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You've selected:
The Language Of Jesus Is Love
Sheetmusic to print
13 sheet music found
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1
The Language Of Jesus Is Love
Choral Choir (5-Part) - Level 4 - Digital Download SKU: A0.509234 Composed by Greg …
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Choral Choir (5-Part) - Level 4 - Digital Download SKU: A0.509234 Composed by Greg Nelson, Phil Naish, Phill McHugh, and Scott Wesley Brown. Arranged by Susanna Lausevic. A Cappella,Praise & Worship. Octavo. 4 pages. Susanna Lausevic #120288. Published by Susanna Lausevic (A0.509234). A cappella version SAATB soprano is soloist soprano goes up to F sharp pretty melody check out my YOUTUBE channel for the audio version and please subscribe for hundreds more. Thank you.
$3.50
3.22 €
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Greg Nelson, Phil Naish, Phill McHugh, and Scott Wesley Brown
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The Language Of Jesus Is Love
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Susanna Lausevic
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.84 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.84 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
#
SheetMusicPlus
I Am the Lord of the Dance
(Choral) - Digital Download SKU: H1.8566DP Composed by Joel Raney. Lent, Holy Week,…
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(Choral) - Digital Download SKU: H1.8566DP Composed by Joel Raney. Lent, Holy Week, Easter Sunday. Preview pack - book & listening CD. 67 pages. Hope Publishing - Digital #8566DP. Published by Hope Publishing - Digital (H1.8566DP). Sydney Carter.Lent & Easter Musical Sydney Carter's classic hymn, Lord of the Dance, is a metaphor of the life of Christ. In beautiful, poetic language, Carter describes Jesus as The Piper, calling his followers to the dance of life. This 30-minute musical from Joel Raney is an elaboration on that hymn, portraying each verse individually in a dramatic, colorful presentation - all retelling the story from John 3:16, For God so loved the world that he gave his only Son, so that everyone who believes in him may not perish but may have eternal life. Appropriate for use anytime during Lent or Holy Week, for Palm Sunday or Easter morning, there is an additional narration and underscore that leads into an exciting, complete setting of Lord of the Dance, celebrating Christ's victorious resurrection. For Maundy Thursday or Good Friday, it may be concluded with the musical benediction My Jesus, I Love Thee. Narration and scripture have been carefully chosen to complete the story, tying together the verses of Lord of the Dance with a variety of other timeless hymns and songs, creating a meaningful worship experience for the congregation. The piano accompaniment works extremely well by itself, while the optional instrumental parts require a minimal number of players and will enhance the overall effect. The Instrumental Parts include a Conductor's Score and parts for Flute, Oboe, Violin and Cello.
$17.95
16.52 €
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Joel Raney
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I Am the Lord of the Dance
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Hope Publishing - Digital
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SheetMusicPlus
I Am the Lord of the Dance
Cello, flute, oboe, violin - Digital Download SKU: H1.8564DP Composed by Joel Raney…
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Cello, flute, oboe, violin - Digital Download SKU: H1.8564DP Composed by Joel Raney. Musicals Collection. Lent & Easter Musicals. Lent, Holy Week, Easter Sunday. Instrumental Parts. 150 pages. Hope Publishing - Digital #8564DP. Published by Hope Publishing - Digital (H1.8564DP). Sydney Carter.Lent & Easter Musical Sydney Carter's classic hymn, Lord of the Dance, is a metaphor of the life of Christ. In beautiful, poetic language, Carter describes Jesus as The Piper, calling his followers to the dance of life. This 30-minute musical from Joel Raney is an elaboration on that hymn, portraying each verse individually in a dramatic, colorful presentation - all retelling the story from John 3:16, For God so loved the world that he gave his only Son, so that everyone who believes in him may not perish but may have eternal life. Appropriate for use anytime during Lent or Holy Week, for Palm Sunday or Easter morning, there is an additional narration and underscore that leads into an exciting, complete setting of Lord of the Dance, celebrating Christ's victorious resurrection. For Maundy Thursday or Good Friday, it may be concluded with the musical benediction My Jesus, I Love Thee. Narration and scripture have been carefully chosen to complete the story, tying together the verses of Lord of the Dance with a variety of other timeless hymns and songs, creating a meaningful worship experience for the congregation. The piano accompaniment works extremely well by itself, while the optional instrumental parts require a minimal number of players and will enhance the overall effect. The Instrumental Parts include a Conductor's Score and parts for Flute, Oboe, Violin and Cello.
$79.95
73.58 €
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Joel Raney
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I Am the Lord of the Dance
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Hope Publishing - Digital
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SheetMusicPlus
The Language Of Jesus Is Love
Piano solo
This edition: Interactive Download. Christian; Love; Pop; Wedding. 4 pages. Published by H…
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This edition: Interactive Download. Christian; Love; Pop; Wedding. 4 pages. Published by Hal Leonard - Digital Sheet Music (HX.97513). - - Christian; Love; Pop; Wedding - Hal Leonard - Digital Sheet Music
$4.99
4.59 €
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Piano solo
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Love
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The Language Of Jesus Is Love
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Phill McHugh: The Language Of Jesus Is Love for piano solo
Piano solo
Instantly printable sheet music by Scott Wesley Brown for piano solo of MEDIUM skill level…
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Instantly printable sheet music by Scott Wesley Brown for piano solo of MEDIUM skill level. / christian,love,pop,wedding,festival
$5.97
5.49 €
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Piano solo
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Phill McHugh
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Virtualsheetmusic
The Language of Jesus Is Love by Scott Wesley Brown - Piano Solo
Piano solo
Performed by: Scott Wesley Brown: The Language of Jesus Is Love Digital Sheetmusic - insta…
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Performed by: Scott Wesley Brown: The Language of Jesus Is Love Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement does not contain lyrics), scoring: Instrumental Solo, instruments: Piano; 4 pages -- Gospel~~CCM~~Christian~~Inspirational
$5.50
5.06 €
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Piano solo
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Scott Wesley Brown
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Piano Solo
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Musicnotes
Gesu Bambino (the Infant Jesus) - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1220223 Composed by Frederic…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1220223 Composed by Frederick H. Martens and Pietro A. Yon. Arranged by Sunny K. Christian,Classical,Early Music,Holiday,Religious. 16 pages. Sunny Kim #816550. Published by Sunny Kim (A0.1220223). Gesu Bambino is an Italian Christmas carol and composed by Pietro Yon. The melody was used by Frederick H. Martens in his English language carol When Blossoms Flowered 'mid the Snows.*This site can only upload one PDF file so I uploaded full score music(16pages) only. The price of $29.99 includes 1) full score music 2) sheet music for each part of the instrument3) piano sheet music. If you request it after payment, I will send you all the sheet music.*Totla 29pages(Full Score/16pages and Instrument Parts/13pages )Â *Instruments usedFlute, Oboe, Bb Clarinet, Trombone, Timpani, Glockenspiel, Piano, Violins, Violas, Cellos, Another cello part can be played by the contrabass.*If you want to add another instrument or arrange it, you can share your opinion by e-mail and edit the sheet music. Additional costs may apply.*If you would like to hear the entire music, please email me.Email: sunducklove@gmail.com*Note: Please check the preview before printing.
$29.99
27.6 €
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Chamber Orchestra
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Frederick H
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Gesu Bambino
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Sunny Kim
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SheetMusicPlus
Christmas Song
Choral 2-part
Choral Choir,Choral (TB) - Level 3 - Digital Download SKU: A0.1008437 By Dave Matth…
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Choral Choir,Choral (TB) - Level 3 - Digital Download SKU: A0.1008437 By Dave Matthews And Tim Reynolds. By David Matthews. Arranged by Joshua Shank. Contemporary. 12 pages. B&F Music #6070469. Published by B&F Music (A0.1008437). Note from the arranger: One of the things that I’ve always loved about this song is how it sort of modernizes the language of the life of Jesus as its portrayed in the Bible. There’s nothing about supernatural angels of the Lord who frighten shepherds abiding in the field and, instead, it begins with the story of a husband and wife grappling with the birth of a child; the Last Supper sounds like a gathering of friends at a going-away party. The Jesus in this song is a very human one and, having sung a lot of sacred repertoire over the years, that’s a side of him I don’t feel like we talk about very much. The original song features a lot of speak singing over a gentle guitar riff, and I’ve attempted to preserve a bit of that feel with the piano.
$2.00
1.84 €
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Choral 2-part
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Dave Matthews And Tim Reynolds
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Christmas Song
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B&F Music
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SheetMusicPlus
Soon We Will Be Done (Downloadable)
Choral SATB
SATB choir and Piano - Medium - Digital Download SKU: MQ.1.3610-E Composed by Kyle …
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SATB choir and Piano - Medium - Digital Download SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20
2.94 €
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Choral SATB
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Let It Be
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viol…
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
3.67 €
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The Beatles
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Merry! Don't You Know?
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1314114 Composed by David Ahrens.…
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Concert Band - Level 3 - Digital Download SKU: A0.1314114 Composed by David Ahrens. 21st Century,Advent,Christian,Christmas,Holiday. 74 pages. Baseline Music Publishing #902847. Published by Baseline Music Publishing (A0.1314114). Composer's web store: https://www.sounded.us/baseline/product/merry-dont-you-know-by-david-ahrens-wind-band/“God Rest You Merry, Gentlemen†is a traditional English Christmas carol dating to the mid 17th Century. It was referenced by Charles Dickens in his 1843 novella “A Christmas Carol†but with the lyric:“God bless you, Merry Gentleman!May nothing you dismay!â€The phrase “God rest you merry†historically meant “may God grant you peace and happinessâ€. “Rest you merry†was used both in Shakespeare’s “As You Like It†and “Romeo and Julietâ€. Over time, there has been confusion over this title due to changes in common language usage. The word ‘merry’ is an adverb of rest and not an adjective of Gentlemen.“Pat-A-Pan†is a traditional Burgundian French Christmas carol written by Bernard de La Monnoye and published in 1720. The text calls for the bringing of a drum and flute to play for newborn Jesus Christ in worship. The title is onomatopoeic for the sound of a drum, as is the additional lyric “tu-re-lu-re-lu†for the sound of a flute.“Yigdal†is a Jewish hymn and prayer that is a poetic adaptation of Maimonides’ 13 principles of faith. The text is attributed to 14th century poet Daniel ben Judah. The melody dates to the 17th century or earlier. It is traditionally sung for morning prayer and as the conclusion of Shabbat evening services. Upon hearing Yigdal, English Methodist Thomas Olivers adapted this melody for use in his Christian hymn “The God of Abraham Praiseâ€, which is a paraphrase of the ben Judah doxology, and was first published in 1772.“Merry! Don’t You Know?†is a playful melding of these sacred songs, acting as a reminder that Christmas is a time to be merry and joyful as we celebrate the nature, power, and love of God.
$74.99
69.01 €
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Concert band
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David Ahrens
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Merry! Don't You Know?
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Baseline Music Publishing
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SheetMusicPlus
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