Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
574
Digital
Sheet Music
24,804
Sheet Music
Books
5,678
Music
Equipment
2,040
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
3861
PIANO & KEYBOARDS
Piano solo
735
Piano, Voice
593
Easy Piano
480
C Instruments
285
Piano, Vocal and Guitar
137
Piano Accompaniment
65
1 Piano, 4 hands
42
Organ
42
2 Pianos, 4 hands
26
Piano Trio: piano, violin, cello
22
Piano (band part)
9
Piano Quartet: piano, violin, viola, cello
8
1 Piano, 6 hands
7
Organ, Trumpet (duet)
6
Piano Quartet: piano, 2 violins, cello
5
2 Pianos, 8 hands
4
Piano Quintet: piano, 2 violins, viola, cello
3
Big Note Piano
1
Organ, Piano (duet)
1
Instrumentations suivantes
Retracter
GUITARS
Guitar notes and tablatures
97
Guitar
62
Ukulele
32
Melody line, (Lyrics) and Chords
22
Guitar (band part)
22
Bass guitar
14
2 Guitars (duet)
12
Lyrics and Chords
8
Electric Bass (band part)
6
Mandolin
4
3 Guitars (trio)
3
4 Guitars (Quartet)
2
Dulcimer
2
2 Ukuleles
2
Piano, Guitar (duet)
1
Plectrum Orchestra
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
435
Choral 2-part
175
Choral 3-part
130
Choral TTBB
86
Choral Unison
60
Choral SSAA
37
Vocal duet, Piano
21
Vocal duet
15
Soprano voice, Piano
10
Choral SSAB a cappella
5
Medium voice, Piano
4
Baritone voice, Piano
4
Tenor voice, Piano
3
Mezzo-Soprano voice, Piano
2
Alto voice, Piano
2
Low voice
1
Low voice, Piano
1
Choral SSAATTBB
1
Instrumentations suivantes
Retracter
WOODWIND
2 Saxophones (duet)
901
Saxophone Quartet: 4 saxophones
571
Saxophone Quintet: 5 Saxophones
480
Alto Saxophone and Piano
462
Saxophone (band part)
453
Tenor Saxophone and Piano
375
2 Clarinets (duet)
300
Alto Saxophone
280
Saxophone, Clarinet (duet)
255
Flute, Oboe, Clarinet, Bassoon
244
Oboe, Piano (duet)
226
Soprano Saxophone and Piano
205
Baritone Saxophone, Piano
203
Flute and Piano
202
Clarinet, Violin (duet)
197
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
195
2 Flutes (duet)
193
Clarinet, Trumpet (duet)
167
Clarinet
144
Clarinet and Piano
144
3 Saxophones (trio)
127
Flute, Clarinet (duet)
116
Oboe, Bassoon (duet)
111
Saxophone ensemble
108
Flute, Saxophone (duet)
99
Oboe, Clarinet (duet)
99
Flute, Violin
98
Clarinet and Viola
98
2 Oboes (duet)
97
Tenor Saxophone
96
Flute
96
Flute, Viola (duet)
95
Baritone Saxophone
77
Flute, Trumpet (duet)
77
Oboe, Flute
73
Oboe (band part)
73
Soprano Saxophone
71
2 Recorders (duet)
70
Clarinet Quartet: 4 clarinets
60
Oboe
39
Clarinet Ensemble
37
Clarinet Quintet: 5 clarinets
36
Flute Quartet: 4 flutes
34
Flute, Oboe (duet)
26
Flute Quintet : 5 flutes
19
Clarinet (band part)
19
3 Clarinets (trio)
18
Recorder Ensemble
17
Oboe, Violin (duet)
16
Clarinet, Bassoon (duet)
15
Flute ensemble
15
English horn, Piano
15
Recorder
14
Recorder Quartet
14
Flute (band part)
13
Flute Trio: 3 flutes
12
Bass Clarinet, Piano
12
Clarinet, Cello (duet)
11
Clarinet, Trombone (duet)
11
Descant (Soprano) Recorder
10
Piccolo, Piano
10
Oboe, Cello
9
Oboe, Trombone (duet)
9
5 Recorders
9
Piccolo
8
3 Recorders (trio)
8
Flute, Oboe, Clarinet (trio)
8
Flute, Clarinet, Horn and Bassoon (Quartet)
8
Flute, Trombone (duet)
8
Flute and Guitar
8
Flute, Oboe, Bassoon
7
Treble (Alto) Recorder
7
Saxophone and Guitar
7
Flute, Violoncello
7
Flute, Clarinet and Bassoon.
7
Flute, Bassoon, and Piano
6
Oboe, Guitar (duet)
6
Treble (Alto) Recorder, Piano
6
English Horn
5
Tenor Recorder
5
Flute, Viola and Piano
4
Oboe, Clarinet, Bassoon (trio)
4
Recorder, Piano
4
Flute, Cello, Piano (trio)
4
2 Saxophones, Piano
4
Oboe and viola (duet)
4
Flute, Clarinet, Piano (trio)
3
Saxophone
3
Clarinet, Bassoon, Piano (trio)
3
Harmonica
2
Flute, Violin, Violoncello and Piano
2
4 Oboes
2
Flute, Violin, Piano
2
Saxophone and Organ
2
Flute and Strings Trio
1
Clarinette, Viola and Piano (trio)
1
Wind ensemble
1
Bass Clarinet
1
Eb Instruments
1
Oboe, Violin, Piano
1
Clarinet, Cello, Piano (trio)
1
2 Clarinets, Piano
1
2 Flutes, Piano
1
Pan Flute
1
Saxophone, Bassoon (duet)
1
Descent (Soprano) Recorder, Piano
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
591
Trombone and Piano
502
Trombone
276
Brass quartet : 2 trumpets, trombone, tuba
267
2 Trombones (duet)
249
Trumpet, Saxophone (duet)
190
Brass Quartet: 2 trumpets, horn, trombone
186
Brass Quartet
179
Trumpet, Trombone (duet)
178
Trombone (band part)
157
Trumpet, Piano
150
French Horn and Piano
148
Trumpet
134
2 Trumpets (duet)
102
French horn
86
Tuba and Piano
82
Tuba
77
Trumpet (band part)
61
Trumpet ensemble
53
Brass Quartet: 4 trombones
40
2 French horns (duet)
35
Trombone ensemble
31
French horn (band part)
24
Brass Trio
23
Euphonium, Piano (duet)
22
Brass Quartet: 4 horns
19
2 Tubas (duet)
18
Tuba (band part)
18
English horn, Piano
15
Trumpet, Horn (duert)
14
Trombone, Violin (duet)
12
2 Euphoniums (duet)
12
Trombone, Tuba (duet)
12
Brass Quartet: 4 trumpets
11
Bass Trombone
11
Trombone, Horn (duet)
8
Trumpet, Trombone, Piano
7
3 Trombones (trio)
6
Trombone, Organ
6
English Horn
5
3 Trumpets (trio)
5
Horn Ensemble
5
Bass Trombone and Piano
5
Trumpet, Bassoon (duet)
4
4 Tubas
4
Tuba and Organ
4
French horn and Basson (duet)
3
Brass Quartet: 2 trumpets, 2 trombones
3
2 Euphoniums and 2 Tubas
3
Horn, Cello (duet)
3
Trumpet, Cello (duet)
3
Trumpet, Tuba (duet)
2
Bass Clef Instruments
2
Horn, Tuba (duet)
2
Euphonium
2
3 Tubas (trio)
2
Horn, Trumpet, Trombone (trio)
2
Euphonium, Tuba (duet)
2
3 French horns (trio)
1
Brass Quintet: 2 trumpets, horn, 2 trombones
1
2 Trumpets, Keyboard (piano or organ)
1
Tuba or Euphonium or Saxhorn
1
Trumpet and Guitar
1
Bb Instruments
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
455
Violin and Piano
221
Viola, Piano
191
Cello, Piano
186
Violin, Cello (duet)
176
Violin
157
Violin, Viola (duet)
124
String Quintet: 2 violins, viola, cello, bass
124
2 Violins (duet)
122
Cello (band part)
112
Viola
107
2 Cellos (duet)
106
2 Violas (duet)
103
Double Bass
74
Cello
63
String Trio: violin, viola, cello
59
Double bass, Piano (duet)
46
Violin (band part)
37
Harp
36
String Trio: 2 violins, cello
31
Doublebass (band part)
28
Viola (band part)
23
4 Cellos
19
Piano Trio: Violin, Viola, Piano
17
Viola, Cello (duet)
15
String Quartet : 4 violas
11
Viola and Harp
10
String quartet: 4 violins
10
Harp, Cello (duet)
9
Cello, String Bass (duet)
9
Violin ensemble
9
String Trio: 3 violins
9
Harp, Violin (duet)
9
Harp, Flute (duet)
8
String Trio: 3 cellos
8
String Trio: 3 violas
8
Viola ensemble
8
2 Double basses (duet)
7
Violin, Guitar (duet)
7
Violin, Bassoon (duet)
6
Cello, Guitar (duet)
6
Harp, Voice
5
String Quintet: 2 violins, viola, 2 cellos
4
Viola and Bassoon
3
String Trio: 2 violins, viola
3
String Quintet: 2 violins, 2 violas, cello
2
Viola, Guitar (duet)
2
2 Cellos, Piano
1
Violin, Organ
1
Violin, Trumpet and Piano
1
Autoharp
1
Harp, Violin, Violoncello
1
Cello Ensemble
1
Violin, Clarinet, Piano (trio)
1
2 Violins, Piano
1
Flute, Doublebass (duet)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
641
String Orchestra
215
Brass ensemble
117
Orchestra
104
Marching band
81
Jazz Ensemble
78
Drum (band part)
46
Drums
33
Handbells
33
Chamber Orchestra
18
Xylophone, Piano
18
Percussion (band part)
15
Xylophone
14
Jazz combo
12
Percussion Ensemble
11
Marimba
7
Vibraphone
3
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
3 Marimbas
1
Brass Quintet: other combinaisons
1
Woodwind Quintet
1
Marimba, Piano (duet)
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
The Perfect One
Sheetmusic to print
24,804 sheet music found
<
1
26
51
....
9976
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
Trumpet, Trombone (duet)
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Compo…
(+)
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.75 €
#
Trumpet, Trombone (duet)
#
Giovanni Gabrieli
#
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
#
jmsgu3
#
SheetMusicPlus
Too Much For Our Thirst (Trombone and Piano)
Trombone and Piano
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexa…
(+)
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
9.32 €
#
Trombone and Piano
#
Alexander Burdiss
#
Too Much For Our Thirst
#
Ars Nova Press
#
SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
(+)
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.72 €
#
Choral TTBB
#
Arlo Guthrie
#
The Story Of Reuben Clamzo & His Strange Daughter
#
Edition Craig Hanson
#
SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
Trumpet, Trombone (duet)
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Compos…
(+)
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.75 €
#
Trumpet, Trombone (duet)
#
Giovanni Gabrieli
#
1 Bass Trombone
#
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
#
jmsgu3
#
SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
(+)
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.95 €
#
Paul Wehage
#
Paul Wehage: To You for baritone, tenor saxophone and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Sax & Piano
Baritone Saxophone, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549579 Composed by Ed…
(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549579 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509399. Published by jmsgu3 (A0.549579). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
23.29 €
#
Baritone Saxophone, Piano
#
Edvard Grieg
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Sax & Piano
#
jmsgu3
#
SheetMusicPlus
LILLY'S DANCE (THE TUMBLER)
Tenor Saxophone and Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
(+)
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876447 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 24 pages. JoeCopio Music LLC #53323. Published by JoeCopio Music LLC (A0.876447). LILLY’S DANCE (THE TUMBLER) Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio LILLY’S DANCE (THE TUMBLER) is a delightful Latin flavored dance that was inspired by Little Miss Lilly who could tumble on command all by her big self when she was only 15 months old. When I first saw her dance and tumble at such a young age, I was so moved that I wrote this piece to celebrate her ability to amaze everyone with her dancing and tumbling. LILLY’S DANCE (THE TUMBLER) was originally written and arranged for a small ensemble, band, stage band or combo with flexible instrumentation so that it may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of LILLY’S DANCE (THE TUMBLER) makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, LILLY’S DANCE (THE TUMBLER) has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece is composed in the same style of the other dances in the set - all of which have been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for LILLY’S DANCE (THE TUMBLER) includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Depart.
$4.99
4.66 €
#
Tenor Saxophone and Piano
#
Joe Procopio
#
the vocalist/bassist I
#
LILLY'S DANCE
#
JoeCopio Music LLC
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Trombone & Piano
Trombone and Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.549588 Composed by Edvard Grieg…
(+)
Piano,Trombone - Level 3 - Digital Download SKU: A0.549588 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Multicultural,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511293. Published by jmsgu3 (A0.549588). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.  Â
$24.95
23.29 €
#
Trombone and Piano
#
Edvard Grieg
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Trombone & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549576 Composed by Edv…
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549576 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509365. Published by jmsgu3 (A0.549576). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
23.29 €
#
Soprano Saxophone and Piano
#
Edvard Grieg
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549578 Composed by Edvard…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549578 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509393. Published by jmsgu3 (A0.549578). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore!Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.29 €
#
Alto Saxophone and Piano
#
Edvard Grieg
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549577 Composed by Edvar…
(+)
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549577 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509379. Published by jmsgu3 (A0.549577). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
23.29 €
#
Tenor Saxophone and Piano
#
Edvard Grieg
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Tenor Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Walter the Weary Werewolf, Halloween Duet for Trombone
2 Trombones (duet)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.592395 Composed by Davi…
(+)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.592395 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score. 4 pages. David McKeown #6358907. Published by David McKeown (A0.592395). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for two Trombones. Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trombone.Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
#
2 Trombones (duet)
#
David McKeown
#
Walter the Weary Werewolf, Halloween Duet for Trombone
#
David McKeown
#
SheetMusicPlus
Phyllis the Photobombing Phantom, Halloween Duet for Trombone
2 Trombones (duet)
Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.592235 Composed by Davi…
(+)
Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.592235 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score. 5 pages. David McKeown #6355703. Published by David McKeown (A0.592235). Phyllis the Photobombing Phantom is a fun and original duet written by David McKeown for two Trombones. Phyllis the Photobombing Phantom is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trombone.You have probably met Phyllis. Before tripping over a coat-hanger and becoming a phantom, Phyllis was a successful model and she still loves the camera. Since you need good light for photography she isn’t nocturnal like the other phantoms. If you’ve ever had those annoying light spots and flares in your pictures, that’s Phyllis photobombing your shot.Phyllis the Photobombing Phantom is suitable for players at an advanced intermediate level and above, with the accessible range balanced by some faster whole-tone passages. With a playing-time of around three and a half minutes, Phyllis the Photobombing Phantom is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
#
2 Trombones (duet)
#
David McKeown
#
Phyllis the Photobombing Phantom, Halloween Duet for Trombone
#
David McKeown
#
SheetMusicPlus
10 Easy Romantic Pieces - for Eb Alto Saxophone and Piano
Alto Saxophone and Piano
Composed by Ludwig van Beethoven (1770-1827), Nicolo Paganini (1782-1840), Robert Sc…
(+)
Composed by Ludwig van Beethoven (1770-1827), Nicolo Paganini (1782-1840), Robert Schumann, Anton Rubinstein (1829-1894), Johannes Brahms (1833-1897), Peter Ilyich Tchaikovsky (1840-1893), Antonin Dvorak (1841-1904), and Modest Petrovich Mussorgsky (1839-1881). Arranged by Francesco Leone. Chamber, Classical, Romantic Period. Score and part. 36 pages. Glissato Edizioni Musicali #820299. Published by Glissato Edizioni Musicali
10 romantic pieces collection for Eb Alto Saxophone and Piano, a great resource for students of the first courses. This collection features 10 easy pieces from the romantic period, arranged for Eb Alto Saxophone and Piano. Perfect for essays, concerts, and other performances, these pieces are sure to bring out the best in any student. With 10 romantic pieces, you have the perfect selection for any performance. Get ready to show off your talent with 10 romantic pieces! Complete parts for Sax and Piano.<br> Easy keys and range for SaxEasy Piano accompanimentMusical themes taken from the original compositions<br> Largo from “New World Symphony” – A. Dvorák <br> Theme from "Le Streghe" - N. Paganini <br> Melody in F – A. Rubinstein <br> Soldier March – R. Schumann <br> The Great Gate of Kiev - M. Mussorgsky<br> Theme from "New World Symphony" (IV mov.) - A. Dvorák <br> Theme from "Symphony n. 1" (IV mov.) - J. Brahms <br> Theme from "Symphony n. 5" (II mov.) - L. van Beethoven <br> Theme from "Symphony n. 7" (II mov.) - L. van Beethoven <br> Theme from "Swane Lake" - P. I. Tchaikovsky.
$14.99
13.99 €
#
Alto Saxophone and Piano
#
Ludwig van Beethoven
#
10 Easy Romantic Pieces - for Eb Alto Saxophone and Piano
#
Glissato Edizioni Musicali
#
SheetMusicPlus
3 ONE MOVEMENT HYMN SONATAS (for Baritone Sax and Piano with Score/Parts)
Baritone Saxophone, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.617749 Composed by Ga…
(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.617749 Composed by Gary Lanier, Lowell Mason, Traditional, and William H. Doane. Arranged by Gary Lanier. Sacred. Score and part. 41 pages. The Lanier Company #6048971. Published by The Lanier Company (A0.617749). 3 ONE MOVEMENT HYMN SONATAS is a musical work created by Gary Lanier for Baritone Sax and Piano. It includes three of our most cherished Hymns: (1) Amazing Grace, (2) Take My Life and Let It Be, and (3) To God Be the Glory. The theme is one of God's Grace, the Christian's response to what He has done for us, and God's Love, all seen through His Son, Jesus Christ. The word, sonata is used by the composer/arranger because of the many ways the hymn tunes are presented and developed through: motifs, secondary themes, variation, repetition, recapitulation and other compositional devices. 3 ONE MOVEMENT HYMN SONATAS is perfect for Church services, recitals or gatherings where hymns of God's grace, His love and our praise to Him is desired. The score, including cover and instrumental parts is 41 pages long. All three for the price of two.
$19.99
18.66 €
#
Baritone Saxophone, Piano
#
Gary Lanier, Lowell Mason, Traditional, and William H
#
3 ONE MOVEMENT HYMN SONATAS
#
The Lanier Company
#
SheetMusicPlus
Scott the Scatterbrained Skeleton, Spooky Halloween Duet for Trombone Duet
2 Trombones (duet)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.592315 Composed by Davi…
(+)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.592315 Composed by David McKeown. Children,Concert,Contemporary,Halloween,Standards. Score. 5 pages. David McKeown #6357575. Published by David McKeown (A0.592315). Scott the Scatterbrained Skeleton is a fun and original duet written by David McKeown for two Trombones. Scott the Scatterbrained Skeleton is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trombone.When you think about it, it’s obvious why Scott is scatterbrained, seeing as there’s nothing to stop his brain falling out. His friends also called him scatterlunged and scatterspleened. He’s a happy chap, not a deep thinker of course, but he always has a smile for everyone.Scott the Scatterbrained Skeleton is suitable for players at an intermediate level and above. The main melody is staccato, with a more lyrical and sustained middle section. The key and range are as accessible as possible for both players. With a playing-time of just under four minutes, Scott the Scatterbrained Skeleton is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
#
2 Trombones (duet)
#
David McKeown
#
Scott the Scatterbrained Skeleton, Spooky Halloween Duet for Trombone Duet
#
David McKeown
#
SheetMusicPlus
Prayer (by Bruce Steane, arr. Saxophone Quintet)
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1240608 Composed by Bruce Steane (1866-1938). Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship. 25 pages. Andrew Lamb #835993. Published by Andrew Lamb (A0.1240608). This arrangement of Prayer by Bruce Steane is a captivating addition to any Saxophone Quintet repertoire. Designed specifically for five saxophones, it brings a fresh and unique interpretation to this beautiful composition. Ideal for various occasions, this arrangement can be used as an enchanting introductory voluntary piece. Its rich harmonies and expressive melodies create a serene and contemplative atmosphere, setting the perfect tone for any performance. Whether you're performing in a concert hall, at a wedding, or during a religious ceremony, this arrangement will captivate both performers and listeners alike. The Saxophone Quintet instrumentation allows for a harmonious blend of soprano, alto, tenor, and baritone saxophones, each contributing their distinctive voice to create a balanced and harmonically rich sound. The parts are expertly arranged to showcase the individual talents of each saxophonist while creating a cohesive ensemble sound. Whether you're a saxophone ensemble seeking a captivating addition to your repertoire or a director searching for a memorable introductory voluntary, this arrangement of Prayer by Bruce Steane is sure to impress. Its beautiful melodies, lush harmonies, and versatile performance opportunities make it a must-have for any saxophone quintet.
$7.00
6.53 €
#
Saxophone Quintet: 5 Saxophones
#
Bruce Steane
#
Prayer
#
Andrew Lamb
#
SheetMusicPlus
Zoe the Zen Zombie, Spooky Halloween Duet for Trombone
2 Trombones (duet)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.592475 Composed by Davi…
(+)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.592475 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score. 4 pages. David McKeown #6359889. Published by David McKeown (A0.592475). Zoe the Zen Zombie is a spooky and original duet written by David McKeown for two Trombones. Zoe the Zen Zombie is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Violin and Trombone.Zoe was interested in Eastern philosophy long before she became a zombie and nowadays it helps her cope with the unfortunate change of circumstances. So when all her zombie friends are out on a flesh-eating rampage, Zoe is usually at home sipping Tibetan tea and listening to George Harrison. But she does get lonely at times. Zoe the Zen Zombie is suitable for players at an intermediate level and above. The main melody in gentle and lyrical throughout with some accidentals, while the accompaniment has some quaver movement at a medium tempo. The range is accessible for both players. With a playing-time of around three minutes, Zoe the Zen Zombie is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements .
$3.99
3.72 €
#
2 Trombones (duet)
#
David McKeown
#
Zoe the Zen Zombie, Spooky Halloween Duet for Trombone
#
David McKeown
#
SheetMusicPlus
5 Christmas Songs for Saxophone Quintet plus one Bonus
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1324976 Co…
(+)
Saxophone Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1324976 Composed by Various. Arranged by Ander. Chamber,Christmas. 104 pages. Woods Only, Arrangements #913192. Published by Woods Only, Arrangements (A0.1324976). We present our enchanting Collection of Christmas Arrangements for Sax Quintet, specially crafted for the festive Christmas season! Delight in the spirit of Christmas with these innovative interpretations of timeless classics, meticulously crafted to bring joy and magic to your musical repertoire.1 - Jingle Bells in Different Styles:Are you ready for a musical journey through various styles of Jingle Bells? Our arrangement for Sax Quintet takes you from a slow and gentle opening to an animated version, exploring waltz and samba styles along the way. Perfect for Christmas parties, chamber music groups, recitals, and concerts, this unique arrangement is a charming twist on a holiday favorite. Don’t miss the chance to surprise and delight your audience with this creative interpretation!2 - We Wish You a Merry Christmas:Step into the magic of Christmas with our innovative arrangement for Sax Quintet of We Wish You a Merry Christmas. This score breathes new life into the classic melody, creating an enchanting atmosphere while preserving the essence of the original work. Ideal for Christmas events, recitals, concerts, and educational purposes, this arrangement is a valuable addition to any musical collection. Embrace the universal language of music and charm your audience with this special interpretation.3 - Joy to the World:Immerse yourself in the beauty of our reimagined arrangement for Sax Quintet of Joy to the World. This classic Christmas hymn takes on a new and magical guise, exploring new rhythms, harmonies, and counterpoints without losing the original essence. Perfect for Christmas events, recitals, concerts, and music education, this arrangement highlights the beauty and creativity that will captivate every listener. Be part of the history of this wonderful song with our exclusive score.4 - Silent Night:Step into the serene magic of our arrangement for Silent Night, a beloved Christmas song translated into over 300 languages. Originally composed in 1818, this rendition captures the longing for redemption and peace, making it perfect for various Christmas occasions. Dive into the historical significance of the piece and add a touch of magic to your musical repertoire with our innovative arrangement.5 - Deck the Halls:Enter the enchanting world of our arrangement for Sax Quintet of Deck the Halls. This interpretation offers a fresh and magical perspective on the traditional melody, making it perfect for Christmas events, recitals, concerts, and music education. Originating from the 16th-century Welsh melody, this arrangement adds a modern touch while preserving the essence of the historical piece. Elevate your Christmas celebrations with this charming and historically rich arrangement.Bonus - God Rest Ye Merry Gentlemen:Uncover the beauty of Christmas with our arrangement for Sax Quintet of God Rest Ye Merry Gentlemen. This timeless English Christmas song is reborn in this innovative interpretation, maintaining the original essence while breathing new life into the melody. Whether for chamber music recitals, concerts, public shows, or educational purposes, this arrangement is a perfect blend of tradition and innovation. Capture the magic of Christmas and add this valuable piece to your repertoire today!Our Christmas Collection for Sax Quintet is a testament to the transformative power of music. Each arrangement is a journey, taking familiar melodies and presenting them in a new light that is both innovative and respectful of their origins. These arrangements are more than just music; they are an invitation to experience the joy, wonder, and magic of Christmas in a unique and unforgettable way. So, whether you're a seasoned musician or a beginner, we invite you to explore these arrangements and let the music fill your heart with the spirit of Christmas. Enjoy the journey!
$49.99
46.66 €
#
Saxophone Quintet: 5 Saxophones
#
Various
#
5 Christmas Songs for Saxophone Quintet plus one Bonus
#
Woods Only, Arrangements
#
SheetMusicPlus
Walter the Weary Werewolf, Halloween Duet for Trumpet and Trombone
Trumpet, Trombone (duet)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: …
(+)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.592400 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6358919. Published by David McKeown (A0.592400). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for one Trumpet and one Trombone. Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Trombone.Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
#
Trumpet, Trombone (duet)
#
David McKeown
#
Walter the Weary Werewolf, Halloween Duet for Trumpet and Trombone
#
David McKeown
#
SheetMusicPlus
Just As I Am, Without One Plea (Brass Quintet)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855031
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855031 Composed by William B. Bradbury(1816-1868). Arranged by Joseph Pugh. Christian,Sacred,Standards. Score and parts. 7 pages. Joseph Pugh #6065427. Published by Joseph Pugh (A0.855031). Charlotte Elliot, [the lyricist of this great Hymn] had a great love of poetry and music, and is reflected in her verse. Her hymns number about 150, a large percentage of which are in common use. The finest and most widely known of these are, Just as I am and My God, my Father, while I stray. Her verse is characterized by tenderness of feeling, plaintive simplicity, deep devotion, and perfect rhythm. For those in sickness and sorrow she has sung as few others have done. Her hymns appeared in her brother's Psalms & Hymns and elsewhere.-Hymnary.org.
$19.99
18.66 €
#
Brass quartet : 2 trumpets, trombone, tuba
#
William B
#
Hymns
#
Just As I Am, Without One Plea
#
Joseph Pugh
#
SheetMusicPlus
Vicky the Vegetarian Vampire, Halloween Duet for Trombone
2 Trombones (duet)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.592354 Composed by Davi…
(+)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.592354 Composed by David McKeown. 20th Century,Concert,Halloween,Rock,Standards. Score. 5 pages. David McKeown #6358741. Published by David McKeown (A0.592354). Vicki the Vegetarian Vampire is a fun and original duet written by David McKeown for two Trombones. Vicki the Vegetarian Vampire is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trombone.Vicky is a friendly vampire who much prefers pumpkin soup to blood. But to keep up appearances she lives in a crumbly castle in an area prone to thunderstorms where she regularly practises on the organ.Vicki the Vegetarian Vampire is suitable for players at an intermediate level and above. The main melody is reggae style with offbeat rhythms while the middle section is more legato. The key and range are as accessible as possible for both players. With a playing-time of just under three minutes, Vicki the Vegetarian Vampire is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
#
2 Trombones (duet)
#
David McKeown
#
Vicky the Vegetarian Vampire, Halloween Duet for Trombone
#
David McKeown
#
SheetMusicPlus
5 Christmas Songs for Brass Quintet plus one Bonus
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Level 3 - Digital Download SKU: A0.1348469 Composed by Various. Arr…
(+)
Brass Quintet - Level 3 - Digital Download SKU: A0.1348469 Composed by Various. Arranged by Ander. Chamber,Christmas. 104 pages. Woods Only, Arrangements #933246. Published by Woods Only, Arrangements (A0.1348469). We present our enchanting Collection of Christmas Arrangements for Brass Quintet, specially crafted for the festive Christmas season! Delight in the spirit of Christmas with these innovative interpretations of timeless classics, meticulously crafted to bring joy and magic to your musical repertoire.1 - Jingle Bells in Different Styles:Are you ready for a musical journey through various styles of Jingle Bells? Our arrangement for Brass Quintet takes you from a slow and gentle opening to an animated version, exploring waltz and samba styles along the way. Perfect for Christmas parties, chamber music groups, recitals, and concerts, this unique arrangement is a charming twist on a holiday favorite. Don’t miss the chance to surprise and delight your audience with this creative interpretation!2 - We Wish You a Merry Christmas:Step into the magic of Christmas with our innovative arrangement for Brass Quintet of We Wish You a Merry Christmas. This score breathes new life into the classic melody, creating an enchanting atmosphere while preserving the essence of the original work. Ideal for Christmas events, recitals, concerts, and educational purposes, this arrangement is a valuable addition to any musical collection. Embrace the universal language of music and charm your audience with this special interpretation.3 - Joy to the World:Immerse yourself in the beauty of our reimagined arrangement for Brass Quintet of Joy to the World. This classic Christmas hymn takes on a new and magical guise, exploring new rhythms, harmonies, and counterpoints without losing the original essence. Perfect for Christmas events, recitals, concerts, and music education, this arrangement highlights the beauty and creativity that will captivate every listener. Be part of the history of this wonderful song with our exclusive score.4 - Silent Night:Step into the serene magic of our arrangement for Silent Night, a beloved Christmas song translated into over 300 languages. Originally composed in 1818, this rendition captures the longing for redemption and peace, making it perfect for various Christmas occasions. Dive into the historical significance of the piece and add a touch of magic to your musical repertoire with our innovative arrangement.5 - Deck the Halls:Enter the enchanting world of our arrangement for Brass Quintet of Deck the Halls. This interpretation offers a fresh and magical perspective on the traditional melody, making it perfect for Christmas events, recitals, concerts, and music education. Originating from the 16th-century Welsh melody, this arrangement adds a modern touch while preserving the essence of the historical piece. Elevate your Christmas celebrations with this charming and historically rich arrangement.Bonus - God Rest Ye Merry Gentlemen:Uncover the beauty of Christmas with our arrangement for Brass Quintet of God Rest Ye Merry Gentlemen. This timeless English Christmas song is reborn in this innovative interpretation, maintaining the original essence while breathing new life into the melody. Whether for chamber music recitals, concerts, public shows, or educational purposes, this arrangement is a perfect blend of tradition and innovation. Capture the magic of Christmas and add this valuable piece to your repertoire today!Our Christmas Collection for Brass Quintet is a testament to the transformative power of music. Each arrangement is a journey, taking familiar melodies and presenting them in a new light that is both innovative and respectful of their origins. These arrangements are more than just music; they are an invitation to experience the joy, wonder, and magic of Christmas in a unique and unforgettable way. So, whether you're a seasoned musician or a beginner, we invite you to explore these arrangements and let the music fill your heart with the spirit of Christmas. Enjoy the journey!
$49.99
46.66 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Various
#
5 Christmas Songs for Brass Quintet plus one Bonus
#
Woods Only, Arrangements
#
SheetMusicPlus
Walter the Weary Werewolf, Halloween Duet for Clarinet and Tenor Saxophone
Saxophone, Clarinet (duet)
Instrumental Duet Clarinet,Instrumental Duet,Tenor Saxophone - Level 4 - Digital Download …
(+)
Instrumental Duet Clarinet,Instrumental Duet,Tenor Saxophone - Level 4 - Digital Download SKU: A0.592371 Composed by David McKeown. Contemporary,Standards. Score and parts. 4 pages. David McKeown #6358857. Published by David McKeown (A0.592371). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for one Clarinet and one Tenor Saxophone. Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Clarinet and Tenor Saxophone.Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
#
Saxophone, Clarinet (duet)
#
David McKeown
#
Walter the Weary Werewolf, Halloween Duet for Clarinet and Tenor Saxophone
#
David McKeown
#
SheetMusicPlus
Walter the Weary Werewolf, Halloween Duet for Clarinet and Alto Saxophone
Saxophone, Clarinet (duet)
Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 4 - Digital Download
(+)
Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A0.592370 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6358853. Published by David McKeown (A0.592370). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for one Clarinet and one Alto Saxophone. Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Clarinet and Alto Saxophone.Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
#
Saxophone, Clarinet (duet)
#
David McKeown
#
Walter the Weary Werewolf, Halloween Duet for Clarinet and Alto Saxophone
#
David McKeown
#
SheetMusicPlus
<
1
26
51
....
9976
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
