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The Metronome - Percussion
Sheetmusic to print
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1226
The Water is Wide for Cello Duet
2 Cellos (duet)
Cello Duet Cello - Level 3 - Digital Download SKU: A0.1188941 By Katherine L Fraser…
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Cello Duet Cello - Level 3 - Digital Download SKU: A0.1188941 By Katherine L Fraser. By Traditional Scottish Folk Song. Arranged by Katherine L Fraser. Folk,Praise & Worship,Religious,Spiritual,Wedding. Score. 7 pages. Katherine L Fraser #788553. Published by Katherine L Fraser (A0.1188941). This duet is ideal for weddings, receptions, church services, memorial services, or general performances. Both cellists have a chance to shine. If the Ab/C double-stop is too difficult to play in tune, feel free to choose one note or the other. The sample audio provides an idea of the tempo, as well as the video (Cello 1 is playing with a recording of Cello 2 and the metronome). Bowings are merely suggestions. The dynamics help this piece sing. I hope you enjoy!
$2.99
2.69 €
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2 Cellos (duet)
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Katherine L Fraser
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The Water is Wide for Cello Duet
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Katherine L Fraser
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SheetMusicPlus
Meditation for Tuba and Metronome...?
Tuba
Tuba Solo - Level 4 - Digital Download SKU: A0.931126 Composed by Julien Simard. Co…
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Tuba Solo - Level 4 - Digital Download SKU: A0.931126 Composed by Julien Simard. Contemporary,Instructional. Individual part. 6 pages. Julien Simard #6130571. Published by Julien Simard (A0.931126). The metronome is always right is a phrase that every music student has heard at one point or another. However, Meditation for Tuba and Metronome? proves once and for all that the metronome is in fact not always right! As the tubist performs luscious melodies, the metronome he is using starts to malfunction, becoming more and more inconsistent and agitated. This drives the tubist into a frenzy, causing him to finally reset the metronome and start over.....Commissioned and recorded by Tristan Whalen-Hughes on the album Low Orbit. https://www.tristanwhalenhughes.com/recordings.
$15.99
14.4 €
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Tuba
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Julien Simard
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Meditation for Tuba and Metronome...?
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Julien Simard
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SheetMusicPlus
His Eye is on the Sparrow
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1297753 Composed by Civilla …
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1297753 Composed by Civilla D. Martin and Charles H. Gabriel. Arranged by Maria Thompson Corley. Sacred. Score. 9 pages. Maria Thompson Corley #887728. Published by Maria Thompson Corley (A0.1297753). This score is a transcription of an improvisation recorded for Soul Sanctuary, a collection of my arrangements of hymns and spirituals released by Navona in 2022. It should be performed with great freedom and expression. The metronome mark is only for reference. I’ve simplified Maria Clark’s vocal line; the singer is free to either sing this as written or create their own embellishments.
$10.00
9.01 €
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Piano, Voice
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Civilla D
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His Eye is on the Sparrow
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Maria Thompson Corley
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SheetMusicPlus
Match Of The Day
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.799274 Composed by Barr…
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.799274 Composed by Barry Stoller. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 24 pages. Derek Hasted #5224117. Published by Derek Hasted (A0.799274). MATCH OF THE DAY THEME - 4 GUITARS or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Both my adult ensemble groups have played this in concert and it’s a lot of fun! It's known to UK audiences as the theme music to the TV program Match Of The Day.This version includes the uplifting key-change in the middle of the piece and if the upper three parts play outside of first position, then it’s a simple two-fret shift and no change to the left hand fingering at all!The X-headed notes are golpé strokes - but on a Classical Guitar with no scratch-protection to the front, it’s best to tap the side-panel of the bridge with the side of the thumb - it gives a great drum sound and the wood is hard and won’t mark.The metronome mark ties in with the speed of the original, but if the fast sections are a little too cumbersome for Guitar One, simply drop the pace a little. Since most of the notes are the same length, it works at almost any speed.I hope you enjoy performing this!
$4.99
4.49 €
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Barry Stoller
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Match Of The Day
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Derek Hasted
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SheetMusicPlus
Piano Piece The Dance of The Gnomes
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1015783 Composed by Friedrich Stern…
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Piano Solo - Level 5 - Digital Download SKU: A0.1015783 Composed by Friedrich Stern. Concert,Contemporary,Romantic Period,Standards. Score. 5 pages. Vicente Trompieri #5955307. Published by Vicente Trompieri (A0.1015783). An original piano piece.Listen to the mp3 to become familiar with the piece,then practice with the metronome. First at a low speed then you gradually increase the speed to the indicated speed. If you want more natural practice use the foot beat as a metronome. It’s important you become aware of the beats during the whole learning process of the piece until it becomes automatic. Also follow the voice leading for each hand. I tried to do the voice leading when I compose this piece the most natural and anatomical for both hands. The piece is very piano-like and has a full sound.
$3.00
2.7 €
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Piano solo
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Friedrich Stern
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Piano Piece The Dance of The Gnomes
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Vicente Trompieri
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SheetMusicPlus
For Us There Is No Other Help but Thee (Nye ímamï inïya pómoshchi) (Downloadable)
Choral SATB
SATB choir (choir divisi) unaccompanied - Moderately Easy - Digital Download SKU: MQ.82…
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SATB choir (choir divisi) unaccompanied - Moderately Easy - Digital Download SKU: MQ.8248-E Composed by Anthony Antolini and Pavel Grigorievich Chesnokov. Arranged by Anthony Antolini. Advanced/Collegiate. 20th Century, Communion. Instrument parts. 8 pages. E. C. Schirmer Music Company - Digital #8248-E. Published by E. C. Schirmer Music Company - Digital (MQ.8248-E). English, Slavonic.Nye Ãmamï inïya pómoshchi comes from a set of ten communion hymns, Opus 25. It is technically a kontakion, (a hymn sung in commemoration of a feast day, whether referring to Christ, the Virgin Mary, or to a saint). Nye Ãmamï inïya pómoshchi is intended to be sung for the feast day commemorating an icon of the Virgin entitled “The joy of all who sorrow,†(Ð’Ñех ÑкорбÑщих РадоÑÑ‚ÑŒ|Vsekh skorbyashchikh Radost') observed on October 24 in the Orthodox Church calendar. The author of the text is unknown. In contemporary church practice, this work is sometimes sung during the communion of the clergy. Although other pieces in Opus 25 are based on traditional church chants, Nye Ãmamï inïya pómoshchi contains original music that is not based on any preexisting chant. The present edition is based on the first edition published in Moscow by Pyotr Ivanovich Jurgenson. The keyboard reduction has been modified from the Jurgenson edition. Russian Orthodox performance practice forbids the use of musical instruments to accompany church singing. Organ accompaniment, if used, should be unobtrusive. The Jurgenson edition includes Chesnokov's use of a quarter note without metronome marking. This indicates that the pulse is in a moderato tempo in quarter notes. A tempo of approximately 69 to the quarter note is suggested. The Jurgenson edition has inconsistent dynamic markings in various parts and text appears only below the soprano and tenor parts. For clarity and convenience, these indications have been included in each staff in the present edition. This scholarly performance edition includes notes concerning the history of Chesnokov and this piece, performance notes, the editorial method of the English singing version, and a pronunciation guide for the Slavonic transliteration.
$2.25
2.03 €
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Choral SATB
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Anthony Antolini and Pavel Grigorievich Chesnokov
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For Us There Is No Other Help but Thee
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Devil's Etude
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1011294 Composed by Ho Jie Rong. Co…
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Piano Solo - Level 5 - Digital Download SKU: A0.1011294 Composed by Ho Jie Rong. Contemporary,Instructional,Standards. Score. 16 pages. Ho Jie Rong #5794109. Published by Ho Jie Rong (A0.1011294). I am a Singaporean pianist and composer. I have studied the piano since 5 years old under Mr Joseph Toh and I graduated from LASALLE College of the Arts with a Diploma in Music in 2013, majoring in Music Composition under Malaysian composer Mr Chong Kee Yong and Singaporean composer Mrs Joyce Koh Bee Tuan.About The Devil's EtudeI composed this etude for piano solo in October 2019. I was inspired by a few piano master pieces. They are mainly Robert Schumann’s Toccata in C, Op. 7, Franz Liszt’s Transcendental Etudes no. 5 (Feux Follets) and also Ligeti’s L'Escalier du diable. I also quoted the Gregorian chant Dies Irae and varied it in the middle section of this piece. ** There is an error in the metronome marking in the second section. It should be Allegretto (1 quaver beat= 70) and NOT (1 crotchet beat = 70).The Devil's Etude is dedicated to my friend Chan Shu Hui.
$6.00
5.4 €
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Piano solo
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Ho Jie Rong
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The Devil's Etude
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Ho Jie Rong
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SheetMusicPlus
The Twelve Days Of Christmas
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.875876 Composed by Traditional. Arranged by Jim Fieldhouse. Christmas,Contemporary,Holiday,Praise & Worship. 21 pages. Nefarious Music Publications #4981907. Published by Nefarious Music Publications (A0.875876). Arranged here for saxophone quartet, this version has been carefully scored to allow it to work as both a seasonal concert piece or as an audience sing-along item.The melodic line is always presented in the traditional manner, to allow audiences to join in with the words, whilst the accompanying parts weave through a variety of styles and harmonisations to keep things interesting!The Twelve Days of Christmas is scored for standard S/A/T/B saxophone quartet and is graded as an advanced title (around ABRSM grades 6+)There are many dynamic, articulation and tempo directions within this score and ensembles should take care to balance the group in such a way as to ensure the melody is always audible.This arrangement should start at a controlled allegro tempo and get gradually faster over course of the twelve verses. The metronome marks are simply a guide and quartets should feel free to alter tempos to suit their own interpretations.
$20.00
18.01 €
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Saxophone Quartet: 4 saxophones
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Traditional
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The Twelve Days Of Christmas
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Nefarious Music Publications
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SheetMusicPlus
Set Fire To The Rain
2 Guitars (duet)
Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797743
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797743 By Adele. By Adele Adkins and Fraser Smith. Arranged by Derek Hasted. Pop. Score and parts. 16 pages. Derek Hasted #4408592. Published by Derek Hasted (A0.797743). SET FIRE TO THE RAIN (Adele) - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This arrangement of Adele’s classic hit has some awkward rhythms in the top part, but you can bend the rhythm slightly against the metronomic bottom part. Much of Adele's improvisation at the end of the track is captured here, unlike some other published editions.Guitar One goes up to top G, but there’s no fingering as you may want to choose when to change position. Guitar Two, by contrast, is more straightforward though the first beat is often written to come early - at the back of the previous bar or measure.Whilst it would have been nice to swap the parts over at the phrase boundaries, the change of pitch and the way the melody overlaps the bar-lines mean that a changeover would spoil the flow and balance.The metronome mark is close to the speed of the original, but the lush tone of the guitar allows you to go a little slower if it makes for a tighter performance.The parts are laid out with extra sample pages at the front so that you can preview some of each part and some of the full score on screen before purchase. I hope you enjoy playing this piece!
$4.99
4.49 €
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2 Guitars (duet)
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Adele
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Set Fire To The Rain
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Derek Hasted
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SheetMusicPlus
Set Fire To The Rain
Flute and Guitar
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.7…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.797744 By Adele. By Adele Adkins and Fraser Smith. Arranged by Derek Hasted. Pop. Score and parts. 16 pages. Derek Hasted #4408730. Published by Derek Hasted (A0.797744). SET FIRE TO THE RAIN (Adele) - FLUTE and GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This arrangement of Adele’s classic hit has some awkward rhythms in the flute part, but you can bend the rhythm slightly against the metronomic bottom part. Much of Adele's improvisation at the end of the track is captured here, unlike some other published editions.The Guitar part is straightforward, though the first beat is often written to come early - at the back of the previous bar or measure. A Capo is required at the fifth fret, but this makes the part much easier on the fingers.The metronome mark is close to the speed of the original, but as an instrumental, it also works if you go a little slower, especially if it makes for a tighter performance.The parts are laid out with extra sample pages at the front so that you can preview some of each part and some of the full score on screen before purchase. I hope you enjoy playing this piece!There is also a version for two guitars which doesn't use a capo and is in a lower key...
$4.99
4.49 €
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Flute and Guitar
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Adele
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Set Fire To The Rain
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Derek Hasted
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SheetMusicPlus
Suite Metronomique (for Digital Metronome and Electronics)
Instrumental Solo - Level 1 - Digital Download SKU: A0.665635 Composed by Aaron Lee…
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Instrumental Solo - Level 1 - Digital Download SKU: A0.665635 Composed by Aaron Lee. 20th Century,Classical,Contemporary. Individual part. 10 pages. J. Aaron Lee #274660. Published by J. Aaron Lee (A0.665635). Suite Metronomique is a comedic electro-acoustic work for a digital metronome and live audio manipulations. The metronome audio is fed into a computer algorithm that is used to create multi-movement work for solo metronome. As can be seen from the preview, the physical score is very minimal, but the purchase price also includes the digital files required to perform the work (just contact me at the email address provided within). More music, as well as contact information, can be found at www.musicoflee.com.
$4.99
4.49 €
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Aaron Lee
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Suite Metronomique
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J. Aaron Lee
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SheetMusicPlus
Variation über ein Thema von Haydn
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1315371 Composed by Johannes Brahm…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1315371 Composed by Johannes Brahms. Arranged by Bettina Schipp. Chamber,Classical,Early Music,Opera. Individual part. 4 pages. Songbooks.info #904103. Published by songbooks.info (A0.1315371). These themes from classical music come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
2.24 €
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Guitar
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Johannes Brahms
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Variation über ein Thema von Haydn
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songbooks.info
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SheetMusicPlus
Thema aus dem Trompetenkonzert in Es-Dur
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1315369 Composed by Franz Joseph H…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1315369 Composed by Franz Joseph Haydn. Arranged by Bettina Schipp. Chamber,Classical,Early Music,Opera. Individual part. 2 pages. Songbooks.info #904101. Published by songbooks.info (A0.1315369). These themes from classical music come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
2.24 €
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Guitar
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Franz Joseph Haydn
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Thema aus dem Trompetenkonzert in Es-Dur
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songbooks.info
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SheetMusicPlus
Two Songs From the Children's Album, - instruments in four parts
Small Ensemble - Level 3 - Digital Download SKU: A0.835846 Composed by Peter Ilyich…
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Small Ensemble - Level 3 - Digital Download SKU: A0.835846 Composed by Peter Ilyich Tchaikovsky. Arranged by Paul Burnell. Children,Classical. Score and parts. 17 pages. Paul Burnell #5303375. Published by Paul Burnell (A0.835846). Two Songs From the Children's Album (Op.39), composed by Pyotr Ilyich Tchaikovsky (1840 - 1893), arranged by Paul Burnell for instruments in four parts.Duration 2:00Score in CI Old French Song (No. 16)II German Song (No. 17)Each movement has been transposed from the original key. The metronome marks and rallentando indications have been added to reflect the different characters of the two pieces.The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola) Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 4 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.Programme note:The 'Children's Album' is a set of 24 piano pieces composed by Pyotr Tchaikovsky in 1878. The collection is subtitled '24 simple pieces à la Schumann'. The two pieces featured here are No. 16 'Old French Song' and No. 17 'German Song'.
$3.99
3.59 €
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Peter Ilyich Tchaikovsky
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Two Songs From the Children's Album, - instruments in four parts
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Paul Burnell
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SheetMusicPlus
The Journey (Three hands version)
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.902610
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.902610 Composed by Jesica Yap. 20th Century. Score and parts. 5 pages. Jesica Yap #6232713. Published by Jesica Yap (A0.902610). The JourneyThis is the first song (Introduction) to my Instrumental Piano Solo Album titled The JourneyThe Journey is a minimalistic music telling the story about one's Journey.In this piece you will hear lots of different mood.You can also find my both hands (2 hands) arrangement in my SMP press Page.Just click on my SMP Page below: ♫ My Sheet Music Plus Page: https://www.sheetmusicplus.com/publishers/jesica-yap-sheet-music/3018200Duration: 2 mins 32 secondsKey : A MinorTempo: Dotted quarter = 100 bpm Practice suggestions:Use the metronome on Dotted Quarter note equal to 100 meaning 3 Eighth notes equal to 1 click Have fun! About the arranger:Jesica Yap is an Indonesian-born composer for the visual media, a music producer, a pianist and a teacher residing in Los Angeles, California.PRO : BMIContact: jyap@jesicayap.comFollow me on my social media for the latest update about my musical journey and new sheet music post:♫ My Facebook: https://www.facebook.com/jesicayapmusic/♫ My Instagram:http://instagram.com/jesicayap♫ My Website: http://www.jesicayap.com.♫ My Sheet Music Plus Page: https://www.sheetmusicplus.com/publishers/jesica-yap-sheet-music/3018200
$4.99
4.49 €
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Jesica Yap
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The Journey
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Jesica Yap
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SheetMusicPlus
The Journey
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.902608 Composed by Jesica Yap. 20th…
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Piano Solo - Level 3 - Digital Download SKU: A0.902608 Composed by Jesica Yap. 20th Century,Standards. Score. 4 pages. Jesica Yap #6232699. Published by Jesica Yap (A0.902608). The JourneyThis is the first song (Introduction) to my Instrumental Piano Solo Album titled The JourneyThe Journey is a minimalistic music telling the story about one's Journey.In this piece you will hear lots of different mood.You can also find my 3 hands arrangement in my SMP press. Just click on my SMP Page below: ♫ My Sheet Music Plus Page: https://www.sheetmusicplus.com/publishers/jesica-yap-sheet-music/3018200Duration: 2 mins 32 secondsKey : A MinorTempo: Dotted quarter = 100 bpm Practice suggestions:Use the metronome on Dotted Quarter note equal to 100 meaning 3 Eighth notes equal to 1 click Have fun! About the arranger:Jesica Yap is an Indonesian-born composer for the visual media, a music producer, a pianist and a teacher residing in Los Angeles, California.PRO : BMIContact: jyap@jesicayap.comFollow me on my social media for the latest update about my musical journey and new sheet music post:♫ My Facebook: https://www.facebook.com/jesicayapmusic/♫ My Instagram:http://instagram.com/jesicayap♫ My Website: http://www.jesicayap.com.♫ My Sheet Music Plus Page: https://www.sheetmusicplus.com/publishers/jesica-yap-sheet-music/3018200
$4.99
4.49 €
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Piano solo
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Jesica Yap
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The Journey
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Jesica Yap
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SheetMusicPlus
A Day In The Life Of A Fool
Flute
Flute Solo - Level 4 - Digital Download SKU: A0.839149 Composed by Butch Baker, Jam…
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Flute Solo - Level 4 - Digital Download SKU: A0.839149 Composed by Butch Baker, James Brown, James Jess R. Brown, Wade A Kirby, and Wade Kirby. Arranged by Bobby Hesch. Contemporary. Individual part. 2 pages. Bobby Hesch #5316135. Published by Bobby Hesch (A0.839149). A DAY IN THE LIFE OF A FOOL!!!!! BEAUTIFUL,ROMANTIC, MYSTERIOUS!!! LET'S PLAY SOME JAZZ!!!!!!JAZZ UP YOUR FLUTE REPERTOIRE WITH SOMETHING DIFFERENT!! THIS ENTERTAINING LUSH ARRANGEMENT HAS A LOT OF VARIETY AND WILL ALLOW YOU TO LOOSEN UP, TURN OFF THE METRONOME, AND EXPRESS YOURSELF. KEY OF Ab, RANGE LOW Eb TO HIGH F!! USE THE MP3 AS A GUIDE TO MAKE THE RUNS AND COMPOUND TRIPLETS FIT THE EBB AND FLOW.CONTACT INFORMATION: bobbyhesch@yahoo.com
$4.99
4.49 €
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Flute
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Butch Baker, James Brown, James Jess R
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A Day In The Life Of A Fool
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Bobby Hesch
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SheetMusicPlus
Baroque Anthology 2 - 20 easy Pieces for Guitar (from String Instrument Sources)
Guitar
Solo Guitar - Level 1 - Digital Download SKU: A0.1476094 Composed by Various. Arran…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1476094 Composed by Various. Arranged by Socrates Arvanitakis. Baroque. Individual part. 79 pages. Socrates Arvanitakis #1053626. Published by Socrates Arvanitakis (A0.1476094). PrefaceThese 20+ Baroque pieces are selected from the repertoires of various string instruments like Lute, Baroque Guitar, Viola da Gamba, etc. Some of the pieces are much better known than others, but they all are of a high musical standard very rewarding for the beginner guitarist. I have tried to keep the level of technical difficulty within the first three grades (1-3) of the classification observed in the annual syllabuses of British musical academies such as the Royal Schools of Music, Trinity College, Guildhall College, etc, of prescribed examination pieces for these grades.The Metronome markings are only editorial suggestions provided as general guidance but should not be taken too literally. This volume is divided into two sections. In the first section the pieces are given in ordinary notation and in decorated pages such as this one, without any fingerings or other technical help, but only for the pleasure of users who prefer a Baroque decorated appearance of books containing Baroque music. In the second section the same pieces are presented in undecorated pages and in double systems of notation pentagrams and tablature hexagrams in which the fingerings for every piece become obvious by the tablature and without further need for more left hand guidance. Therefore this book can be printed on paper either in its complete given form, or in any other page arrangement the user may prefer. Blank pages are provided for insertion at correct places for the management of left and right sides of a two-side view, but the volume has been designed with a paperless environment in mind where a tablet and a score reading application would be used.The thematic index is provided for general navigation withinthis electronic book.1 Clicking on any image in the index takes the user to the relevant decorated page of music, or clicking within the square frame number beside each image links the user to the corresponding tablature pages.2 Clicking on the title of any piece takes the user back to the index.3 Clicking on the header of the page is used for interchanging between decorated and undecorated pages.Socrates ArvanitakisLondon 2024.
$20.00
18.01 €
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Guitar
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Various
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Baroque Anthology 2 - 20 easy Pieces for Guitar
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Socrates Arvanitakis
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SheetMusicPlus
His Eye is on the Sparrow
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1297754 Composed by Civilla …
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1297754 Composed by Civilla D. Martin and Charles H. Gabriel. Arranged by Maria Thompson Corley and Maria Burke-Clark. Sacred. Score. 10 pages. Maria Thompson Corley #887729. Published by Maria Thompson Corley (A0.1297754). This score is a transcription of an improvisation recorded for Soul Sanctuary, a collection of my arrangements of hymns and spirituals released by Navona in 2022. It should be performed with great freedom and expression. The metronome marks are only for reference; this piece should never sound metronomic.Â
$10.00
9.01 €
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Piano, Voice
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Civilla D
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His Eye is on the Sparrow
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Maria Thompson Corley
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SheetMusicPlus
En Face Du Miroir (Facing The Mirror)
Piano solo
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.39 €
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Piano solo
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Der Frühling / the spring
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1315318 Composed by Antonio Vivald…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1315318 Composed by Antonio Vivaldi. Arranged by Bettina Schipp. Chamber,Classical,Early Music,Opera. Individual part. 3 pages. Songbooks.info #904064. Published by songbooks.info (A0.1315318). These themes from classical music come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
2.24 €
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Guitar
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Antonio Vivaldi
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Der Frühling / the spring
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songbooks.info
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SheetMusicPlus
Piano Trio in C minor, Op. 143
Piano Trio: piano, violin, cello
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed…
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
33.32 €
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Piano Trio: piano, violin, cello
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Ferdinand Ries
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Piano Trio in C minor, Op. 143
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Artaria Editions
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SheetMusicPlus
Variations for flute on a theme by Rossini (PLAYBACK) - with harp accompaniment
Harp, Flute (duet)
Flute,Harp - Digital Download SKU: A0.1072157 Composed by Frederic Chopin. Arranged…
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Flute,Harp - Digital Download SKU: A0.1072157 Composed by Frederic Chopin. Arranged by Leyandder Trustworthy. Romantic Period,Standards,World. Accompaniment. Duration 425. Leyandder Trustworthy #6319339. Published by Leyandder Trustworthy (A0.1072157). Accompaniment of the piece with harp timbre in the background, contains a bar of metronome beat and then the entrance bar of the piece.
$9.99
9 €
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Harp, Flute (duet)
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Frederic Chopin
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Variations for flute on a theme by Rossini
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Leyandder Trustworthy
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SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.01 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsich…
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
9.01 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Bass Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
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