The Passage Sheet Music to download and print

The Passage

Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion

Call of the North (Elementary String Orchestra) String Orchestra

String Orchestra - Level 1 - Digital Download SKU: A0.522248 Composed by Colin Kirk…(+)

String Orchestra - Level 1 - Digital Download SKU: A0.522248 Composed by Colin Kirkpatrick. Concert,Holiday,Patriotic. Score and parts. 23 pages. Colin Kirkpatrick Publications #5017655. Published by Colin Kirkpatrick Publications (A0.522248). Call of the North is a movement from Colin Kirkpatrick's suite for elementary string orchestra entitled â€œAtlantic Highwayâ€. Ideal for end-of-semester concerts or any other school or college concert occasion, these tuneful and attractive pieces are bound to please audience and instrumentalists alike. The work is scored for Violins 1 and 2, Viola (with an identical but optional part for Vln 3 in treble clef), cello, double bass and piano (or digitial keyboard). The piano part is not merely an accompaniment but an integral part of music and therefore essential. However, the piano part is not especially difficult and perfectly manageable by the intermediate pianist. All the string parts can be played in first position and there are soli sections for vln 1, cello and double bass. Pizzicato is used extensively in the double bass part and is some of the passages for the upper strings. The piece is in D major with a central passage in G major and the time signature is 4/4 throughout. The string parts have been produced in fairly large type making them ideal for elementary players. Cues have been added where necessary. ï»¿
$9.95 9.14 € #String Orchestra #Colin Kirkpatrick #Call of the North #Colin Kirkpatrick Publications #SheetMusicPlus

The Masters of the Violin Violin

Violin - Digital Download SKU: S9.Q47525 Twelve books of Studies revised, annota…(+)

Violin - Digital Download SKU: S9.Q47525 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 8. Schott Music - Digital #Q47525. Published by Schott Music - Digital (S9.Q47525). These studies have been revised after the original editions. The author's indications of tempo or nuances are placed in parenthesis. Certain of these studies are preceded by examples demonstrating different ways of playing them. The professeur may choose amongst these the most appropriate for the work of each pupil, who should endeavour to produce in the study all the variety of tone possible. It is almost useless to say that the bowings, detached, martelÃ©, smooth, staccato, may be executed in all parts of the bow, in employing a large of very small portion of it. Also only the most essential bowings are shown. It is quite evident that the metronomic movement indicated is at fault if the pupil executes the passage in a slower or more accelerated tempo, or again, with a different nuance. The pupil will remember also that if the little notes, dumb notes, are applied in the preparatory work, they must be perceptible only in the bar indicated by the expression of the melody. As an aid to expression, they should disappear entirely in the quick passages.
$23.99 22.03 € #Violin #Mathieu Crickboom #The Masters of the Violin #Schott Music - Digital #SheetMusicPlus

The Masters of the Violin Violin

Violin - Digital Download SKU: S9.Q47526 Twelve books of Studies revised, annota…(+)

Violin - Digital Download SKU: S9.Q47526 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 10. Schott Music - Digital #Q47526. Published by Schott Music - Digital (S9.Q47526). These studies have been revised after the original editions. The author's indications of tempo or nuances are placed in parenthesis. Certain of these studies are preceded by examples demonstrating different ways of playing them. The professeur may choose amongst these the most appropriate for the work of each pupil, who should endeavour to produce in the study all the variety of tone possible. It is almost useless to say that the bowings, detached, martelÃ©, smooth, staccato, may be executed in all parts of the bow, in employing a large of very small portion of it. Also only the most essential bowings are shown. It is quite evident that the metronomic movement indicated is at fault if the pupil executes the passage in a slower or more accelerated tempo, or again, with a different nuance. The pupil will remember also that if the little notes, dumb notes, are applied in the preparatory work, they must be perceptible only in the bar indicated by the expression of the melody. As an aid to expression, they should disappear entirely in the quick passages.
$23.99 22.03 € #Violin #Mathieu Crickboom #The Masters of the Violin #Schott Music - Digital #SheetMusicPlus

The Masters of the Violin Violin

Violin - Digital Download SKU: S9.Q47528 Twelve books of Studies revised, annota…(+)

Violin - Digital Download SKU: S9.Q47528 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 11. Schott Music - Digital #Q47528. Published by Schott Music - Digital (S9.Q47528). These studies have been revised after the original editions. The author's indications of tempo or nuances are placed in parenthesis. Certain of these studies are preceded by examples demonstrating different ways of playing them. The professeur may choose amongst these the most appropriate for the work of each pupil, who should endeavour to produce in the study all the variety of tone possible. It is almost useless to say that the bowings, detached, martelÃ©, smooth, staccato, may be executed in all parts of the bow, in employing a large of very small portion of it. Also only the most essential bowings are shown. It is quite evident that the metronomic movement indicated is at fault if the pupil executes the passage in a slower or more accelerated tempo, or again, with a different nuance. The pupil will remember also that if the little notes, dumb notes, are applied in the preparatory work, they must be perceptible only in the bar indicated by the expression of the melody. As an aid to expression, they should disappear entirely in the quick passages.
$23.99 22.03 € #Violin #Mathieu Crickboom #The Masters of the Violin #Schott Music - Digital #SheetMusicPlus

The Masters of the Violin Violin

Violin - Digital Download SKU: S9.Q47527 Twelve books of Studies revised, annota…(+)

Violin - Digital Download SKU: S9.Q47527 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 12. Schott Music - Digital #Q47527. Published by Schott Music - Digital (S9.Q47527). These studies have been revised after the original editions. The author's indications of tempo or nuances are placed in parenthesis. Certain of these studies are preceded by examples demonstrating different ways of playing them. The professeur may choose amongst these the most appropriate for the work of each pupil, who should endeavour to produce in the study all the variety of tone possible. It is almost useless to say that the bowings, detached, martelÃ©, smooth, staccato, may be executed in all parts of the bow, in employing a large of very small portion of it. Also only the most essential bowings are shown. It is quite evident that the metronomic movement indicated is at fault if the pupil executes the passage in a slower or more accelerated tempo, or again, with a different nuance. The pupil will remember also that if the little notes, dumb notes, are applied in the preparatory work, they must be perceptible only in the bar indicated by the expression of the melody. As an aid to expression, they should disappear entirely in the quick passages.
$23.99 22.03 € #Violin #Mathieu Crickboom #The Masters of the Violin #Schott Music - Digital #SheetMusicPlus

The Masters of the Violin Violin

Violin - Digital Download SKU: S9.Q47524 Twelve books of Studies revised, annota…(+)

Violin - Digital Download SKU: S9.Q47524 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 7. Schott Music - Digital #Q47524. Published by Schott Music - Digital (S9.Q47524). These studies have been revised after the original editions. The author's indications of tempo or nuances are placed in parenthesis. Certain of these studies are preceded by examples demonstrating different ways of playing them. The professeur may choose amongst these the most appropriate for the work of each pupil, who should endeavour to produce in the study all the variety of tone possible. It is almost useless to say that the bowings, detached, martelÃ©, smooth, staccato, may be executed in all parts of the bow, in employing a large of very small portion of it. Also only the most essential bowings are shown. It is quite evident that the metronomic movement indicated is at fault if the pupil executes the passage in a slower or more accelerated tempo, or again, with a different nuance. The pupil will remember also that if the little notes, dumb notes, are applied in the preparatory work, they must be perceptible only in the bar indicated by the expression of the melody. As an aid to expression, they should disappear entirely in the quick passages.
$23.99 22.03 € #Violin #Mathieu Crickboom #The Masters of the Violin #Schott Music - Digital #SheetMusicPlus

Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesusâ€™ extension of kindness and mercy, along with the promise â€œToday you will be with me in Paradise,â€ profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: â€œJesus, remember me when you come into your Kingdomâ€¦â€ Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.â€ The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesusâ€™ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.

Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.1039821 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and parts. 49 pages. David Sterrett Music #644665. Published by David Sterrett Music (A0.1039821). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesusâ€™ extension of kindness and mercy, along with the promise â€œToday you will be with me in Paradise,â€ profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Harp as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: â€œJesus, remember me when you come into your Kingdomâ€¦â€ Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.â€ The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesusâ€™ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.

Chromatic Picking Exercise (Ascending the Circle of Fifths) Guitar notes and tablatures

Guitar - Level 3 - Digital Download SKU: A0.1295107 Composed by Danny Crocome. Arra…(+)

Guitar - Level 3 - Digital Download SKU: A0.1295107 Composed by Danny Crocome. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock. Guitar Tab. 5 pages. Danny Crocome Music #885427. Published by Danny Crocome Music (A0.1295107). This 5-page composition has been written specifically for guitarists to work on the following key components of music and guitar playing:1. Finger strengthening across all fretting hand fingers2. Finger-per-fret/position-based playing3. Alternate picking4. Palm-muting5. Synchronizing picking and fretting hands6. Smoothly navigating position shifts across the fretboard7. Building knowledge of the Circle of FifthsThe composition takes a chromatic-based guitar line and runs the passage up and down in one position on the neck (starting from the note C), before shifting the whole thing to begin on G (the next note in the circle of fifths). When played in its entirety, the player will have navigated the melody starting on all 12 notes used in Western music. An excellent warm-up exercise, or something to work on daily to develop key areas of ones musicianship and technical ability on the guitar.
$6.99 6.42 € #Guitar notes and tablatures #Danny Crocome #Chromatic Picking Exercise #Danny Crocome Music #SheetMusicPlus

Japanese National Anthem for Violin & Cello ("Kimigayo" ) Violin, Cello (duet)

Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.1203942 By Keit…(+)

Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.1203942 By Keith Terrett. By Yoshiisa Oku and Akimori Hayashi (arranged by Franz Eckert), 1880. Arranged by Keith Terrett. Patriotic. 4 pages. Keith Terrett #802515. Published by Keith Terrett (A0.1203942). The Japanese National Anthem arranged for Violin & Cello.Kimigayo (å›ãŒä»£, Japanese pronunciation: [kimiÉ¡ajo]; His Imperial Majesty's Reign) is the national anthem of Japan. The lyrics are from a waka poem written by an unnamed author in the Heian period (794â€“1185), and the current melody was chosen in 1880, replacing an unpopular melody composed by John William Fenton eleven years earlier. While the title Kimigayo is usually translated as His Imperial Majesty's Reign, no official translation of the title or lyrics has been established in law.From 1888 to 1945, Kimigayo served as the national anthem of the Empire of Japan. When the Empire was dissolved following its surrender at the end of World War II, the State of Japan succeeded it in 1945. This successor state was a parliamentary democracy, and the polity therefore changed from a system based on imperial sovereignty to one based on popular sovereignty. However, the U.S. occupation forces allowed Emperor Hirohito to retain the throne and Kimigayo remained the de facto national anthem. The passage of the Act on National Flag and Anthem in 1999 recognized it as the official national and imperial anthem.Original version: John William Fenton, 1869Current version: Yoshiisa Oku and Akimori Hayashi (arranged by Franz Eckert), 1880.
$1.99 1.83 € #Violin, Cello (duet) #Keith Terrett #Cello #Japanese National Anthem for Violin & Cello #Keith Terrett #SheetMusicPlus

The Passage

Small Ensemble Alto Flute,Piano,Viola - Level 5 - Digital Download SKU: A0.886653 C…(+)

Small Ensemble Alto Flute,Piano,Viola - Level 5 - Digital Download SKU: A0.886653 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 26 pages. Panagiotis Theodossiou #3048999. Published by Panagiotis Theodossiou (A0.886653). The Passage, for alto flute, viola and piano (2010) Introduction I.Ten Minutes II.I have something to tell you! III.Do you remember the river? The work is based on the three, one act, theatrical plays by Greek writer and doctor Harry Candiloros, published under the same name by Dodoni editions in 2010. The story is about the passage between this life and life after death. The 1st is about a cosmological end which never happens. The 2nd about the death of two friends under a collapsed building after an earthquake. The 3d about an afterlife dialogue between the persons of a family. Each of the three parts of the work is written respectively after the reading of the three parts of the book. First performance by Meteora Ensemble (Julia Barnett: alto flute, Kathryn Christensen:piano) with Andrea Hemmenway: viola as guest artist at Palisades Lutheran Church, Los Angeles, California in 2010. The work was transcribed for violin, baritone saxophone and piano in 2012.https://www.youtube.com/watch?v=vdgtmkkiOg0 https://www.youtube.com/watch?v=ObO_CZZmI_c https://www.youtube.com/watch?v=bBlN9FeyYHw
$19.99 18.36 € #Panagiotis Theodossiou # #The Passage #Panagiotis Theodossiou #SheetMusicPlus

#The Passage

Concert Band - Level 4 - Digital Download SKU: A0.1472717 Composed by Michael Shaw. Celtic,Classical,Contest,Festival,Irish,Romantic Period. 85 pages. Michael Shaw #1050366. Published by Michael Shaw (A0.1472717). The Ruin is a captivating symphonic poem, inspired by the evocative text of English poet Walter de la Mare. This piece serves as a cross-curricular exploration, seamlessly integrating elements of literature, traditional music, and diverse musical techniques.At its core, The Ruin is a programmatic work, aiming to convey the vivid imagery and emotional depth of de la Mare's poetry. The poem itself reflects on the theme of nostalgia, contemplating the remnants of a once-great civilization now in ruins. Shaw masterfully translates these themes into music, using a rich palette of orchestral colors and textures to evoke the haunting beauty of the decaying structures and the passage of time.A unique feature of The Ruin is its incorporation of the traditional Irish reel King of the Fairies. This lively and energetic tune provides a stark and sudden contrast to the more somber and reflective opening of the piece, symbolizing an enduring spirit amidst the decay. In The Ruin, Michael Shaw has created a work that not only delights the senses but also provides rich educational insights into poetry, program music, Irish dances, non-standard percussion (cricket rasp), mixed-meter, motifs, and impressionistic music. Its blend of poetry, traditional music, and innovative compositional techniques makes it a valuable addition to the concert band repertoire and an excellent resource for educators.