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126
Joy to the World with the Hallelujah Chorus
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Piano solo
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INTERMEDIATE/ADVANCED
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Christmas
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Stephen R Dalrymple
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Stephen R Dalrymple (Dalrymple
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Joy to the World with the Hall
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.818229 By Stephen R Dalrymple. By Isaac Watts and Lowell Mason (from George Frederick Handel). Arranged b...
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Piano Solo - Level 4 - Digital Download SKU: A0.818229 By Stephen R Dalrymple. By Isaac Watts and Lowell Mason (from George Frederick Handel). Arranged by Stephen R Dalrymple (Dalrymple Designs). Christmas. Score. 14 pages. Stephen R Dalrymple #3087649. Published by Stephen R Dalrymple (A0.818229). Joy to the World with The Hallelujah Chorus ♫ piano solo arrangement by Stephen R Dalrymple ♫ based on the public domain hymn by Isaac Watts and Lowell Mason (from George Frederick Handel) ♫ Isaac Watts published the lyrics in 1719. We credit Isaac Watts for helping to popularize “hymns†over “Psalms†in Protestant churches in the 18th Century. The texts of “Psalms†came directly from the Bible; “hymns†were more interpretive and reflective. Whether to allow the use of hymns rather than Psalms in church was a controversial topic of the 17th and 18th centuries! ♫ Watts used Psalm 96 and 98 with Genesis 3 to create the lyrics of Joy to the World. For over a hundred years, the lyrics were sung to various Psalm tunes. ♫ Lowell Mason published our current version with the melody ANTIOCH in 1848. He attributed the melody to George Frederick Handel by Lowell. We can find several fragments of this melody in Handel’s music, there is no complete statement of the melody in Handel. And so ANTIOCH is now attributed to Mason. ♫ The Hallelujah Chorus serves as the introduction and the conclusion of this arrangement. It was first published within Messiah, an oratorio by George Frederick Handel in 1741. The lyrics were created by Charles Jennens from the King James Bible. ♫ “The Lord is come†is the present perfect tense. It seems archaic, yet the present perfect tense has a distinct meaning. It points to a current action that is sustained. It isn’t just that Christ came in the past. But that Christ came and is still here with us. ♫ music © 2017 (copyright registered in 'I See your Glory’ collection) ♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ performed by the composer ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ A duplicate YouTube video in English is available under the title Joie dans le monde https://youtu.be/QrcR5GaKzW4♫ @DalrympleDesigns.
$4.50
THROUGH HIS NAME (SATB) – 1 John 2:12-14
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Choral SATB
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INTERMEDIATE
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Sacred music
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Michael A
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THROUGH HIS NAME
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926666 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588437...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926666 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588437. Published by M.A. Morizio (A0.926666). In 1 John, we witness the Apostle (that Jesus loved) writing as the elder statesman of the faith in the last third of the 1st century. In chapter two, verse seven, John refers to the church as beloved and proceeds by telling them of a new commandment. He says (verses 9-11), Whoever loves his brother, abides in the light and there is no cause for stumbling. But whoever hates his brother is in the darkness, and does not know where he is going, because the darkness has blinded his eyes. From this text, John immediately segues into verses 12-14, to affirm for his followers that as far as they are concerned, there is no darkness in them for they are the children of the Light to whom he was earlier referring. John achieves this transition by employing yet another 1st century Hymn to Christ, which I have entitled, Through His Name. This anthem is an affirmation of the faith, first to the little children, then to the fathers, and then to the young men. What is very interesting is that the first stanza is written in the present tense (I am writing to you) but the second stanza, with very similar wording, is written in the past tense (I have written to you). It’s as if to say, you heard the Gospel message before, and you believed, and I am writing it to you again, so that you may continue to believe.
$1.99
The Trinity Service - Magnificat & Nunc dimittis
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Choral SATB
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INTERMEDIATE/ADVANCED
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Ivo Antognini
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The Trinity Service - Magnific
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Ivo Antognini
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1211209 Composed by Ivo Antognini. A Cappella,Contemporary,Latin,Sacred. Octavo. 24 pages...
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1211209 Composed by Ivo Antognini. A Cappella,Contemporary,Latin,Sacred. Octavo. 24 pages. Ivo Antognini #808911. Published by Ivo Antognini (A0.1211209). In this Trinity Service (2021) I used the text of the Magnificat as if it were the storyboard of a film. I tried to describe in the utmost detail the emotion the words conveyed to me and the images they suggested. In this composition I have used word-painting, attempting to colour as many words, phrases and situations as possible; hence the score is full of expression markings such as ‘majestic’, ‘with vigour’, ‘lively’, ‘intense’, ‘with affection’ and ‘with verve’. The result is a piece that changes texture rather quickly, and its noble opening theme (‘My soul doth magnify the Lord’) returns only once in abbreviated form (‘He hath filled the hungry with good things’). The following Nunc dimittis has a much more meditative and intimate character with a sparser texture. There are some references to the themes presented in the Magnificat. A motif from the Magnificat, ‘Glory be to the Father, and to the Son’, recurs in almost the same form towards the close of the Nunc dimittis, but in a quieter vein and in 4 rather than the 43 of the Magnificat. The Magnificat and the Nunc dimittis may be performed individually.
$3.99
Thérèse Brenet : Boustrophédon for flute, clarinet, violin, violoncello and piano
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Therese Brenet
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Thérèse Brenet : Boustrophé
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.532825 Composed by Therese Brenet. Contemporary,Standards. Score an...
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.532825 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 67 pages. Musik Fabrik Music Publishing #44847. Published by Musik Fabrik Music Publishing (A0.532825). The word Boustrophédon is a 16th century expression which refers to an archaic type of writing in which, after having written a line from left to right, one continues the next line from right to left and then alternates directions. This is the way the oldest known latin inscriptions are written, as well as in the traditional writing of the Touaregs The etymology comes from the Greek “bous†or ox and the verbal form “trophéin†or the verb “to turnâ€. These two elements give the image that this writing is traced in the same way that the ox pulled the plow in the fields In the sub-title, there is an evocation of Rimbaud‘s famous “Vowel“ sonnet : : Oh, sublime trumpet full of strange piercing sounds The author wanted to suggest both musically and technically the manner of this style of writing in boustrophedon. The work begins thus with a sonorous strange sonorous background which suggests this type of writing. This strange atmosphere is created by glissandi on the piano strings as well as on the strings of the violin and the violoncello. These alternating movements create “strange piercing sounds†against which the flute and clarinet alternately play brief sequences which create the outline of a melody. Then the atmosphere changes : the violin, the cello and the piano come together in a percussive violent outburst, which creates a tragic, passionate feeling which may also be considered “strange piercing soundsâ€. Several long aleatoric phrases are then presented like a sonorous halo which intensify to bring the lister to an intense Chorale-like phrase which serves as the central pillar of the work. This phrase is repeated several times, each time gaining in intensity to bring the work to its summit. At the conclusion, the theme is presented again with a great violence, this time without the boustropedon but perhaps with “strange piercing soundsâ€. https://www.youtube.com/watch?v=-SdwCOr-wzA.
$29.95
Salome Tanz (Dance of the Seven Veils)
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Flute and Piano
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ADVANCED
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James Strauss
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James Strauss
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Salome Tanz
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James Strauss
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contempora...
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Flute,Piano - Level 5 - Digital Download SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred. Score and part. 31 pages. James Strauss #878687. Published by James Strauss (A0.1287662). Strauss and the Dance of the Seven VeilsThe Dance of the Seven Veils is a performance by Salome before King Herod Antipas, depicted in modern stage productions, literature, and visual arts. This dance is an elaboration of the New Testament story of the Feast of Herod and the execution of John the Baptist. While the New Testament does not give the dance a name, the title Dance of the Seven Veils originated from the 1893 English translation of Oscar Wilde's French play, Salome, which included the stage direction Salome dances the dance of the seven veils. Richard Strauss also incorporated the dance into his opera Salome in 1905.The concept of Salome's dance involving seven veils can be traced back to Wilde's play, where he was influenced by earlier French writers who portrayed Salome as a symbol of female lust. Wilde envisioned the dance as an act of unveiling, symbolizing the revealing of Salome's true self. He drew inspiration from Gustave Flaubert's story Herodias, in which Salome performs a hand dance to please Antipas. Wilde initially intended to follow Flaubert's version but later changed his approach.The idea of the dance being associated with veils can be linked to the popularity of veil dances during that time, which were westernized interpretations of Middle Eastern dance styles. Notably, the dancer Loïe Fuller was known for her veil dances. Wilde's play did not provide a detailed description of the dance, but it is commonly assumed to involve a series of veils being removed, symbolizing the process of unveiling oneself.Strauss's operatic adaptation of Salome also includes the Dance of the Seven Veils. Although the dance remains unnamed in the music, Salome's sexual fascination with John the Baptist seems to motivate her request, while Herod appears pleased. The visual interpretation of this scene can vary depending on the production, with some emphasizing its eroticism. Strauss specified that the dance should be thoroughly decent, as if it were being done on a prayer mat, but some performances have portrayed it in a more explicit manner.James Strauss's choice to program well-known orchestral pieces for the flute and piano stems from the technical challenges they present, both instrumentally and interpretatively. It allows the flautist to explore different timbres and a romantic style of playing, inspired by Orchestral mass sustained phrases and intense vibrato found in this repertoire. Transcribing orchestral pieces for the flute presents certain difficulties, such as playing loudly and with a full tone in the lower register or producing high notes that gradually fade away. Despite these challenges, the purpose is to challenge the flute's traditional role and explore its expressive capabilities through this repertoire.
$29.99
The Launch
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Piano solo
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ADVANCED
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Film/TV
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James Horner
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David McCaulley
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The Launch
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David McCaulley
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1275181 Composed by James Horner. Arranged by David McCaulley. 20th Century,Contemporary,Film/TV. Score. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1275181 Composed by James Horner. Arranged by David McCaulley. 20th Century,Contemporary,Film/TV. Score. 14 pages. David McCaulley #867129. Published by David McCaulley (A0.1275181). This advanced piano arrangement presents James Horner's cue from Apollo 13 entitled The Launch. As the film depicts the boarding and takeoff of the Apollo 13 space rocket, Horner's music beautifully tracks along with the scene, going from a patriotic chorale, to sweeping orchestral themes, to rising buildups, to tense action-like themes, then back to a floaty, atmospheric texture. Horner's music here is a testament to his incredible ability to write music perfectly for the drama, and this advanced piano arrangement aims to capture some of that Horner magic. In it you'll find plenty of areas with intricate fingerings, octave leaps, and careful pedaling that are sure to encourage thorough practice.
$14.99
The Heavens Declare ~ Psalm 19 (for Violin and Cello Duet with Piano accompaniment)
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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CELLO – G2 to A3
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The Heavens Declare ~ Psalm 19
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Sharon Wilson
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.565137 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. ...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.565137 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Holiday,Praise & Worship,Sacred. Score and parts. 24 pages. Sharon Wilson #3469886. Published by Sharon Wilson (A0.565137). This original Scripture song based on Psalm 19 verses 1-4 is arranged as an instrumental trio (for CELLO and VIOLIN Duet with PIANO Accompaniment). The CELLO and VIOLIN alternate leading with the melody throughout beginning with the CELLO on the first phrase. The PIANO accompaniment provides cascading eighth note runs creating a flowing harmony that alternates with bold, rhythmic chords on the more intense sections.String ranges are as follows: VIOLIN – G4 to A5; CELLO – G2 to A3.  All notes for both the VIOLIN and CELLO are playable in the first position making this an excellent selection for beginning string players. Duration 2:45.The purchase price includes these printing options: 1. a grand staff (11 pages) with all parts on each page2. separate scores for the CELLO and VIOLIN (2 pages each) and PIANO (4 pages)3. a combined CELLO and VIOLIN score (4 pages)To enhance the presentation of this song, a slide show featuring stars and space overlaid with the scripture verse could be displayed during the performance. The lyrics were adapted from the World English Bible (WEB) and are printed below:Lyrics:The heavens declare the glory of God.The skies proclaim his handiwork.Day after day they pour out their speech,And night after night God’s knowledge is displayed.There is no speech, nor is there a language where their voice is not heard.Their voice has gone out through all of the earth,Their words to the end of the world.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
The Present Tense
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Guitar notes and tablatures
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Geddy Lee
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The Present Tense
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Guitar TAB - Digital Download SKU: AX.00-PS-0001797 By Geddy Lee. By Ben Mink and Geddy Lee. Pop/Rock. 9 pages. Alfred Music - Digital Sheet Music #00-PS...
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Guitar TAB - Digital Download SKU: AX.00-PS-0001797 By Geddy Lee. By Ben Mink and Geddy Lee. Pop/Rock. 9 pages. Alfred Music - Digital Sheet Music #00-PS-0001797. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0001797).
$2.99
Mendelssohn: the Hebrides Overture for Piano Quintet
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: the Hebrides Over
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jmsgu3
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SheetMusicPlus
Strings Piano - Level 5 - Digital Download SKU: A0.550013 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Holiday,Multicultural,Ro...
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Strings Piano - Level 5 - Digital Download SKU: A0.550013 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Holiday,Multicultural,Romantic Period,Standards,World. 89 pages. Jmsgu3 #4574575. Published by jmsgu3 (A0.550013). The Hebrides Overture, also known as Fingal's Cave, is a concert overture composed by Felix Mendelssohn in 1830, revised in 1832, and published the following year as Mendelssohn's Op. 26. It is a standalone composition in a form familiar to the Romantic period and is not drawn from a stage work or opera. The overture consists of two primary themes, with the opening notes stating the theme Mendelssohn wrote while visiting Fingal's Cave and the second theme depicting movement at sea and rolling waves.Mendelssohn was inspired to compose this piece after visiting the Scottish island of Staffa and its famous Fingal's Cave, which made a deep impression on him due to its echoing acoustics and the sound of waves crashing against rocks. The intense and rolling melodies within the music perfectly capture the sense of drama and awe of the Scottish landscape. The Hebrides Overture, also known as Fingal's Cave, has been used in popular culture in various ways. It has been performed by orchestras worldwide and has become part of the standard orchestral repertoire, retaining its position to the present day. The overture has also inspired literary works like Virginia Woolf's novel. Additionally, Mendelssohn's visit to the Hebrides and the composition of the overture have contributed to the popularity of Fingal's Cave as a tourist destination. Furthermore, the overture has been featured in recordings and concerts, contributing to its enduring presence in the musical landscape.
$52.95
Mendelssohn: The Hebrides Overture for String Quartet
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: The Hebrides Over
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.550016 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Holiday,...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.550016 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Holiday,Multicultural,Romantic Period,Standards,World. 72 pages. Jmsgu3 #4574631. Published by jmsgu3 (A0.550016). The Hebrides Overture, also known as Fingal's Cave, is a concert overture composed by Felix Mendelssohn in 1830, revised in 1832, and published the following year as Mendelssohn's Op. 26. It is a standalone composition in a form familiar to the Romantic period and is not drawn from a stage work or opera. The overture consists of two primary themes, with the opening notes stating the theme Mendelssohn wrote while visiting Fingal's Cave and the second theme depicting movement at sea and rolling waves.Mendelssohn was inspired to compose this piece after visiting the Scottish island of Staffa and its famous Fingal’s Cave, which made a deep impression on him due to its echoing acoustics and the sound of waves crashing against rocks. The intense and rolling melodies within the music perfectly capture the sense of drama and awe of the Scottish landscape. The Hebrides Overture, also known as Fingal's Cave, has been used in popular culture in various ways. It has been performed by orchestras worldwide and has become part of the standard orchestral repertoire, retaining its position to the present day. The overture has also inspired literary works like Virginia Woolf's novel. Additionally, Mendelssohn's visit to the Hebrides and the composition of the overture have contributed to the popularity of Fingal's Cave as a tourist destination. Furthermore, the overture has been featured in recordings and concerts, contributing to its enduring presence in the musical landscape.
$45.95
Hymns from Childhood - Set 10 (solo)
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Piano solo
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BEGINNER
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Sacred music
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Various
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Curtis Hanson
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Hymns from Childhood - Set 10
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Curtis Hanson
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Pu...
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curtis Hanson (A0.719770). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (*See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. This collection of arrangements is also available for SATB voices and piano or piano solo.*A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This medley of hymns was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second hymn is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
$5.99
Let all the world in every corner sing - Anthem for SATB
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Choral SATB
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INTERMEDIATE
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Martin Shaw
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John Ross
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Let all the world in every cor
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John Ross
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1393984 Composed by Martin Shaw (1875-1958). Arranged by John Ross. 20th Century,Christia...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1393984 Composed by Martin Shaw (1875-1958). Arranged by John Ross. 20th Century,Christian,Religious,Sacred. 10 pages. John Ross #977437. Published by John Ross (A0.1393984). In 1915 the English composer Martin Shaw (1875-1958) wrote the hymn-tune High Road. Its vigorous and intensely lively tune is a perfect match for the words Let all the world in every corner sing by the English poet and priest George Herbert (1593-1633). High Road appeared in various hymnals of the early 20th century but has since slipped out of common use. The present arrangement expands the hymn-tune into an SATB anthem.
$1.99
Who Is Jesus?
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Joel Raney
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Who Is Jesus?
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Hope Publishing - Digital
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SheetMusicPlus
(Orchestra) - Digital Download SKU: H1.8941DP Composed by Joel Raney. Musicals for Adults. Lent, Holy Week, Good Friday, Jesus Christ - Cross, Jesus Chri...
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(Orchestra) - Digital Download SKU: H1.8941DP Composed by Joel Raney. Musicals for Adults. Lent, Holy Week, Good Friday, Jesus Christ - Cross, Jesus Christ - Death. Choral score. 68 pages. Hope Publishing - Digital #8941DP. Published by Hope Publishing - Digital (H1.8941DP). Raney, Joel.Lent & Easter Musical Not 'Who Was Jesus?' but 'Who Is Jesus?' The question is asked in the present tense because it's Christ's interaction with our lives in the here and now that is the focus of this 30 minute Tenebrae service. The events of Holy Week are presented through enticing arrangements of familiar hymns and spirituals plus narration, culminating with the crucifixion story in a moving rendition of 'O Sacred Head, Now Wounded. ' There are opportunities to include vocal solos, as well as, congregational singing. The accompaniment can be provided by piano, CD track, or a chamber ensemble of five instruments. A further option is an organ part that can work with just piano or can be added to the chamber instruments. Finally, there are instructions for lighting and extinguishing seven candles ending in darkness with all softly singing of the first verse of 'Fairest Lord Jesus. 'Instrumental Parts: Conductor's Score, Organ, Flute, Oboe, Violin,Cello and Horn in F.
$12.95
Who Is Jesus?
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Joel Raney
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Who Is Jesus?
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Hope Publishing - Digital
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SheetMusicPlus
Instrument Parts - Digital Download SKU: H1.8944DP Composed by Joel Raney. Instrumental parts. 155 pages. Hope Publishing - Digital #8944DP. Published by...
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Instrument Parts - Digital Download SKU: H1.8944DP Composed by Joel Raney. Instrumental parts. 155 pages. Hope Publishing - Digital #8944DP. Published by Hope Publishing - Digital (H1.8944DP). Lent & Easter Musical Not 'Who Was Jesus?' but 'Who Is Jesus?' The question is asked in the present tense because it's Christ's interaction with our lives in the here and now that is the focus of this 30 minute Tenebrae service. The events of Holy Week are presented through enticing arrangements of familiar hymns and spirituals plus narration, culminating with the crucifixion story in a moving rendition of 'O Sacred Head, Now Wounded. ' There are opportunities to include vocal solos, as well as, congregational singing. The accompaniment can be provided by piano, CD track, or a chamber ensemble of five instruments. A further option is an organ part that can work with just piano or can be added to the chamber instruments. Finally, there are instructions for lighting and extinguishing seven candles ending in darkness with all softly singing of the first verse of 'Fairest Lord Jesus. 'Instrumental Parts: Conductor's Score, Organ, Flute, Oboe, Violin,Cello and Horn in F.
$175.00
WHO IS JESUS?-ORGAN PART-Digital Download
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Joel Raney
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WHO IS JESUS?-ORGAN PART-Digit
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Hope Publishing - Digital
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SheetMusicPlus
Digital Download SKU: H1.8949DP Composed by Joel Raney. Instrumental parts. 24 pages. Hope Publishing - Digital #8949DP. Published by Hope Publishing - D...
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Digital Download SKU: H1.8949DP Composed by Joel Raney. Instrumental parts. 24 pages. Hope Publishing - Digital #8949DP. Published by Hope Publishing - Digital (H1.8949DP). Lent & Easter Musical Not 'Who Was Jesus?' but 'Who Is Jesus?' The question is asked in the present tense because it's Christ's interaction with our lives in the here and now that is the focus of this 30 minute Tenebrae service. The events of Holy Week are presented through enticing arrangements of familiar hymns and spirituals plus narration, culminating with the crucifixion story in a moving rendition of 'O Sacred Head, Now Wounded. ' There are opportunities to include vocal solos, as well as, congregational singing. The accompaniment can be provided by piano, CD track, or a chamber ensemble of five instruments. A further option is an organ part that can work with just piano or can be added to the chamber instruments. Finally, there are instructions for lighting and extinguishing seven candles ending in darkness with all softly singing of the first verse of 'Fairest Lord Jesus. 'Instrumental Parts: Conductor's Score, Organ, Flute, Oboe, Violin,Cello and Horn in F.
$23.95
On the Air (for Brass Quintet & Marimba)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Dr
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On the Air
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158411 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Contemporary,Hi...
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Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158411 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Contemporary,Historic. 33 pages. Https://gildedmusicpress.com/ #758693. Published by https://gildedmusicpress.com/ (A0.1158411). The year 2022 marked a milestone for the United States Air Force, as the world’s greatest airpower celebrated 75 years of air and space dominance. Omaha’s classical radio station was also celebrating a milestone year with its 50th anniversary. The resulting composition, cleverly titled “On the Air,†was written to observe both momentous anniversaries. The introduction plays on a cleverly adapted four-bar rhythmic motif that repeats, each time growing in intensity, conjuring images of a radio newsroom about to air breaking news. This opening rhythm is derived from Morse code letters K, V, N, & O (__ . __ | . . . __ | __ . | __ __ __), which is Omaha’s classical radio station. The main melodic theme begins after the intense introduction, stemming from the KVNO motif, and exudes energy worthy of the greatest of celebrations, replete with trumpets punctuating the strains with fanfare-like figures. After the KVNO transition to an exciting new key, the theme occurs a second time in the trumpets before simmering down to the second theme in a slower tempo, intended to be retrospective of the last 75 and 50 years of the two celebrating entities. In homage to the conflicts, sacrifices, and losses during 75 years of Air Force history, this melancholy melody in the horn repeats in octaves with horn and tuba, contrasting with the opening jubilation. However, without starkly “snapping back†to a celebratory mood, the original theme gently makes its reentry in the form of a mellow waltz with duetting trumpets, as a hopeful look to the future. The second iteration of the waltz brings back hints of the Morse code letters in the introduction, as underlying accompaniment to build energy and drive. It pivots fully with the KVNO introductory motif that changes keys while exploding with the recapitulation of the original full theme, intensifying the celebratory mood for the present festivities. The waltz version of the theme comes back, fragmented, hinting toward a fugato treatment. The non-fugal fragmentation is laced with virtuosically ornamented accompanimental lines reminiscent of a British-style brass band, and quickly settles into a full climactic presentation of the waltz iteration. The work ends full circle, with repeated KVNO rhythmic statements, in grand fashion for a firework finale.
$24.95
Canto Alegretense
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Guitar notes and tablatures
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BEGINNER
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Classical
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Antonio Augusto Da Silva Fagun
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Marcelo Borba
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Canto Alegretense
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Marcelo Borba
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SheetMusicPlus
Guitar - Level 1 - Digital Download SKU: A0.1493187 Composed by Antonio Augusto Da Silva Fagundes and Euclides Fagundes Filho. Arranged by Marcelo Borba....
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Guitar - Level 1 - Digital Download SKU: A0.1493187 Composed by Antonio Augusto Da Silva Fagundes and Euclides Fagundes Filho. Arranged by Marcelo Borba. Country,Folk,Multicultural,Standards,Traditional,World. Chords/Lyrics. 3 pages. Marcelo Borba #1069849. Published by Marcelo Borba (A0.1493187). Leadsheet style - chords and tablature Canto Alegretense é uma das canções mais emblemáticas da música tradicionalista gaúcha, muito conhecida e apreciada no Rio Grande do Sul e entre comunidades gaúchas no Brasil e no exterior. Ela foi composta em 1983 por Nico Fagundes (letra) e Bagre Fagundes (melodia), dois irmãos que são figuras importantes na cultura e na música regional do sul do Brasil.### Contexto e SignificadoA canção é uma celebração da cidade de Alegrete, localizada na fronteira oeste do Rio Grande do Sul, e da identidade cultural dos gaúchos. A letra expressa o orgulho pela terra, pela história e pelas tradições do povo do sul, evocando imagens da paisagem pampiana e dos costumes locais.### LetraA letra de Canto Alegretense é carregada de simbolismo e sentimento. Ela começa com uma saudação ao Alegrete, descrevendo a cidade como um lugar acolhedor e de grande significado para aqueles que têm raízes na região. Ao longo da canção, são mencionados elementos da cultura gaúcha, como o poncho, o mate e a bombaixa, além de referências ao céu e à terra, que têm um profundo significado no imaginário coletivo dos gaúchos.### Impacto CulturalDesde seu lançamento, Canto Alegretense tornou-se um hino extraoficial do Rio Grande do Sul e é frequentemente interpretada em festivais, rodeios, e eventos culturais do estado. A música tem um forte apelo emocional e é vista como um símbolo da resistência cultural e da preservação das tradições gaúchas.Essa canção, com sua melodia marcante e letra poética, continua a ser uma das mais queridas e representativas da música regional do Rio Grande do Sul.****Canto Alegretense is one of the most emblematic songs of traditional Gaúcho music, widely known and appreciated in Rio Grande do Sul and among Gaúcho communities in Brazil and abroad. It was composed in 1983 by Nico Fagundes (lyrics) and Bagre Fagundes (melody), two brothers who are important figures in the culture and music of southern Brazil.### Context and MeaningThe song is a celebration of the city of Alegrete, located in the western border of Rio Grande do Sul, and the cultural identity of the Gaúchos. The lyrics express pride in the land, history, and traditions of the southern people, evoking images of the pampas landscape and local customs.### LyricsThe lyrics of Canto Alegretense are rich in symbolism and emotion. It begins with a salute to Alegrete, describing the city as a welcoming place of great significance for those with roots in the region. Throughout the song, elements of Gaúcho culture are mentioned, such as the poncho, mate, and bombaixa, as well as references to the sky and the land, which hold deep meaning in the collective imagination of the Gaúchos.### Cultural ImpactSince its release, Canto Alegretense has become an unofficial anthem of Rio Grande do Sul and is often performed at festivals, rodeos, and cultural events across the state. The song has a strong emotional appeal and is seen as a symbol of cultural resistance and the preservation of Gaúcho traditions.With its striking melody and poetic lyrics, this song remains one of the most beloved and representative pieces of regional music in Rio Grande do Sul.
$2.99
The Betrayal
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Michelle Kraak
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The Betrayal
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Michelle Kraak
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1012606 Composed by Michelle Kraak. Easter,Praise & Worship,Sacred. 16 pages. Michelle Kr...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1012606 Composed by Michelle Kraak. Easter,Praise & Worship,Sacred. 16 pages. Michelle Kraak #6102931. Published by Michelle Kraak (A0.1012606). The Betrayal is written for choir (soprano, alto, tenor, bass). It is a religious piece based on the passion of Christ. It has aspects of imitation, with a lot of independence in the parts. The vocal parts represent the voice of Jesus, the voices of those who crucified him, a narrator, and also briefly the voice of Peter, Jesus' disciple. The bass primarily sings the role of the people who called for his death, but as the piece continues others join in this role. I wrote some of the lyrics and also pulled some verses in from the Bible. I think this would be a great piece for Holy Week, perhaps on Good Friday or Maundy Thursday. the piece captures some of the intense emotions involved in the crucifixion and would make a great addition to Lenten music in the church. Lyrics:Why did you leave me?Why did you run?I absolved you of your sin. Jesus Christ must die for what he's done. I absolved you of your sin,I saved you from yourselves,I just wanted to lead you,Closer to God. Death! I wanted to give you new life. Three times you will deny me, Woman I do not know him! Jesus Christ must die for what he's done. Why did you leave me? Why did you run?I absolved you of your sin.I saved you from yourselves,I just wanted to lead you, Closer to God. Jesus I didn't know him.I don't know the man! Jesus Christ must die for what he's done. Peter struck him!Cut off his ear,Jesus touched him and healed him,Though the man had come for him. Jesus Christ must die for what he's done. Why should Jesus die for what he's done?Why did I forsake the Son of God?I'd have called for him to be crucified. We are no better,Then the past. Why did you forsake me,Why did you forsake me? Forgive them,For they do not know what they're doing. Forgive them,For they do not know what they're doing. Betrayed with a kiss. Surely he was the son of God.Surely he was the son of God.Surely he was the son of God.4 minutes 29 seconds6 minutes 29 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/
$16.95
Hymns from Childhood - Set 8 (solo)
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Voice solo
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BEGINNER
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Sacred music
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Various
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Curtis Hanson
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Hymns from Childhood - Set 8
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Curtis Hanson
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719768 Composed by Various. Arranged by Curtis Hanson. Sacred. 9 pages. Curtis Hanson #6069393. Pub...
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719768 Composed by Various. Arranged by Curtis Hanson. Sacred. 9 pages. Curtis Hanson #6069393. Published by Curtis Hanson (A0.719768). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Breathe on Me, Breath of God, Blest Be the Tie That Binds, and More Love to Thee, O Christ. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99
Hymns from Childhood - Set 8 (SATB)
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Choral SATB
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EASY
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Sacred music
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Various
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Curtis Hanson
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Hymns from Childhood - Set 8
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.719737 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 11 pages. Curtis Hanson #...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.719737 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 11 pages. Curtis Hanson #4573093. Published by Curtis Hanson (A0.719737). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Breathe on Me, Breath of God, Blest Be the Tie That Binds, and More Love to Thee, O Christ.
$2.25
Hymns from Childhood - Set 5 (SATB)
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Choral SATB
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INTERMEDIATE
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Sacred music
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Various
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Curtis Hanson
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Hymns from Childhood - Set 5
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.719733 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 11 pages. Curtis Hanson #...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.719733 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 11 pages. Curtis Hanson #4573041. Published by Curtis Hanson (A0.719733). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Break Thou the Bread of Life, Come, Ye Thankful People, Come, and We Gather Together.
$2.25
Hymns from Childhood - Set 5 (solo)
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Voice solo
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BEGINNER
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Sacred music
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Various
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Curtis Hanson
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Hymns from Childhood - Set 5
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Curtis Hanson
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719766 Composed by Various. Arranged by Curtis Hanson. Sacred. 9 pages. Curtis Hanson #6069385. Pub...
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719766 Composed by Various. Arranged by Curtis Hanson. Sacred. 9 pages. Curtis Hanson #6069385. Published by Curtis Hanson (A0.719766). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Break Thou the Bread of Life, Come, Ye Thankful People, Come, and We Gather Together. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99
String Quartet No. 2 "Bluegrass" (violin 1 part - two vlns, vla, cel)
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Mark O’Connor
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Mark O'Connor
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String Quartet No. 2 "Bluegras
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Mark O'Connor Musik International
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861782 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and pa...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861782 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6201709. Published by Mark O'Connor Musik International (A0.861782). String Quartet No. 2 Bluegrass (Score – two vlns, vla, cel) MO170BViolin 1 Part (score and parts available)Music by Mark O’Connor35 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170BCopyright © 2005 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
String Quartet No. 2 "Bluegrass" (violin 2 part - two vlns, vla, cel)
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Mark O’Connor
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Mark O'Connor
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String Quartet No. 2 "Bluegras
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Mark O'Connor Musik International
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861784 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and pa...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861784 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6201713. Published by Mark O'Connor Musik International (A0.861784). String Quartet No. 2 Bluegrass (violin 2 part – two vlns, vla, cel) MO170CViolin 2 Part (score and parts available)Music by Mark O’Connor36 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170CCopyright © 2005 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
String Quartet No. 2 "Bluegrass" (cello part - two vlns, vla, cel)
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Mark O’Connor
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Mark O'Connor
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String Quartet No. 2 "Bluegras
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Mark O'Connor Musik International
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861786 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and pa...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861786 Composed by Mark O'Connor. 20th Century,Contemporary,Country,Folk. Score and parts. 38 pages. Mark O'Connor Musik International #6201721. Published by Mark O'Connor Musik International (A0.861786). String Quartet No. 2 Bluegrass (Score – two vlns, vla, cel) MO170ECello Part (score and parts available)Music by Mark O’Connor33 pages - 37:20 minutes in lengthMovement I (9:38)Movement II (8:23)Movement III (9:22)Movement IV (9:26)String Quartet No. 2 As I continue to develop other artistic interpretations of vernacular and idiomatic music of my own past, I uncover new pathways in discovering how much this music from my childhood means to me in the present tense. With my String Quartet No 2, I bring to bare one of my favorite music styles I learned as an 11 and 12 year old, Bluegrass. Bluegrass music is the vocabulary I use in the quartet and it instructs the musical language of the string quartet art form. From the bouncy bluegrass vocal like melodies, to the blistering fast hot licks, to the rhythmic bow chopping to the gospel yearnings of the slow movement, I wanted to comprehensively dive down deep in to the strains of this music. I wanted to further discover what this American musical art form means to string playing, what it means to this quartet, and ultimately what my own past means to me today.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO170ECopyright © 2005 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
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