The Culmination Sheet Music to download and print

The Culmination

Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. Johnâ€™s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!

Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart Music (A0.1239680). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Florida on the St. Johnâ€™s River. It was once a target for ships venturing out to find the New World. It has been used to ferry barges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fish to provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to be so in the future.Â Â Â The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, this represents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is a linear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you can picture the ships coming from Europe across the ocean and the excitement they felt when they reached it. The second strain is more playful and represents the life that the river has provided for people for centuries. The Trio represents the calmness and civility when Palatka was discovered, and the happiness the settlers must have felt knowing they had found their perfect place to call home. The break strain represents the hard work and efforts that were put forth to secure the land and build a community. There would have been many triumphs and many successes, but the journey would have not been easy. The final strain is the culmination of the piece. This is the celebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building a city.Â I hope you enjoy, The Palatka Port March!

The Star-Spangled Banner (clarinet ensemble)

Woodwind Ensemble - Digital Download SKU: A0.1109080 Composed by John Stafford Smit…(+)

Woodwind Ensemble - Digital Download SKU: A0.1109080 Composed by John Stafford Smith. Arranged by Ian Deterling. Patriotic. 19 pages. Ian Deterling #711623. Published by Ian Deterling (A0.1109080). Triumphant and textually rich, this elegant rendition of the national anthem is reflective of the United States; arranged democratically where each part has a degree of independence, the culmination of these distinct voices come together to form a cohesive whole.
$20.00 18.1 € #John Stafford Smith #The Star-Spangled Banner #Ian Deterling #SheetMusicPlus

The Star-Spangled Banner (saxophone ensemble) Saxophone ensemble

Saxophone Ensemble,Woodwind Ensemble - Digital Download SKU: A0.1109084 Composed by…(+)

Saxophone Ensemble,Woodwind Ensemble - Digital Download SKU: A0.1109084 Composed by John Stafford Smith. Arranged by Ian Deterling. Patriotic. 14 pages. Ian Deterling #711627. Published by Ian Deterling (A0.1109084). Triumphant and textually rich, this elegant rendition of the national anthem is reflective of the United States; arranged democratically where each part has a degree of independence, the culmination of these distinct voices come together to form a cohesive whole.
$20.00 18.1 € #Saxophone ensemble #John Stafford Smith #The Star-Spangled Banner #Ian Deterling #SheetMusicPlus

The Star-Spangled Banner (string orchestra) String Orchestra

String Orchestra - Digital Download SKU: A0.1109088 Composed by John Stafford Smith…(+)

String Orchestra - Digital Download SKU: A0.1109088 Composed by John Stafford Smith. Arranged by Ian Deterling. Patriotic. Score and parts. 10 pages. Ian Deterling #711631. Published by Ian Deterling (A0.1109088). Triumphant and textually rich, this elegant rendition of the national anthem is reflective of the United States; arranged democratically where each part has a degree of independence, the culmination of these distinct voices come together to form a cohesive whole.
$35.00 31.67 € #String Orchestra #John Stafford Smith #The Star-Spangled Banner #Ian Deterling #SheetMusicPlus

The Winter's Tale

4(3.pic, 4.pic, afl).2.ca.3(2.Ebcl, 3.bcl).2.cbsn-4.4.3.1-timp.3perc(2sm s.d., 2 sys cym (…(+)

4(3.pic, 4.pic, afl).2.ca.3(2.Ebcl, 3.bcl).2.cbsn-4.4.3.1-timp.3perc(2sm s.d., 2 sys cym (sm, med, lg), anvil, 2tub bells, crots, b.d., siz cym, calves, maracas, tam-tam, crash cym, tri, 4 templblk(med-high)-hp-str(12.10.8.6.5) - Digital Download SKU: S9.Q46173 Opera in three acts based on the play by William Shakespeare. Composed by Ryan Wigglesworth. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q46173. Published by Schott Music - Digital (S9.Q46173). English.King Leontesâ€™ jealous rage results in the death of his loyal wife Hermione days after she has given birth. Leontes orders for the baby to be killed, but many years later, truth surfaces as a crocus at the first sign of thaw. Ryan Wigglesworthâ€™s first opera is a luminous, persuasive retelling of William Shakespeareâ€™s The Winterâ€™s Tale. His natural sense for dramatic narrative brings clarity to this tragedy-turned-romance, its brooding opening act unfolding gradually into a light-hearted scherzo. Written as the culmination of Wigglesworthâ€™s tenure as Artist in Residence with English National Opera, The Winterâ€™s Tale is not to be missed.
$83.99 76.01 € #Ryan Wigglesworth #The Winter's Tale #Schott Music - Digital #SheetMusicPlus

I Play Trumpet & The Really Big Student Songbook Trumpet

Trumpet Solo - Level 1 - Digital Download SKU: A0.829069 Composed by Eric Bolvin. A…(+)

Trumpet Solo - Level 1 - Digital Download SKU: A0.829069 Composed by Eric Bolvin. Arranged by Faded Duck Music. Children,Christmas,Classical,Instructional,Patriotic. Individual part. 106 pages. ERIC V BOLVIN #3579871. Published by ERIC V BOLVIN (A0.829069). A complete beginning trumpet method all in one volume in interactive PDF. 10 easy to follow lessons. 3 videos. 174songs. Over 200 active links! Start playing today! Welcome to the wonderful world of trumpet playing!This book is the culmination of over 30 years working with beginning trumpet students. I have found the course outlined in this book to be the most concise and effective way to learn how to play trumpet.Also included is The Really Big Student Songbook in its entirety! This is my best- selling book and has been used by thousands of students the world over.Including Special Sections:Cleaning your trumpet.Trumpet Doâ€™s and donâ€™ts.Note reading.Musical terms and symbols.Rhythm workout.Complete fingering chart.
$19.95 18.05 € #Trumpet #Eric Bolvin #I Play Trumpet & The Really Big Student Songbook #ERIC V BOLVIN #SheetMusicPlus

Completion of Contrapunctus 14 from The Art of Fugue Organ, Piano (duet)

Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - Digital Down…(+)

Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - Digital Download SKU: A0.942244 Composed by Colin MacKnight. Baroque,Contemporary. Score and parts. 7 pages. Colin MacKnight #6292263. Published by Colin MacKnight (A0.942244). This piece is a conjectured completion to Contrapunctus 14, the incomplete quadruple fugue which concludes Johann Sebastian Bach's Art of Fugue. This completion is the culmination of Colin MacKnight's dissertation, Ex Uno Plures: A Proposed Completion of Bach's Art of Fugue. This piece comes in two versions: one on two staves for score-study and/or performance on keyboard without pedals, and one on three staves for organ performance. Both are included with purchase of the score.
$7.99 7.23 € #Organ, Piano (duet) #Colin MacKnight #Completion of Contrapunctus 14 from The Art of Fugue #Colin MacKnight #SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages. Zellev Music #872533. Published by Zellev Music (A0.1281191). Key Signature: Fâ?¯ minorTime Signature: 3/4Tempo: Allegro vivace (143)Difficulty: AdvancedWanda Landowska (July 5, 1879 - August 16, 1959) was a Polish harpsichordist and composer who led the revival of the popularity of the harpsichord in the early 1900s. She was one of the earliest advocates and scholars on historically informed performance practices, and she made the first-ever recording of J.S. Bach's Goldberg Variations on the harpsichord.Landowska was born in Warsaw in 1879 and started playing the piano when she was four years old. As a child, she studied with Jan KleczyÅ?ski and then Aleksander Michalowski. Kleczynski noticed in her lessons that she had an affinity for older Baroque music, and he didn't want to impose his sensibilities onto the already apparent musical prodigy. Consequently, her mother decided that Kleczynski was too lenient of a teacher and sent her to study with the stricter Michalowski, who was a Chopin specialist. When she was 16 years old, Landowska moved to Berlin to study composition with Heinrich Urban, but was discouraged by the rigid curriculum. However, while in Berlin she composed songs and orchestral works, and she met her future husband, Henry Lew. In 1900, the young couple moved to Paris and got married. There she became associated with the Schola Cantorum, and was introduced to Vincent D'Indy, Albert Schweitzer, and other prominent performers and musicologists of the era.Throughout the next ten years, Landowska toured Europe and Russia, and dedicated herself to researching the authentic performance practices of older music. Her husband assisted her in this research, and they often utilized libraries that they encountered while touring. She concluded that it's more appropriate to play Baroque keyboard music on the harpsichord rather than on the piano. By 1909, Landowska and her husband published the book Musique Ancienne, which was the culmination of all of their research regarding the performance practices of Baroque music. She also started teaching harpsichord classes in 1913 at the Hochschule fÃ¼r Musik in Berlin.Ten years later, Landowska made her debut in the United States, performing with the Philadelphia Orchestra conducted by Stokowski. Also in 1923, she performed in the world premiere of Manuel de Falla's El retablo de maese Pedro, where she met Francis Poulenc and asked him to write a harpsichord concerto for her. She also commissioned a concerto from Falla in 1925, which would prove to be a modern masterpiece. In 1929, Landowska performed the premiere of Poulenc's Concert champÃªtre in Paris. By this time, she had settled in a town north of Paris, and was teaching from her school L'Ã?cole de Musique Ancienne, which she established in 1925. She offered private and group courses and an annual summer concert series that was very popular. Landowska taught and performed in this capacity until 1940, when she had to abandon the school, her extensive library, and her home because of World War II. With the assistance of her student Denise Restout, she escaped to Portugal and then sailed to the United States, and eventually settled in Lakeville, Connecticut. She continued to perform and teach in the U.S., and at the age of 70 she recorded the complete Well-Tempered Clavier, which was highly acclaimed. Landowska was 80 years old when she passed away in Lakeville in 1959.

#1909, Landowska and her husband published the book Musique Ancienne, which was the culmination of all of their research regarding the performance practices of Baroque music