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The Return. A New Waltz
Sheetmusic to print
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The Return. A New Waltz
Piano solo
Piano - Digital Download SKU: LV.11777 Composed by H.R.H. The Duke of Edinburgh. Em…
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Piano - Digital Download SKU: LV.11777 Composed by H.R.H. The Duke of Edinburgh. Emblems, Clipper shops, Rulers. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11777). The Return. A New Waltz. Composed by H.R.H. The Duke of Edinburgh, K.G., K.T. Published [n.d.] by J.H. Anderson & Co., Published by Permission of H.R.H. Prince Alfred in Sydney. Composition of introduction, three sectional waltzes, and coda with piano instrumentation. Subject headings for this piece include Emblems, Clipper shops, Rulers. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.39 €
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Piano solo
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H
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The Return. A New Waltz
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Sonata in a Simple Scale for Viola and Piano
Viola, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Matter…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
7.19 €
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Viola, Piano
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Daniell Mattern
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Sonata in a Simple Scale for Viola and Piano
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Daniell Mattern
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SheetMusicPlus
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by Ja…
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Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95
17.94 €
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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SheetMusicPlus
The Snowdrift Galop (or is it Jingle Bells?)
Clarinet Quartet: 4 clarinets
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1329286 By Hugh Levey. By Charles Coote Jnr. Arranged by Hugh Levey. 19th Century,Chamber,Children,Christmas,Holiday. 23 pages. Woodwindly.com #917264. Published by woodwindly.com (A0.1329286). Clarinet Quartet (4 Clt. or 3 Clt. + Bass Clt.) Looking for some familiar, yet very different Christmas Music? Look no further than the Snowdrift Galop written by British composer, Charles Coote Jnr. It starts off just like Jingle Bells - and the Jingle Bells theme keeps coming back, but is it actually Jingle Bells? It also has a march-like theme and a lovely Trio section. All players get to play important melodic material in this arrangement.Snowdrift Galop was published in London in 1868 in a small collection of works by various composers. The opening theme is immediately recognisable as the popular holiday favourite, Jingle Bells, which was published 11 years earlier, yet the composer gives no reference or credit to the earlier work. Although the opening theme is the same as Jingle Bells, we get a stately march instead of the familiar Jingle Bells chorus. A lovely Trio introduces another new tune which is played by clarinet 3, then bass clarinet before returning to the opening section.Charles Coote Jnr (1831-1916) was a prolific English composer of popular music, including quadrilles, waltzes and galops. His music was written for society balls and subsequently published for piano, so that others could play them at local dances or in their ownhomes. He was the son of composer and bandmaster, Charles Coote (1809-1880). Coote Snr worked for the 6th Duke of Devonshire for 30 years, conducted his private orchestra, and was referred to by the Duke as his ‘personal pianist’. Growing up in this environment would have ensured that Coote Jnr was well connected with British ‘society’.Duration - 4 minutes.
$12.75
11.47 €
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Clarinet Quartet: 4 clarinets
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Hugh Levey
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The Snowdrift Galop
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woodwindly.com
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SheetMusicPlus
The Snowdrift Galop (or is it Jingle Bells?) - Saxophone Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1329389 By…
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Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1329389 By Hugh Levey. By Charles Coote Jnr. Arranged by Hugh Levey. 19th Century,Chamber,Children,Christmas,Holiday. 23 pages. Woodwindly.com #917372. Published by woodwindly.com (A0.1329389). Sax Quartet (SATB or AATB)Looking for some familiar, yet very different Christmas Music? Look no further than the Snowdrift Galop written by British composer, Charles Coote Jnr. It starts off just like Jingle Bells - and the Jingle Bells theme keeps coming back, but is it actually Jingle Bells? It also has a march-like theme and a lovely Trio section. All players get to play important melodic material in this arrangement.Snowdrift Galop was published in London in 1868 in a small collection of works by various composers. The opening theme is immediately recognisable as the popular holiday favourite, Jingle Bells, which was published 11 years earlier, yet the composer gives no reference or credit to the earlier work. Although the opening soprano sax theme is the same as Jingle Bells, we get a stately march instead of the familiar Jingle Bells chorus. A lovely Trio introduces another new tune which is played by tenor, then baritone sax, before returning to the opening section on Alto.Charles Coote Jnr (1831-1916) was a prolific English composer of popular music, including quadrilles, waltzes and galops. His music was written for society balls and subsequently published for piano, so that others could play them at local dances or in their ownhomes. He was the son of composer and bandmaster, Charles Coote (1809-1880). Coote Snr worked for the 6th Duke of Devonshire for 30 years, conducted his private orchestra, and was referred to by the Duke as his personal pianist. Growing up in this environment would have ensured that Coote Jnr was well connected with British society.Duration - 4 minutes.
$12.75
11.47 €
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Saxophone Quartet: 4 saxophones
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Hugh Levey
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The Snowdrift Galop
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woodwindly.com
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SheetMusicPlus
The Snowdrift Galop (or is it Jingle Bells?) - String Quartet
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1329365 By Hugh …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1329365 By Hugh Levey. By Charles Coote Jnr. Arranged by Hugh Levey. 19th Century,Chamber,Children,Christmas,Holiday. 21 pages. Woodwindly.com #917346. Published by woodwindly.com (A0.1329365). Looking for some familiar, yet very different Christmas Music? Look no further than the Snowdrift Galop written by British composer, Charles Coote Jnr. It starts off just like Jingle Bells - and the Jingle Bells theme keeps coming back, but is it actually Jingle Bells? It also has a march-like theme and a lovely Trio section. All players get to play important melodic material in this arrangement.Snowdrift Galop was published in London in 1868 in a small collection of works by various composers. The opening theme is immediately recognisable as the popular holiday favourite, Jingle Bells, which was published 11 years earlier, yet the composer gives no reference or credit to the earlier work. Although the opening theme is the same as Jingle Bells, we get a stately march instead of the familiar Jingle Bells chorus. A lovely Trio introduces another new tune which is played by clarinet 3, then bass clarinet before returning to the opening section.Charles Coote Jnr (1831-1916) was a prolific English composer of popular music, including quadrilles, waltzes and galops. His music was written for society balls and subsequently published for piano, so that others could play them at local dances or in their ownhomes. He was the son of composer and bandmaster, Charles Coote (1809-1880). Coote Snr worked for the 6th Duke of Devonshire for 30 years, conducted his private orchestra, and was referred to by the Duke as his personal pianist. Growing up in this environment would have ensured that Coote Jnr was well connected with British society.Duration - 4 minutes.
$12.75
11.47 €
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String Quartet: 2 violins, viola, cello
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Hugh Levey
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The Snowdrift Galop
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woodwindly.com
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SheetMusicPlus
Flat as a Flute - Flute solo w piano accompaniment
Flute and Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.767321 Composed by Mike Lyons. Con…
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Flute,Piano - Level 5 - Digital Download SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #3473849. Published by Lyons Music Services (A0.767321). A brand new solo for flute and piano. There's a little bit of horseplay between the flute and piano, the flautist needs to be able to double tongue and to use flutter tongue. There's a bit of a simple cadenza to start, followed by some interplay between the flute and piano pretending to tune. Then follows a march-like section with some deliberate discords in the flute. As this section becomes louder and more animated, the players should act cross with each other!Then follows a dreamy little melodic section in waltz time. There's lots of chromatic work in this section. The piano now dominates for a short while with a melodic idea, based on the flute's waltz melody bot with tremolos which gives the music an almost zither-like feel (expect the Third man to walk on stage. After this, the flute returns to dominance but gets interrupted by the piano who is missing being in the limelight!At the change to a quicker tempo and a major key - still with 'out of tune notes' the two 'play nicely together' for a while before it all goes to pot again when the flute develops hiccups! This leads back to an altered version of the original march tune, but faster.This time the two find common ground on the 8ve leaps and the piece finishes with a short codetta. A great show-off piece for the finale of a concert, allowing both the soloist and accompanist to sparkle.
$5.99
5.39 €
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Flute and Piano
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Mike Lyons
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Flat as a Flute - Flute solo w piano accompaniment
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Lyons Music Services
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SheetMusicPlus
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
Double Bass
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed b…
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99
8.98 €
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Double Bass
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Thomas Oboe Lee
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I told him That is great
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Toccata for Double Bass and Piano
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Thomas Oboe Lee
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SheetMusicPlus
Will He Ever Return to Me. Waltz Song
Piano, Voice
Piano and voice - Digital Download SKU: LV.317 Composed by Max. Horter. Clothing & …
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Piano and voice - Digital Download SKU: LV.317 Composed by Max. Horter. Clothing & dress, Portraits, Courtship, Love. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.317). Will He Ever Return to Me. Waltz Song. Written & Composed by Max. Horter. Published 1886 by Willis Woodward & Co., 842 & 844 Broadway in New York. Composition of sectional with piano and voice instrumentation. Subject headings for this piece include Clothing & dress, Portraits, Courtship, Love. First line reads A message of love I send to thee, Ye merry birds carry it over the sea.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.39 €
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Piano, Voice
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Max
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Will He Ever Return to Me. Waltz Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
"Night-Time in New York"- A Blue Waltz- Clarinet and Piano.
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.785839 Composed by Grant…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.785839 Composed by Grant Horsley. Blues,Christmas,Contest,Festival,Jazz,Wedding. Score and part. 14 pages. Grant Horsley #6628483. Published by Grant Horsley (A0.785839). Night Time in New York is a short concert piece for Clarinet and piano around 4 minutesIt is a gentle romantic waltz which has blues elements It is in ternary form in concert B flat major- range just over 2 octavesIt has 3 sections before returning to the opening theme once more at the end-then small coda.I have set it at Intermediate level but the whole score is on the youtube link below for you to assess suitability.Should work well for concerts, recitals, productions, weddings, valentines, even has a Christmas tint. It is something perhaps a little different for the repertoire.Price is for the Full score and all parts.N.B. Tenor sax, Alto sax, flute choir, clarinet choir and piano solo versions are available.
$5.50
4.95 €
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Clarinet and Piano
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Grant Horsley
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"Night-Time in New York"- A Blue Waltz- Clarinet and Piano.
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Grant Horsley
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SheetMusicPlus
"Night-Time in New York" A Blue Waltz for Flute and Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1235189 By Grant Horsley. By Grant…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1235189 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Blues,Contemporary,Contest,Festival,Jazz,Wedding. Score and part. 14 pages. Grant Horsley #830724. Published by Grant Horsley (A0.1235189). Night Time in New York is a short concert piece for Flute and piano around 4 minutes It is a gentle romantic waltz which has blues elements It is in ternary form in concert C major- range just over 2 octaves- highest note top EThe sections are in C major and A flat major, before returning to the opening theme in C major once more -then small coda. I have set it at Intermediate level but the whole score is on here for you to assess suitability. Should work well for concerts, recitals, productions, weddings, valentines, even has a Christmas tint. It is something perhaps a little different for the repertoire. N.B. Tenor sax, Alto sax, Clarinet in B flat, flute choir, clarinet choir and piano solo versions are available.
$5.50
4.95 €
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Flute and Piano
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Grant Horsley
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"Night-Time in New York" A Blue Waltz for Flute and Piano
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Grant Horsley
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SheetMusicPlus
"Night time in New York" A blue waltz for Wind Quintet.
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1397384 Composed by Grant Horsley. Blues,Christmas,Classical,Contest,Festival,Wedding. 23 pages. Grant Horsley #980701. Published by Grant Horsley (A0.1397384). This piece is scored for Flute, Oboe, Clarinet in B flat, Horn in F and Bassoon. It is a gentle waltz- very romantic which has blues elements. Having 3 different sections before returning to the opening theme once more at the end-then a small coda. It is 3 mins 30 in length and the whole score is on the youtube link for you to assess suitability. IIntermediate level, but some early intermediate players should be ok with it. It is 3 mins 30 in length. Should work well for concerts, recitals, productions, even has a Christmas tint. It is something perhaps a little different for the repertoire. Price is for the full score and parts.N.B. Various instrumental solo versions are available, as well as small ensembles and solo piano.
$10.99
9.88 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Grant Horsley
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"Night time in New York" A blue waltz for Wind Quintet.
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Grant Horsley
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SheetMusicPlus
I Am the World (Two-Part)
Choral 2-part
Choral Choir,Choral (2-Part) - Level 3 - Digital Download SKU: A0.1299221 By Christ…
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Choral Choir,Choral (2-Part) - Level 3 - Digital Download SKU: A0.1299221 By Christopher Alexander. By Christopher Alexander. Contest,Festival. 24 pages. Christopher Alexander #889081. Published by Christopher Alexander (A0.1299221). The poet’s powerful words are fully encapsulated in this new choral anthem. The beginning declaration segues into a fast traveling waltz with a fervent and adventurous piano accompaniment. A slower, introspective section then returns to the fast waltz toward a final callback of the opening.Also available in: SATB, SAB, SSA, and TBB voicings.SATB demo recording performed by Rocky Mountain Chamber Choir.https://www.rockymountainchamberchoir.com.
$2.50
2.25 €
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Choral 2-part
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Christopher Alexander
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I Am the World
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Christopher Alexander
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SheetMusicPlus
I Am the World (SAB)
Choral 3-part
Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1299218 By Christoph…
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Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1299218 By Christopher Alexander. By Christopher Alexander. Contest,Festival. 24 pages. Christopher Alexander #889077. Published by Christopher Alexander (A0.1299218). The poet’s powerful words are fully encapsulated in this new choral anthem. The beginning declaration segues into a fast traveling waltz with a fervent and adventurous piano accompaniment. A slower, introspective section then returns to the fast waltz toward a final callback of the opening.Also available in: SATB, SSA, TBB, and Two-Part voicings.SATB demo recording performed by Rocky Mountain Chamber Choir.https://www.rockymountainchamberchoir.com.
$2.50
2.25 €
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Choral 3-part
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Christopher Alexander
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I Am the World
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Christopher Alexander
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SheetMusicPlus
I Am the World (TBB)
Choral 2-part
Choral Choir,Choral (TB) - Level 3 - Digital Download SKU: A0.1299220 By Christophe…
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Choral Choir,Choral (TB) - Level 3 - Digital Download SKU: A0.1299220 By Christopher Alexander. By Christopher Alexander. Contest,Festival. 24 pages. Christopher Alexander #889079. Published by Christopher Alexander (A0.1299220). The poet’s powerful words are fully encapsulated in this new choral anthem. The beginning declaration segues into a fast traveling waltz with a fervent and adventurous piano accompaniment. A slower, introspective section then returns to the fast waltz toward a final callback of the opening.Also available in: SATB, SAB, SSA, and Two-Part voicings.SATB demo recording performed by Rocky Mountain Chamber Choir.https://www.rockymountainchamberchoir.com.
$2.50
2.25 €
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Choral 2-part
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Christopher Alexander
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I Am the World
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Christopher Alexander
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SheetMusicPlus
I Am the World (SSA)
Choral 3-part
Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1299219 By Christoph…
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Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1299219 By Christopher Alexander. By Christopher Alexander. Contest,Festival. 24 pages. Christopher Alexander #889078. Published by Christopher Alexander (A0.1299219). The poet’s powerful words are fully encapsulated in this new choral anthem. The beginning declaration segues into a fast traveling waltz with a fervent and adventurous piano accompaniment. A slower, introspective section then returns to the fast waltz toward a final callback of the opening.Also available in: SATB, SAB, TBB, and Two-Part voicings.SATB demo recording performed by Rocky Mountain Chamber Choir.https://www.rockymountainchamberchoir.com.
$2.50
2.25 €
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Choral 3-part
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Christopher Alexander
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I Am the World
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Christopher Alexander
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SheetMusicPlus
Santiago in the Stream - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1393774 By Apostolos Paraskevas…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1393774 By Apostolos Paraskevas. By Apostolos Paraskevas. Classical,Contemporary,Holiday,Multicultural,New Age,World. 49 pages. Silver Sickle Publications #977243. Published by Silver Sickle Publications (A0.1393774). APOSTOLOS PARASKEVAS (b. 1964) Santiago in the StreamSantiago in the Stream was composed for the Landmarks Orchestra, which gave the first performance under the direction of Christopher Wilkins, at the Hatch Shell on August 23, 2017. Apostolos Paraskevas is a classical guitarist, composer, film director, and producer. Since 2001, he has taught composition at the Berklee College of Music. The spokenThe text was developed by Ryan Edwards (a student of Apostolos Paraskevas) out of Hemingwayâ??s short novel The Old Man and the Sea. The composer has written about the piece: â??The music describes Santiago's emotions, thoughts and actions during his last journey. The trumpet announces his signature theme, accompanied by the brass and strings depicting the sound of the seagulls and the ocean. The magnitude of the vast ocean, the anticipation of catching the fish, memories of a distant waltz, and the exciting fight that ends in triumph. Now, it's time to return home with his valuable possessions. He already won the last and most important fight of his life.
$50.00
44.97 €
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Orchestra
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Apostolos Paraskevas
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Santiago in the Stream - Score Only
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Silver Sickle Publications
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SheetMusicPlus
Waltz
Small Ensemble Cello,Clarinet,Piano - Digital Download SKU: A0.1019039 Composed by …
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Small Ensemble Cello,Clarinet,Piano - Digital Download SKU: A0.1019039 Composed by Victor Spiegel. 20th Century. Score and parts. 22 pages. Victor Spiegel #4757461. Published by Victor Spiegel (A0.1019039). Written for understanding how The Truth can live, be crushed but never destroyed. It will always return, perhaps in a new form.
$3.99
3.59 €
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Victor Spiegel
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Waltz
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Victor Spiegel
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SheetMusicPlus
String Quartet No. 5 From The Frieze Of Life (parts)
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938388 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938388 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 29 pages. Colin Bayliss #6141. Published by Colin Bayliss (A0.938388). This work was written in 1999 for an international competition for quartets reflecting in music the visions in three of Edvard Munch's paintings. It is dedicated to the composer's wife, Rayna. 1. The Scream - Moderato - There are 51 versions of The Scream and the movement is in 51 sections grouped roughly into sonata form. The development is largely textural, and the movement hinges about a chord formed of open fifths a major third apart which will also re-appear in the other movements to give the quartet its sense of unity. The screaming is both audible and silent, and the footsteps on the bridge are portrayed both in a sense of passing by and also of running away. 2. Melancholy - Andante - Munch gave other titles to this painting, namely Jappe by the Shore and Jealousy . As jealousy and melancholy are retrospective emotions, tonal and modal music is employed, using the Norwegian folk song Millom bakkar og berg ut met havet set in a minor key for the first section. The A-B-A form then partially loses tonality for Jealousy, while returning to it for Melancholy itself. 3. The Dance of Life - Allegro - This movement is in rondo form, with hints of Norwegian country dances for the dancers in the painting. The two women are portrayed as one looking nostalgically to the light-heartedness of the old waltz and the other brooding on the darkness and latent sexuality of the new tango, the melodies for both of which are also corruptions of the country dances. The Munch chord alters the perspective on the scene as the movement progresses and eventually dissolves at the end as though the onlooker is passing on to another, equally unresolved future. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/.
$10.00
8.99 €
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String Quartet: 2 violins, viola, cello
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Colin Bayliss
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String Quartet No. 5 From The Frieze Of Life
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Colin Bayliss
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SheetMusicPlus
String Quartet No. 5 From The Frieze Of Life (score and parts)
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938387 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938387 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 66 pages. Colin Bayliss #6139. Published by Colin Bayliss (A0.938387). This work was written in 1999 for an international competition for quartets reflecting in music the visions in three of Edvard Munch's paintings. It is dedicated to the composer's wife, Rayna. 1. The Scream - Moderato - There are 51 versions of The Scream and the movement is in 51 sections grouped roughly into sonata form. The development is largely textural, and the movement hinges about a chord formed of open fifths a major third apart which will also re-appear in the other movements to give the quartet its sense of unity. The screaming is both audible and silent, and the footsteps on the bridge are portrayed both in a sense of passing by and also of running away. 2. Melancholy - Andante - Munch gave other titles to this painting, namely Jappe by the Shore and Jealousy . As jealousy and melancholy are retrospective emotions, tonal and modal music is employed, using the Norwegian folk song Millom bakkar og berg ut met havet set in a minor key for the first section. The A-B-A form then partially loses tonality for Jealousy, while returning to it for Melancholy itself. 3. The Dance of Life - Allegro - This movement is in rondo form, with hints of Norwegian country dances for the dancers in the painting. The two women are portrayed as one looking nostalgically to the light-heartedness of the old waltz and the other brooding on the darkness and latent sexuality of the new tango, the melodies for both of which are also corruptions of the country dances. The Munch chord alters the perspective on the scene as the movement progresses and eventually dissolves at the end as though the onlooker is passing on to another, equally unresolved future. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/.
$15.00
13.49 €
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String Quartet: 2 violins, viola, cello
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Colin Bayliss
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String Quartet No. 5 From The Frieze Of Life
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Colin Bayliss
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SheetMusicPlus
The Classical Piano Method
1 Piano, 4 hands
Duet Collection 2. This edition: Sheet music. The Classical Piano Method. Downloadab…
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Duet Collection 2. This edition: Sheet music. The Classical Piano Method. Downloadable. Schott Music - Digital #Q44443. Published by Schott Music - Digital
This exciting new teaching method, by the renowned piano pedagogue Hans-Gunter Heumann is ideal for adults and young people looking to learn the piano from scratch, or for those returning to the piano after a break from playing. Using classical music as a basis for learning, this method introduces interesting, varied and well-known pieces right from the outset. The two method books have been carefully designed to progress in small manageable steps, beginning with simple fingering patterns and exercises, onto some of the most beautiful melodies and pieces from the baroque, classical and romantic eras, such as the Ode to Joy, Fur Elise and the Blue Danube Waltz. Leading the student through a range of exercises, repertoire pieces, theory checks, tips on practicing, playing and technique, and composer biographies, the process of learning is made interesting, informed and fun.<br> The four supplementary volumes present further material to help learning at each stage of the students' development, as well as offering up a wider range of beautiful pieces, for the solo pianist, or piano duet.
$11.99
10.78 €
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1 Piano, 4 hands
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The Classical Piano Method
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Schott Music - Digital
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SheetMusicPlus
The Classical Piano Method
Easy Piano
Piano - very easy - Digital Download Method Book 1. This edition: Sheet music. The Cl…
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Piano - very easy - Digital Download Method Book 1. This edition: Sheet music. The Classical Piano Method. Downloadable. Schott Music - Digital #Q53576. Published by Schott Music - Digital
English.<br> <br> This exciting new teaching method, by the renowned piano pedagogue Hans-Gunter Heumann is ideal for adults and young people looking to learn the piano from scratch, or for those returning to the piano after a break from playing. Using classical music as a basis for learning, this method introduces interesting, varied and well-known pieces right from the outset. The two method books have been carefully designed to progress in small manageable steps, beginning with simple fingering patterns and exercises, onto some of the most beautiful melodies and pieces from the baroque, classical and romantic eras, such as the Ode to Joy, Fur Elise and the Blue Danube Waltz. Leading the student through a range of exercises, repertoire pieces, theory checks, tips on practicing, playing and technique, and composer biographies, the process of learning is made interesting, informed and fun.<br> The four supplementary volumes present further material to help learning at each stage of the students' development, as well as offering up a wider range of beautiful pieces, for the solo pianist, or piano duet.
$13.99
12.58 €
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Easy Piano
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The Classical Piano Method
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Schott Music - Digital
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SheetMusicPlus
Sonata for Piano Quintet
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU…
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
35.97 €
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
South Bay Angle for violin and piano
Violin and Piano
Instrumental Solo,Piano,Violin - Level 5 - Digital Download SKU: A0.987851 Composed…
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Instrumental Solo,Piano,Violin - Level 5 - Digital Download SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringo’s Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didn’t work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.
$28.00
25.18 €
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Violin and Piano
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Robert M
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South Bay Angle for violin and piano
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Robert M. Greenberg
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SheetMusicPlus
Dia de los Muertos - Haunting Waltz
Piano solo
Piano Solo - Level 1 - Digital Download SKU: A0.973210 Composed by Jon O'Bergh. Con…
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Piano Solo - Level 1 - Digital Download SKU: A0.973210 Composed by Jon O'Bergh. Contemporary,Halloween,New Age,Pop. Score. 7 pages. Jon O'Bergh #4775487. Published by Jon O'Bergh (A0.973210). The spirits of the ancestors return on the Day of the Dead when the veil between the worlds is lifted. A haunting, slow waltz for solo piano. From the album Autumn Harvest by Jon O'Bergh, available at Spotify, iTunes, etc. Copyright 2019 Jon O'Bergh. BMI.
$1.99
1.79 €
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Piano solo
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Jon O'Bergh
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Dia de los Muertos - Haunting Waltz
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Jon O'Bergh
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SheetMusicPlus
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