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You've selected:
The Heart of the Fugue
Sheetmusic to print
27 sheet music found
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26
The Heart of the Fugue
Choral SATB
Choral SATB choir - Digital Download SKU: H1.SP820DP Composed by Robert Leaf. Piano…
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Choral SATB choir - Digital Download SKU: H1.SP820DP Composed by Robert Leaf. Piano Accompaniment. Secular, General Worship. Octavo. 12 pages. Hope Publishing - Digital #SP820DP. Published by Hope Publishing - Digital (H1.SP820DP). Original anthem.
$2.95
2.67 €
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Choral SATB
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Robert Leaf
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The Heart of the Fugue
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Hope Publishing - Digital
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SheetMusicPlus
Blessed Are the Pure in Heart
Choral SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1306407 Comp…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1306407 Composed by Daniel Ficarri. Arranged by Daniel Ficarri. 21st Century,A Cappella,Christian,Contemporary,Sacred. 18 pages. Daniel Ficarri #895774. Published by Daniel Ficarri (A0.1306407). Blessed are the pure in heart, for they shall see our God; the secret of the Lord is theirs, their soul is Christ's abode. (Text by John Keble, 1792–1866) This a cappella fugue builds from a simple statement of the theme by one voice to the rich harmonies and suspensions of eight independent voices, illustrating the majesty of the words for they shall see our God. In a contrasting middle section, the voices sing intimately of the secret of the Lord, expanding up and down the scale from a single drone. And in the concluding section, the original theme returns in stretto as the voicing thickens to a rich and sonorous amen..
$2.50
2.27 €
#
Choral SATB
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Daniel Ficarri
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Blessed Are the Pure in Heart
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Daniel Ficarri
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SheetMusicPlus
Mountain Goats And Other Creatures
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1201464 By Vessela Stoyanova.…
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String Orchestra - Level 4 - Digital Download SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
90.67 €
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String Orchestra
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Vessela Stoyanova
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Mountain Goats And Other Creatures
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Vessela Stoyanova
#
SheetMusicPlus
Bach - Prelude & Fugue in F Minor BWV881 - String Trio (Violin, Viola & Cello) - Score and parts
String Trio: violin, viola, cello
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.824…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.824080 Composed by Johann Sebastian Bach. Arranged by Tim TK Murray. Baroque,Concert,Standards. Score and parts. 13 pages. TK (Tim) Murray #4980141. Published by TK (Tim) Murray (A0.824080). This beautiful Prelude and Fugue in F minor from the 'Well-Tempered Klavier' makes the perfect addition to the String Trio repertoire. It would be an ideal concert opener with its deeply heartfelt prelude followed by a rhythmic and vibrant fugue. Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$5.95
5.39 €
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String Trio: violin, viola, cello
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Johann Sebastian Bach
#
tkmurraycomp@aol.com
#
Bach - Prelude & Fugue in F Minor BWV881 - String Trio
#
TK
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SheetMusicPlus
Bach - Prelude & Fugue in F Minor BWV881- Flute, Viola & Cello - Score and parts
Small Ensemble Cello,Flute,Viola - Level 3 - Digital Download SKU: A0.824084 Compos…
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Small Ensemble Cello,Flute,Viola - Level 3 - Digital Download SKU: A0.824084 Composed by Johann Sebastian Bach. Arranged by Tim TK Murray. Baroque,Concert,Standards. Score and parts. 13 pages. TK (Tim) Murray #4980313. Published by TK (Tim) Murray (A0.824084). This beautiful Prelude and Fugue in F minor from the 'Well-Tempered Klavier' makes the perfect addition to the String Trio repertoire. It would be an ideal concert opener with its deeply heartfelt prelude followed by a rhythmic and vibrant fugue. Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$5.95
5.39 €
#
Johann Sebastian Bach
#
tkmurraycomp@aol.com
#
Bach - Prelude & Fugue in F Minor BWV881- Flute, Viola & Cello - Score and parts
#
TK
#
SheetMusicPlus
Fugue in Blue for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1386176 By …
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Clarinet Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1386176 By Hugh Levey. By Hugh Levey. Arranged by Hugh Levey. Blues,Chamber,Classical,Contemporary,Jazz. 15 pages. Woodwindly.com #970126. Published by woodwindly.com (A0.1386176). 4 Bb Clarinets or 3 Bb Clarinet and Bass ClarinetFugue in Blue started out as a Clarinet Trio called Jazz Fughetta, indicating that it was a simple fugue in a jazz style, but without the formality of a fully worked out fugue. In this rewritten Clarinet Quartet version, the first three voices enter fugally with the second beginning on the dominant and the third back in the tonic. After a contrapuntal interlude based on the opening rhythms, the fourth voice enters on the sub-dominant.The original work was a student composition exercise, combining a conventional classical form (fugue) with a syncopated jazz style. Many years later it has been reworked in swing style with a more laid back feel and some more inventive harmony and jazz articulation. Of course, it has also had a fourth part added to create the clarinet quartet that is published here.The work is well suited to recital programmes, as a light-hearted opener or relaxed interlude in a more serious concert. It is also suited to younger players who wish to combine the discipline of ‘classical’ chamber music while learning about jazz articulation, such as falls and short notes at the ends of phrases.
$12.50
11.33 €
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Clarinet Quartet: 4 clarinets
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Hugh Levey
#
Fugue in Blue for Clarinet Quartet
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woodwindly.com
#
SheetMusicPlus
Fugue in Blue for 3 Clarinets
3 Clarinets (trio)
Clarinet Trio,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1386174 By Hug…
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Clarinet Trio,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1386174 By Hugh Levey. By Hugh Levey. Arranged by Hugh Levey. Blues,Chamber,Classical,Contemporary,Jazz. 11 pages. Woodwindly.com #970123. Published by woodwindly.com (A0.1386174). This is a fun piece that combines a jazz style with the conventional classical form of a fugue. The work is well suited to recital programmes, as a light-hearted opener or relaxed interlude in a more serious concert. It is also suited to younger players who wish to combine the discipline of ‘classical’ chamber music while learning about jazz articulation, such as falls and short notes at the ends of phrases.Fugue in Blue started out as a Clarinet Trio called Jazz Fughetta, indicating that it was a simple fugue in a jazz style, but without the formality of a fully worked out fugue. In this new version, the first three voices enter fugally with the second beginning on the dominant and the third back in the tonic. It is now in a swing style with a more laid back feel and some more inventive harmony and jazz articulation.
$12.50
11.33 €
#
3 Clarinets (trio)
#
Hugh Levey
#
Fugue in Blue for 3 Clarinets
#
woodwindly.com
#
SheetMusicPlus
Fugue in Blue for Saxophone Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1386180 By…
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Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1386180 By Hugh Levey. By Hugh Levey. Arranged by Hugh Levey. Blues,Chamber,Classical,Contemporary,Jazz. 15 pages. Woodwindly.com #970131. Published by woodwindly.com (A0.1386180). Parts included for SATB or AATB SaxophonesFugue in Blue started out as a Clarinet Trio called Jazz Fughetta, indicating that it was a simple fugue in a jazz style, but without the formality of a fully worked out fugue. In this Saxophone Quartet version, the first three voices enter fugally with the second beginning on the dominant and the third back in the tonic. After a contrapuntal interlude based on the opening rhythms, the fourth voice enters on the sub-dominant.The original work was a student composition exercise, combining a conventional classical form (fugue) with a syncopated jazz style. Many years later it has been reworked in swing style with a more laid back feel and some more inventive harmony and jazz articulation, so ideally suited to sax quartet.The work is well suited to recital programmes, as a light-hearted opener or relaxed interlude in a more serious concert. It is also suited to younger players who wish to combine the discipline of ‘classical’ chamber music while learning about jazz articulation, such as falls and short notes at the ends of phrases.
$12.50
11.33 €
#
Saxophone Quartet: 4 saxophones
#
Hugh Levey
#
Fugue in Blue for Saxophone Quartet
#
woodwindly.com
#
SheetMusicPlus
Sonata for Piano Quintet
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU…
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
36.27 €
#
James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Bach: Sheep May Safely Graze for Baritone Sax & Piano
Baritone Saxophone, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.548979 Composed by Jo…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444583. Published by jmsgu3 (A0.548979). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Level: Early intermediate and up. A popular choice for weddings, Christmas, Easter, birthdays, and recitals. Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
29.88 €
#
Baritone Saxophone, Piano
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Johann Sebastian Bach
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Bach: Sheep May Safely Graze for Baritone Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Bach: Sheep May Safely Graze for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.548976 Composed by Johann…
(+)
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444569. Published by jmsgu3 (A0.548976). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
29.88 €
#
Alto Saxophone and Piano
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Johann Sebastian Bach
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Bach: Sheep May Safely Graze for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Prelude and Fugue for brass trio
Brass ensemble
Brass Ensemble - Level 5 - Digital Download SKU: A0.883447 Composed by Oskar Bohme.…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.883447 Composed by Oskar Bohme. Arranged by Travis Freshner. 20th Century,Romantic Period,Standards. Score and parts. 16 pages. Tfresh productions #3089023. Published by tfresh productions (A0.883447). Oskar Böhme's Prelude and Fugue for brass trio (Bb trumpet, F Horn, Euphonium). Originally published in 1910, this is an advanced challenge...not for the faint of heart.https://www.youtube.com/watch?v=xAqIK3je9Z0
$20.00
18.13 €
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Brass ensemble
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Oskar Bohme
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Prelude and Fugue for brass trio
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tfresh productions
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SheetMusicPlus
Prelude and Fugue for saxophone trio
3 Saxophones (trio)
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Tenor Saxophone - Level 5 - Digital Downloa…
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Woodwind Ensemble,Woodwind Trio Alto Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.883450 Composed by Oskar Bohme. Arranged by Travis Freshner. 20th Century,Romantic Period. 16 pages. Tfresh productions #3089027. Published by tfresh productions (A0.883450). Oskar Böhme's Prelude and Fugue arranged for saxophone trio (Alto 1, Alto 2, Tenor). Advanced. Originally published in 1910 for brass trio. Not for the faint of heart.
$20.00
18.13 €
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3 Saxophones (trio)
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Oskar Bohme
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Prelude and Fugue for saxophone trio
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tfresh productions
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SheetMusicPlus
Fugue #2
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Engl…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,English Horn,Oboe,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.889839 Composed by Gary Friedman. Baroque,Contemporary. 51 pages. Gary Friedman #2031629. Published by Gary Friedman (A0.889839). Light-hearted fugue originally written for double-reed quartet of oboe, English horn, and two bassoons. Also works well for saxophone quartet (soprano, alto, tenor, bass) and clarinet quartet (two B flats, and two bass's). All scores and parts are supplied. The audio clip is a computer playback of the double reed version, made with early Finale and doesn't reproduce ritards, etc. Duration about 4 minutes.
$10.00
9.07 €
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Gary Friedman
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Fugue #2
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Gary Friedman
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SheetMusicPlus
The Pet Concerto (SATB Version)
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.631387 Composed by Stephen…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.631387 Composed by Stephen DeCesare. Broadway,Concert,Film/TV,Musical/Show. Octavo. 26 pages. Exultet Music #6535055. Published by Exultet Music (A0.631387). A vocal concerto about our friends from the animal kingdom that we have as pets. First movement: The Pets Fugue: If you ever wondered what it was like to sing like your favorite pet, well now you can. Each part is a different animal (Dog, Cat, Bird or Frog). Second movement: Take Me Home: This heartfelt song is from a pet's point of view of those who have been abandoned and left at a pound. Third Movement: Rainbow Bridge: Tender, heartfelt song for all those who have had a pet crossover and hope to see again at the Rainbow Bridge. Can be performed live or virtually. Scored for SATB, Vocal Solo with Piano accompaniment. Rehearsal and accompaniment tracks are also available as well as the individualized pieces. Accessible and appropriate for any school or concert setting.
$10.00
9.07 €
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Choral SATB
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Stephen DeCesare
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The Pet Concerto
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Exultet Music
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SheetMusicPlus
Symphonie Fantastique for Trombone Octet
Trombone ensemble
Large Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.955720 Composed b…
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Large Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.955720 Composed by Hector Berlioz. Arranged by Phil Thrift. Classical,Romantic Period. Score and parts. 56 pages. Phil Thrift #5322013. Published by Phil Thrift (A0.955720). This, the trombone octet adaptation of my trombone quartet arrangement of Hector Berlioz’ Symphonie Fantastique, again features all the well-known themes of the full orchestral symphony. The beginning is identical with the original, but then proceeds immediately to the March to the Scaffold of the fourth movement. The famous idée fixe of the symphony is first heard at measure 72, and this is followed by other themes from the first movement. The adagio at measure 164 re-creates the pastoral duet of the symphony’s third movement. As indicated on the charts, the first trombone (alto) should play this section offstage (as for the oboist in the original), while the others remain on stage. If this is not possible, then the first trombone should play this section muted. This very reflective interlude is followed by my personal favorite, the wondrously jolly waltz from the symphony’s second movement. The Witches’ Round Dance, a sort of fugue, comes next, and leads to the dies irae – played in four octaves here, but in this octet version heard together with the Witches’ Round Dance. The idée fixe is stated once again before the arrangement concludes in the same way as the original symphony.This is a light-hearted arrangement that is not intended to re-create exactly the grandeur of the original with its huge orchestral forces. Lasting nearly 9 min, depending on how fast you take some sections, this piece will require some stamina, but with many sections arranged for two, three or four trombones, every player does get a break. The first part requires a very capable alto trombonist with a good high register.Player 1 plays alto throughout, player 2 switches between alto and tenor, and parts 7 and 8 are for bass trombone.Sensible page turns were impossible to incorporate in some of the parts while at the same time not exceeding four pages. So in those parts the players are instructed – during longer breaks – to fetch the next page in good time, which is easily possible if the parts are printed out on separate sheets. Players using tablets won’t have any problems, of course.
$8.99
8.15 €
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Trombone ensemble
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Hector Berlioz
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Symphonie Fantastique for Trombone Octet
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Phil Thrift
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SheetMusicPlus
String Quartet No. 2
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1417371 Composed by Julian Harvey. 21st Century,Contemporary. 52 pages. Julian Harvey #998468. Published by Julian Harvey (A0.1417371). Due to the interest in my first string quartet I thought I would put together a String Quartet No. 2. However, the second quartet, especially in the first and last movements is quite different than the first. There are elements of pop music in the first movement which is entitled “Heartthrob†and is marked quarter note equals 80. The second movement, entitled “I Remember, is marked quarter equals 76 and resembles somewhat the style of the earlier quartet. The third movement, entitled “Computer Game,†is marked quarter note equals 106 and contains elements of pop music as well as of minimalism. It ends with a fugue.
$15.00
13.6 €
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String Quartet: 2 violins, viola, cello
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Julian Harvey
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String Quartet No. 2
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Julian Harvey
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SheetMusicPlus
Symphonie Fantastique for Trombone Quartet
Brass Quartet: 4 trombones
Brass Ensemble Bass Trombone - Level 4 - Digital Download SKU: A0.955716 Composed b…
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Brass Ensemble Bass Trombone - Level 4 - Digital Download SKU: A0.955716 Composed by Hector Berlioz. Arranged by Phil Thrift. Classical. Score and parts. 47 pages. Phil Thrift #5306259. Published by Phil Thrift (A0.955716). This trombone quartet arrangement of Hector Berlioz’ Symphonie Fantastique contains all the well-known themes of the full orchestral symphony. The beginning is identical with the original, but then proceeds immediately to the March to the Scaffold of the fourth movement. The famous idée fixe of the symphony is first heard at measure 72, and this is followed by other themes from the first movement. The adagio at measure 164 re-creates the pastoral duet of the symphony’s third movement. As indicated on the charts, the first trombone should play this section offstage (as for the oboist in the original), while the others remain on stage. If this is not possible, then the first trombone should play this section muted. This very reflective interlude is followed by my personal favorite, the wondrously jolly waltz from the symphony’s second movement. This is followed by the Witches’ Round Dance, a sort of fugue, which leads to the dies irae – played in four octaves here, with a high Eflat to test your first trombonist! The idée fixe is stated once again before the arrangement concludes in the same way as the original symphony.This is a light-hearted arrangement that is not intended to re-create exactly the grandeur of the original with its huge orchestral forces. Lasting up to 8 min 50 sec, depending on how fast you take some sections, this piece will require some stamina, but every player does get a break and the lead shifts between all four trombones.If you’re not familiar with the full orchestral version, then I suggest you listen to it before attempting this arrangement.Alternative tenor clef parts are included for the tenor trombones.
$6.99
6.34 €
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Brass Quartet: 4 trombones
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Hector Berlioz
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Symphonie Fantastique for Trombone Quartet
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Phil Thrift
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SheetMusicPlus
"Liebesschmerz Fuge" for piano Op. 95
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.980449 Composed by Gary Noland. 20t…
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Piano Solo - Level 5 - Digital Download SKU: A0.980449 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 39 pages. Freeland Publications #3246459. Published by Freeland Publications (A0.980449). Duration: ca. 15-20 minutes. Lush extended tonal language. Highly chromatic and contrapuntal. An innovative fugue unlike any other in the literature. This work was begun in 1981 and underwent revisions on and off for 28 years until it was finally completed in 2009. This piece is intended only for first-rate virtuoso pianists. Written comments: Gary, this is wonderful! I am a Bach freak ... clearly you are as well (meant as a big compliment smile emoticon ). Love the title too heart emoticon.-Kurt Werderman. Completely charming. I get the Liebes part, but the other half seems entirely too much tongue-in-cheek fun for Schmerz. smile emoticon You wrote a brilliant piece that sounds so spontaneous it is hard to believe it had such a long gestation period as 28 years.-Rodney Punt. Here is to me really deep music of very high quality. I listened three times. The fugue has the kind of complexity and positive ambiguity which awakens my curiosity to listen again and again. The episodes are for me personally something of the most beautiful modern music written for piano I remember just now.-Frank David. Here is a link to a MIDI realization thereof: https://www.youtube.com/watch?v=3MGGAgzu4Xk
$14.99
13.59 €
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Piano solo
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Gary Noland
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"Liebesschmerz Fuge" for piano Op. 95
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Freeland Publications
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SheetMusicPlus
Prelude & Fugue in A Minor (BWV 559) - Solo Violin Transcription
Violin
Violin Solo - Level 5 - Digital Download SKU: A0.1425272 Composed by Johann Sebasti…
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Violin Solo - Level 5 - Digital Download SKU: A0.1425272 Composed by Johann Sebastian Bach. Arranged by Dirk Schneiderheinze. Baroque,Classical. 2 pages. Dirk Schneiderheinze #1006091. Published by Dirk Schneiderheinze (A0.1425272). An arrangement for solo violin of the Prelude & Fugue in A Minor (BWV 559) by Johann Sebastian Bach. Although attributed to J.S. Bach, it is believed to have been written by a pupil (likely Johann Krebs).This is a challenging transcription making use of harmonic thirds and double/triple stops (inspired somewhat by Paganini's variations on God Save The King). Not for the light-hearted!
$4.99
4.52 €
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Violin
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Johann Sebastian Bach
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Prelude & Fugue in A Minor
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Dirk Schneiderheinze
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SheetMusicPlus
Anim Zemiros
Choral SATB
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909…
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
2.72 €
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Choral SATB
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Sonata In G For Organ-Scherzo
Organ
Organ - Level 3 - Digital Download SKU: A0.912462 Composed by Thomas R. Schadl. Con…
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Organ - Level 3 - Digital Download SKU: A0.912462 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score. 8 pages. Thomas R. Schadl #514849. Published by Thomas R. Schadl (A0.912462). The Scherzo explores a variety of sections that have their own character. The first section is written in a North German toccata style where the opening measures are treated in a canonic manner and played in a series of thirds and sixths against the main theme stated in the pedal division; this compositional approach is somewhat reminiscent of the organ compositions of Dietrich Buxtehude (Prelude and Fugue in G Minor BUXWV 149). The second section is contrapuntal in nature and depicts a humorous moment; that moment may depict a comedy show or a circus event at a fair. Following that section is the recurrence of the main theme of the first movement. The fourth section is quiet in sound intensity and is the most chromatically oriented than other parts. Following that is a fugue, derived from the main theme of the first movement, and a transitional passage leading back to the recurring main theme. The work concludes triumphantly in the key of G Major. The Scherzo requires attention to articulation, phrasing and timing. This work is suitable for educational and recital uses: it introduces organ students to major works of Buxtehude and Johann S. Bach and many more composers; organists of various expertise may play the work to lighten up the audience's mood after listening to more difficult organ works. Let this work bring pleasure into your hearts and the listeners'. Enjoy it.
$7.99
7.24 €
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Organ
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Thomas R
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Sonata In G For Organ-Scherzo
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Thomas R. Schadl
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SheetMusicPlus
Fantasia on Moravian Hymns
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.755118 Composed by Sy Brandon. 20…
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Concert Band - Level 4 - Digital Download SKU: A0.755118 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Sacred. Score and parts. 134 pages. Sy Brandon #3396121. Published by Sy Brandon (A0.755118). Fantasia On Moravian Hymns was composed during 1998 as a result of a commission by the 20th Moravian Music festival. The work is in three sections; fast, slow, fast. The first section uses phrases from the hymns Sing Hallelujah, Praise the Lord and Jesus Makes My Heart Rejoice in a festive duple meter with a continuous triplet accompaniment. The phrases are used separately, in canon, and in counterpoint against each other. The second section uses the hymn When My Love To Christ Grows Weak which is turned into a passacaglia bass line. Eight variations over this bass line follow the initial statement. The last section uses the hymns All the World Give Praises Due and To Avert from Men God’s Wrath. All the World Give Praises Due is divided into phrases separated by a fanfare-like descant. The descant then becomes the basis of a short fugal section that leads directly into the hymn, To Avert from Men God’s Wrath. The harmony becomes more chromatic and is accompanied by a descant that grows out of the previous fugue. All the World Give Praises Due returns but is expanded as it leads to the climactic end. The score prints on legal size paper and the parts on letter.
$39.99
36.26 €
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Concert band
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Sy Brandon
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fast, slow, fast
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Fantasia on Moravian Hymns
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Sy Brandon
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SheetMusicPlus
Quartet for Brass
Brass Ensemble Trombone,Trumpet - Digital Download SKU: A0.1044869 Composed by Eliz…
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Brass Ensemble Trombone,Trumpet - Digital Download SKU: A0.1044869 Composed by Elizabeth Raum. 20th Century. Score and parts. 47 pages. Gordon Cherry #649485. Published by Gordon Cherry (A0.1044869). Elizabeth Raum's Quartet for Brass was written in 1980 and is just now being published for the first time. The work is in four movements: 1. Prelude, 2. Scherzo and Blues, 3. Passacaglia and Fugue and 4. Rondo. It is written for two Trumpets in B-flat, Tenor Trombone and Bass Trombone for advanced performers and is about 15 minutes in length. The music is very expressive and tonal. Below is a brief description of the work by the composer, Elizabeth Raum. This piece is very much based on various musical forms. The Prelude has opened many a musical work from Baroque to the present. Then follows Scherzo and Blues, a light-hearted bonbon moving into a lazy blues. Next is pure Baroque starting with a Passacaglia followed by a Fugue based on the Passacaglia progression. And finally finishing up with the Rondo, in a major key, light-hearted, canonic in places, with a feeling of the evolution of musical form.
$35.00
31.73 €
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Elizabeth Raum
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Quartet for Brass
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Gordon Cherry
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SheetMusicPlus
Quintet for Brass
Brass ensemble
Brass Ensemble - Level 5 - Digital Download SKU: A0.792667 Composed by Elizabeth Ra…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792667 Composed by Elizabeth Raum. 20th Century. Score and parts. 49 pages. Gordon Cherry #5329123. Published by Gordon Cherry (A0.792667). Elizabeth Raum's Quintet for Brass was written in 1980 and is just now being published for the first time. The work is in four movements: 1. Prelude, 2. Scherzo and Blues, 3. Passacaglia and Fugue and 4. Rondo. It is written for traditional brass quintet with Trumpets in B-flat for advanced performers and is about 15 minutes in length. The music is very expressive and tonal. Below is a brief description of the work by the composer, Elizabeth Raum. This piece is very much based on various musical forms. The Prelude has opened many a musical work from Baroque to the present. Then follows Scherzo and Blues, a light hearted bonbon moving into a lazy blues. Next is pure Baroque starting with a Passacaglia followed by a Fugue based on the Passacaglia progression. And finally finishing up with the Rondo, in a major key, light-hearted, canonic in places, with a feeling of the evolution of musical form.
$45.00
40.8 €
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Brass ensemble
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Elizabeth Raum
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Quintet for Brass
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Gordon Cherry
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SheetMusicPlus
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