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The Division Flute
Sheetmusic to print
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The Division Flute
Treble (Alto) Recorder, Piano
Treble recorder and piano - intermediate to advanced - Digital Download SKU: S9.Q5220
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Treble recorder and piano - intermediate to advanced - Digital Download SKU: S9.Q5220 Divisions. This edition: Sheet music. Original Music for Recorder. Downloadable. Schott Music - Digital #Q5220. Published by Schott Music - Digital (S9.Q5220). Die Sammlung The Division Flute (1706) enthält neben unbegleiteten Stücken eine größere Anzahl von Divisions für Blockflöte und Continuo. Der Begriff division hatte verschiedene Bedeutungen. Im vorliegenden Fall bezeichnet er eine Variationskette (a set of divisions) über einen gleichbleibenden Bass (the Ground) und die dazugehörigen Harmonien. Diese Musizierpraxis hielt sich besonders in England bis ins 18. Jahrhundert hinein.
$15.99
14.74 €
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Treble (Alto) Recorder, Piano
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The Division Flute
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Schott Music - Digital
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SheetMusicPlus
Air from Suite in D by Bach for flute choir / flute ensemble
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.874245 Composed by Joh…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.874245 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,Concert,Sacred,Standards,Wedding. 17 pages. As do Ray meflute studio production #3591641. Published by as do Ray meflute studio production (A0.874245). https://www.youtube.com/watch?v=EKPo0RPP-E4&feature=youtu.beAir from Suite in D by J. S. Bacharranged for flute choir / ensemble by me Ray-Michael Kauffman. I know there is a lot of versions of this , but unhappy with most of them and lack of over all music musicality I decided to create one that was interesting to play and hear a swell as make good musical sense. After much debate, I decided changing the key to E flat would be most appropriate for either small group of players ( minimum 7) or larger groups . In the piece there is even additional divisions to help create more texture and colors in parts 3 & 4, yet remaining simple and true but sounding beautiful , what flutes should sound like.Great for studying flutist, to high school and college students. Flute choir groups, etcwould be a great addition for your ensemble, whether playing at a recital, concert, church and other spiritual events, graduation, weddings, etc. This would also be a great tool or warm up for balance and shaping sound, volume, color, blending, phrasing and other important technique builders for your group.You'll love this arrangement ,and so will the flutists and your audience!
$13.99
12.89 €
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Flute ensemble
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Johann Sebastion Bach , J S Bach
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Air from Suite in D by Bach for flute choir / flute ensemble
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as do Ray meflute studio production
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SheetMusicPlus
Mermaid Song for solo flute
Flute
Flute Solo - Level 3 - Digital Download SKU: A0.1011234 Composed by Matthew H Schwa…
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Flute Solo - Level 3 - Digital Download SKU: A0.1011234 Composed by Matthew H Schwarz. Arranged by Matt Schwarz. Contemporary,Folk,Rock. Individual part. 3 pages. Matthew H Schwarz #6891151. Published by Matthew H Schwarz (A0.1011234). A fun and energetic 4-Minute flute solo, inspired by the playing of Ian Anderson (Jethro Tull). It covers the three Bs: there's a lively, Baroque-sounding Bach section, a syncopated boogie section, and a Balkan inspired section in alternating 7/8 and 9/8 time signatures, all framed by a haunting, recurring slow motive. I've written in the subdivisions of the Balkan section (e.g. 2+2+3+2) to help navigate the challenging time signatures. Listening to the demo should help with the syncopated and Balkan sections - they are easier to feel than read for many.
$2.00
1.84 €
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Flute
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Matthew H Schwarz
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Mermaid Song for solo flute
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Matthew H Schwarz
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SheetMusicPlus
Jacob's Flutes - Trio
Flute Trio: 3 flutes
Woodwind Ensemble,Woodwind Trio Flute - Level 1 - Digital Download SKU: A0.844410 C…
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Woodwind Ensemble,Woodwind Trio Flute - Level 1 - Digital Download SKU: A0.844410 Composed by Folk/Spiritual. Arranged by Phil Beaman. Folk,Spiritual. 4 pages. Phil Beaman #3050691. Published by Phil Beaman (A0.844410). Beautiful, easy arrangement of the old Folk Spiritual We Are Climbing Jacob's Ladder for 3 Flutes. This Flute Trio begins with a Choral style statement of the tune, then interplayed division of the three parts. There are no fancy rhythms or difficult lines for the individual parts; the interest of the piece comes from the extended harmony, the contrasting sections, and the interplay between the parts, making the piece sound more difficult than it really is. Good, short Beginners recital piece of a well known tune.
$3.99
3.68 €
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Flute Trio: 3 flutes
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Folk/Spiritual
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Jacob's Flutes - Trio
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Phil Beaman
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.11 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Death's Feather-For Randolph Hostetler
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.1003479 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.1003479 Composed by Steve Horowitz. 20th Century,Contemporary. 16 pages. Steven M Horowitz #2113335. Published by Steven M Horowitz (A0.1003479). Death's Feather, For Woodwind Quartet, Dedicated to Randy Hostetler. Duration (approximately) 9 minutes and published by Fluff-Tone Media a Division of the Code International Inc/ASCAP http://stevehorowitzmusic.com/ http://www.thecodeinternational.com/.
$10.99
10.13 €
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Flute, Oboe, Clarinet, Bassoon
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Steve Horowitz
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Death's Feather-For Randolph Hostetler
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Steven M Horowitz
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SheetMusicPlus
Variations on Remember, O Thou Man for flute quartet (Live version) (mp3)
Flute Quartet: 4 flutes
Level 4 - Digital Download SKU: A0.1136477 By Budapest Scoring. By Thomas Ravenscro…
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Level 4 - Digital Download SKU: A0.1136477 By Budapest Scoring. By Thomas Ravenscroft. Arranged by David Warin Solomons. Classical,Spiritual. Full Performance. Duration 174. David Warin Solomons #736478. Published by David Warin Solomons (A0.1136477). The original tune by Thomas Ravenscroft is altered slightly at the end in the hymn that is sung these days. I have gone along with the modernised version. In these variations each of the instruments gets tune and divisions in turn. It is more jolly (time of Christmas) than penitential (time of Lent or Advent), but, as it is in the minor mode, it can be used for either. Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.
$4.50
4.15 €
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Flute Quartet: 4 flutes
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Budapest Scoring
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Variations on Remember, O Thou Man for flute quartet
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David Warin Solomons
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SheetMusicPlus
Up I arose in verno tempore for flute and guitar
Flute and Guitar
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577532 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985945. Published by David Warin Solomons (A0.577532). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00
5.53 €
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Flute and Guitar
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Anon
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Up I arose in verno tempore for flute and guitar
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David Warin Solomons
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SheetMusicPlus
Up I arose in verno tempore for alto flute and guitar
Flute and Guitar
Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU:…
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Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577527 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985931. Published by David Warin Solomons (A0.577527). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00
5.53 €
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Flute and Guitar
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Anon
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Up I arose in verno tempore for alto flute and guitar
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David Warin Solomons
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SheetMusicPlus
A Division on a Ground by Mr. Finger
Bassoon, Piano (duet)
Bassoon,Piano - Level 3 - Digital Download SKU: A0.1317150 Composed by Finger. Arra…
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.1317150 Composed by Finger. Arranged by Angela Salvaggione. Baroque,Chamber,Contest,Festival,Instructional. Score and part. 7 pages. Angela Salvaggione #905818. Published by Angela Salvaggione (A0.1317150). This is a theme and nine variations (divisions). Originally for flute, I've transcibed it for bassoon and realized the figured bass for piano. Though the piece doesn't have a wide range (Eb2 - Eb4), by the last divisions there are plenty of running sixteenth notes, and no rests to be found anywhere. That makes this a good piece for technique and endurance, without having to worry much about notes themselves.You are encouraged to experiment with dynamics, articulations, and ornamentation.
$12.99
11.97 €
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Bassoon, Piano (duet)
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Finger
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A Division on a Ground by Mr. Finger
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Angela Salvaggione
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SheetMusicPlus
Si la noche hace oscura for alto flute and guitar
Flute and Guitar
Alto Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.577480 Com…
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Alto Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.577480 Composed by Diego Pisador. Arranged by David Warin Solomons. Baroque,Contemporary,Renaissance. 7 pages. David Warin Solomons #1924537. Published by David Warin Solomons (A0.577480). Song by Diego Pisador arranged for instrumental duet, with a few discrete divisions in the melody instrument. The words mean If the night is dark and the path is short, why do you not come, my love? Arrangements are available for guitar accompanying flute, alto flute, cor anglais, bassoon (high or low) or cello (high or low). All the arrangements are classified easy, except the high versions for cello and for bassoon, which use the tenor clef and are therefore classified as medium difficulty. The sound sample is an electronic preview. The pdf file contains score and parts.
$8.00
7.37 €
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Flute and Guitar
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Diego Pisador
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Si la noche hace oscura for alto flute and guitar
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David Warin Solomons
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SheetMusicPlus
Greensleeves to a Ground
Flute and Piano
From The Division Flute . Composed by Anonymous. Edited by Gerda Koppelkamm-Martin…
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From The Division Flute . Composed by Anonymous. Edited by Gerda Koppelkamm-Martini. Arranged by Wolfgang Kostujak. Copyright 2014 Schott Music GmbH & Co. KG - - - Schott Music
$4.99
4.6 €
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Flute and Piano
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Anonymous
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Greensleeves to a Ground
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SheetMusicPlus
Secret Agent Sugar Plum: Flute
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017013_F1 Flute. Composed by …
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Concert Band - Digital Download SKU: AX.00-PC-0017013_F1 Flute. Composed by Peter Ilyich Tchaikovsky. Arranged by Scott Watson. Masterwork Arrangement; Novelty; Secular. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017013_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017013_F1). UPC: 038081505640.Did the cookies that were left out on Christmas Eve mysteriously vanish? Does it seem like the nutcracker and toy soldier figurines have moved to different locations by themselves overnight? There's only one operative with the right skill set for holiday capers like these: Secret Agent Sugar Plum of the Holiday Sweets Division of WinterPol! This clever arrangement fuses themes from Tchaikovsky's Dance of the Sugar Plum Fairy with classic spy music idioms. Set to a driving rock beat, this is sure to be a player and audience favorite in your holiday concert! (2:20).
$3.00
2.76 €
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Concert band
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Peter Ilyich Tchaikovsky
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Novelty
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Secret Agent Sugar Plum: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Though Philomela Lost Her Love for flute trio (2 flutes and 1 alto flute)
Flute
Flute Solo - Level 3 - Digital Download SKU: A0.579012 Composed by Thomas Morley. A…
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Flute Solo - Level 3 - Digital Download SKU: A0.579012 Composed by Thomas Morley. Arranged by David Warin Solomons. Renaissance. Individual part. 6 pages. David Warin Solomons #2101579. Published by David Warin Solomons (A0.579012). Madrigal by Thomas Morley arranged for instrumental trio with some cheeky divisions in the top instrument on the repeats. Lively, jolly and brisk! The pdf file contains score and parts. The sound sample is an electronic preview.
$6.00
5.53 €
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Flute
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Thomas Morley
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Though Philomela Lost Her Love for flute trio
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David Warin Solomons
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SheetMusicPlus
The Nutcracker Suite (complete)
1 Piano, 4 hands
1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.967335 Composed by …
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1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.967335 Composed by Peter Ilyich Tchaikovsky. Arranged by Scott Meek. Christmas,Romantic Period. Score. 59 pages. Scott Meek #6643551. Published by Scott Meek (A0.967335). Piano 4-hand arrangement of all movements (59 pages) of Tchaikovsky's Nutcracker Suite. This version is more pianistic to play than the version on IMSLP arranged by Eduard Langer, as it has thinner textures, less complex left hand parts, and more consistent part division. - Miniature Overture - March - Dance of the Sugar Plum Fairy - Russian Dance - Arabian Dance - Chinese Dance - Dance of the Reed Flutes - Waltz of the Flowers.
$29.99
27.64 €
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1 Piano, 4 hands
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Peter Ilyich Tchaikovsky
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The Nutcracker Suite
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Scott Meek
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SheetMusicPlus
Jesus, Keep Me Near The Cross (Woodwind Trio: Flute, Bb Clarinet, Bassoon)
Flute, Clarinet and Bassoon.
Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute - Level 4 - Digital Download SKU…
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Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute - Level 4 - Digital Download SKU: A0.1184817 Composed by William H. Doane. Arranged by Cathy Stamegna. Blues,Christian,Contemporary,Easter,Traditional. 10 pages. Cathy Stamegna #784492. Published by Cathy Stamegna (A0.1184817). An expressive Gospel rendition of Jesus, Keep Me Near the Cross (a.k.a. “Near The Crossâ€) has been newly-arranged as an Instrumental Trio.  The audience will be moved by its soulful rhythms and harmonies.  Although it is a slower 6/8 tempo, there are melodic embellishments, grace notes, triplets, and subdivisions of the eighth note into sixteenths.  A four-measure transition creates a modulation up a Perfect fifth.  Appropriate as a Lent, Holy Week, Easter solo, worship, concert, contest/festival, or recital piece.  Adaptable to school or church settings.  Performance Time: 3:30.Â
$6.99
6.44 €
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Flute, Clarinet and Bassoon.
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William H
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Jesus, Keep Me Near The Cross
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Cathy Stamegna
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SheetMusicPlus
If my complaints for flute and guitar
Flute and Guitar
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.576934 Composed by John Dowland. Arranged by David Warin Solomons. Classical,Renaissance. Score and parts. 4 pages. David Warin Solomons #539875. Published by David Warin Solomons (A0.576934). Arrangement of John Dowland's song If my complaints with divisions in the melody instrument whenever the theme is repeated. The sound sample is an electronic preview. The pdf file contains score and parts. Versions are available for guitar with flute / cor anglais / clarinet / alto recorder. 2016 New Year Contest.
$7.00
6.45 €
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Flute and Guitar
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John Dowland
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If my complaints for flute and guitar
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David Warin Solomons
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SheetMusicPlus
Since first I saw your face (with variations) for flute quartet
Flute Quartet: 4 flutes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.579175 Composed by Tho…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.579175 Composed by Thomas Ford. Arranged by David Warin Solomons. Classical,Renaissance. 8 pages. David Warin Solomons #2845861. Published by David Warin Solomons (A0.579175). Arrangement of Thomas Ford's famous madrigal. In verse 2 the top instrument enjoys some variations (divisions)
$8.00
7.37 €
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Flute Quartet: 4 flutes
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Thomas Ford
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Since first I saw your face
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David Warin Solomons
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SheetMusicPlus
Greensleeves to a Ground
Treble (Alto) Recorder, Piano
Treble recorder and piano - intermediate - Digital Download SKU: S9.Q47492 14 Di…
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Treble recorder and piano - intermediate - Digital Download SKU: S9.Q47492 14 Divisions. Composed by Anonymous. Arranged by Yeo Yat-Soon. This edition: Sheet music. Schott Student Edition - Repertoire. Downloadable. Schott Music - Digital #Q47492. Published by Schott Music - Digital (S9.Q47492). German • English • French.Greensleeves to a Ground is taken from John Walsh's two-part publication, The Division Flute, of 1706. Includes pedagogical tips from editors Kathryn Bennetts and Peter Bowman. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
$10.99
10.13 €
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Treble (Alto) Recorder, Piano
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Anonymous
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Greensleeves to a Ground
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Schott Music - Digital
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SheetMusicPlus
Greensleeves to a Ground
Descent (Soprano) Recorder, Piano
Descant recorder and piano - intermediate - Digital Download SKU: S9.Q47689 14 D…
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Descant recorder and piano - intermediate - Digital Download SKU: S9.Q47689 14 Divisions. Composed by Anonymous. Arranged by Yeo Yat-Soon. This edition: Sheet music. Schott Student Edition - Repertoire. Downloadable. Schott Music - Digital #Q47689. Published by Schott Music - Digital (S9.Q47689). German • English • French.Greensleeves to a Ground is taken from John Walsh's two-part publication, The Division Flute, of 1706. Includes pedagogical tips from editors Kathryn Bennetts and Peter Bowman. Arrangement for Soprano Recorder and Piano. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
$10.99
10.13 €
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Descent (Soprano) Recorder, Piano
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Anonymous
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Greensleeves to a Ground
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Schott Music - Digital
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SheetMusicPlus
The Fairy Reel
Harp
Small Ensemble Dulcimer,Flute,Harp - Level 3 - Digital Download SKU: A0.963937 Comp…
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Small Ensemble Dulcimer,Flute,Harp - Level 3 - Digital Download SKU: A0.963937 Composed by Reba Lunsford. Celtic,Folk,Sacred. Score and parts. 73 pages. Reba Lunsford #4844831. Published by Reba Lunsford (A0.963937). Lovely traditional folk song and hymn arrangements, paired with original compositions for harp. Most songs are advanced beginner to intermediate level. Some tunes have flute and/or mountain dulcimer accompaniment included in separate scores. Lyrics for selected songs are included. Accidentals, harmonics, left hand crossovers can be found in a few pieces. The included version of Brigid Cruse helped Reba win the advanced division of the 1999 Gulf Coast Harpers Celtic Contest. Table of Contents:Cantiga 100, Sweet Hour of Prayer, There is a Fountain, Be Thou My Vision, David's Lullaby, One Sunny Saturday, The Honey Hole, Liberty, Salley Gardens, St. Gwendolyn's Blessing, The Merry Blacksmith, Hear Our Prayer, O God, Inisheer, Hide-n-Seek, Hay and Stubble, Brigid Cruse, The Fairy Reel, Shall We Gather at the River?, Si Bheag, Si Mhor, The Secret Path.
$14.00
12.9 €
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Harp
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Reba Lunsford
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The Fairy Reel
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Reba Lunsford
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SheetMusicPlus
Flow my tears for alto flute and guitar (without divisions)
Flute and Guitar
Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU:…
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Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.578358 Composed by John Dowland. Arranged by David Warin Solomons. Renaissance. Score and parts. 2 pages. David Warin Solomons #4603087. Published by David Warin Solomons (A0.578358). Instrumental arrangement of the Lachrimae song by John Dowland, without divisions
$8.00
7.37 €
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Flute and Guitar
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John Dowland
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Flow my tears for alto flute and guitar
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David Warin Solomons
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SheetMusicPlus
Flow my tears for flute and guitar (without divisions)
Flute and Guitar
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.5…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.578365 Composed by John Dowland. Arranged by David Warin Solomons. Renaissance. Score and parts. 2 pages. David Warin Solomons #4603105. Published by David Warin Solomons (A0.578365). Instrumental arrangement of the Lachrimae song by John Dowland, without divisions
$8.00
7.37 €
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Flute and Guitar
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John Dowland
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Flow my tears for flute and guitar
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David Warin Solomons
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SheetMusicPlus
Come again for flute and guitar
Flute and Guitar
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577492 Composed by John Dowland. Arranged by David Warin Solomons. 20th Century,Contemporary,Renaissance. Score and parts. 9 pages. David Warin Solomons #1936229. Published by David Warin Solomons (A0.577492). Arrangement of Dowland's song Come Again Sweet Love doth now invite. The guitar accompaniment remains the same while the melody instrument introduces various divisions in the course of the song and becomes quite florid by the end. The sound sample is an electronic preview. The pdf contains score and parts.
$10.00
9.22 €
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Flute and Guitar
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John Dowland
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Come again for flute and guitar
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David Warin Solomons
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SheetMusicPlus
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