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You've selected:
The Last Invocation
Sheetmusic to print
11 sheet music found
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1
The Last Invocation (Downloadable)
SSATTB - Digital Download SKU: MQ.3167-E Composed by Randall Thompson. 12 pages. E.…
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SSATTB - Digital Download SKU: MQ.3167-E Composed by Randall Thompson. 12 pages. E. C. Schirmer Music Company - Digital #3167-E. Published by E. C. Schirmer Music Company - Digital (MQ.3167-E). One of Thompson's early choral works.This is both excellent counterpoint and excellent word painting...it shows the genius of the composer... --Chorus! Magazine.
$2.65
2.45 €
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Randall Thompson
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The Last Invocation
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
A Whitman Triptych: II. What Is the Grass? (Downloadable)
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SK…
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85
2.63 €
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David Conte
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A Whitman Triptych: II. What Is the Grass?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Invocation and Dance (Downloadable Choral Score)
Choral SATB
SATB choir, chamber orchestra or piano - Moderately Difficult - Digital Download SKU: M…
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SATB choir, chamber orchestra or piano - Moderately Difficult - Digital Download SKU: MQ.4378-E Composed by David Conte. 32 pages. E. C. Schirmer Music Company - Digital #4378-E. Published by E. C. Schirmer Music Company - Digital (MQ.4378-E). Based on a text drawn from Walt Whitman's When Lilacs Last at the Dooryard Bloom'd. A hymn to nature and the place of death within the cycle of life on earth. Invocation and Dance is included on the album Facing West: Choral Music of Conrad Susa and David Conte. Duration: 13:00.
$3.35
3.09 €
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Choral SATB
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David Conte
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Invocation and Dance
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Last Invocation
High voice
Composed by Ian Venables. This edition: scorch. Classical. Score. 21 pages. Hal Leonar…
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Composed by Ian Venables. This edition: scorch. Classical. Score. 21 pages. Hal Leonard - Digital #1340080. Published by Hal Leonard - Digital
$20.99
19.37 €
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High voice
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Ian Venables
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The Last Invocation
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Hal Leonard - Digital
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SheetMusicPlus
Invocation and Dance (Downloadable Choral Score)
Choral TTBB
TTBB choir, piano or chamber orchestra (Orchestra Version I: Harp Piano four-hands, Timpan…
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TTBB choir, piano or chamber orchestra (Orchestra Version I: Harp Piano four-hands, Timpani/Vibraphone/Glockenspiel/Xylophone (two Players), Strings (min 3-2-2-2-1). Piano/Percussion Version II: Piano four-hands, Vibraphone/Glockenspiel/Xylophone (two Players)) - Digital Download SKU: MQ.4179-E Composed by David Conte. Score. 21 pages. E. C. Schirmer Music Company - Digital #4179-E. Published by E. C. Schirmer Music Company - Digital (MQ.4179-E). Based on a text drawn from Walt Whitman's When Lilacs Last at the Dooryard Bloom'd. A hymn to nature and the place of death within the cycle of life on earth. Choral score- for use with versions I & II.
$3.20
2.95 €
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Choral TTBB
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David Conte
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Invocation and Dance
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Notes of Daybreak
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1002824 Composed by Kyle Van…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1002824 Composed by Kyle Vanderburg. Contemporary. Score. 21 pages. NoteForge #2025307. Published by NoteForge (A0.1002824). Notes of Daybreak is a set of four Walt Whitman songs which all involve music in some way. The collection contains That Music Always Round Me, I Heard You Solemn-Sweet Pipes of the Organ, The Last Invocation, and I Hear America Singing.
$4.99
4.61 €
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Piano, Voice
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Kyle Vanderburg
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Notes of Daybreak
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NoteForge
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SheetMusicPlus
[Fennelly] Two Whitman Songs
High voice
High Voice,Vocal Solo - Digital Download SKU: A0.953348 Composed by Brian Fennelly.…
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High Voice,Vocal Solo - Digital Download SKU: A0.953348 Composed by Brian Fennelly. Contemporary. 13 pages. American Composers Alliance Inc. #5309467. Published by American Composers Alliance Inc. (A0.953348). Two songs for soprano and piano on poems by Walt Whitman - includes: A Noiseless Patient Spider and The Last Invocation. PDF download includes score.
$9.95
9.18 €
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High voice
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Brian Fennelly
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[Fennelly] Two Whitman Songs
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American Composers Alliance Inc.
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SheetMusicPlus
A Whitman Triptych: III. Facing West (Downloadable)
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digi…
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65
2.45 €
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David Conte
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A Whitman Triptych: III. Facing West
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Symphony No. 2, In Praise to Haitian Gods, Full Orchestral Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.730486 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730486 Composed by James Nathaniel Holland. African,Contemporary,World. Score and parts. 128 pages. James Nathaniel Holland #4357263. Published by James Nathaniel Holland (A0.730486). FULL SCORE only, Individual instrument parts sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip), maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$18.95
17.49 €
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Orchestra
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James Nathaniel Holland
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Symphony No. 2, In Praise to Haitian Gods, Full Orchestral Score Only
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James Nathaniel Holland
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SheetMusicPlus
Symphony No. 2, In Praise to Haitian Gods, Individual Instrument Parts
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.730488 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730488 Composed by James Nathaniel Holland. Contemporary,Folk,World. Score and parts. 315 pages. James Nathaniel Holland #4359113. Published by James Nathaniel Holland (A0.730488). INDIVIDUAL INSTRUMENT PARTS only, Full score sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip) maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$42.95
39.64 €
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Orchestra
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James Nathaniel Holland
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Symphony No. 2, In Praise to Haitian Gods, Individual Instrument Parts
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James Nathaniel Holland
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SheetMusicPlus
Ian Venables: The Last Invocation - voice & piano
Instantly printable sheet music by Ian Venables for voice & piano of MEDIUM skill leve…
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Instantly printable sheet music by Ian Venables for voice & piano of MEDIUM skill level. / classical
$23.99
22.14 €
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Ian Venables
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