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Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainer…
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.97 €
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Various
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Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
#
Wold Meridian
#
SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervais…
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.97 €
#
Various
#
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
#
Wold Meridian
#
SheetMusicPlus
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
C Instruments
C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermis…
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C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian
Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or “choirs” of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.<br> <br> Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.<br> <br> I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.<br> <br> At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at<br> <br> https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS<br> <br> As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the “standards” that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.
$11.46
10.48 €
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C Instruments
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Various
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Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
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Wold Meridian
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SheetMusicPlus
Finnish National Anthem for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0…
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1215110 By Keith Terrett. By Fredrik Pacius(1809-1891). Arranged by Keith Terrett. Multicultural,Patriotic,Praise & Worship,Traditional,World. 8 pages. Keith Terrett #811975. Published by Keith Terrett (A0.1215110). The Finnish NA arranged for Brass Quintet.There also versions for String & full Orchestra in my two stores.The anthem lyrics were taken from a poem by Johan Ludvig Runeberg, a Swedish-speaking poet, called “VÃ¥rt land†(Our Land). The song was first sung in 1848 by a student group and became popular in Scandinavia and many of his patriotic poems, including VÃ¥rt land were used by promoters of Finnish nationalism. The poem was translated into Finnish some decades later, after VÃ¥rt land was well established as a national song, by Paavo Eemil Kajander and became the anthem before 1917 independence. Estonia‘s anthem, adopted 20 years later, has the same melody, however the last few lines do not repeat as they do normally in the Finnish anthem. Interestingly, the anthem has never been officially legislated as the Finnish anthem, but rather is traditionally used as the anthem. As such, there is no standard way to perform the 11-verse anthem, but usually the first and the last verses (as presented here) are sung. There sometimes arises a debate in Finland to change the anthem to Jean Sibelius’ song “Finlandia†(the melody was used in Biafra), a song recognized internationally as a symbol of Finland, but the general opinion seems to be for now to keep the current anthem. (One reason may be that Finlandia is harder to sing compared to Maamme.)Need an anthem fast?  They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comLove anthems, then join me on twitter, facebook,  soundcloud & instagram for updates.Â
$8.99
8.22 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Keith Terrett
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Finnish National Anthem for Brass Quintet
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Keith Terrett
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SheetMusicPlus
They Who Decide Fate
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet - Level 5 - Digital Download SKU: A0.912906 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 5 - Digital Download SKU: A0.912906 Composed by Brandon Nelson. Concert,Contemporary. 93 pages. Brandon Nelson #1954835. Published by Brandon Nelson (A0.912906). Imagine the terrifying prospect of having your fate-indeed, the fate of the entire universe-decided by the fickle whims of seven gods! This was life for all those who dwelled in the ancient society of Sumeria! They Who Decide Fate paints the picture of what living with these gods might have been like for those pitiable mortals. The introduction builds to the dreadful fate theme, which is woven within the rest of the piece. In the first episode, the Eb clarinet is highlighted depicting Enki, the magical, clever Lord of the Earth. Crafty and mischievous, one would not cross this god, so mighty he was said to have created the Tigris and Euphrates rivers between which the entire Sumerian world existed! The full orchestra comes roaring back to represent Shamash, the Lion of Justice. Bringing wrongdoers their just due, he could also be merciful, curing the faithful sick who plead for his mercy. The second episode is gently ushered in by the Basset horn. Featured here is Ninhursag, the mild, nurturing Mother Goddess. It was said that any couple who desired to be fertile would do well to propitiate themselves to herâ?¦ An explosive, percussive jolt fanfares in Inanna, wild, untamed Goddess of Primal Passions! Whether in war or in lust, Inanna stood for all things raw-and ultimately destructive! The low, rumbling voice of the contralto clarinet brings us Anu, Father of the Gods. Ancient and wise, Anu is the manifestation of the heavenly vault. Nanna, the moon god riding on the back of a bull, illuminated the night sky. Sparkling and light colors of the orchestra depict his deft, spry nocturnal motions. The sinuous lines of the Bb clarinet illustrate Enlil, fickle God of Wind and Weather. It is said that it was he who created humans, but lost interest in them and flooded the whole earth. The whole clarinet quartet reprises the fate theme one last time, ending in an exultant flurry, reflecting both the fear and ecstasy that these seven gods inspired in their mortal charges. Learn more about me: bnelsonmusic.wordpress.com.
$89.99
82.27 €
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Flute, Oboe, Clarinet, Bassoon
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Brandon Nelson
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They Who Decide Fate
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Brandon Nelson
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SheetMusicPlus
La Folia in D Minor
Cello,Cembalo,Violin - Level 4 - Digital Download SKU: A0.1224544 Composed by Jose …
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Cello,Cembalo,Violin - Level 4 - Digital Download SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #820650. Published by Jose Bravo (A0.1224544). From the Composer:I committed last year (2022) to review my musical works that have been in digital storage, complete them as necessary, and release them for the world to hear. I finally finished my first work on this list, one that's been on my hard drive in one version or another since 1999 (that's 24 whole years!).Las Follias de España (which despite its name, originally came from Portugal) is a chord progression usually in either D minor or G minor in the form of i-V-i-VII-III-VII-i-V. Composers for the last 500 years have used this chord progression to come up with some fantastic theme and variations, ranging from unaccompanied works, trio sonatas, to even full orchestral implementations. You can spend a looooong time listening to all the beautiful compositions that composers have made over the centuries highlighting this very captivating set of chords.I humbly submit my own version of La Folia in D minor for String Trio and Cembalo (harpsichord). I wrote my first version of this in my senior year of High School as a challenge to myself to write music in a genre I loved. I made updates here and there over the years, but its sat on a hard drive the entire time. It's taken me months to essentially rework it to my satisfaction and has been submitted for copyright. I have uploaded it to YouTube to share with others.BIG SHOUT OUTS to the three composers that inspired me in this work:Corelli: - His version of La Folia is probably the most popular for violinists, especially those that play out of the Suzuki books. I included a modified version of his Folia (Variation 9) in my work (with all other parts being vastly different from his interpretation) as an homage to his work.J.S. Bach - He showed me that music can be as intelligent as it is beautiful. I have two variations inspired by his work. Variation 8 is one that I wrote this year (2023) which I wanted to write for a long time is a variation that showcases the Harpsichord. Bach's keyboard works and unaccompanied violin works inspired me here. Second, Variation 14 I feel has Bach's inspiration all over it. The violin parts are each playing separate distinct melodies in double counterpoint which trade parts on the repeat. The bass line follows a pattern that Bach has employed for the bass on a number of Violin concertos and lastly, the Harpsichord treble part is a mensuration canon based on one of the violin parts, with the keyboard part playing the melody 4x as fast with variations. Lastly on a play of numbers, number 14 was a very special number for Bach, and as a tribute, I've made this the 14th variation in my work. This was also a new variation I added this year (2023) as well.Vivaldi - My first musical love. I feel that I captured a little bit of his musical DNA in all my works and this piece showcases this. Vivaldi's works is what made me fall in love with Baroque music and I am indebted to him for the profound impact his works have had on my life.So here you go. 413 measures. My longest individual work to date. And because I love playing with numbers, I decided to release this to the world on my 41st Year, 3rd month. Enjoy!- Jose Bravo.
$5.00
4.57 €
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Jose Bravo
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La Folia in D Minor
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Jose Bravo
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SheetMusicPlus
Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
Level 2 - Digital Download SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, …
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Level 2 - Digital Download SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, Thoinot Arbeau, and Tielman Susato. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 93 pages. Wold Meridian #993504. Published by Wold Meridian (A0.1411172). A selection of 44 Dance Consort pieces from publications dating from 1500 to 1620 in three, four or five part scores and fully chorded with lyricsRenaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.The 44 pieces that first  appeared in the publication Chording to the Dance Masters, are  presented in full score and with separate parts for each of the lines.  What is more, a number of the pieces have been re-edited to include their lyrics, should you wish to perform them vocally.  They represent some of the best known secular pieces of the Renaissance repertoire.What makes this Wold Meridian edition of these pieces different  from others is that they have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be played with just the melody line and a simple accompaniment.  It also means that keyboard players or fretted strings can join in with ensembles, giving extra sparkle to performances.Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.
$18.00
16.46 €
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Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, Thoinot Arbeau, and Tielman Susato
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Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
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Wold Meridian
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SheetMusicPlus
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99
2.73 €
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Choral SATB
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
L'amore di Kebo Iwa (Balinese Gamelan in Piano)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1041503 Composed by Gabrielle Felic…
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Piano Solo - Level 3 - Digital Download SKU: A0.1041503 Composed by Gabrielle Felicita Chen. Contest,Festival,Folk,Holiday,Multicultural,Traditional,World. Score. 9 pages. Gabrielle Felicita Chen #646246. Published by Gabrielle Felicita Chen (A0.1041503). “L’amore di Kebo Iwa†simply means ‘the Love of Kebo Iwa’ , which is inspired from Indonesian Balinese folk music. It is usually played by the instruments called Gamelan. Bali is an island in Indonesia rich with cultural traditions that are very much rooted in myths and legends. After understanding deeper of the legend of “Kebo Iwaâ€, I was so drawn to the character and the plot that I decided to tell the story in my piano composition. I was able to use different kinds of musical techniques to express different moods. One of them is to apply the Pentatonic ‘Balinese Pelog’ Scale in B flat Major, which represents the majority of the Gamelan sound that is usually transcribed into Western notations. Below is the synopsis the “L’amore di Kebo Iwaâ€. A Once upon a time, in Bali, there was a husband and a wife who dearly wanted to have a baby. They prayed to God for a very long time. Finally, God heard their prayers and blessed them with a baby boy. But there was something special about this baby boy: he was very big- a giant baby. They named him Kebo Iwa. Kebo Iwa grew up with a good heart and became a gentleman. He was a kind hearted giant; he protected the village dearly. One day, the King of Majapahit from Java wanted to conquer Bali. He had heard about Kebo Iwa and knew that his army would lose to Kebo Iwa. B Therefore, the King of Majapahit tricked Kebo Iwa. He invited Kebo Iwa to Java island, promising that he would arrange a wedding for Kebo Iwa to marry his daughter, the beautiful Majapahit princess. Kebo Iwa was so in love with the princess, so he happily travelled to Java island. C After he arrived in Java, the King of Majapahit asked a favour from Kebo Iwa to dig a well, with the reason for it being the dry season. Kebo Iwa then sincerely gave some help and started digging a big, giant well. D However, the King Majapahit never meant to deliver his promise to Kebo Iwa. Instead, the King Majapahit commanded the troops to cover the well with mud and boulders. But when Kebo Iwa realized, it was too late. He was already in the position that was far too deep below - at the bottom of the well. Kebo Iwa then cried loudly and sadly with a broken heart until his last breath. He was buried alive. Soon after that, the Majapahit troops attacked and conquered Bali. E At last, the well was covered and grew a hill of flowers. To this day, the Bali villagers still remember Kebo Iwa as their hero. To honor him, they erected a giant statue of Kebo Iwa in Gianyar, Bali, as a memorial.
$9.99
9.13 €
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Piano solo
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Gabrielle Felicita Chen
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L'amore di Kebo Iwa
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Gabrielle Felicita Chen
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SheetMusicPlus
"Hark!", the Herald Angels Sing
Guitar
Solo Guitar - Digital Download SKU: A0.483404 Composed by Felix Bartholdy Mendelsso…
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Solo Guitar - Digital Download SKU: A0.483404 Composed by Felix Bartholdy Mendelssohn. Arranged by Robert McCormack. Christmas,Classical,Holiday,Sacred,Traditional. Individual part. 1 pages. Published by Robert McCormak (A0.483404). The hymn that is this Christmas carol has gone through many iterations before popularly settling on this most commonly sung Mendelssohn melody. The arrangement is well within the intermediate level with the possible exception of the first two measures of the last two lines. There is a stretch here between fingers one and four, frets one and five with the additional challenge of a middle voice. Another carol offered by this arranger is, Once In Royal David's City, which has the same stretch but without the inner voice with which to contend. These two pieces are frequently performed together due to other similarities between them.
$3.99
3.65 €
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Guitar
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Felix Bartholdy Mendelssohn
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"Hark!", the Herald Angels Sing
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Robert McCormak
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.4 €
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Guitar
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Richard Strauss
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
The Power of the One
Handbells
Handbell - Level 3 - Digital Download SKU: A0.953714 Composed by Foundery Collectio…
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Handbell - Level 3 - Digital Download SKU: A0.953714 Composed by Foundery Collection, John Bacchus Dykes, Traditional English Melody, and and William A. Ogden. Arranged by G. R. Adkison. Christian,Sacred. Score. 6 pages. Gary Ray Adkison #7477. Published by Gary Ray Adkison (A0.953714). The Power of the One is a 67 measure, 4-5 octave medley of Christian hymns whose unifying theme is the Power of the (One) God. This medley is comprised of I Sing the Mighty Power of God, Praise the Lord Who Reigns Above, Eternal Father, Strong to Save (The Navy Hymn) and He Is Able to Deliver Thee. The first two of these hymns are upbeat, and include some melody doubling into the highest octave. Those two and the last hymn make use of occasional descant lines. He Is Able to Deliver Thee is very lively, and utilizes both an occasional descant line, and (fairly fast) bass runs. In between Praise the Lord Who Reigns Above and He Is Able to Deliver Thee, you have the slower, and much more reverential Eternal Father, Strong to Save (also known as The Navy Hymn), which uses handchimes, although bells can be substituted for the chimes. This selection helps add a contrast in style, tempo and volume to the other three. At the end, there is a tag consisting of the last part of Praise the Lord Who Reigns Above at a slower tempo, and at a triple forte dynamic level, for a grandioso ending. The fast bass runs contribute to my thinking that this arrangement is probably a 3+ difficulty level.
$2.50
2.29 €
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Handbells
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Foundery Collection, John Bacchus Dykes, Traditional English Melody, and and William A
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The Power of the One
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Gary Ray Adkison
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SheetMusicPlus
Last rose of summer, my love is like a red, red rose.
Harp
Harp - Digital Download SKU: A0.912237 Composed by Thomas Moore, Robert Burns. Arra…
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Harp - Digital Download SKU: A0.912237 Composed by Thomas Moore, Robert Burns. Arranged by Harpoline. Celtic,Romantic Period. Score. 3 pages. Harpoline #6266445. Published by Harpoline (A0.912237). The last rose of summer was written by Thomas Moore to an existing Irish melody. O my love is like a red, red rose was written by Robert Burns to an existing Scottish melody. These two poets used existing melodies to add their own poetry and turn it into a song. Both songs are well known in the Celtic traditions and also fit well together. I used to play them in the key of C years ago, but on revisiting my old arrangements I preferred the key of F. There are no lever changes but there are plenty of full rolled chords. So an intermediate level of playing is required.I have added dynamics but they can be changed if you like. Both songs should not be played too fast. Metronome speeds are an indication only. Play with feeling!
$4.00
3.66 €
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Harp
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Thomas Moore, Robert Burns
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Last rose of summer, my love is like a red, red rose.
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Harpoline
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SheetMusicPlus
Of the Father's Love Begotten (early intermediate)
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1320397 By Raluca Bojor. By 13th Ce…
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Easy Piano - Level 2 - Digital Download SKU: A0.1320397 By Raluca Bojor. By 13th Century Plainsong. Arranged by Raluca Bojor. Christian,Christmas,Holiday,Praise & Worship,Sacred. Score. 1 pages. Raluca Bojor #908914. Published by Raluca Bojor (A0.1320397). The Christmas hymn “Of the Father’s Love Begotten†is based on a 13th century plainsong. Back then music was not written according to our modern conventions, which means there is no time signature; the music just flows phrase by phrase. This is why the bar lines are dotted – they don’t signify the end of a metrical measure, rather the end of a phrase. Take your time in between phrases, use those fermatas to your advantage! The right hand plays a straightforward melody while the left hand plays a parallel line. In the last measure both hands will move to the higher register and echo the last phrase in a chime-like fashion. LISTEN to the full recording below!Product details:• sheet music PDF• 1 (one) page long• key of D major• difficulty: early intermediate• performance time 1’10â€GET the digital sheet music today!
$3.99
3.65 €
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Easy Piano
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Raluca Bojor
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Of the Father's Love Begotten
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Raluca Bojor
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SheetMusicPlus
Theme from "Ice Castles" (Through the Eyes of Love)
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download Theme from "Ice Castles" - (Through t…
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Piano/Vocal/Chords - Digital Download Theme from "Ice Castles" - (Through the Eyes of Love). Composed by Marvin Hamlisch. Pop/Rock. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015689. Published by Alfred Music - Digital Sheet Music
ISBN 9780739096109. Carole Bayer Sager.<br> <br> Music makers looking for a wide variety of musical styles to play will find unlimited enjoyment in this big collection of sheet music for 45 of the world's most recognizable popular songs and movie themes! The titles in this book are proven favorites that can be enjoyed by players of all ages. From pop hits through the ages to epic movie music by renowned composers like Howard Shore, John Williams, Hans Zimmer, and more, the arrangements in this collection will delight players and audiences alike. Titles: Africa (Toto) * At Last (Etta James) * The Big Bang Theory (Main Title Theme) * Bridge Over Troubled Water (Simon and Garfunkel) * Can You Feel the Love Tonight (The Lion King) * Concerning Hobbits (The Lord of the Rings: The Fellowship of the Ring) * Count on Me (Bruno Mars) * Dancing Queen (Mamma Mia!) * The Dark Knight Overture (The Dark Knight) * Discombobulate (Sherlock Holmes) * Don't Stop Believin' (Journey) * Dynamite (Taio Cruz) * Empire State of Mind (Jay-Z and Alicia Keys) * Falling Slowly (Once) * Forget You (Cee Lo Green) * Girl on Fire (Alicia Keys) * Gonna Fly Now (Rocky) * Greatest Love of All (Whitney Houston) * Harry's Wondrous World (Harry Potter and the Sorcerer's Stone) * Hedwig's Theme (Harry Potter and the Sorcerer's Stone) * I Don't Want to Miss a Thing (Armageddon) * I Saw Her Standing There (The Beatles) * Theme from Ice Castles * If I Die Young (The Band Perry) * Into the West (The Lord of the Rings: The Return of the King) * James Bond Theme (Dr. No) * Kiss from a Rose (Seal) * Lily's Theme (Harry Potter and the Deathly Hallows, Part. 2) * Theme from Love Affair * Make You Feel My Love (Adele) * The Notebook (Main Title) * Out Here on My Own (Fame) * Over the Rainbow (The Wizard of Oz) * The Pink Panther * The Prayer (Celine Dion and Andrea Bocelli) * Song of the Lonely Mountain (The Hobbit: An Unexpected Journey) * Stairway to Heaven.
$3.99
3.65 €
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Piano, Vocal and Guitar
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Marvin Hamlisch
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Theme from "Ice Castles"
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Sportpalast Walzer - S. Translateur
Mandolin
Mandolin - Level 2 - Digital Download SKU: A0.1347387 Composed by S. Translateur. A…
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Mandolin - Level 2 - Digital Download SKU: A0.1347387 Composed by S. Translateur. Arranged by songbooks.info. Baroque,Classical,Renaissance. Score. 6 pages. Songbooks.info #932196. Published by songbooks.info (A0.1347387). Well-known and popular themes from classical music - notated for the Mandolin in classical musical notation as well as in the well-known tablature for string instruments. The song's recording was made at a slow tempo. We hope you enjoy making music...!Bekannte und beliebte Themen aus der klassischen Musik - notiert für die Mandoline in klassischer Notenschrift sowie in der bekannten Tabulatur für Saiteninstrumente. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
$2.22
2.03 €
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Mandolin
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S
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Sportpalast Walzer - S. Translateur
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songbooks.info
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SheetMusicPlus
Suite in D Minor for Two Mandolins
Mandolin
Mandolin - Digital Download SKU: A0.1017685 Composed by Gordon Jackson. Baroque,Cla…
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Mandolin - Digital Download SKU: A0.1017685 Composed by Gordon Jackson. Baroque,Classical,Folk,World. Score. 16 pages. Gordon Jackson #6498403. Published by Gordon Jackson (A0.1017685). Suite in D MinorThe Baroque period in music lasted from approximately the end of the sixteenth century to about the middle of the eighteenth, culminating most famously in the works of Bach and Handel. The suite was a short collection of stylised dance tunes, sometimes (but not here) preceded by a prelude. The suite typically comprised the dances allemande, courante, sarabande, and gigue, to which others may be added. I have added a bourrée and a minuet. Although this is arranged for two mandolins, other instruments can of course be used. I have added a line of mandolin tablature for those who don’t read standard notation. (Actually, I don’t read tablature myself – I used my favourite notation program, Harmony Assistant, to write the score, and it very kindly created the tablature for me!)As a performer of mostly traditional folk tunes, I am driven first by melody, then rhythm, and only then by harmony. For each of these pieces, the melody came first, keeping to the strict rhythmic imperatives of each dance form. Only then were counterpoints added. In this score, the only dance to be repeated is the minuet. Here, the first time through is played on a single mandolin, with rather a lot of double stopping. On the second time through the first mandolin sticks to the basic melody, while the second mandolin plays a counterpoint. Some may recognise the opening bar of the bourrée; it was inspired by a tune by Turlough Ó Carolan (1670-1738) entitled The Princess Royal. The rest, however, is mine!
$6.99
6.39 €
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Mandolin
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Gordon Jackson
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Suite in D Minor for Two Mandolins
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Gordon Jackson
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SheetMusicPlus
W.F.E BACH: TRIO IN G MAJOR IW 2 for flute, violin & viola
Small Ensemble Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.811808 Compo…
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Small Ensemble Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.811808 Composed by Wilhelm Friedrich Ernst Bach (1759 - 1845). Arranged by Pat Spence. Classical,Concert,Graduation,Standards. Score and parts. 38 pages. Piper Publications #6385007. Published by Piper Publications (A0.811808). W.F.E. Bach, grandson of J.S. Bach, was the last in the long line of composers in the Bach family. Very few of his works have survived. The Trio in G major is one of two composed for the unusual combination of two flutes and viola. Here it has been arranged for flute, violin and viola. It would make a good companion piece with Beethoven’s Serenade for the same combination.The style is early classical retaining the Baroque reluctance to indicate dynamics , leaving this largely to the performers. I have added a few in parentheses ( ) and also some additional phrasings - shown with dashed lines to provide some guidance to less experienced players. The four movements are: Larghetto cantabile, Allegro, Poco Adagio and Presto. A trio of advanced intermediate players will discover that the Bach magic was there to the end.
$15.00
13.71 €
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Wilhelm Friedrich Ernst Bach
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W.F.E BACH: TRIO IN G MAJOR IW 2 for flute, violin & viola
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Piper Publications
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SheetMusicPlus
Your Mother Should Know
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.912070 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Broadway,Musical/Show,Pop. 11 pages. RayThompsonMusic #518001. Published by RayThompsonMusic (A0.912070). Arranged standard wind quintet Your Mother Should Know is a song by the English rock band the Beatles from their 1967 EP and LP Magical Mystery Tour. It was written by Paul McCartney and credited to Lennon–McCartney.Titled after a line in the 1961 film A Taste of Honey, its lyrical premise centres on the history of hit songs across generations. McCartney said he wrote it as a plea for generational understanding and respect for a mother's life experience. In the Magical Mystery Tour television film, the song serves as a big production number in the style of a 1930s Hollywood musical. Some commentators view the sequence as cultural satire, as the Beatles are seen dancing and dressed in white evening tails. Your Mother Should Know is in the music hall style, further to McCartney's earlier composition When I'm Sixty-Four.He first offered it as the Beatles' contribution to the Our World satellite broadcast in June 1967, but the band favoured John Lennon's All You Need Is Love for its social significance. The initial sessions for the song took place at Chappell Recording Studios in London towards the end of August. The group were visited there by their manager, Brian Epstein, a visit that marked the last time he joined them in the studio before his death on 27 August.
$17.95
16.41 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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The Beatles
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Your Mother Should Know
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RayThompsonMusic
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SheetMusicPlus
Carol of the Wise Men
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.914719 Composed by Annie R…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.914719 Composed by Annie Routley. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 9 pages. Annie Routley #4301147. Published by Annie Routley (A0.914719). This is the full score - piano accompaniment, drum and SATB choir. A choir score is available separately This carol is designed to be very easy to learn and perform. It needs to be accompanied by piano (simple part) and drum (no snare). A bodhran or cajon would work just as well. There is one minor-key tune for both the men and ladies to learn. (This works as a 4-part round later in the carol) · The men start, accompanied just by the piano ostinato. The drum doesn’t enter until bar 7, when the men finish their ‘drums drumming’ · While the ladies sing verse 2, the men sing ‘Drum, drum’ in consecutive 5ths. NB, the melody is slightly different at the end of the ladies’ verse, since the words ‘poor and lowly stable’ need the melody to come down rather than go up · Then the ladies sing the ‘Drum, drum’ 5ths whilst the men sing verse 3 · Everyone sings verse 4 in unison and joyously · Everyone then sings verse 4 twice in a round – basses, altos, tenors then sopranos · Everyone repeats the last line of verse 4 ‘The child we’ve waited for is born …’ together (the piano and drum cut out so that the voices are unaccompanied in bar 35 – and then resume for bar 36) · ‘O hear the angels singing’ (unaccompanied) – then a loud chord and drum on beat 3 of the last bar Enjoy! A high-definition video of the carol is available on YouTube – type in ‘Carol of the Wise Men – CMM Choir’ and select the picture with the choir ladies in white blouses and red scarves
$4.51
4.12 €
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Choral SATB
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Annie Routley
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Carol of the Wise Men
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Annie Routley
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SheetMusicPlus
Last Night
Melody line, (Lyrics) and Chords
C Instrument - Level 2 - Digital Download SKU: A0.1200860 By Morgan Wallen. By Ashl…
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C Instrument - Level 2 - Digital Download SKU: A0.1200860 By Morgan Wallen. By Ashley Glenn Gorley, Jacob Kasher, Jacob Kasher Hindlin, John Byron, and Ryan Vojtesak. Arranged by Leo Silva. Country,Folk,Pop. Lead Sheet / Fake Book. 3 pages. MP Sheet Music #799517. Published by MP Sheet Music (A0.1200860). Last Night is a song written by John Byron, Ashley Gorley, Jacob Kasher Hindlin, and Ryan Vojtseak, and performed by American country music singer Morgan Wallen. It is the third single from his 2023 album One Thing at a Time.The song peaked at number one on Billboard Hot Country Songs in February 2023 before reaching the top of the Billboard Hot 100 in March 2023, making it Wallen's first number-one single on the latter chart. The song is about a couple having their last night together. The song peaked at number one on the Billboard Hot Country Songs charts dated February 13, 2023, ascending from a debut position of number seven one week prior. The same week, his prior singles Thought You Should Know and You Proof claimed the number two and three positions, while I Wrote the Book was at number ten.Following the release of One Thing at a Time, Last Night ascended from number five to one on the Billboard Hot 100  becoming Wallen's first number one on the chart. The song achieved 47.5 million streams, 18,000 digital downloads sold, and a 10.8 million airplay audience. The same week, Wallen occupied 36 places on the Hot 100, the most of any artist, as well as five of the top 10 on the Hot 100. It was also the first country song by a solo male to top the Hot 100 in over 42 years, following I Love a Rainy Night by Eddie Rabbitt (1980), and the first country song to top the chart since All Too Well (Taylor's Version) by Taylor Swift in November 2021.
$3.99
3.65 €
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Melody line, (Lyrics) and Chords
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Morgan Wallen
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Last Night
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MP Sheet Music
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals (Complete)
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767268 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons Music Services #3218659. Published by Lyons Music Services (A0.767268). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. A Sestina is a complex poem made up of 6 stanzas each of 6 verses with rules regarding hoe the last line of the first verse is repeated. Obviously, we are not using the lyrics, but we need to be aware of the structure so that when the music reappears we can treat it appropriately. As with all things madrigalian, the lyrics are rife with double entendres, despite the fact that all of the lyrics deal with loss of one kind or another. Monteverdi uses some very close dissonances to describe death and release. Often with wrenching results for the harmony.Please note, there are two extra parts for No.13, which is for 7 voices. Part 6 is an Alto voice (Horn/Alto Sax/Clarinet) and part 7 is a tenor voice (Trombone/Baritone/Tenor Sax/Euphonium).
$115.00
105.14 €
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Brass ensemble
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Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas (Downloadable Piano/Vocal Score)
Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU:…
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Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 pages. Duration 10 minutes, 10 seconds. E. C. Schirmer Music Company - Digital #8329-E. Published by E. C. Schirmer Music Company - Digital (MQ.8329-E). English.The poetry of Dylan Thomas (1914–1953) is characteristically Welsh and dark. Death is a common topic in his writings. Yet despite the somber imagery, there is often a strength and resilience. The journey of death is described, but not taken. Death is the adversary, not the ruler. The Hand that Signed the Paper speaks of the often cruel and deadly power of a signed document- a document of taxation, of treaty or of counting casualties. The five fingers mark the dead, but do not soothe. “Hands have no tears to flow.†And Death Shall Have No Dominion expresses the triumph of the human spirit over death. “Though lovers be lost love shall not.†Do Not Go Gentle into that Good Night represents the fight against death. “Rage, rage against the dying of the light.†The musical expression of these poems places the voice in the low (dark) range. Tempi are slow, and minor keys are prevalent. Only occasionally are major tonalities presented. These passages combine with particularly uplifting phrases such as “Though they sink through the sea, they shall rise again†and “Wild men, who caught and sang the sun in flight…†Near the end of the last song, the poet addresses his deceased father: “And you, my father, there on the sad height...†The voice stays on a constant pitch while the harmony lifts beneath (to the heights), in the Lydian (raised) mode. [One might hear the voice as “perched atop†the rising chords.] This is one of the most personal lines of Dylan Thomas' poetry. As the poet speaks to his father, the climax of the song comes with the rising phrases of “Rage, rage against the dying of the light.†The final chords are dissonant, marked “with determination and triumph.†Duration: 10:10.
$12.00
10.97 €
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Gwyneth W
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The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Westwood Harmonic Summer Dance
Violin
Violin Solo - Level 3 - Digital Download SKU: A0.1022489 Composed by Jacob Litoff. …
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Violin Solo - Level 3 - Digital Download SKU: A0.1022489 Composed by Jacob Litoff. World. 2 pages. Jacob Litoff #2013711. Published by Jacob Litoff (A0.1022489). I wrote this piece as I was trying to figure out all the harmonics on the violin on a hot day in June 1999. The first section represents all the cars that I heard in the morning rush hour on their way to work on that hot summer day driving up route 1, route 1A, and route 95. Section A represents all those people busy at work in the morning trying to turn the world upside down. First the melody is right side up, then it is upside down. They're in air conditioned buildings of course! Then the opening section gets played once again, this time representing everyone going out in the hot weather for lunch and to do a few errands as fast as possible. Next comes section B. If one wants to leave out the bottom harmonic at the beginning of the measures 1, 2, & 3, in lines 1, 3 and 4, that makes it a little easier, but it is nice when both notes can be played. This section is work after lunch. It is supposed to go a little slower, for everyone is getting bogged down with to many assignments and they're starting to get exhausted. Then comes the opening section one last time. This time it is rush hour on the way home, and all the errands that must be done, like taking kids to soccer practice, ballet , tap dancing and violin lessons(or whatever) and trying to fix dinner or grab a pizza somewhere in there. Just before getting to the end of the section this time at the sign jump to the coda, and here it can slow down just a little for this is one collapsing at the end of the day when everything is over.
$5.00
4.57 €
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Violin
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Jacob Litoff
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The Westwood Harmonic Summer Dance
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Jacob Litoff
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SheetMusicPlus
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