 10 two-page solos, also ranging from easy to approximately early intermediate level. The complete mp3 set is available on my website.My website: https://www.blevinsmusic.com
$23.95
21.39 €
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Harp
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Cindy Blevins
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Two Hands One Harp, Melodic Studies and Practice Solos, for all harps
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Cindy Blevins
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SheetMusicPlus
School for Trombone - Volumes 1, 2 and 3 complete
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.810972 Composed by Mueller, Robe…
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Trombone Solo - Level 3 - Digital Download SKU: A0.810972 Composed by Mueller, Robert. Arranged by Cherry, Gordon. Instructional. Individual part. 208 pages. Gordon Cherry #4309377. Published by Gordon Cherry (A0.810972). Albert Robert Mueller (Müller) was a German trombonist born in 1849. He initially received violin lessons and discovered his talent for trombone playing at the age of twelve. He eventually settled in Leipzig and became a member of the Leipzig Gewandhaus Orchestra as well as a teacher at the Royal Conservatory of Music. He wrote the School for Trombone in 1902. (Wikipedia) The School for Trombone (part of our Vintage Brass Series, not to be confused with the Technical Etudes) is a very detailed and comprehensive book in three volumes totalling 208 pages, the text being divided into German, English and Russian languages. • Volume I includes detailed lessons on music theory including all scales and keys, rhythm, time signatures, rests, accents, accidentals, explanations of tempo markings, dynamics, posture, tone, a table of positions and notes. The lessons go through different keys starting very slowly and methodically with short exercises....not going too fast for the beginning student. Along the way Mueller inserts easy duets to perform with teacher and student, including many Bach chorales, etc. to get tuning and tone solidified. • Volume II for the intermediate level student, begins with the first studies of slurs and legato. He introduces simple songs and famous melodies including more duets. The exercises get progressively more difficult and include the entire collection of ornaments. • Volume III, for the more advanced student, introduces tenor and alto clefs in scales and studies including more duets. Compiled by Gordon Cherry
$30.00
26.8 €
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Trombone
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Mueller, Robert
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School for Trombone - Volumes 1, 2 and 3 complete
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Gordon Cherry
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SheetMusicPlus
Piano Album For The Young
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1092814 By Metin Yılmaz. By Meti…
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Easy Piano - Level 1 - Digital Download SKU: A0.1092814 By Metin Yılmaz. By Metin Yılmaz. Arranged by Metin Yılmaz. 20th Century,Instructional,Jazz,Traditional. Score. 44 pages. Kınay Global #696917. Published by Kınay Global (A0.1092814). Born in Ankara in 1976, Metin Yilmaz started his formal musical education at the Bilkent University, Department of Musical Composition in the Faculty of Performing Arts. He studied with Hatira Ahmetli on “Taniyev’s Harmony and Musical Pedogogyâ€. He continued his musical studies with Arif Melikov in Baku Music Academy following a special invitation. He performed in four concerts which included his own compositions that were broadcasted on Russian NTV, Azerbaijan State Televisions. He participated in Rostropovitch’s musicality and instrumental composition master classes. He pariticipated in seminars along with Russian and Iranian composers in International Zagulba Composition Festival that took place in Baku. His interviews from these seminars were published in various mediums. Some of his pianoworks were represented in various concerts and recorded by known pianist Yuri Savetskin. He completed his composition education in Turkey with Aydın Azimov in Mersin University State Conservatorium and graduated in the first place. Soon after his graduation he perfırmed and conducted his own piano concerto “SARI†with Mersin Youth Symphony Orchestra. While working as an academic instructor in Çukurova State Conservatorium he also instructed piano in Mersin Fine Arts High School. Later he instructed in Baskent State Conservatorium. His arrangements and compositions are performed in Antalya, Bodrum and Ankara by Baskent University Academic Orchestra. He continued his master’s and artistic proficiency in Baku Music Academy with Arif Melikov and in Moscow Tchaikovsky Conservatorium with Igor Dranov. His composition “Geveze†(Babbler) was deemed worthy for the first place in Yamaha International Composition Competition and was performed in America, Germany, Italy and China. He participated and performed in various concerts and organizations in Ankara, Baku and Tiblisi Jazz Festivals and jazz Clubs and started Babel Project music community that arranged concerts. The modal jazz and Turkish music arrangements draw attention and his workshops inspired many young jazz musicians. He composed and arranged documentary and titles compositions that were broadcasted on Turkish National Radio and Television and other broadcasting institutions. He thought Music Theory & Culture and participated in foundation of Atilim University Department of Jazz. He thought in Yildirim Beyazıt University State Conservatorium. He broadcasted “HAFIZAMDAKI MAKAMLAR†in Turkish National Television that explored music of architecture. He is the board chairman of Musical Therapy Education and Research Association and general director of School of Art Machine that evolved into Babel Project Music Ltd. His musical compositions fuse elements of traditional, contemporary and classical music styles in a natural sense of integrity blended with mature emotional expressiveness.
$5.00
4.47 €
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Easy Piano
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Metin Yılmaz
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Piano Album For The Young
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Kınay Global
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SheetMusicPlus
In the Outhouse Blues for alto sax.
Jazz combo
Jazz Combo - Level 4 - Digital Download SKU: A0.947496 Composed by George Arvola, V…
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Jazz Combo - Level 4 - Digital Download SKU: A0.947496 Composed by George Arvola, Virginia Mathews. Blues,Concert,Holiday,Instructional,Standards. Score and parts. 7 pages. George Arvola and Virginia Mathews #496613. Published by George Arvola and Virginia Mathews (A0.947496). New release in 2015, filling the need for INSPIRING arpeggio studies. Includes piano accompaniment and bass part. arpeggioartistry.com hosts the full recordings and complete list of fun arpeggio studies from our book, Delicious Licorice. In the Outhouse Blues is a relaxed 12 bar blues which explores the outer fringes of the standard chords. Each verse is slightly farther removed from the basic 7th chords. Roll up the newspaper and take careful aim at the flies. 2:30 in length.
$5.99
5.35 €
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Jazz combo
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George Arvola, Virginia Mathews
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In the Outhouse Blues for alto sax.
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George Arvola and Virginia Mathews
#
SheetMusicPlus
Practice With Bach for the Tuba Volumes 1, 2 and 3-complete
Tuba
Tuba Solo - Level 5 - Digital Download SKU: A0.811068 Composed by Ralph Sauer. Arra…
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Tuba Solo - Level 5 - Digital Download SKU: A0.811068 Composed by Ralph Sauer. Arranged by Cherry Classics Music. Baroque,Classical,Instructional,Renaissance. Individual part. 99 pages. Gordon Cherry #4846955. Published by Gordon Cherry (A0.811068). Ralph Sauer's landmark new works, Practice With Bach for The Tuba Volumes 1, 2, & 3, are now available as a complete set. These demanding études will challenge your technique and musicality. Based on the keyboard works of J. S. Bach, the complete set of Three Volumes totalling 97 pages and 86 études is available in five different versions--Alto Trombone, Tenor Trombone, Bass Trombone, Euphonium, and Tuba. Each version is customized for the individual instrument (choice of key, range, ornaments, etc.). Euphoniumists will find these studies valuable for developing a strong and vibrant low register. • Volume One contains Twenty-four études in all keys, based upon The Preludes from The Well-Tempered Clavier. • Volume Two contains Twenty-four études, based upon The Six Partitas (BWV 825-830). • Volume Three contains Thirty-eight études, based upon The Six French Suites (BWV 812-817).
$49.50
44.21 €
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Tuba
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Ralph Sauer
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Practice With Bach for the Tuba Volumes 1, 2 and 3-complete
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Gordon Cherry
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SheetMusicPlus
Practice With Bach for the Bass Trombone Volumes 1, 2 and 3-complete
Bass Trombone
Bass Trombone,Instrumental Solo - Level 5 - Digital Download SKU: A0.811065 Compose…
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Bass Trombone,Instrumental Solo - Level 5 - Digital Download SKU: A0.811065 Composed by Ralph Sauer. Arranged by Cherry Classics Music. Baroque,Classical,Instructional. Individual part. 100 pages. Gordon Cherry #4840113. Published by Gordon Cherry (A0.811065). Ralph Sauer's landmark new works, Practice With Bach for The Bass Trombone Volumes 1, 2, & 3, are now available as a complete set. These demanding études will challenge your technique and musicality. Based on the keyboard works of J. S. Bach, the complete set of Three Volumes totalling 97 pages and 86 études is available in five different versions--Alto Trombone, Tenor Trombone, Bass Trombone, Euphonium, and Tuba. Each version is customized for the individual instrument (choice of key, range, ornaments, etc.). Tenor Trombonists will find these studies valuable for developing a strong and vibrant low register. • Volume One contains Twenty-four études in all keys, based upon The Preludes from The Well-Tempered Clavier. • Volume Two contains Twenty-four études, based upon The Six Partitas (BWV 825-830). • Volume Three contains Thirty-eight études, based upon The Six French Suites (BWV 812-817).
$49.50
44.21 €
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Bass Trombone
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Ralph Sauer
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Practice With Bach for the Bass Trombone Volumes 1, 2 and 3-complete
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Gordon Cherry
#
SheetMusicPlus
In the Outhouse Blues for flute, violin, C instruments.
Jazz combo
Jazz Combo - Level 4 - Digital Download SKU: A0.947495 Composed by George Arvola, V…
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Jazz Combo - Level 4 - Digital Download SKU: A0.947495 Composed by George Arvola, Virginia Mathews. Blues,Concert,Holiday,Instructional,Standards. Score and parts. 7 pages. George Arvola and Virginia Mathews #496605. Published by George Arvola and Virginia Mathews (A0.947495). Includes piano accompaniment and bass parts. arpeggioartistry.com hosts the full recordings and complete list of fun arpeggio studies from our book, Delicious Licorice. In the Outhouse Blues, 2:30 in length, is a relaxed 12 bar blues which explores the outer fringes of the standard chords. Each verse is slightly farther removed from the basic 7th chords. Roll up the newspaper and take careful aim at the flies.
$5.99
5.35 €
#
Jazz combo
#
George Arvola, Virginia Mathews
#
In the Outhouse Blues for flute, violin, C instruments.
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George Arvola and Virginia Mathews
#
SheetMusicPlus
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