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You've selected:
The Duke of Marlborough
Sheetmusic to print
5 sheet music found
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The Duke of Marlborough
4 trumpets (or cornets) · alto saxophone · tenor saxophone · 2 bassoons · bari…
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4 trumpets (or cornets) · alto saxophone · tenor saxophone · 2 bassoons · baritone saxophone or euphonium · 3 trombones · bass tuba · cymbal · double bass brass band - Digital Download SKU: S9.Q6345 Fanfare. Composed by George Percy Aldridge Grainger. This edition: score and parts. Downloadable, Score and parts. Duration 2:30. Schott Music - Digital #Q6345. Published by Schott Music - Digital (S9.Q6345). Based on the English folkong The Duke of Marlborough. The first thime heard (behind platform) it typifies memories of long-past wars - vague, far-off, poetic. The second time (on platform) it typifies war in the present - fast-moving, close at hand, debonair, drastic.
$95.99
87.82 €
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George Percy Aldridge Grainger
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The Duke of Marlborough
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Schott Music - Digital
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SheetMusicPlus
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovann…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva già preparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrrà cinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilità verso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.
$9.99
9.14 €
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Choral SATB
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Giovanni Bononcini
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Giovanni Bononcini, Giovanni Battista Bononcini
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Giovanni Bononcini - Anthem
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Guido Menestrina
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 10 (Songs 244-270)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152799 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152799 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 48 pages. Socrates Arvanitakis #753038. Published by Socrates Arvanitakis (A0.1152799). This is the tenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 10 (Songs 244-270)Dilly Song 1 (the)Dilly Song 2 (the)Dives and LazarusDo you remember that nightDonkey RidingDorrington Lads (My Dearie She Sits Ower Late up)Doun the Burn DavieDowie Dens of Yarrow (the)Down By Sally’s GardenDown in the Meadows (O Waly Waly-variant)Down in Yon Forest 1Down in Yon Forest 2Dragoon and the Lady 1 (the)Dragoon and the Lady 2 (the)Dragoon and the Lady 3 (the)Dragoon and the Lady 4 (the)Drill Drill ye TarriersDrink To Me OnlyDrover’s Dream (the)Drowned Lover (the)Drowsy Sleeper (Arise, Arise-new setting)Drummer and the Cook (the)Drummer Boy of Waterloo (the)Duke of Marlborough (the)Dunster Carol 1 (I Hear Along Our Street)Dunster Carol 2 (I Hear Along Our Street)Dying Cowboy (the).
$25.00
22.87 €
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Sally’s Garden
Down in the Meadows
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Traditional/Anonymous
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Folk Songs For Classical Guitar - Volume 10
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Socrates Arvanitakis
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SheetMusicPlus
Duke of Marlboroughs March Easy Piano
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.645013 Composed by Jeremiah Clarke.…
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Easy Piano - Level 1 - Digital Download SKU: A0.645013 Composed by Jeremiah Clarke. Arranged by SilverTonalities. Baroque,Classical. Score. 4 pages. SilverTonalities #4800768. Published by SilverTonalities (A0.645013). From the English Baroque Composer, Jeremiah Clarke for Easy Piano
$3.99
3.65 €
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Easy Piano
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Jeremiah Clarke
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Duke of Marlboroughs March Easy Piano
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SilverTonalities
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SheetMusicPlus
Francis Cunningham Woods | Slow March (Concluding Voluntary) | for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1463449
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1463449 By Francis Cunningham Woods. By Francis Cunningham Woods. Arranged by Andrew Lamb. 19th Century,Praise & Worship. 27 pages. Andrew Lamb #1042145. Published by Andrew Lamb (A0.1463449). 🎺 Brass Quintet Adaptation: Slow March by Francis Cunningham Woods 🎶This arrangement of Slow March by the English composer Francis Cunningham Woods offers a flexible scoring for a brass quintet, making it an excellent choice for concert or recital performances. Here's the instrument breakdown:Part 1: Trumpet / Cornet / Flugel in Bb 🎺Part 2: Trumpet / Cornet / Flugel in Bb 🎺Part 3: French Horn / Tenor Horn 🎶Part 4: Euphonium / Baritone / Trombone (Bass Clef and Treble Clef) 🎷Part 5: Tuba / Eb Bass (Treble Clef) / Bb Bass (Treble Clef) 🎶Level of Difficulty: MediumPotential Uses: Perfect for concerts and recitals. 🌟Francis Cunningham Woods (1862-1929) was a renowned composer and organist, known for her contributions to the musical world, including serving as an organ scholar at Oxford and private organist to the Duke of Marlborough. Her work continues to inspire and delight audiences.Please like and subscribe for more videos and music arrangements.
$8.00
7.32 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Francis Cunningham Woods
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Francis Cunningham Woods | Slow March
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Andrew Lamb
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SheetMusicPlus
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