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The Hours
Sheetmusic to print
3,330 sheet music found
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The Sundials
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Contemporary
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Matthew Scott Phillips
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a shadow
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The Sundials
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Matthew Scott Phillips
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SheetMusicPlus
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott ...
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00
The Sundials: II; Pereunt et Imputantur (They pass and are counted)
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String Trio: violin, viola, cello
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Contemporary
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Matthew Scott Phillips
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The Sundials: II; Pereunt et I
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Matthew Scott Phillips
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SheetMusicPlus
String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. ...
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String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
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Contemporary
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Matthew Scott Phillips
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The Sundials: III; Tempus Fugi
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Matthew Scott Phillips
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SheetMusicPlus
Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Ma...
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
The Sundials: I;Tempus Edax Rerum (Time devours things)
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Contemporary
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Matthew Scott Phillips
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The Sundials: I;Tempus Edax Re
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Matthew Scott Phillips
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SheetMusicPlus
Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. M...
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
Oot-kwa-tah, Dance of the Seven Sisters
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Brett L
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Oot-kwa-tah, Dance of the Seve
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Sonata Grendel Publishing
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #...
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Concert Band - Level 4 - Digital Download SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Published by Sonata Grendel Publishing (A0.837514). Note: for best results, print the score (first 38 pages) on 8.5 X 14 (legal) sized paper and print the parts on 8.5 X 11 (letter) sized paper. M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Oot-kwa-tah is dedicated to Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster.The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star.
$40.75
Oot-kwa-tah, Dance of the Seven Children for Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Brett L
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Oot-kwa-tah, Dance of the Seve
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Sonata Grendel Publishing
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.837507 Composed by Brett L. Wery. Concert,Contemporary. Score and pa...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.837507 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 26 pages. Sonata Grendel Publishing #5997463. Published by Sonata Grendel Publishing (A0.837507). M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Originally for chamber orchestra, Oot-kwa-tah is dedicated to SUNY Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster. The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star. Duration: 5:00
$24.95
The United States Army Hymn (Eternal Father, Hear Our Prayer)
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Choral SATB
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BEGINNER
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James F
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The United States Army Hymn
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Military Bible Association
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1465850 Composed by James F. Linzey and William H. Monk. 21st Century,Chamber,Christ...
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Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1465850 Composed by James F. Linzey and William H. Monk. 21st Century,Chamber,Christian,Classical,Religious. 4 pages. Military Bible Association #1044448. Published by Military Bible Association (A0.1465850). The History of the Four Immortal Chaplains and the United States Army HymnDuring World War II, four Army chaplains met at the Army Chaplains School at Harvard University. ere, they received training for their assignments in the European theater. They then boarded and sailed on the United States Army Transport (USAT) Dorchester to report to their new assignments. The USAT Dorchester left New York on January 23, 1943, en route to Greenland. She carried about 900 military personnel and was escorted by Coast Guard Cutters Tampa, Escanaba, and Comanche. During the early morning hours of February 3, 1943, the vessel was torpedoed by the German submarine U-223 off Newfoundland in the North Atlantic. As the Dorchester sank on that fateful day of February 3, 1943, the four Army chaplains on board helped their soldiers board lifeboats as they handed out life jackets. When they ran out of life jackets, the chaplains gave their own life jackets to four soldiers that they might live. Then the chaplains joined arms and prayed as they went down with the Dorchester. These were young chaplains, new to the Army, holding the rank of first lieutenant. They included Methodist minister Reverend George L. Fox, Reform Rabbi Alexander D. Goode, Catholic priest Father John P. Washington, and Reformed Church in America minister Reverend Clark V. Poling. e four chaplains were posthumously awarded the Distinguished Service Cross and the Purple Heart. Chaplain (MAJ) James F. Linzey, USA (Ret.), who was one of four military chaplains in his family, composed the United States Army Hymn, “Eternal Father, Hear Our Prayer,” in remembrance of the “Four Immortal Chaplains” on board the Dorchester. Also, James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99
Dance of the Hours
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Classical
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Amilcare Ponchielli
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Erik Cole
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Dance of the Hours
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Erik Cole
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SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 5 - Digital Download SKU: A0.996139 Composed by Amilcare Ponchielli. Arranged by Erik Cole. Romantic ...
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 5 - Digital Download SKU: A0.996139 Composed by Amilcare Ponchielli. Arranged by Erik Cole. Romantic Period. 101 pages. Erik Cole #6498527. Published by Erik Cole (A0.996139). A double reed transcription of the Dance of the Hours from La Gioconda, made famous by Disney's Fantasia. The Night section has been cut, as it's the least famous and included many string techniques that weren't very practical for winds to mimic, but it is otherwise true to the original. The 3rd parts are significantly easier than the others, but it is a challenging piece to take up to tempo, regardless. All oboe and bassoon parts are divisi. I was pleasantly surprised at how well almost all of it worked, especially after lowering the key to an easier C/F major which suits the oboe/bassoon range much better. The numerous rubatos/tempo changes were tough to accurately portray in a multi-track recording done to a click track, but I thought it generally came out well without too many inconsistencies. It's a very fun piece to play if your group is up to the challenge.
$36.75
The Oath of Silence, An Opera in Four Acts, Piano Vocal Score
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Piano, Vocal and Guitar
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ADVANCED
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James Nathaniel Holland
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The Oath of Silence, An Opera
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James Nathaniel Holland
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1284659 Composed by James Nathaniel Holland. 21st Century,Contemporary,Opera. Score. 143 pa...
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Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1284659 Composed by James Nathaniel Holland. 21st Century,Contemporary,Opera. Score. 143 pages. James Nathaniel Holland #875835. Published by James Nathaniel Holland (A0.1284659). PIANO VOCAL SCORE.  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$17.50
The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 2 of 2 (Harp and Strings)
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String Orchestra
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INTERMEDIATE/ADVANCED
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James Nathaniel Holland
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The Oath of Silence, An Opera
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James Nathaniel Holland
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1286698 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera....
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String Orchestra - Level 4 - Digital Download SKU: A0.1286698 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 146 pages. James Nathaniel Holland #877732. Published by James Nathaniel Holland (A0.1286698). INDIVIDUAL INSTRUMENTS PARTS 2 of 2 (Harp and Strings).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$24.65
The Oath of Silence, An Opera in Four Acts, Full Orchestral Score (Concert Pitch) - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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James Nathaniel Holland
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The Oath of Silence, An Opera
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1284590 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 2...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1284590 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 259 pages. James Nathaniel Holland #875765. Published by James Nathaniel Holland (A0.1284590). FULL SCORE (Concert Pitch).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$34.50
The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 1 of 2 (WW, Brass, Perc.)
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Orchestra
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INTERMEDIATE/ADVANCED
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James Nathaniel Holland
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The Oath of Silence, An Opera
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1286761 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. S...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1286761 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 224 pages. James Nathaniel Holland #877785. Published by James Nathaniel Holland (A0.1286761). INDIVIDUAL INSTRUMENTS PART 1 of 2 (Woodwinds, Brass, Percussion).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$30.95
Blithe as the Hours of May
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Piano, Voice
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Blithe as the Hours of May
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.16951 Courtship & love, Emotion-pain, Distress. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins...
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Piano and voice - Digital Download SKU: LV.16951 Courtship & love, Emotion-pain, Distress. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16951). Blithe as the Hours of May. Martini. Published [n.d.] by Carr's Music Store in Baltimore. Composition of through-composed with piano and voice instrumentation. Subject headings for this piece include Courtship & love, Emotion-pain, Distress. First line reads Blithe as the hours in may are those I now deplore.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The Last Time I Saw Paris
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Piano solo
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ADVANCED
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Classical
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101 String Orchestra
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Timothy Stapay
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The Last Time I Saw Paris
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadw...
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Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace. It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn
$8.99
A Classical Salad - Eight favorite classics - the intermediate pianist
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Easy Piano
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INTERMEDIATE
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Various
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Judith L
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A Classical Salad - Eight favo
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Maggs
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SheetMusicPlus
Easy Piano - Level 3 - Digital Download SKU: A0.821399 Composed by Various. Arranged by Judith L. Maggs. 19th Century,20th Century,Instructional,Romantic...
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Easy Piano - Level 3 - Digital Download SKU: A0.821399 Composed by Various. Arranged by Judith L. Maggs. 19th Century,20th Century,Instructional,Romantic Period,Standards. Score. 28 pages. Maggs #6332175. Published by Maggs (A0.821399). A Classical Salad is a collection of 8 eclectic classics arranged for intermediate to advanced intermediate piano. All of them are satisfying to play and listen to, even though simplified. They would work nicely as recital pieces.Each piece in the collection is also published separately on SLP. (I’ll include the product numbers, in case you’d like to be able to listen to each piece in its entirety.)Included are: Anitra’s Dance - Grieg (21979782)Theme from Chopin’s Etude Op. 10 No. 3 (21991996)Funeral March of a Marionette - Gounod (21848185)Dance of the Hours - Ponchielli (21978683)Salut d’amour - Elgar (21995628)Spring Song - Mendelssohn (21988308)Juba Dance - Dett (21986237)Liberty Bell March - Sousa (21981114)
$12.99
How Tedious and Tasteless the Hours (2 for 1 PIANO Standalone Arr's)
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Piano solo
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INTERMEDIATE
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John Newton / Lewis Edson
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Dr
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#
How Tedious and Tasteless the
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Jerry Nelson
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.874756 Composed by John Newton / Lewis Edson. Arranged by Dr. Jerry Nelson. Christian,Gospel,Praise & Wor...
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Piano Solo - Level 3 - Digital Download SKU: A0.874756 Composed by John Newton / Lewis Edson. Arranged by Dr. Jerry Nelson. Christian,Gospel,Praise & Worship,Spiritual. Score. 7 pages. Jerry Nelson #3594467. Published by Jerry Nelson (A0.874756). How tedious and tasteless the hours when Jesus no longer I see). Receive both levels (3+ and 5) for the price of one! S.A. (Standalone) requires no Accomp. Track (The AUDIO DEMO is performed at the higher level). Time - 2:42. DO YOU or a Friend or Student PLAY ONE OF THESE: FL, OB, CL, ASX, TSX, HN, TPT, TBN, VLN, VLA, CEL? Tell them where you found the needle in the haystack. SEARCH: Jerry Nelson (plus the name of Instrument). Visit www.JerryNelsonMusic.com for a FREE 15-song Mega-Medley of Arrangements & Audio Demo!
$4.99
The Fog Meets the Storm for small wind band and percussion
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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James M Johnson
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The Fog Meets the Storm for sm
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Myles Music James Johnson
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson ...
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Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Published by Myles Music James Johnson (A0.995515). Duration: 4: 23level: intermediate to advancedConcert festival type of piece!Fog Meets the Storm to program notes: One of my goals was to create a piece that demonstrates many different mood changes and sound effects, that we experience in the climate that we live in. Whether we are journeying to the mountains or driving to work, mother nature is always on display. Therefore, I believe mother nature symbolizes pleasure, pain, and despair. Having the opportunity to grow up in New England and now living in Maine, I have seen a WIDE variety of weather within just a period of 24 hours! While living on the West Coast I will never forget my drive on the 395 going north and seeing the Sierra Nevada mountains (to my left) tall and grand with snow covered mountain tops! To the right, you would see and feel the hot desert! Although the performers do not need to envision mountaintops or deserts you need to respect the different sections and moods of the piece and know that everything is changing around us, all the time. As musical artists, we can convey our life journeys through our individual sound as well as the ensemble; whether it’s through enjoying nature, life’s challenges, and celebrations! Enjoy making traditional sounds and nontraditional sounds with your instrument.
$50.00
When Your Feet Don't Touch The Ground
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Eliot Kennedy and Gary Barlow
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Theodore Hicks
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When Your Feet Don't Touch The
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Theo Hicks Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1085253 Composed by Eliot Kennedy and Gary Barlow. Arranged by Theodore Hicks. A Cappella,Broadw...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1085253 Composed by Eliot Kennedy and Gary Barlow. Arranged by Theodore Hicks. A Cappella,Broadway,Contemporary,Musical/Show. Octavo. 9 pages. Theo Hicks Music #689397. Published by Theo Hicks Music (A0.1085253). A magical song about growing up from the musical Neverland. Originally performed by the 2018 International Champions, After Hours, this piece works well for small ensemble (quartet minimum) or a large choir. For SSAA or SATB voicings, please reach out to the arranger through the website listed below. This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests. For more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com. LIKE Theo Hicks Music on Facebook at https://www.facebook.com/theohicksmusic/.
$4.00
Dance of the Hours - Easy Piano
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Piano solo
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EASY
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Jazz
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A
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Kevin P
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Dance of the Hours - Easy Pian
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Kevin P. Holtg
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.866038 Composed by A. Ponchielli. Arranged by Kevin P. Holt. Children,Concert,Contemporary,Romantic Perio...
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Piano Solo - Level 2 - Digital Download SKU: A0.866038 Composed by A. Ponchielli. Arranged by Kevin P. Holt. Children,Concert,Contemporary,Romantic Period,Standards. Score. 1 pages. Kevin P. Holtg #5997717. Published by Kevin P. Holtg (A0.866038). Nice and simple arrangements of popular film, jazz standards and classical themes for Easy Piano. Dynamics and Expression are left to the performers discretion but I've suggested a few to get you started. Have fun!This arrangement is the main theme only which has been transposed in to the easier key of F major. The original version was also in 2/4 time and contained lots of semi and demi-semiquaver notation. This I have also simplified in to easier to read quavers and crotchets, 1/8 and 1/4 notes.To show the versatility of this arrangement you will hear pizzicato strings being added at the end of the preview to show how a keyboard performance could take advantage of is ability to layer multiple sounds. Have Fun.
$3.99
Marlowe's Theme
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Clarinet and Piano
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INTERMEDIATE/ADVANCED
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David L Shire
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Uwe Roessler Rössler Rassle
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Marlowe's Theme
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Uwe Roessler
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1090919 Composed by David L Shire. Arranged by Uwe Roessler Rössler Rassler. 20th Century,F...
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1090919 Composed by David L Shire. Arranged by Uwe Roessler Rössler Rassler. 20th Century,Film/TV,Jazz,Standards. Score and part. 6 pages. Uwe Roessler #695062. Published by Uwe Roessler (A0.1090919). The opening title of the soundtrack from the movie â€Farewell, My Lovely†(1975), with the great Robert Mitchum. Aka “Marlowe´s Themeâ€. As Leif “Smoke Rings†Anderson said about this piece: “It tells a sadly story about a lonely man walking away in the night, going nowhere.†The relaxed tempo makes it an ideal piece for after-hours. And the jazzy chords are just marvellous! Piano voice is written out - with additional chord symbols for your own voicings. As for the title, the name of the piece: I am not entirely sure, whether “Marlowe´s Theme†is correct. The music of the opening scene has no name, as far as I´ve been able to determine, and on Davis Shire´s own piano solo version there´s a combination of this piece with “Marlowe´s Themeâ€. But, there you go … . It´s fantastic music, anyway. Two iterations: Piano Intro with the original piano pattern. Clarinet has the theme for one complete iteration. Piano Solo over 16 bars. Clarinet takes over second half of the theme. Duration: approx 03.00 min. I´ve listed quite a lot of songs, so far: Movie Themes and classic Pop songs for this kind of instrumentation, and others. Browse ;-) Have fun with my arrangements!
$10.00
Marlowe's Theme
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Violin and Piano
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INTERMEDIATE/ADVANCED
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David L Shire
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Uwe Roessler Rössler Rassle
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Marlowe's Theme
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Uwe Roessler
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.1090901 Composed by David L Shire. Arranged by Uwe Roessler Rössler Rassler. 20th Century,Film/TV,Ja...
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Piano,Violin - Level 4 - Digital Download SKU: A0.1090901 Composed by David L Shire. Arranged by Uwe Roessler Rössler Rassler. 20th Century,Film/TV,Jazz,Standards. 4 pages. Uwe Roessler #695042. Published by Uwe Roessler (A0.1090901). The opening title of the soundtrack from the movie â€Farewell, My Lovely†(1975), with the great Robert Mitchum. Aka “Marlowe´s Themeâ€. As Leif “Smoke Rings†Anderson said about this piece: “It tells a sadly story about a lonely man walking away in the night, going nowhere.†The relaxed tempo makes it an ideal piece for after-hours. And the jazzy chords are just marvellous! Piano voice is written out - with additional chord symbols for your own voicings. As for the title, the name of the piece: I am not entirely sure, whether “Marlowe´s Theme†is correct. The music of the opening scene has no name, as far as I´ve been able to determine, and on Davis Shire´s own piano solo version there´s a combination of this piece with “Marlowe´s Themeâ€. But, there you go … . It´s fantastic music, anyway. Duration: approx 02.10 min. I´ve listed quite a lot of songs, so far: Movie Themes and classic Pop songs for this kind of instrumentation, and others. Browse ;-) Have fun with my arrangements!
$10.00
Last Of The Summer Wine Theme
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Orchestra
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INTERMEDIATE
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Ronald Hazlehurst
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Kevin Riley
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Last Of The Summer Wine Theme
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.850553 Composed by Ronald Hazlehurst. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts....
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Full Orchestra - Level 3 - Digital Download SKU: A0.850553 Composed by Ronald Hazlehurst. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 24 pages. Kevin Riley #457258. Published by Kevin Riley (A0.850553). Composer and conductor Ronnie Hazlehurst, who also produced themes for such series as Are You Being Served?, Yes Minister, and Only Fools and Horses, created the theme for the show. The BBC initially disliked Hazlehurst's theme, feeling it was not proper for a comedy programme to have such mellow music. He was asked to play the music faster for more comedic effect but eventually his original slower version was accepted. A jauntier, upbeat version was played by a brass band in the episode Full Steam Behind. The theme, an instrumental work, featured lyrics three times. The 1981 Christmas special, Whoops, had two verses of lyrics written by Roy Clarke that were performed over the closing credits. The 1983 film, Getting Sam Home, used those two verses, with an additional two and played them over the opening credits. Another altered version was sung during Compo's funeral in the 2000 episode Just a Small Funeral. Bill Owen also wrote a different version of the lyrics but this version was never used during an episode of the show. Composing the score for each episode until his death in 2007, Hazlehurst spent an average of ten hours per episode watching scenes and making notes for music synchronisation. Hazlehurst then recorded the music using an orchestra consisting of a guitar, harmonica, two violins, a viola, cello, accordion, horn, bass, flute, and percussion. The distinctive harmonica was played by Harry Pitch, who had featured in the 1970 one-hit-wonder Groovin With Mr Bloe. The harmonica part is included in this arrangement but it is cued in the Flute 1 part if one is not available.
$50.00
Dance of the Hours (Danza delle ore) from "La Gioconda" (A4)
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Concert band
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INTERMEDIATE/ADVANCED
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Amilcare Ponchielli
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Shinji Kasama
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Dance of the Hours
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Kasama Music Corporation
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1200177 Composed by Amilcare Ponchielli (1834–1886). Arranged by Shinji Kasama. Classical,Contes...
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Concert Band - Level 4 - Digital Download SKU: A0.1200177 Composed by Amilcare Ponchielli (1834–1886). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 245 pages. Kasama Music Corporation #795503. Published by Kasama Music Corporation (A0.1200177). [This Publication is in A4 size. Letter size (8/5 x 11) is also available.]Dance of the Hours is a ballet scene from the opera La Gioconda by A. Ponchielli. This transcription is for concert band with full score (pp. 1–41), piccolo–harp (pp. 43–181), and transposed parts (pp. 182–245). Both of the flute parts require at least two players on each part, with one of the 2nd flutes doubling on 2nd piccolo. The harp part has exposed solos. If harp is not available, it must be substituted by either piano or electronic keyboard, in which case, the piano part (#56) should be used.A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.
$25.00
Dance of the Hours (Danza delle ore) from "La Gioconda" (8/5 x 11)
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Concert band
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ADVANCED
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Amilcare Ponchielli
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Shinji Kasama
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Dance of the Hours
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Kasama Music Corporation
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1200176 Composed by Amilcare Ponchielli (1834–1886). Arranged by Shinji Kasama. Classical,Contes...
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Concert Band - Level 5 - Digital Download SKU: A0.1200176 Composed by Amilcare Ponchielli (1834–1886). Arranged by Shinji Kasama. Classical,Contest,Festival. Score and Parts. 245 pages. Kasama Music Corporation #795499. Published by Kasama Music Corporation (A0.1200176). [This Publication is in letter size (8/5 x 11). A4 size is also available.]Dance of the Hours is a ballet scene from the opera La Gioconda by A. Ponchielli. This transcription is for concert band with full score (pp. 1–41), piccolo–harp (pp. 43–181), and transposed parts (pp. 182–245). Both of the flute parts require at least two players on each part, with one of the 2nd flutes doubling on 2nd piccolo. The harp part has exposed solos. If harp is not available, it must be substituted by either piano or electronic keyboard, in which case, the piano part (#56) should be used.A printed score and the parts on CD-ROM are available for purchase at www.kasamamusic.com.
$25.00
The Hours of Long Ago. Song
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Choral SATB
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T
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The Hours of Long Ago. Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3423 Composed by T. Wood. Nostalgia, Time, Families, Death, Sadness. Lester S. Levy Col...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3423 Composed by T. Wood. Nostalgia, Time, Families, Death, Sadness. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3423). The Hours of Long Ago. Song. Words by Nellie Nettle. Composed by T. Wood. Published 1855 by Firth, Pond & Co., No. 1 Franklin Square in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Nostalgia, Time, Families, Death, Sadness. First line reads I'm thinking of the olden hours, the hours of long ago.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
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