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The Mall Strut
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You've selected:
The Mall Strut
Sheetmusic to print
44 sheet music found
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1
26
The Mall Strut
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Piano solo
#
Ragtime
#
Jazz
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Pat Holmberg
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The Mall Strut
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Patricia Tanttila Holmberg
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.852571 Composed by Pat Holmberg. Jazz,Ragtime. Score. 4 pages. Patricia Tanttila Holmberg #442709. Published by Pat...
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Piano Solo - Digital Download SKU: A0.852571 Composed by Pat Holmberg. Jazz,Ragtime. Score. 4 pages. Patricia Tanttila Holmberg #442709. Published by Patricia Tanttila Holmberg (A0.852571). 2015 Piano Contest Here's a piano rag with a good solid beat which is about the perfect pace for pedestrians on the mall in downtown Boulder. The pace picks up in the second section of this piece. Toe-tapping and Cheerful BMI www.patholmberg.com patholmberg@yahoo.com.
$2.99
The Mall Strut
#
Piano solo
#
Ragtime
#
Pat Holmberg
#
The Mall Strut
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Patricia Tanttila Holmberg
#
SheetMusicPlus
Piano - Digital Download SKU: A0.1090379 Composed by Pat Holmberg. Ragtime. Full Performance. Duration 108. Patricia Tanttila Holmberg #19469. Published ...
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Piano - Digital Download SKU: A0.1090379 Composed by Pat Holmberg. Ragtime. Full Performance. Duration 108. Patricia Tanttila Holmberg #19469. Published by Patricia Tanttila Holmberg (A0.1090379). A ragtime piano piece commemorating the walking mall in beautiful downtown Boulder CO.
$1.99
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
IGNITE, Between the Octaves -
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
dislocation I mean a degree of
#
Jenni Roditi
#
RITUALISE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
SURRENDER, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
#
2 Pianos, 4 hands
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
THREAD, Between the Octaves A
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
#
2 Pianos, 4 hands
#
ADVANCED
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
INITIATE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
The Penny Strut
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Evan Halloin
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The Penny Strut
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Evan Halloin
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SheetMusicPlus
Small Ensemble Double Bass - Level 5 - Digital Download SKU: A0.1079495 Composed by Evan Halloin. Classical,Jazz. Score and parts. 22 pages. Evan Halloin...
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Small Ensemble Double Bass - Level 5 - Digital Download SKU: A0.1079495 Composed by Evan Halloin. Classical,Jazz. Score and parts. 22 pages. Evan Halloin #683657. Published by Evan Halloin (A0.1079495). Original composition for bass quartet, with score and parts included. It's bluesy, you can improvise, you get to tap the bass, all the fun bass ensemble stuff!
$12.00
This Is the Day
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Choral SATB
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Sacred music
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Jay Althouse
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Choral Octavo
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This Is the Day
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred (SATB choir) - Grade 4 - Digital Download SKU: JX.00-19923 A General or Easter Anthem. Composed by Jay Althouse. Choral (Sacred); Cho...
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Choir Sacred (SATB choir) - Grade 4 - Digital Download SKU: JX.00-19923 A General or Easter Anthem. Composed by Jay Althouse. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Easter; Sacred; Spring. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-19923. Published by Jubilate Music Group - Digital (JX.00-19923). English. Philippians 4:4-9; 1 Chronicles 16:23-33; Psalm 96; Psalm 118; Matthew 28:1-10.This spirited, majestic praise anthem by Jay Althouse features both general and Easter texts. Driving rhythms and solid choral writing make this fun to teach and sing. Smaller choirs will enjoy performing with the solo trumpet obbligato (opt., part included). Larger choirs will thrill to Jay's brilliant brass scoring (opt. InstruPax and InstruTrax CD available separately).
$2.25
The 9th Ward Strut (Small Big Band)
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Jazz Ensemble
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Blues
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Jazz
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Dennis Ruello
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The 9th Ward Strut
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Chicory Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.734236 Composed by Dennis Ruello. Blues,Jazz. Score and parts. 36 pages. Chicory Music #36085. Pub...
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Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.734236 Composed by Dennis Ruello. Blues,Jazz. Score and parts. 36 pages. Chicory Music #36085. Published by Chicory Music (A0.734236). The 9th Ward Strut is a Basie / Nestico type of medium swing tune. This arrangement is for a small Big Band.The instrumentation is: Alto, Tenor, Baritone saxes, 1st Trumpet, 2nd Trumpet (Optional), Trombone, Guitar (Optional), Piano, Bass and Drum Set. The highest note for trumpet is C above the staff. * The MP3 Audio Clip does not contain the middle solo section of the tune. The solo section (Bb blues ) may be played by as few or as many soloist as you wish.
$15.99
Mama Goose Strut
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Jazz
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Rock
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Samantha Spear
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Mama Goose Strut
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Sam Spear Music
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.995502 Composed by Samantha Spear. Jazz,Rock. Score and parts. 3 pages. Sam Spear Music #5954125. Pub...
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Small Ensemble - Level 3 - Digital Download SKU: A0.995502 Composed by Samantha Spear. Jazz,Rock. Score and parts. 3 pages. Sam Spear Music #5954125. Published by Sam Spear Music (A0.995502). A fun rock-inspired tune from my debut EP The New Groove!Listen here: https://samspearmusic.bandcamp.com/track/mama-goose-strut
$2.99
Joyful, Joyful to the World
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Sacred music
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Jay Althouse
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Choral Octavo
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Joyful, Joyful to the World
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-18328 Arranged by Jay Althouse. This edition: InstruPax. Choral (Sacred); Choral Octavo;...
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-18328 Arranged by Jay Althouse. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Christmas; Sacred. Part(s). 18 pages. Jubilate Music Group - Digital #00-18328. Published by Jubilate Music Group - Digital (JX.00-18328). English. John 1:1-14; Hebrews 1:1-12; Psalm 98; Isaiah 52:7-10.A Christmas classic! Jay Althouse has fashioned this ingenious pairing of two of the most jubilant songs in music history, the traditional carol Joy to the World and Beethoven's celebrated Joyful, Joyful, We Adore Thee. A superb choice for school holiday concerts or Chrismas worship, in three voicings for singers of all ages. For a special holiday touch, add the brass pack or InstruTrax CD (opt., available separately). Smaller choirs may prefer the opt. solo trumpet part provided in the score. InstruPax includes: director's score, 3 trumpets, trombone, tuba, opt. bass trombone.
$25.00
Joyful, Joyful to the World
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Choral 3-part
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Sacred music
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Jay Althouse
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Choral Octavo
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Joyful, Joyful to the World
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred (SAB choir/3-Part choir Mixed) - Grade 3 - Digital Download SKU: JX.00-18325 Arranged by Jay Althouse. Choral (Sacred); Choral Octavo; Perfo...
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Choir Sacred (SAB choir/3-Part choir Mixed) - Grade 3 - Digital Download SKU: JX.00-18325 Arranged by Jay Althouse. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred Choral Designs. Christmas; Sacred. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-18325. Published by Jubilate Music Group - Digital (JX.00-18325). English. Isaiah 52:7-10; Psalm 98; Hebrews 1:1-12; John 1:1-14.A Christmas classic! Jay Althouse has fashioned this ingenious pairing of two of the most jubilant songs in music history, the traditional carol Joy to the World and Beethoven's celebrated Joyful, Joyful, We Adore Thee. A superb choice for school holiday concerts or Chrismas worship, in three voicings for singers of all ages. For a special holiday touch, add the brass pack or InstruTrax CD (opt., available separately). Smaller choirs may prefer the opt. solo trumpet part provided in the score.
$2.25
This Is the Day
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Choral 3-part
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Sacred music
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Jay Althouse
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Choral Octavo
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This Is the Day
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred (SAB choir/3-Part choir Mixed) - Grade 3 - Digital Download SKU: JX.00-19924 A General or Easter Anthem. Composed by Jay Althouse. Ch...
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Choir Sacred (SAB choir/3-Part choir Mixed) - Grade 3 - Digital Download SKU: JX.00-19924 A General or Easter Anthem. Composed by Jay Althouse. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred Church Choral Series. Easter; Sacred; Spring. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-19924. Published by Jubilate Music Group - Digital (JX.00-19924). English.This spirited, majestic praise anthem by Jay Althouse features both general and Easter texts. Driving rhythms and solid choral writing make this fun to teach and sing. Smaller choirs will enjoy performing with the solo trumpet obbligato (opt., part included). Larger choirs will thrill to Jay's brilliant brass scoring (opt. InstruPax and InstruTrax CD available separately).
$2.25
Strutter: Mallets
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Marching band
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Instructional
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Kiss
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Nick Baratta
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Strutter: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - Digital Download SKU: AX.00-PC-0016494_M1 Mallets. By Kiss. By Gene Simmons and Paul Stanley. Arranged by Nick Baratta. Instructio...
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Marching Band - Digital Download SKU: AX.00-PC-0016494_M1 Mallets. By Kiss. By Gene Simmons and Paul Stanley. Arranged by Nick Baratta. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016494_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016494_M1). UPC: 038081478647.Here is the hard-rocking tune from KISS in a stellar new arrangement by veteran writer Nick Baratta. Solid scoring, driving percussion, and lots of open fifths for that in your face sound make this one of Nick's best charts ever! (1:25).
$3.00
Shout to the Lord
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Choral 3-part
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Sacred music
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Darlene Zschech
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Mark Hayes
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Choral Octavo
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Shout to the Lord
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred (SAB choir/3-Part choir Mixed) - Grade 3 - Digital Download SKU: JX.00-19953 Composed by Darlene Zschech. Arranged by Mark Hayes. Choral (Sa...
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Choir Sacred (SAB choir/3-Part choir Mixed) - Grade 3 - Digital Download SKU: JX.00-19953 Composed by Darlene Zschech. Arranged by Mark Hayes. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred SingPraise Series. Ascension; Sacred; Spring; Trinity Sunday. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-19953. Published by Jubilate Music Group - Digital (JX.00-19953). English.Mark Hayes has transformed this powerful contemporary hymn into a majestic praise anthem that culminates with a verse of the traditional hymn, All Creatures of Our God and King. Opening with a solo trio (opt. small ensemble), it gradually builds to a thrilling finale. The remarkable orchestration adds to the excitement (opt. InstruPax and InstruTrax CD available separately).
$2.25
Shout to the Lord
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Sacred music
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Darlene Zschech
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Mark Hayes
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Choral Octavo
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Shout to the Lord
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-19956 Composed by Darlene Zschech. Arranged by Mark Hayes. This edition: InstruPax. Chor...
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-19956 Composed by Darlene Zschech. Arranged by Mark Hayes. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Ascension; Sacred; Spring; Trinity Sunday. Part(s). 57 pages. Jubilate Music Group - Digital #00-19956. Published by Jubilate Music Group - Digital (JX.00-19956). English.Mark Hayes has transformed this powerful contemporary hymn into a majestic praise anthem that culminates with a verse of the traditional hymn, All Creatures of Our God and King. Opening with a solo trio (opt. small ensemble), it gradually builds to a thrilling finale. The remarkable orchestration adds to the excitement (opt. InstruPax and InstruTrax CD available separately).
$50.00
Struttin' With Some Barbecue
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Saxophone Quartet: 4 saxophones
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Jazz
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Louis Armstrong
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Matt Belzer
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Struttin' With Some Barbecue
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Matobelu Music
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.482437 By Louis Armstrong. By Don Raye and ...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.482437 By Louis Armstrong. By Don Raye and Lillian Hardin Armstrong. Arranged by Matt Belzer. Jazz. Score and parts. 23 pages. Published by Matobelu Music (A0.482437). This is a professional and creative arrangement for saxophone sextet (SAATTBari). It features improvised solos (written parts included) for the baritone and tenor saxophone parts. This arrangement is a modern re-imagining of the classic jazz standard with a chromatic, funky riff and modal harmonies. It's a groovy chart that's fun to play for advanced high school through professional ensembles.
$15.00
Darktown Strutters Ball
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Jazz combo
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EASY
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jazz bands
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Paul Hemmer
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Darktown Strutters Ball
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PJMS MUSIC
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SheetMusicPlus
Jazz Combo - Level 2 - Digital Download SKU: A0.1454635 By jazz bands. By Sheldon Brooks. Arranged by Paul Hemmer. Jazz,Ragtime,Standards. 51 pages. PJMS...
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Jazz Combo - Level 2 - Digital Download SKU: A0.1454635 By jazz bands. By Sheldon Brooks. Arranged by Paul Hemmer. Jazz,Ragtime,Standards. 51 pages. PJMS MUSIC #1033737. Published by PJMS MUSIC (A0.1454635). One of the great early jazz dance tunes is arranged for a small jazz ensemble - AATB, 2 trpts, 1 trombone, string bass, piano, drum set, and vocalist.This arrangement includes the rarely-heard verse. It is not difficult to perform for any high school, college, community jazz band or professional group.
$49.99
Que Garota Linda (Bb leadsheet)
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Jazz
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Latin/World Music
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Mark S
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Que Garota Linda
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Geofonica Artistworks
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SheetMusicPlus
Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948698 Composed by Mark S. Massey. Jazz,Latin. Score and parts. 5 pa...
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Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948698 Composed by Mark S. Massey. Jazz,Latin. Score and parts. 5 pages. Geofonica Artistworks #6038067. Published by Geofonica Artistworks (A0.948698). This is a Bb lead sheet (including original flute and piano lines, transposed for Bb instruments) for Que Garota Linda. It's a high energy, very exciting, Brazilian-Latin style instrumental from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and flute interact, with the flute (performed by guest flutist Justo Almario) and piano trading sections of the main melody, and then providing dynamic background hooks and counterpoint. (These piano-flute lines are transposed here for Bb instruments. The tune is a great vehicle for musical interplay, jazz improvisation, and high energy rhythm section playing. The API track featured Eric Stiller on acoustic bass and Aldo Bentivegna on drums, with guest percussionist Alex Acuña of Weather Report, backing Mark Massey and Justo Almario. Que Garota Linda was also covered by jazz guitarist Charles Small, a dynamic version the style of Wes Montgomery, which can be heard here: https://youtu.be/wNS3m8rydEwABOUT MARK: In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions (including Que Garota Linda, offered here, inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, an.
$3.99
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