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You've selected:
The Harder They Come
Sheetmusic to print
12 sheet music found
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1
The Harder They Come
Piano, Vocal and Guitar
By Jimmy Cliff. Reggae. Piano/Vocal/Guitar. 6 pages. Published by Hal Leonard - Digital Sh…
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By Jimmy Cliff. Reggae. Piano/Vocal/Guitar. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.51 €
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Piano, Vocal and Guitar
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Jimmy Cliff
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The Harder They Come
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Rivers Of Babylon
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.742488 By Boney M. By Brent Dowe, Frank Farian, George Reyam, and James A. McNaughton. Arranged by Javier MartÃnez. Dance,Disco. Score and parts. 17 pages. Arte Nova Music Lab #4742239. Published by Arte Nova Music Lab (A0.742488). Rivers of Babylon is a Rastafari song written and recorded by Brent Dowe and Trevor McNaughton of the Jamaican reggae group The Melodians in 1970. The lyrics are adapted from the texts of Psalms 19 and 137 in the Hebrew Bible. The Melodians' original version of the song appeared on the soundtrack album for the 1972 movie The Harder They Come, which made it internationally known.The song was popularized in Europe by the 1978 Boney M. cover version, which was awarded a platinum disc and is one of the top-ten all-time best-selling singles in the UK. The B-side of the single, Brown Girl in the Ring, also became a hit.Taken from https://en.wikipedia.org/wiki/Rivers_of_Babylon
$20.00
18.07 €
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String Quartet: 2 violins, viola, cello
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Boney M
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Rivers Of Babylon
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Arte Nova Music Lab
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SheetMusicPlus
The Harder They Come by Jimmy Cliff - Piano/Vocal/Guitar
Piano, Vocal and Guitar
Performed by: Jimmy Cliff: The Harder They Come Digital Sheetmusic - instantly downloadabl…
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Performed by: Jimmy Cliff: The Harder They Come Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 6 pages -- Movie/TV~~Reggae~~Pop Rock~~World~~Soundtrack~~Jamaican
$5.50
4.97 €
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Piano, Vocal and Guitar
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Jimmy Cliff
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Piano/Vocal/Guitar
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Musicnotes
Appassionato
Chamber Orchestra
Chamber orchestra - Grade 3 - Digital Download SKU: IZ.OMS128 Composed by Peter Nos…
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Chamber orchestra - Grade 3 - Digital Download SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Published by Imagine Music - Digital (IZ.OMS128). 9 x 12 in inches.For Chamber Orchestra (Grade 3). By Peter Nostrand. Appassionato is a story about the struggle for love. While it was composed in a traditional ABA structure, there are many elements in this composition which are not at all traditional. As the piece awakens, the oboes and flutes seem innocent and coquettish. As orchestral participation grows, one has the sense of an entire field of rich colors growing before our very ears. Enter the piano. Simple, elegant and romantic. Softly supported by the strings, the piano issues an invitation to the winds. They respond cautiously, obviously curious to see what this charming piano has in mind. The strings express an opinion. It's not what the piano wants and he presses harder. The strings and winds question each other, back and forth with triplets. Who is this piano? The mid-section is an announcement by the strings that a love relationship may be in the cards. The piano replies with passion and tenderness.With eighth notes, the strings become entangled with the piano, counseling it, guiding it. The winds using triplets put their two cents on the table. They're not so sure. The piano makes a passionate plea; the strings are supportive. The piano and the winds have a conversation. They finally dance together. In the end,.Appassionato is a musical expression of the struggle over whether or not love is worth the risk Sometimes in conflict sometimes in harmony, the piano and winds do unite. Passion has won.
$30.00
27.1 €
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Chamber Orchestra
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Peter Nostrand
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Peter Nostrand
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the strings are supportive
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Appassionato
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Imagine Music - Digital
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SheetMusicPlus
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Ar…
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Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany
$25.00
22.58 €
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Trombone
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Tom Ervin
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20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
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Gordon Cherry
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SheetMusicPlus
The Harder They Come
Guitar notes and tablatures
By Jimmy Cliff. Caribbean; Reggae. GPLA. 8 pages. Published by Hal Leonard - Digital Sheet…
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By Jimmy Cliff. Caribbean; Reggae. GPLA. 8 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.51 €
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Guitar notes and tablatures
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Jimmy Cliff
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Reggae
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The Harder They Come
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
The Harder They Come
Lyrics and Chords
By Jimmy Cliff. Reggae. GTRCHD. 2 pages. Published by Hal Leonard - Digital Sheet Music
By Jimmy Cliff. Reggae. GTRCHD. 2 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
1.8 €
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Lyrics and Chords
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Jimmy Cliff
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The Harder They Come
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Jimmy Cliff: The Harder They Come - guitar (tablature, play-along)
Guitar notes and tablatures
Instantly printable sheet music by Jimmy Cliff for guitar (tablature, play-along) of MEDIU…
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Instantly printable sheet music by Jimmy Cliff for guitar (tablature, play-along) of MEDIUM skill level. / reggae,caribbean
$8.97
8.1 €
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Guitar notes and tablatures
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Jimmy Cliff
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Virtualsheetmusic
Jimmy Cliff: The Harder They Come for voice, piano and guitar
Piano, Vocal and Guitar
Instantly printable sheet music by Jimmy Cliff for voice, piano or guitar of MEDIUM skill …
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Instantly printable sheet music by Jimmy Cliff for voice, piano or guitar of MEDIUM skill level. / reggae
$6.97
6.3 €
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Piano, Vocal and Guitar
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Jimmy Cliff
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Virtualsheetmusic
Jimmy Cliff: The Harder They Come for guitar
Lyrics and Chords
Instantly printable sheet music by Jimmy Cliff for guitar (chords) of MEDIUM skill level. …
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Instantly printable sheet music by Jimmy Cliff for guitar (chords) of MEDIUM skill level. / reggae
$3.97
3.59 €
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Lyrics and Chords
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Jimmy Cliff
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Virtualsheetmusic
Triad Chord Worksheet
Guitar notes and tablatures
Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. In…
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Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.
$1.99
1.8 €
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Guitar notes and tablatures
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Brian Streckfus
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Triad Chord Worksheet
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Brian Streckfus
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SheetMusicPlus
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