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The Distance
SheetMusicPlus
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Go The Distance
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1349151 By Michael Bolton. By Alan …
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Easy Piano - Level 1 - Digital Download SKU: A0.1349151 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Catherine Wilson. 20th Century,Broadway,Film/TV,Instructional,Musical/Show. Score. 5 pages. Catherine Wilson #933891. Published by Catherine Wilson (A0.1349151). Go the Distance from Hercules is part of a series of Disney piano solo arrangements for late beginner / grade 1.  Everyone can benefit by learning pieces they recognise, but in the early stages of learning, this can sometimes prove to be a challenge too far.  If the piece is too far outside the ability level of the student, frustration and self-doubt can creep in.The arrangements in this series concentrate on building connections between how the music looks, how it feels, and what it sounds like. To simplify learning, the arrangements are notated at half speed (where needed), do not require any use of sharps or flats, and are harmonised using a 5 - note hand position in the left hand.Short introductions have been added to highlight the hand position changes used in the song.  These give students the opportunity to build their confidence by navigating the changes of hand positions before encountering them in the recognisable part of the song.Catherine lives in a small rural village in Shropshire, England and has over 25 years experience teaching piano. Since completing her Master’s Degree, specialising in composition, Catherine enjoys arranging existing melodies with pianistic accompaniments that focus on furthering technique as well as providing an opportunity to enjoy performing recognisable pieces.Please check out Catherine’s other arrangements and original compositions here: www.catherinewilsonmusic.comhttps://www.sheetmusicplus.com/en/category/arrangeme/224/catherine-wilson/.
$4.99
4.61 €
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Easy Piano
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Michael Bolton
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Go The Distance
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Catherine Wilson
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SheetMusicPlus
Where Eagles Dare (Theme) - Score Only
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99
13.84 €
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Orchestra
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Ron Goodwin
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.85 €
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Brass quartet : 2 trumpets, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
The Four Seasons in the Basque Country
Concert band
Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Cen…
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Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
92.34 €
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Concert band
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Gregory Fritze
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The Four Seasons in the Basque Country
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Musica Nova USA
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SheetMusicPlus
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett.…
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Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
27.69 €
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Concert band
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Craters of the Moon for Oboe, Clarinet, Bassoon, and Piano
Oboe, Piano (duet)
Small Ensemble Clarinet,Oboe,Piano - Level 5 - Digital Download SKU: A0.755293 Comp…
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Small Ensemble Clarinet,Oboe,Piano - Level 5 - Digital Download SKU: A0.755293 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 101 pages. Sy Brandon #5770547. Published by Sy Brandon (A0.755293). This composition was composed for Trio De Bois (Oboe, Clarinet, Bassoon) and Piano. There are three movements that are inspired by Craters of the Moon National Monument and Preserve. It is especially appropriate during this 50th anniversary of the moon walk as the astronauts trained at this location. The first movement is called Violent Past. Much of this movement is built around the dissonant intervals of a half step and the tritone.These intervals are used both melodically and harmonically. The second movement is called Lunar Landscape and is more evocative rather than descriptive. It creates a feeling of vastness and openness.This movement is a tribute to the 50th anniversary of landing on the moon that is being celebrated at the same time that this movement was created. The Apollo 14 astronauts trained at Craters of the Moon in 1969 in order to learn more about volcanic geology. The movement is built around a walking passacaglia theme that is mainly in the left hand of the piano. After its initial statement, the passacaglia theme is accompanied by open 4ths and 5ths in the piano that later appear in the oboe and clarinet, and then in imitation between the piano and high winds. A more melodic variant of the passacaglia theme occurs in the bassoon over the original in the piano. All this material is developed before the opening material returns in the original key and tempo before eventually fading into the distance. Forces of Nature is the title of the third movement. There are five natural phenomena in the park that are represented musically, The Great Rift, Lava Flow, Vents, Cinder Cones, and Lava Tubes. Each of these have a motif that is descriptive and the motifs transform and combine as the movement progresses.
$14.99
13.84 €
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Oboe, Piano (duet)
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Sy Brandon
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Craters of the Moon for Oboe, Clarinet, Bassoon, and Piano
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Sy Brandon
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.15 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Mountain Goats And Other Creatures
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1201464 By Vessela Stoyanova.…
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String Orchestra - Level 4 - Digital Download SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
92.34 €
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String Orchestra
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Vessela Stoyanova
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Mountain Goats And Other Creatures
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Vessela Stoyanova
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SheetMusicPlus
The Mole End Carol
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1288066 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1288066 Composed by David Perkins. Advent,Christmas,Classical,Folk,Praise & Worship. 10 pages. David Perkins #879108. Published by David Perkins (A0.1288066). A setting of a song text from 'The Wind in the Willows' by Kenneth Graham for SATB Choir and piano.It is Christmas Eve and a choir of carol-singing field mice pay a visit to Badger's house. We hear them from afar with their soft 'la'-ing. They arrive at Badger's house and sing the carol before fading into the distance once again.This is an arrangement of the song written for a production of 'The WInd in the Willows' first performed in 2010 at Guildford's Yvonne Arnaud Theatre, and subsequently published by StageScripts:https://shop.stagescripts.com/categories/musicals/musicals-fully-developed/comedic-drama/the-wind-in-the-willows.html.
$2.99
2.76 €
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Choral SATB
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David Perkins
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The Mole End Carol
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David Perkins
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SheetMusicPlus
Together
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.492090 By Emma Theresa. By Emma The…
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Piano Solo - Level 2 - Digital Download SKU: A0.492090 By Emma Theresa. By Emma Theresa. Classical,Contemporary,New Age. Score. 6 pages. Emma Theresa #107464. Published by Emma Theresa (A0.492090). This piece begins with the same note played an octave apart. This is meant to represent two hearts that long to be together but are separated by things such as distance, time, fear, and pride. Loneliness can sink its claws into you, it can eat away at you till you feel empty and hopeless. It is better to be together. Alone, you have only yourself for comfort and encouragement and in all honesty, our attempts at this can be rather pathetic sometimes. Together you can lift each other up when you fall, you can laugh together, you can cry together, you can dance together, you can mourn together, you can fight together, you can love together. It is better to be together.
$2.29
2.11 €
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Piano solo
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Emma Theresa
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Together
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Emma Theresa
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SheetMusicPlus
THE MISSING LINK
Piano solo
Piano Solo - Digital Download SKU: A0.1012749 Composed by Monica Bergo. Contemporar…
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Piano Solo - Digital Download SKU: A0.1012749 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743669. Published by Moni Bergo (A0.1012749). Music and song composed by me, dedicated to my sister dead THE MISSING LINK I often still get surprised looking for you between people in a gesture in an instant in an evasive shadow and I remain hooked between past and present a recurring sensation alone among people. Lying and pretending than inside me nothing is missing a pathetic clown always happy and smiley I write music and words to tame the fire inside me because only we know where this pain is taking us where are you? where are you? my sweet missing link you will come back to fill my mind I step back once again and I am limbing next to you hand in hand resigned, while the grey was oppressing for the two of us at every awakening a battle would start I pushed that moment back I didn't wanna be awake but you always protected me even from a cruel child my fearless sister so storng and independent you used to talk to me about guys and how to kiss them I used to blush and my heart beating fast I will look for and call my missing ring and you will answer with the same silence used to ask me if you were beautiful with that storng make up on you looked like a sad Pierrot tired of being avoided you were uncomofortable and people used to push you away many ignorant hypocrits looking like saints and again the two of us together in the open abyss me climbing up slowly but you remain behind I give you my hand but your destiny was written you fall down deep and far in that damned hell it will shine, it will shine my missing ring I will show it proudly to the people and you flew away in that boiling July the freeze inside my heart you, unconscous and paralyzed and for your last travel few hopeless people for the life she used to live it's better that she s gone but they know nothing about it about your unheard shout of my diamonds ring dropped in the mud freedom is a meaningless word oh you, bling and deaf butterfly your wings are now open you will fly, I will fly and I will delete the distance I will find my missing ring.. Monica Bergo
$5.00
4.62 €
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Piano solo
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Monica Bergo
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THE MISSING LINK
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Moni Bergo
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SheetMusicPlus
Go The Distance
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1415191 By Michael Bolton. By Alan …
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Easy Piano - Level 1 - Digital Download SKU: A0.1415191 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Cathy Pate. 21st Century,Broadway,Children,Film/TV,Musical/Show. Score. 2 pages. Aiwo Production #996924. Published by Aiwo Production (A0.1415191). Go the Distance is an inspiring ballad from Disney's animated film Hercules. Sung by the protagonist Hercules, the song expresses his longing for purpose and belonging as he embarks on a journey to find where he truly belongs. With powerful lyrics and uplifting melodies, Go the Distance encapsulates themes of perseverance, determination, and self-discovery. It resonates with audiences as a motivational anthem, encouraging listeners to pursue their dreams and overcome obstacles, no matter the distance.
$6.99
6.45 €
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Easy Piano
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Michael Bolton
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Go The Distance
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Aiwo Production
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SheetMusicPlus
Highland Cathedral
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1415649 By Various. By Michael Korb…
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Easy Piano - Level 2 - Digital Download SKU: A0.1415649 By Various. By Michael Korb and Ulrich Roever. Arranged by Janet and Alan Bullard (The Janet and Alan Bullard Piano Series). 20th Century,Contest,Festival,Film/TV,March. Score. 4 pages. Colne Edition / BullardMusic #997366. Published by Colne Edition / BullardMusic (A0.1415649). Highland Cathedral is a tune for the Scottish bagpipes, written in 1962 for a Highland Games held in Germany. It has since become popular with many bands, such as the Royal Scots Dragoon Guards and the Band of the Scots Guards. In this easy-to-play arrangement you can imagine a band marching round the city, in the distance at the  beginning, and triumphantly arriving in the city centre at the end. The Janet and Alan Bullard Piano Series is an ever-growing collection of arrangements at easy to intermediate level, designed to complement the authors’ Pianoworks series (Oxford University Press). With Christmas songs such as ‘Chestnuts Roasting on an Open Fire’ and ‘A Spaceman Came Travelling’, songs from the shows such as ‘You’ll Never Walk Alone’, jazz standards such as ‘The Wedding’ and ‘A Child is Born’ songs by bands like Abba and The Kinks, pieces from the classics, and even the theme tunes from James Bond, Desert Island Discs, and The Archers, there is something here for everyone who learns the piano!All arrangements are distributed by Sheet Music Plus and Sheet Music Direct, and are available as individual digital downloads. A full list is available at www.bullardmusic.co.uk
$4.99
4.61 €
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Easy Piano
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Various
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Highland Cathedral
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Colne Edition / BullardMusic
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SheetMusicPlus
In the Steppes of Central Asia
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.817938 Composed by Alexander Borodin. Arranged by Adrian Dee. Romantic Period. 34 pages. Adrian Dee #4368834. Published by Adrian Dee (A0.817938). We are on the vast grasslands in Central Asia. In the distance we hear a caravan approaching. They are guided by Russian soldiers singing a folk song. As they get closer, we hear a melancholy native melody also emerge. The caravan passes, the voices of the men, the plodding of the horses and camels, the bundles of goods on their way to a foreign market. All intermingled into one song now. We watch them slowly fade into the distance until all we can discern is a faint rise of dust on the horizon and the fading notes of the folk song.
$19.95
18.42 €
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Flute ensemble
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Alexander Borodin
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In the Steppes of Central Asia
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Adrian Dee
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SheetMusicPlus
Ringing of bells in the distance (Glockenläuten in der Ferne)
Easy Piano
Easy Piano - Digital Download SKU: A0.1371508 By S. Antje Guenther. By S. Antje Gue…
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Easy Piano - Digital Download SKU: A0.1371508 By S. Antje Guenther. By S. Antje Guenther. Arranged by S. Antje Guenther. 20th Century,Children,Country,New Age,Singer/Songwriter. Score. 3 pages. Antje Guenther #955744. Published by Antje Guenther (A0.1371508). This is a little country-composition for piano. Focus: Jumps in the left hand, variations of a theme.
$12.99
11.99 €
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Easy Piano
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S
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Ringing of bells in the distance
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Antje Guenther
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SheetMusicPlus
The Water of Tyne
Choral SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1335732 Comp…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1335732 Composed by English Folk Song. Arranged by Merlyna Lim. 19th Century,A Cappella,Folk,Traditional. 5 pages. Merlyna Lim #921556. Published by Merlyna Lim (A0.1335732). Immerse yourself in the rich history of this traditional ballad, collected by John Bell in 1810 and published in Rhymes of Northern Bards two years later. The arrangement pays homage to the authenticity of the original, while embracing a contemporary twist that resonates with modern audiences.The soulful rendition brings forth the poignant narrative of a girl or woman, her voice carrying the weight of longing as she laments the distance between herself and her paramour on the opposite bank. The evocative lyrics, echoing through time, convey a deep connection to the region's folklore, with nods to the iconic Haughton Castle ferry and the turbulent waters downstream.This a cappella adaptation offers a unique and gender-flexible experience, allowing for seamless immersion into the perspective of the narrator. A simple swap of pronouns opens the door to a broader range of emotional interpretations, making the performance accessible and relatable to diverse audiences.With each note and harmony carefully crafted, this rendition captures the spirit of The Water of Tyne in a way that is both faithful to its roots and refreshingly innovative. The vocal arrangement weaves a sonic journey that transcends boundaries, inviting listeners to feel the ebb and flow of love's longing in every phrase.Parts: SSAATTB with 1 soloDuration: 2:58.
$2.59
2.39 €
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Choral SATB
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English Folk Song
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The Water of Tyne
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Merlyna Lim
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SheetMusicPlus
The Entertainer
Large Ensemble Alto Saxophone,Cello,Clarinet,Descant Recorder,Double Bass,Euphonium,Flute,…
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Large Ensemble Alto Saxophone,Cello,Clarinet,Descant Recorder,Double Bass,Euphonium,Flute,Glockenspiel,Guitar,Keyboard,Piano Accompaniment,Tenor Horn,Tenor Recorder,Tenor Saxophone,Treble Recorder,Trombone,Trumpet,Tuba,Ukulele,Viola,Violin,Xylophone - Level 2 - Digital Download SKU: A0.842462 Composed by Scott Joplin. Arranged by Tony Tournoff. Contemporary. Score and parts. 37 pages. Fairways Music #6062325. Published by Fairways Music (A0.842462). Worthing U3A’s Inspired Instrumentalists was formed in 2015 with just 6 members, all mixed ability and wanting to make music together. They now have 36 members, still a very mixed ability group, and includes instruments which are not found in the normal orchestra so arrangements have to be made for them. Since March 2020 they have been in Lockdown and unable to meet. It was agreed that they would continue to make music through a form of distanced learning. They receive an arrangement from me to work on and are given a date to submit their audio file which is then collated into a whole piece for all of them to listen to. This is one of the arrangements they have worked on.
$30.00
27.7 €
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Scott Joplin
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The Entertainer
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Fairways Music
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SheetMusicPlus
Down by the Salley Gardens (Mixed Ensemble)
Large Ensemble Alto Saxophone,Cello,Clarinet,Double Bass,Euphonium,Flute,Guitar,Horn,Piano…
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Large Ensemble Alto Saxophone,Cello,Clarinet,Double Bass,Euphonium,Flute,Guitar,Horn,Piano,Tenor Recorder,Tenor Saxophone,Trombone,Trumpet,Tuba,Ukulele,Viola,Violin - Level 2 - Digital Download SKU: A0.842459 Composed by Irish Traditional. Arranged by Tony Tournoff. Contemporary. Score and parts. 43 pages. Fairways Music #6062317. Published by Fairways Music (A0.842459). Worthing U3A’s Inspired Instrumentalists was formed in 2015 with just 6 members, all mixed ability and wanting to make music together. They now have 36 members, still a very mixed ability group, and includes instruments which are not found in the normal orchestra so arrangements have to be made for them. Since March 2020 they have been in Lockdown and unable to meet. It was agreed that they would continue to make music through a form of distanced learning. They receive an arrangement from me to work on and are given a date to submit their audio file which is then collated into a whole piece for all of them to listen to. This is one of the arrangements they have worked on.
$30.00
27.7 €
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Irish Traditional
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Down by the Salley Gardens
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Fairways Music
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SheetMusicPlus
MARCH OF THE CZAR'S BRIGADE (medium easy - concert band; score, parts, and license to copy)
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.859746 Composed by Brian Harris. …
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Concert Band - Level 2 - Digital Download SKU: A0.859746 Composed by Brian Harris. Contest,Festival,March,Multicultural,Patriotic,Standards,World. 42 pages. Bandroom.com Publications #3007489. Published by Bandroom.com Publications (A0.859746). _________________________ With its distinctive Russian flavor, MARCH OF THE CZAR'S BRIGADE depicts a pass and review of military troops on a snowy winter's day. Starting quietly, the sound slowly grows to a strong B section, then marches away into the distance. This G-minor work is ideal for any concert or festival. DIFFICULTY LEVEL: Medium Easy / Grade 2 / suitable for middle school or small high school bands FEATURES: - All winds (including tuba!) have melody at least once. - Simple trombone parts (generously cross-cued in Horn, Euphonium) - 2nd Clarinet remains below break. CHALLENGES: - Use of dotted-eighth/sixteenth rhythm in melody. - Use of low register for clarinets. (low E, F, G#) - Tuba solo (cued in other parts) - Muted Trumpet 1 solo (unison line with other instruments) - Dynamics; articulations; a few 16th-notes in all parts. RANGES: - All parts are well within 2nd-year ranges: Flute to E-flat above staff (only once); 1st Clarinet to C above staff; 2nd Clarinet remains below break; Trumpets to 3rd space C (1st Trumpet to E, once); Trombone to C above staff; Tuba to C on staff, down to D just below staff. MINIMUM INSTRUMENTATION REQUIREMENTS: Flute, 2 Clarinets, Alto or Tenor Sax or Horn, 2 Trumpets, 2 Trombone, Bass Line, Percussion. PERCUSSION: Parts for 5 players: Percussionist 1 = Snare Drum Percussionist 2 = Bass Drum Percussionist 3 = Crash Cymbals, Sleigh Bells Percussionist 4 = Bells, Chimes Percussionist 5 = Timpani (3 or 4 drums) _______________________ SAMPLE: You can view non-printable PDF samples of several Parts (Clarinet 1, Trumpet 2, Trombone 1, Snare/Bass Drum) at www.bandroom.com. Please also consider my CHELTENHAM MARCH (a British-style march), also a Medium Easy march. NOTE: this Digital Download contains the Full Conductor Score and all Parts for full concert band. Also included is a Site License allowing a band director to print as many copies as needed for their school. This permission is not extended to individuals – only to schools. _______________________ COMPOSER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years at public school and college levels. Many of his works are available from www.bandroom.com and as digital downloads. _______________________
$44.00
40.63 €
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Concert band
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Brian Harris
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articulations
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MARCH OF THE CZAR'S BRIGADE
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Bandroom.com Publications
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SheetMusicPlus
Go The Distance
Guitar - Level 3 - Digital Download SKU: A0.1361222 By Michael Bolton. By Alan Menk…
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Guitar - Level 3 - Digital Download SKU: A0.1361222 By Michael Bolton. By Alan Menken and David Zippel. Arranged by 40 Fingers. Classical,Contemporary,Film/TV,Folk. 15 pages. 40 Fingers #945010. Published by 40 Fingers (A0.1361222). Step into the mesmerizing world of 40 FINGERS with the authentic sheet music for their acoustic guitar arrangement of Go The Distance (From Walt Disney's Hercules) featured in their Disney Medley video. This meticulously transcribed score, crafted directly by the members of the band, ensures a precise reproduction of every note, chord, and dynamic nuance featured in their acclaimed YouTube video. Experience the distinctive interplay between the 4 guitars and bring the soul of their rendition to your fingertips.
$15.00
13.85 €
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Michael Bolton
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Go The Distance
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40 Fingers
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SheetMusicPlus
"Ever Farther", Piano Solo by Tania Przywara
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1112867 By Tania Przywara. By Tania…
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Piano Solo - Level 3 - Digital Download SKU: A0.1112867 By Tania Przywara. By Tania Przywara. 20th Century,Film/TV,Romantic Period. Score. 3 pages. Tania Przywara #714819. Published by Tania Przywara (A0.1112867). Ever Farther, Original solo classical-cinematic piano composition by Tania Przywara (2019) ~Melancholic, emotional, romantic piano piece~ Music composed with an original romantic poem: “Ever Farther†You and I The memories we shared— Fading Like a speck in the distance; Ever farther... © Tania Przywara Access more details: https://www.patreon.com/posts/57777220 https://www.patreon.com/TaniaPrzywara http://www.taniaprzywara.com​.
$2.79
2.58 €
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Piano solo
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Tania Przywara
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Ever farther
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"Ever Farther", Piano Solo by Tania Przywara
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Tania Przywara
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SheetMusicPlus
Distances (solo)
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.864574 Composed by Ellen Foncannon …
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Easy Piano - Level 1 - Digital Download SKU: A0.864574 Composed by Ellen Foncannon Stephenson. Instructional. Score. 2 pages. Ellen Foncannon Stephenson #4298675. Published by Ellen Foncannon Stephenson (A0.864574). Distances--measure the distance between the notes and keep the patterns going. Key of D-minor with left hand limited five-finger range, right hand up to an octave with clearly marked fingering. Dynamics, 8va markings and ties. 2 pages with 48 measures.
$3.99
3.68 €
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Easy Piano
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Ellen Foncannon Stephenson
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Distances
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Ellen Foncannon Stephenson
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SheetMusicPlus
The Moldau
Piano solo
Piano - intermediate - Digital Download SKU: S9.Q21480 Symphonic Poem No. 2 from…
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Piano - intermediate - Digital Download SKU: S9.Q21480 Symphonic Poem No. 2 from My Fatherland. Composed by Friedrich Smetana. Arranged by Lothar Lechner. This edition: Sheet music. Piano - symphonic poem. Schott Piano Classics. Downloadable. Schott Music - Digital #Q21480. Published by Schott Music - Digital (S9.Q21480). Smetana's 'Vlatava' can be regarded as a prime example of programme music. The composition is a hymn to Smetana's home country of Bohemia, describing the course of the river Vltava from the source to its junction with the river Elbe. The work describes the course of the river Vltava starting from the two small sources of the warm Vltava and the cold Vltava until the two streams merge. The course of the Vltava is through forests and meadows and further through the landscape where many merry celebrations are being held; a dance of the water nymphs in the moonlight, castles, magnificent houses and ruins proudly appearing on nearby rocks; the Vltava forming eddies in the rapids of St. Johann, flowing as a large river toward Prague until the fortress of Vysehrad appear, and eventually disappearing in the distance to flow majestically into the river Elbe. (B. Smetana).
$11.99
11.07 €
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Piano solo
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Friedrich Smetana
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The Moldau
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Schott Music - Digital
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SheetMusicPlus
Marcia alla Turca from The Ruins of Athens, op. 113
Cello
Cello - Level 3 - Digital Download SKU: A0.1219990 Composed by Ludwig van Beethoven…
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Cello - Level 3 - Digital Download SKU: A0.1219990 Composed by Ludwig van Beethoven. Arranged by Branimir Pusticki. Classical. 29 pages. Branimir Pusticki #816346. Published by Branimir Pusticki (A0.1219990). Perhaps the best-known music from Beethovens incidental music, The Ruins of Athens, is the Turkish March, depicting an army passing by and fading into the distance. It is arranged here for an ensemble of eight cellos.
$7.00
6.46 €
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Cello
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Ludwig van Beethoven
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Marcia alla Turca from The Ruins of Athens, op. 113
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Branimir Pusticki
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SheetMusicPlus
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