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The Dot On The
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876
The Dot On The "I." Song and Chorus
Piano, Voice
Piano and voice - Digital Download SKU: LV.16485 Composed by Johann Strauss Jr. Cor…
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Piano and voice - Digital Download SKU: LV.16485 Composed by Johann Strauss Jr. Correspondence, Courtship & love, Infants, Marriage proposals, Horses. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16485). Songs For Everbody. The Dot On The I. Song and Chorus. By Johann Strauss. Published [n.d.] by National Music Company in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Correspondence, Courtship & love, Infants, Marriage proposals, Horses. First line reads Once on a time a learned man, A letter did indite.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.54 €
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Piano, Voice
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Johann Strauss
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Johann Strauss Jr
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The Dot On The "I." Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054). Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.
$8.99
8.31 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Christoph Willibald Gluck,
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Aria from the Opera Orfeo ed Euridice for Brass Quintet
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Keith Terrett
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SheetMusicPlus
The Master Singers of Nuremberg
Piano, Voice
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erst…
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Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99
55.46 €
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Piano, Voice
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Richard Wagner
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The Master Singers of Nuremberg
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SheetMusicPlus
Raindrops Keep Fallin' On My Head
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1348275 By B.J. Thomas. By Burt Ba…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1348275 By B.J. Thomas. By Burt Bacharach and Hal David. Arranged by Christopher J. Malin. 20th Century,Film/TV,Pop,Standards. Individual part. 1 pages. Christopher J. Malin #933060. Published by Christopher J. Malin (A0.1348275). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable cheerful melody. One of Burt Bacharach's many fine pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.I tend to play the triad chords using a little hand vibrato, makes them sing a bit. I also slide up to the single notes at times. The tag at the end, is a nice jam in itself if playing with another guitar or bass, if solo I play it 4 times. Listeners will love this tune! Hope you will too.
$4.99
4.61 €
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Guitar
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B
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Raindrops Keep Fallin' On My Head
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Christopher J. Malin
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SheetMusicPlus
Denmark: The Two National Anthems
Concert band
Large Ensemble - Level 2 - Digital Download SKU: A0.522130 Composed by Ditlev Ludvi…
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Large Ensemble - Level 2 - Digital Download SKU: A0.522130 Composed by Ditlev Ludvig Rogert (1742-1813) and Hans Ernst Krøyer (1798 -1879). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 37 pages. Colin Kirkpatrick Publications #3428555. Published by Colin Kirkpatrick Publications (A0.522130). Denmark has two national anthems. The first, Der er et yndigt land (There is a lovely land) is the civil national anthem and the most frequently performed. When it was first published in 1819, the anthem had twelve verses but today it has been significantly shortened. The dotted rhythm in measure 15 (in Parts 1 and 2) is sometimes played as two equal eighth notes (quavers). The second anthem, Kong Christian stod ved højen mast (King Christian stood by the lofty mast) has equal status but is mainly used for royal and military occasions. At such times, it is either performed alone or the two anthems are played together. Known simply as Kong Christian it is traditionally sung in Denmark immediately after midnight every New Year's Eve. The audio sample contains the first, more popular anthem. These quick and easy national anthem arrangements are essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Note that this anthem is virtually identical to the anthem of Finland. There is a minor difference in part of the melody and the repeat structure is different. This arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Note the parts in Kong Kristian go a bit too low for flute and oboe, so Parts 1a or 2a should be used instead. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (flute, oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.
$8.99
8.31 €
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Concert band
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Ditlev Ludvig Rogert
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Denmark: The Two National Anthems
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Colin Kirkpatrick Publications
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SheetMusicPlus
Play in Harmony in 12 Major Keys: Folk Songs and Singing Games from Around the World Book One
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.517906 Composed by Jolea Jensen. Ar…
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Easy Piano - Level 1 - Digital Download SKU: A0.517906 Composed by Jolea Jensen. Arranged by Arr. Jolea Jensen. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 106 pages. Jolea Jensen #128632. Published by Jolea Jensen (A0.517906). Learn folk songs and singing games from around the world in this early elementary book. This series features a solo melody line accompanied by I, IV, and V7 chords, making it perfect for a general classroom setting or for private lessons. Level One (Book 1, Part 1) begins with basic rhythms (quarter, half, dotted half, and whole) in the keys of C, G, D. Each key begins with several songs in the basic five-finger position, then adds either one note above or one note below, then adds 3/4 time, then adds songs in which the hand is not in the basic five-finger position for that key. Level One (Book 1, Part 2) continues with the keys of A, E, B. Eighth notes are introduced in the key of E. Level One (Book 1, Part 3) contains the keys of F#, Db, and Ab. Level One (Book 1, Part 4) contains the keys of Eb, Bb, and F. I have been teaching several of my students with this book, and they are often eager to begin their lessons by playing their assignment out of this book. The feedback I've received from parents is that their child loves the songs because they are fun and easy to understand. Children often love coloring in the black and white pictures on each page. I hope your students also enjoy these songs. Scope and Sequence for Level One songs: Introduction to I and V Simple with LH thumb melody note I and V More leaps I and V I and IV and V extend pinky I IV V extend thumb I IV V three four time simple move hand Alphabetical Song Index with Key and Pg Number: A Ram Sam Sam Ab 67 AijÄ, Žūžū, LÄÄa BÄ“rni E 32 Ainsi Font Bb 82 Alle Meine Entchen C 5 Ambos a Dos B 37 Ang Pato Ko Eb 70 Arroz con Leche F# 47-48 Au Clair de la Lune E 34 Bells in the Steeple Bb 83 Bill Grogan's Goat Bb 84 Björnen Sover Bb 81 Boil Them Cabbage Down C 4 Brinca la Tablita F 88 Buttercup G 8 Button, You Must Wander Ab 64 Chase the Squirrel C 1 Chopsticks C 6 Clap, Clap, Clap Your Hands D 15 Closet Key F# 42 Cobbler, Cobbler F 85 Cradle Hymn Db 52 Down by the Station F 86 Down in the Valley G 12 Five Fat Turkeys F# 45 Five Little Chickadees G 11 Frog in the Meadow Ab 59 Frogs in the Pond C 2 Go Tell Aunt Rhody D 14 Goodbye, Old Paint F 91 Grandma Grunts F 87 Ha' Sukkah Mah Yafah Ab 60 Hob Ich a Por Oksn Ab 61-62 Hop, Old Squirrel B 35 Hush-A-Bye G 10 Hush, Little Baby G 9 I'm a Nut Eb 75 Johnny's Hammer E 30 Journey of the Leaves E 33 Juan Pirulero B 40 Kangaroo Skippy Roo Bb 76 King's Land Eb 73 Kolyada A 24 Kuckuck Db 57 Lady Come A 22 Lavender's Blue Eb 74 Lightly Row C 3 Limerick Song D 19 Long-Legged Sailor F# 43 Love Somebody G 10 Mmm, Ahh, Went the Little Green Frog Bb 77-78 Mon Petit Lapin a Bien du Chagrin Ab 63 My Horses Ain't Hungry G 13 Naughty Kitty Cat F# 46 O wie wohl ist mir am Abend Db 58 Old King Cole B 38 On Top of Old Smokey D 20 One, Two, Three, Aleerie F 92 Over in the Meadow F 89-90 Pak Pak Ka-ak A 21 Passa, Passa, Gavião Db 51 Pease Porridge Hot A 25 Piva, Piva l'oli d'uliva Ab 65-66 Promenons-nous dans les Bois Eb 71-72 Sandy McNab A 26 Sasara ang Bulaklak Bb 79-80 Scotland's Burning B 36 Seashell Eb 68 Sleep, Baby, Sleep D 16 Tallis' Canon A 27 Ten in the Bed Eb 69 The Deaf Woman's Courtship A 23 The Elfin Knight Db 55-56 The Frog in the Bog D 17 The Noble Duke of York E 31 The Old Sow Took the Measles Db 53-54 The Sandman Comes D 18 Three Jolly Fishermen E 29 There's a Hole in the Bucket F# 49 Twinkle, Twinkle, Little Star B 41 Ulo Abaga B 39 Vamos a la Mar F# 44 Who's That Tapping at the Window Db 50 Yoo Hoo! E 28 Zhao Peng You C 7.
$20.00
18.49 €
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Easy Piano
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Jolea Jensen
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Play in Harmony in 12 Major Keys: Folk Songs and Singing Games from Around the World Book One
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Jolea Jensen
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SheetMusicPlus
March of the Kings
Choral 3-part
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1120365 By Philip Le Bas. B…
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1120365 By Philip Le Bas. By J-B Lully / G Bizet. Arranged by Philip Le Bas. Christmas,Praise & Worship,Religious,Sacred,Traditional. Octavo. 8 pages. Philip Le Bas #721616. Published by Philip Le Bas (A0.1120365). A new arrangement by Philip Le Bas of a thirteenth century French Christmas carol from Provence harmonized by Jean-Baptiste Lully (1632-87, attrib.) and, more famously, by Georges Bizet (1838-75, in his L'Arlesienne Suite of 1872.) In France the melody is still tightly associated with Christmas, and French audiences start singing their own Christmas words whenever they hear the melody (the arranger has heard it himself!) The English translation used here is adapted from a variety of sources. The three kings (or more precisely the magi from St Matthew's gospel) are seen marching towards Bethlehem with their fantastic golden wealth and grandeur. But why are they going to see a low-born baby and why do they worship this child who will die on a cross? The organ sets the scene from the beginning with its marching accompaniment, and the first verse is sung in unison by all three parts. The second begins with a canon, as used by Bizet, and then breaks into harmony. The first section of the third verse is much quieter and legato, sung by the sopranos and altos, using wonderful chromatic harmonies based on another section from Bizet's suite. The lyrics express wonder at the beautiful music heard from the camp of the kings. The second section, sung in differentiated unison then begins to wonder why the kings stoop so low to a baby in a manger. Finally the fourth verse, sung in full harmony, returns to the marching accompaniment and reiterates the amazement of meeting these kings with their mysterious mission. The carol is aimed at parish choirs with limited resources, but a good organist. The melody is well-known, much of it is in unison, and other sections are relatively easy to sing. Care should however should be taken to sing the dotted rhythms accurately - this is what gives the carol its marching character.
$1.99
1.84 €
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Choral 3-part
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Philip Le Bas
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March of the Kings
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Philip Le Bas
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SheetMusicPlus
Built on the Rock the Church Doth Stand - brass quintet
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.726093
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.726093 Composed by Ludvig M. Lindeman. Arranged by Todd Marchand. Christian,Sacred. Score and parts. 17 pages. Con Spirito Music #4967607. Published by Con Spirito Music (A0.726093). Built on the Rock is a proclamation, through scripturally anchored words and sturdily architected music, of the nature and eternity of the Church whose foundation is Jesus Christ. Long a favorite of Scandinavian Christians and Lutherans, the hymn was written by Danish theologian, cleric, and poet Nicolai F.S. Grundtvig (1783-1872), whose criticism of the rationalist philosophy then predominant in the Danish Lutheran church, and his argument for Christianity as a revealed, inspired, and sacramental religion, led to the revitalization of that church. The text was translated to English by Carl Doving (1867-1937).The tune accompanying the text, known as KIRKEN DEN DER ET, was the first hymn tune written by Danish organist, composer, and folk music collector Ludvig Mathias Lindeman (1812-1887). It is an austere, arching, and folk-like melody in the Dorian mode. This arrangement begins with individual voices of the brass quintet, like individual members of the Church, joining together in various combinations and as a whole to introduce the tune. Verses 2 and 3 (measure numbers 33 and 65) present the tune in additional combinations. Verse 4 (measure 101) introduces alternate harmonizations and features a soaring descant in Trumpet 1, powerful unison statements by the entire ensemble, and majestic final chords.©2019 Todd Marchand / Con Spirito Music. This video is a demo of the sheet music available from Con Spirito Music. Visit www.conspiritomusic.com
$15.00
13.87 €
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Brass quartet : 2 trumpets, trombone, tuba
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Ludvig M
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Built on the Rock the Church Doth Stand - brass quintet
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Con Spirito Music
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SheetMusicPlus
Dance to Your Daddy (When the Boat Comes In) SSAA
Choral SSAA
Choral Choir (SSAA) - Digital Download SKU: A0.843718 Composed by Traditional. Arra…
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Choral Choir (SSAA) - Digital Download SKU: A0.843718 Composed by Traditional. Arranged by Debbie Warren. Folk,Traditional. Octavo. 7 pages. Keep Calm and Keep Singing #450402. Published by Keep Calm and Keep Singing (A0.843718). A fishing song from the North East of England, this became popular as the theme tune to 1970’s TV show When the Boat Comes In. However, there is also another melody (in the minor key) also believed to originate from the North East but which was collected by Cecil Sharp in Berkshire. I have combined both melodies giving one to the sops and the other to the altos. Each section then forms an ostinato accompaniment while the other is singing the tune. These “Dance†“Sing†notes although written as dotted minims are to be performed short and light – like bells. The song also works best with a slight northern accent – particularly the short northern ‘a’ vowel on the word Dance and in the phrase “When the boat comes inâ€. NB Although this is written for 4 parts the second alto is optional and the arrangement works just as well without it for SSA choirs. FREE resources are available (backing track, teach tracks) just email keepcalmkeepsinging@gmail.com with proof of purchase Easy Level Duration: 3'30.
$1.99
1.84 €
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Choral SSAA
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Traditional
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Dance to Your Daddy
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Keep Calm and Keep Singing
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SheetMusicPlus
Fly Me To The Moon (in Other Words)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1310263 By Tony Bennett. By Bart H…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1310263 By Tony Bennett. By Bart Howard. Arranged by Christopher J. Malin. 20th Century,Broadway,Jazz,Musical/Show,Pop,Standards. Individual part. 1 pages. Christopher J. Malin #899378. Published by Christopher J. Malin (A0.1310263). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Bart Howard's finer pieces. He's from Iowa! This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. There are many arrangements of this song. Give mine a go, it's a bit different. Sounds great on acoustic and electric guitars.
$4.99
4.61 €
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Guitar
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Tony Bennett
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Fly Me To The Moon
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Christopher J. Malin
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SheetMusicPlus
Rhythm: Dotted Notes & Triplets educational pack - Perform Compose Understand PCU Series
Large Ensemble - Level 3 - Digital Download SKU: A0.569835 Composed by Austin Ralph…
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Large Ensemble - Level 3 - Digital Download SKU: A0.569835 Composed by Austin Ralphson. Instructional. Score and parts. 58 pages. Austin Ralphson #4725511. Published by Austin Ralphson (A0.569835). Rhythm: Dotted Notes & Triplets - Perform, Compose, Understand Series. This pack comprises a piece called The Long And Short Of It, worksheets and questions which relate to the piece. It is all about understanding these two rhythmic devices, although it asks many other general musical questions as well.Welcome to the PCU Series for classroom-based groups. This series focuses on learning by doing; there are many accomplished performers within our school classrooms throughout the world, but my years of experience has taught me that many of these students learn to play by rote – literally be learning one note followed by another – without gaining full understanding of how the pieces work musically and theoretically. Indeed, some of them can perform to a high standard using this method, but then really struggle with composition and general musical understanding later in their educational careers.I equate this to learning to speak sentences in a foreign language without fully understanding what those sentences actually mean.So who is this book for?It is for music teachers to use with their students who are learning to create exam-level compositions within a school environment. It is ideal for courses such as the American High School Diploma, GCSE, BTEC, IGCSE, SCS, HKCEE, IB(MYP), SPM, GCEO, CCEF, HKCEE, VSSD, GES or ICSE.It is designed to cater for almost any instrument due to the parts being provided in many different keys and clefs (including tab and bass tab). Drum parts are intentionally not provided as drummers still need to have a good understanding of non-percussive elements such as melody and harmony; I would suggest that they play a keyboard part for the purposes of learning about composition.You can also download backing tracks of all pieces in this series by searching:Classroom Performance educational pack: RHYTHM backing tracksThese contain parts 2-5, allowing part 1 to be played live over the top.
$5.99
5.54 €
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Austin Ralphson
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Rhythm: Dotted Notes & Triplets educational pack - Perform Compose Understand PCU Series
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Austin Ralphson
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SheetMusicPlus
Red Polka Dots On Green
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1005860 Composed by Neille Willia…
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Concert Band - Level 3 - Digital Download SKU: A0.1005860 Composed by Neille Williams. Contemporary,Jazz,Pop. Score and parts. 47 pages. Neille Williams #6202355. Published by Neille Williams (A0.1005860). For concert band - GRADE 3. The low woodwinds have the spotlight in this lovely piece reminiscent of a jazz waltz. Layers of counterpoint bathe the piece in an ethereal wash of beautiful textures and colours which soar above the melody line. It's an arrangement that your band will adore playing!Concert Band - GRADE 3. DURATION: 2’.05’Program notes:The low woodwinds have the spotlight in this lovely piece reminiscent of a jazz waltz. Layers of counterpoint bathe the piece in an ethereal wash of beautiful textures and colours which soar above the melody line.Rehearsal notes:This study in counterpoint needs clear layers with beautifully balanced and blended dynamics and tone. The piece should build up gradually with crescendos and decrescendos carefully observed so that the band swells and fades as a whole, particularly at rehearsal figure B. The chromatic phrases at rehearsal figures B and D need to be smooth and in time, not at all hurried. The melody is a feature for the lower instruments, including tuba, and is an opportunity for these instruments to explore increased ranges and to work on a full well- rounded, lyrical tone.About the composer:Neille Williams is a multi-instrumentalist, singer and composer based in Canberra, Australia. After graduating from the Sydney Conservatorium of Music, Neille worked as an in-demand musician, composer and conductor on the Sydney music scene before taking her talents abroad. Neille’s original works have been performed all over the world and on Australia’s ABC radio. *all music published by nwilliamscreative **more pieces and information available at nwilliamscreative.com ***copyright Neille Williams 2015
$59.95
55.42 €
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Concert band
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Neille Williams
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Red Polka Dots On Green
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Neille Williams
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SheetMusicPlus
I'm Beginning To See The Light
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1397472 Composed by Don George, Du…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1397472 Composed by Don George, Duke Ellington, Harry James, and Johnny Hodges. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #980800. Published by Christopher J. Malin (A0.1397472). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. I think of this one as Duke Ellington's signature piece. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars. If someone asks you to play a swing jazz tune this is a archetypical piece. This is a jazz classic! Every jazz guitarist should have this in their repitore. I love this tune! Hope you will too.
$4.99
4.61 €
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Guitar
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Don George, Duke Ellington, Harry James, and Johnny Hodges
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I'm Beginning To See The Light
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Christopher J. Malin
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SheetMusicPlus
I Heard the Bells on Christmas Day
Handbells
Handbell Handchimes - Level 3 - Digital Download Hymn Arrangements, Gathering, Christ…
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Handbell Handchimes - Level 3 - Digital Download Hymn Arrangements, Gathering, Christmas, Offering, Jesus Christ - Birth. Handbell. 12 pages. Hope Publishing - Digital #2928DP. Published by Hope Publishing - Digital
By Johnny Marks; Arr. Jason Krug.<br> <br> Holiday Classic A joyous bell peal leads to the first iteration of the theme before moving into a more flowing verse accompanied by delicate mallets on treble handbells. An optional dark and dissonant verse (which portrays one of the lesser-known stanzas of the Longfellow poem) gives way to a verse in minor before a triumphant return to major to depict the lyrics, "Then pealed the bells more loud and deep/God is not dead, nor doth he sleep..." An exciting and beautiful addition to your holiday worship or concert.
$7.00
6.47 €
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Handbells
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I Heard the Bells on Christmas Day
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Hope Publishing - Digital
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SheetMusicPlus
Shall We Gather at the River
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1450566 Composed by Robert Lowry. A…
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Piano Solo - Level 3 - Digital Download SKU: A0.1450566 Composed by Robert Lowry. Arranged by Ken Litton. Christian,Instructional,Religious,Sacred,Traditional. Score. 3 pages. Artist of Note, Inc. #1030191. Published by Artist of Note, Inc. (A0.1450566). Shall We Gather at the RiverRobert Lowry, 1864Easy intermediate PIANOFrom the author/composer of How Can I Keep from Singing, Low in The Grave He Lay/Christ Arose, All the Way My Savior Leads Me, We’re Marching to Zion and I Need Thee Every Hour comes this classic hymn of longing for heaven, worship and fellowship by Robert Lowry, 1864.On a ministry visit to a grieving family he was asked, “Pastor, we have parted at the river of death. Will we meet again by the river of life?” Lowry assured her from Revelation 22:1 they they would. Then, later that afternoon he wrote both the words and the music of Shall We Gather at the River.The arrangement may serve as well as an early goal for a progressing piano student as for an intermediate to advanced player this coming Sunday.The intro announces the tune and calls the first line of the chorus to mind. After setting the meditative mood the first stanza is presented in right hand melody with left hand accompaniment that only occasionallyis rhythmically active beyond beat three. Then, the easily playable key change takes the vision to the bank of the “shining river” by way of a brief, flowing left hand figuration. A few easily-managed major seven chords and an expressive dotted eighth note or two later the “melody of peace” concludes with echoes of the intro, bringing both heart and hands to rest.All this from the places you go for the best in downloadable resources:Sheet Music Directsheetmusicdirect.comSheet Music Plussheetmusicplus.comAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard!
$4.99
4.61 €
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Piano solo
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Robert Lowry
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Shall We Gather at the River
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Artist of Note, Inc.
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SheetMusicPlus
Fugal Fantasy on "IK"
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1122054 Composed by Igor Korneitchouk. 20th Century,Chamber,Classical. 35 pages. Studio at the Post #722707. Published by Studio at the Post (A0.1122054). Score & Parts. Duration: 3 - 4 min., Score 13 pp. Description: (According to the composer) Fugal Fantasy on I K is a musical dedication to my deceased father and to my children. Exploring the rhythmic possibilities of the Morse code, I tried to create a musical pun. The I K that is the rhythmic subject of the piece (dot-dot, dash-dot-dash) is not just my signature in musical cryptograph, but more meaningfully the initials of Igor Korneitchouk Senior, who musically makes an appearance in the middle of the piece as the double augmentation of the initial subject, a tri-tone away, high in the flute. Consequently, the initial fugal subject and answer of the opening, and reprised at the end, represent my own twin children. Along the development from grand children to grandpère is the theme in plain augmentation, the composer, myself.
$5.02
4.64 €
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Flute, Oboe, Clarinet, Bassoon
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Igor Korneitchouk
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Fugal Fantasy on "IK"
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Studio at the Post
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SheetMusicPlus
Honey In The Summer
Bass guitar
Bass Guitar - Level 3 - Digital Download SKU: A0.917921 By Public. By Ben Lapps, Jo…
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Bass Guitar - Level 3 - Digital Download SKU: A0.917921 By Public. By Ben Lapps, John Fields, John Vaughn Handelsman, John Vaughn Handelsman Ii, and Matthew Carter Alvarado. Arranged by Zulhilmy Zulkifli. Contemporary. Score. 11 pages. ZZ Music Solutions #6115853. Published by ZZ Music Solutions (A0.917921). Honey In The Summer is a song by an American band, PUBLIC, from their single with the same title. This song is produced by John Fields, who also wrote the song with Ben Lapps, John Vaughn Handelsman, and Matthew Carter Alvarado, who is also the bassist.This transcription is based on the single version and arranged to be played on a 4-string bass with standard tuning. Matthew's main bass in the Fender Urge II Bass, an Artist Signature bass endorsed by Stu Hamm.This song is in the key of E major and is about 3’20 long. The tempo is at 114 bpm, and the groove sounds very prominent in this tune. It can be quite challenging to perform as the basslines were composed with a lot of 16th notes (semiquaver), and some of the notes were played short (staccato technique indicated with a dot above each note). I would suggest this tune for an intermediate player as it also requires you to be familiar with the higher register of the bass.This transcription includes 3 parts ; 1)both notation and TAB (3 pages) 2)notation-only (2 pages) 3)TAB-only (2 pages). I made these options available for any bassist with different preferences. I know we are unique, as I am a bassist as well.Have fun and good luck. Do visit me at www.zulhilmyzulkifli.com for any inquiries. Thank you for your purchase, and I hope you enjoy the music.
$4.99
4.61 €
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Bass guitar
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Public
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Honey In The Summer
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ZZ Music Solutions
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SheetMusicPlus
Islands Across the Bay
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1358376 By Suzanne Herman. By Suzan…
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Piano Solo - Level 4 - Digital Download SKU: A0.1358376 By Suzanne Herman. By Suzanne Herman. Classical,Contemporary,Contest,Festival,New Age. Score. 5 pages. Suzanne Herman Music #942822. Published by Suzanne Herman Music (A0.1358376). At the northernpoint of Anna Maria Island, off the west coast of Florida, is some magnificent scenery. Looking out over the pass between the Gulf of Mexico and Tampa Bay, islands dot the vista. The vegetation on the islands display the effects of fast moving tides and winds. It appears that these small islands are a haven for birds, sand creatures, and fish. This picturesque panorama is the story behind Islands Across the Bay.Composed in the key of C major, Islands Across the Bay allows for individual musical interpretation and the use of rubato. The gentle flow, engaging melody, and rich harmonies create a warm, cheerful mood.Islands Across the Bay is from the solo piano album and songbook A Seaside View, and can be found worldwide on all listening platforms including Spotify, Pandora, Apple Music, SoundCloud, etc.For more information on Suzanne Herman:WebsiteFacebook InstagramYouTube ChannelRegister for Newsletter
$5.50
5.08 €
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Piano solo
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Suzanne Herman
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Islands Across the Bay
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Suzanne Herman Music
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SheetMusicPlus
Over The Rainbow
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1310272 By Judy Garland. By E.Y. Y…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1310272 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Christopher J. Malin. 20th Century,Film/TV,Jazz,Pop,Standards. Individual part. 2 pages. Christopher J. Malin #899389. Published by Christopher J. Malin (A0.1310272). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Harold Arlen's finer pieces. In the film The Wizard of Oz. Sung by Judy Garland.This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.
$4.99
4.61 €
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Guitar
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Judy Garland
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Over The Rainbow
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Christopher J. Malin
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SheetMusicPlus
The Longest Day
Clarinet Ensemble
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Leve…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1236416 By Paul Anka. By Paul Anka. Arranged by Brad Willard. Film/TV,March,Patriotic. 30 pages. Brad Willard #831931. Published by Brad Willard (A0.1236416). The American epic war movie, The Longest Day, was filmed in black and white and released in 1962. It is based on Cornelius Ryan's 1959 non-fiction book of the same name about the D-Day landings at Normandy on June 6, 1944. Â The picture opens with a view of the beach and the sounds of the waves washing ashore. Â There is a lone helmet lying upside down on the beach, and over the sounds of the sea, and we hear the motif from Beethoven's 5th Symphony, the dot-dot-dash of morse code signaling V, for victory. Â Throughout the film we hear variations on the theme of the march which culminates in the playing of the full march as the credits roll. Here scored for clarinet choir is the march from The Longest Day, as written by Paul Anka.
$12.99
12.01 €
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Clarinet Ensemble
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Paul Anka
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The Longest Day
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Brad Willard
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SheetMusicPlus
The Longest Day
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1159647 By Paul Anka. By Paul Ank…
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Concert Band - Level 4 - Digital Download SKU: A0.1159647 By Paul Anka. By Paul Anka. Arranged by Brad Willard. Film/TV,March. 78 pages. Brad Willard #759904. Published by Brad Willard (A0.1159647). The American epic war movie, The Longest Day, was released in 1962 and filmed in black and white, It is based on Cornelius Ryan's 1959 non-fiction book of the same name. It is about the D-Day landings at Normandy on June 6, 1944. The picture opens with a view of the beach and the sounds of the waves washing ashore. There is a lone helmet lying upside down on the beach, and over the sounds of the sea, we hear the motif from Beethoven's 5th Symphony, the dot-dot-dash of morse code signaling V, for victory. Throughout the film we hear variations on the theme of the march which culminates in the playing of the full march as the credits roll. Here scored for concert band is the march from The Longest Day, as written by Paul Anka.
$65.00
60.09 €
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Concert band
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Paul Anka
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The Longest Day
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Brad Willard
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SheetMusicPlus
The Fundamentals of Music Theory - Booklet 1
Level 1 - Digital Download SKU: A0.1369230 By Jose Valladares. By Jose Valladares. …
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Level 1 - Digital Download SKU: A0.1369230 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. 19th Century. Educational Method. 25 pages. Circlesquare Music #953582. Published by Circlesquare Music (A0.1369230). The Fundamentals of Music Theory: Booklet 1 by Jose Valladares serves as an introductory guide into the captivating realm of music theory. Targeted at both novices and enthusiastic learners, this booklet is designed as the first step in a transformative journey to understand the language of music. Likening music theory to the grammar of music, it aims to provide readers with the foundational tools to create, interpret, and communicate through music.The booklet begins with an exploration of the definition, significance, and historical evolution of music theory. It then delves into the core components that constitute music's framework:The Music Staff and Notes: Readers are introduced to the music staff, the bedrock for note placement, and learn how each line and space corresponds to distinct musical pitches. This section emphasizes the assembly of notes to create soul-stirring melodies.Clefs and Note Names: This part focuses on various clefs including treble, bass, alto, and tenor, which are crucial for reading and interpreting the music staff, and serve as navigational landmarks in the sea of notes.Rhythmic Notation: It addresses the essence of rhythm in music, covering note values, rests, dotted notes, and ties, enabling readers to grasp the rhythmic heartbeat of any composition.Time Signatures: The booklet explores time signatures, detailing how they organize a music piece and define its rhythmic character, from the steady beats of simple time to the flowing grace of compound time.Basic Scales and Key Signatures: It uncovers the foundational elements of melodies and harmonies, discussing major and minor scales, their emotional influences, and the Circle of Fifths, which serves as a guide through the relationships among different keys.By the end of The Fundamentals of Music Theory: Booklet 1, readers are expected to have a comprehensive understanding of music theory's basics. They will be well-equipped to decipher music's language, comprehend its notations, and fully appreciate the intricate craftsmanship involved in every musical composition. The booklet promises a journey of musical discovery, unwinding the intricacies of music theory one note and rhythm at a time.
$10.99
10.16 €
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Jose Valladares
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The Fundamentals of Music Theory - Booklet 1
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Circlesquare Music
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SheetMusicPlus
Fun and Games with the Recorder
Descant (Soprano) Recorder
Descant recorder - intermediate - Digital Download Method for descant recorder. Thi…
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Descant recorder - intermediate - Digital Download Method for descant recorder. This edition: method. Fun and games with the recorder. Downloadable. Op Tutor Book 2. Schott Music - Digital #Q54874. Published by Schott Music - Digital
English.<br> <br> A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman.<br> <br> three Volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons.<br> * Discover the adventure of learning the recorder<br> * Make real progress through games: breathing<br> * A mixture of lively new and traditional tunes<br> * Three supplementery tune books each with a sheet of stickers<br> * Teacher's commentary<br> * Join Dotty-do-a-lot and her friends in the exciting world of music<br> <br> Fun and Games with the Recorder is a comprehensive recorder tutor covering all stages from the first notes of the beginner up to the point of preofessional instruction for budding performers. Although the recorder is often the instrument with wich children will make their first musical discoveries, it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes, providing a carefully planned pathway between first, playful contact with the instrument and professional recorder playing.<br> <br> The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing, sound production and the development of rhythmic security.<br> <br> In the Tutor books we speak directly to the child and provide carefully planned, precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read, but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessable to both the parent/teacher and the child.<br> <br> Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B, A, g, E1, C2 and D2, leaving sufficient time and space for the development of articulation, rhythmic security and breathing techniques. Tutor Book 2 adds the notes C1, D2, F2, E2, F2 and B flat, whilst Tutor Book 3 completes the range up to C3 - at which point the treble recorder can be introduced.<br> <br> Tutor Books 1, 2 and 3 are complemented by Tune Books 1, 2 and 3. The tune Books are matched to the stages of learning process of the Tutor Books and provide additional practice pieces and exercises, sometimes with accompainment.<br> <br> In the Teacher's Commentary we explain the teaching methodology behind the tutor and provide stimulation for ideas for lessons.<br> <br> It will be helpful if the child has a manuscript book of her or his own, or some manuscript book. Dotty's Note Book (ED 12641) is specially designed for the purpose, with large staves suitable for children as well as plain pages for words and pictures.<br> <br> We wish users of this tutor every success and happiness with their recorder playing.
$9.99
9.24 €
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Descant (Soprano) Recorder
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Fun and Games with the Recorder
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Schott Music - Digital
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SheetMusicPlus
Fun and Games with the Recorder
Descant (Soprano) Recorder
Descant recorder - easy - Digital Download Method for descant recorder. This edition:…
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Descant recorder - easy - Digital Download Method for descant recorder. This edition: performance book. Fun and games with the recorder. Downloadable. Op Tune Book 1. Schott Music - Digital #Q49185. Published by Schott Music - Digital
English.<br> <br> A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman.<br> <br> three Volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons.<br> * Discover the adventure of learning the recorder<br> * Make real progress through games: breathing<br> * A mixture of lively new and traditional tunes<br> * Three supplementery tune books each with a sheet of stickers<br> * Teacher's commentary<br> * Join Dotty-do-a-lot and her friends in the exciting orld of music<br> <br> Fun and Games with the Recorder is a comprehensive recorder tutor covering all stages from the first notes of the beginner up to the point of preofessional instruction for budding performers. Although the recorder is often the instrument with wich children will make their first musical discoveries, it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes, providing a carefully planned pathway between first, playful contact with the instrument and professional recorder playing.<br> <br> The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing, sound production and the development of rhythmic security.<br> <br> In the Tutor books we speak directly to the child and provide carefully planned, precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read, but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessable to both the parent/teacher and the child.<br> <br> Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B, A, g, E1, C2 and D2, leaving sufficient time and space for the development of articulation, rhythmic security and breathing techniques. Tutor Book 2 adds the notes C1, D2, F2, E2, F2 and B flat, whilst Tutor Book 3 completes the range up to C3 - at which point the treble recorder can be introduced.<br> <br> Tutor Books 1, 2 and 3 are complemented by Tune Books 1, 2 and 3. The tune Books are matched to the stages of learning process of the Tutor Books and provide additional practice pieces and exercises, sometimes with accompainment.<br> <br> In the Teacher's Commentary we explain the teaching methodology behind the tutor and provide stimulation for ideas for lessons.<br> <br> It will be helpful if the child has a manuscript book of her or his own, or some manuscript book. Dotty's Note Book (ED 12641) is specially designed for the purpose, with large staves suitable for children as well as plain pages for words and pictures.<br> <br> We wish users of this tutor every success and happiness with their recorder playing.
$9.99
9.24 €
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Descant (Soprano) Recorder
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Fun and Games with the Recorder
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Schott Music - Digital
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SheetMusicPlus
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