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The Rock

Choral Choir (3-Part) - Level 3 - Digital Download SKU: A0.844645 Composed by Phil Beaman. Folk,Jazz,Spiritual. Octavo. 13 pages. Phil Beaman #4719605. Published by Phil Beaman (A0.844645). This piece is a Showstopper! Rock-a-My-Soul is a Choral piece based on the traditional folk/gospel/spiritual. I originally envisioned this piece for a Middle School Choir, but it works well with any group that wants to have fun. It is written in 3 part Treble clef which the conductor may assign as they see fit for their choir and performance. (Part 3 works very well with male voices.) Parts all stay within an octave from Middle C to C above. This lively version uses many styles of jazz to drive this piece, yet there is also a recurring descending third ostinato which is the rocking comfort this piece imparts. The piano part plays an important role in driving this piece and setting the moods. Each of the seven sections shifts the mood and jazz style but maintains a level of energy. After completing the jazz arrangements of the traditional chorus I tried various ways to extend the piece. One day while working on this piece I saw a news clip about another school bullying incident. I immediately made the connection -- at its heart Rock-a-My-Soul is really about overcoming obstacles to find comfort and acceptance. So I wrote some additional lyrics to create an anti-bullying, anti-depression section. I have soloists deliver the main lines to make it personal and invitational then the choir backs them up, call and response style, with Everything's gonna be alright. Lyrics throughout are all carefully worded so that the song may be used for either secular or sacred purposes. The context and location where it is sung will flesh out the implied and intended meaning. If sung in school it means you have friends here who accept you; if sung in your place of worship then it means that your God accepts you.Simple power, beauty and meaning all wrapped in joyous jazz!13 page score, 4:00 minute performancerecording is various excerpts of the accompaniment to show different stylistic sections

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares Iâ€™ve had a vision - but who can explain it, who can help? Corneliusâ€™ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesusâ€™ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasnâ€™t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE â€“ I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything â€¦ you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM â€¦ O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHERâ€™S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites â€¦ you can be saved too â€¦ if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peterâ€™s vision is fulfilled â€“ the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected â€¦ on Jesus the ROCK I will build my life! .

Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Irelandâ€™s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouseâ€™s history were my inspiration for this duet, with the different images and ideas that they created, influencing my compositionâ€™s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrumentâ€™s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1240133 Composed by Debbie Allen. Children,Contemporary,Contest,Festival,Folk,Historic. Octavo. 14 pages. Nottingham Scores #835514. Published by Nottingham Scores (A0.1240133). Mystery of the Hills is an S.A.T.B. choral work describing the wonder of the Flint Hills, a region in East Central Kansas. Â Iâ€™m not a native Kansan, but whenever I drive through this area, I am enthralled by the infinite sense of expanse and gently rolling terrain. Geologists believe there was an inland seaway that covered central North America starting 290 million years ago. Over time, alternating layers of hard limestone and softer shale rocks formed. It is believed erosion caused the varied elevations of terrain, unique to the slopes of the Flint Hills. These surface layers of limestone and chert prevented the settlerâ€™s ability to farm, which in turn preserved the integrity of the soil. Today, the prairie grasses can reach 10 feet tall if not managed. Â The rich grasses are prime for feeding livestock. This music attempts to provide images of traveling through the Flint Hills today, while imagining changes over eons of time, due to weather and eventually, human interaction. Â Generally, the upper voices provide the imagery and some history, while the lower voices describe a bedrock foundation. Â Describing the rock foundation found in the Flint Hills is also a metaphor for human strife and struggle as man, among living flora and fauna, interact with the area. The vocal ranges and harmonies are accessible for young ensembles, whether in development or with years of experience.

Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876447 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 24 pages. JoeCopio Music LLC #53323. Published by JoeCopio Music LLC (A0.876447). LILLYâ€™S DANCE (THE TUMBLER) Back to School 2015 From PAPAâ€™S FAMOUS DANCES by Joe Procopio LILLYâ€™S DANCE (THE TUMBLER) is a delightful Latin flavored dance that was inspired by Little Miss Lilly who could tumble on command all by her big self when she was only 15 months old. When I first saw her dance and tumble at such a young age, I was so moved that I wrote this piece to celebrate her ability to amaze everyone with her dancing and tumbling. LILLYâ€™S DANCE (THE TUMBLER) was originally written and arranged for a small ensemble, band, stage band or combo with flexible instrumentation so that it may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of LILLYâ€™S DANCE (THE TUMBLER) makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. Whatâ€™s more, LILLYâ€™S DANCE (THE TUMBLER) has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the groupâ€™s enjoyment but also everyoneâ€™s listening pleasure. This piece is composed in the same style of the other dances in the set - all of which have been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPAâ€™S FAMOUS DANCES PART 1 from the sets PAPAâ€™S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for LILLYâ€™S DANCE (THE TUMBLER) includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TVâ€™s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Depart.

Newton Rocks Choral 2-part

Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.742757 Composed by Debbi…(+)

Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.742757 Composed by Debbie Allen. Children,Contemporary,Contest,Festival,Instructional,Jazz. Octavo. 9 pages. Nottingham Scores #350891. Published by Nottingham Scores (A0.742757). Newton Rocks, music for unison or 2-part choir, is an arts integration project combining music and science. Choir is not only fun, but educational â€“ Ha! We insert studies of people, places and things into a fun learning tool. Sometimes the information in songs is fictional, sometimes, based on fact. The story of Isaac Newton, one of the greatest physicists, and the apple tree is a legend, but holds some truth. Certainly, Isaac Newton is credited with theories of gravity, mass and motion, concepts that are still supported in the study of physics today. Choir students will enjoy telling this story, adding a little drama, here and there, while learning a bit of history and science. This might even guide them to do further research. The accompaniment can be simple or a little more complicated, based on the availability of an accompanist. Leave out some notes if you must. The students and audience will still enjoy the rockinâ€™ beat. The upper voice (soprano) melody can be performed in unison, but a harmony part (alto) is included, if desired.
$1.99 1.84 € #Choral 2-part #Debbie Allen #Newton Rocks #Nottingham Scores #SheetMusicPlus

Organ,Piano - Digital Download SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Duration 289. Jasberger Music #6009677. Published by Jasberger Music (A0.1072082). Jacob Hershberger performs his new arrangement of I Need Thee Every Hour on both the piano and organ.. Just not at the same time ;) http://www.youtube.com/watch?v=v3D8ACXhnyU&feature=youtu.beThe softness of the piano and it's marriage to the organ make this a powerful arrangement with a lot of hidden spiritual messages in the arrangement. One such message is the differences in time in some of the organ and piano parts. The organ represents the us in the different stages of our lives. The piano represents Heavenly Father and his constant presence in our lives. He is always there steady and available, all we have to do is sync up with him through prayer and he will lead us ever onward through our mortal sojourn on earth.At the end of the video is the following scripture: Yea, I know that God will give liberally to him that asketh. Yea, my God will give me, if I ask not amiss; therefore I will lift up my voice unto thee; yea, I will cry unto thee, my God, the rock of my righteousness. Behold, my voice shall forever ascend up unto thee, my rock and mine everlasting God. Amen. ~2 Nephi 4:35 I hope you enjoy this beautiful arrangement of I need thee every hour. www.JasbergerMusic.com 1. I need thee evâ€™ry hour, Most gracious Lord. No tender voice like thine Can peace afford. [Chorus] I need thee, oh, I need thee; Evâ€™ry hour I need thee! Oh, bless me now, my Savior; I come to thee! 2. I need thee evâ€™ry hour; Stay thou nearby. Temptations lose their powâ€™r When thou art nigh. 3. I need thee evâ€™ry hour, In joy or pain. Come quickly and abide, Or life is vain. 4. I need thee evâ€™ry hour, Most holy One. Oh, make me thine indeed, Thou blessed Son!

Sonata 8, Fall, based on the ancient melody "We Gather Together" Piano solo

Piano Solo - Level 4 - Digital Download SKU: A0.1303796 Composed by Joshua Bickford…(+)

Piano Solo - Level 4 - Digital Download SKU: A0.1303796 Composed by Joshua Bickford. 21st Century,Classical,Folk. Score. 10 pages. Joshua Bickford #893330. Published by Joshua Bickford (A0.1303796). A piano sonata for Fall based on an ancient melody.Â Two of the movements are connected to the ocean and the coast. I consider them to be fallish because one of them is a lament.Â The other one is about the bones of the earth (the rocky coast.) The third movement is about the play of light through barren tree branches.Â It is called The Haunted Sonata because the melody that the sonata is based is practically invisible. It is there, but it is just like a ghost, you hear it out of the corner of your eye.
$1.99 1.84 € #Piano solo #Joshua Bickford #Sonata 8, Fall, based on the ancient melody "We Gather Together" #Joshua Bickford #SheetMusicPlus

The Rocks Are Gonna Cry Out! (2-Part)

The Rocks Are Gonna Cry Out! (2-Part) Choral 2-part

Choral Choir (SA) - Level 3 - Digital Download SKU: A0.727471 Composed by Carol Tro…(+)

Choral Choir (SA) - Level 3 - Digital Download SKU: A0.727471 Composed by Carol Troutman Wiggins. Christian,Religious,Rock,Sacred,Spiritual. Octavo. 10 pages. Carol Troutman Wiggins #4278055. Published by Carol Troutman Wiggins (A0.727471). THE ROCKS ARE GONNA CRY OUT!SA/2-Part Mixed Voices (w/Optional Hand Claps or Tambourines)Need a quick and easy rockin', upbeat song for middle school and up or your church choir that will get the audience clapping their hands? The text is adapted from Luke 19:40 and Isaiah 55:12, and says that if we don't praise the Lord, the rocks, mountains and trees will!Excellent for middle school and olderGreat Call to Worship or church anthem Rockin; syncopated rhythms; high energyEasy melody, repetitive wordsAdd hand claps and/or tambourines to get the audience on their feetChords included for additional instrumentsPiano Accompaniment Track on this site.
$2.95 2.73 € #Choral 2-part #Carol Troutman Wiggins #syncopated rhythms #The Rocks Are Gonna Cry Out! #Carol Troutman Wiggins #SheetMusicPlus

#The Rocks Are Gonna Cry Out!

A Storm is Gathering PVG Piano, Voice

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.983990 Composed by Steven H.…(+)

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.983990 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. Score. 7 pages. Boothe Publishing #4360789. Published by Boothe Publishing (A0.983990). 1st Kings 19: Verses 11 & 12When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.
$3.99 3.69 € #Piano, Voice #Steven H #A Storm is Gathering PVG #Boothe Publishing #SheetMusicPlus

A Storm is Gathering Piano Vocal Performance

Piano,Voice - Digital Download SKU: A0.1069968 Composed by Steven H. Boothe. Arrang…(+)

Piano,Voice - Digital Download SKU: A0.1069968 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 236. Boothe Publishing #4633697. Published by Boothe Publishing (A0.1069968). 1st Kings 19: Verses 11 & 12 When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.
$1.99 1.84 € #Steven H #A Storm is Gathering Piano Vocal Performance #Boothe Publishing #SheetMusicPlus

A Storm is Gathering Piano Minus Vocal Piano solo

Piano - Digital Download SKU: A0.1069947 Composed by Steven H. Boothe. Arranged by …(+)

Piano - Digital Download SKU: A0.1069947 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 236. Boothe Publishing #4632021. Published by Boothe Publishing (A0.1069947). 1st Kings 19: Verses 11 & 12 When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.
$1.99 1.84 € #Piano solo #Steven H #A Storm is Gathering Piano Minus Vocal #Boothe Publishing #SheetMusicPlus

Rock'n'Rollin' for Preschoolers STUDIO LICENSE

Drum Set - Level 1 - Digital Download SKU: A0.1468318 Composed by Zachary Seckman. …(+)

Drum Set - Level 1 - Digital Download SKU: A0.1468318 Composed by Zachary Seckman. Children,Instructional. Educational Method. 60 pages. ZS Music Publishing #1046631. Published by ZS Music Publishing (A0.1468318). Introducing the Rock’N’Rollin’ For Preschoolers book from ZS Music Publishing. Rock’N’Rollin’ For Preschoolers is a precursor to the Rock’N’Rollin’ Level 1 to prepare the younger drummer for their music career.Rock’N’Rollin’ For Preschoolers is a scaffolded book that starts off by teaching Bass Drum and adds on instruments throughout the book. The book is designed for junior drum sets with the idea that these drum sets may or may not have three Tom Drums to accommodate all kinds of sets. Students will gradually learn the instruments one by one and together. The layout of the concepts are: Sticks Bass Drum Snare Drum High Tom Mid Tom Low Tom Ride Cymbal (referred to “Cymbal” in the book). Hi-Hats Upon completion of the book, students can graduate up to Rock’N’Rollin’ Level 1 or Level 1 Encore. If students move to Level 1 Encore, the back of the book is a section to prepare students for Level 1 Encore if they skip Rock’N’Rollin Level 1. For this section, there are 8 pages that have been pulled from Rock’N’Rollin Level 1.In total, there are 33 “songs” in the book along with activities scattered through out including 4 pages for students to create their own beats.This book is studio-licensed, so you can make as many copies as you'd like! You may not share the file with any other school/studio.
$99.99 92.46 € #Zachary Seckman #Rock'n'Rollin' for Preschoolers STUDIO LICENSE #ZS Music Publishing #SheetMusicPlus

Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.818333 By Stephen R Dalrymple. By Thomas Hastings, Augustus M Toplady, Ira D Sankey, William O Cushing. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score and part. 51 pages. Stephen R Dalrymple #6091833. Published by Stephen R Dalrymple (A0.818333). Rock of Ages hymn arrangement for flute and piano by Stephen R Dalrymple transcribed for solo clarinet, trumpet, euphonium/trombone, violin, and cello Â Â Rock of Ages (text by Augustus M Toplady 1776, tune by Thomas Hastings 1830) Hiding in Thee (text by William O Cushing 1876, tune by Ira D. Sankey 1877) Â Â To describe might, power, security, protection â€“ the images we think of are exploding bombs, a nuclear arsenal, security systems. None of these existed in the ancient world. The image of a rock, its density, its hardness, its inability to be shaken, actually, that is a universal metaphor. And so we find it often in the Bible. Â Â Moses struck the rock to produce water. Paul tells us that rock was Christ. [Ex 17, 1 Cor 10] Moses was hidden in the cleft of a rock to watch the presence and glory of God pass by. [Ex 33] David often alluded to the rock as a fortress in the Psalms. [Ps 18] And the picture of Christ as the cornerstone is another favorite theme. [Mt 21, I Pt 2] Several of our hymns use (and mix) these metaphors to speak of the Rock, a place of refuge, a place of safety, a place of redemption. Â Â Suitable for preludes, offertories, concerts, personal meditation. Â Â Includes pdf of 14 score choices â™« Full Score for flute and piano letter size â™« Flute, Oboe, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts, â™« Full Score for flute and small page format for performing from a 10 inch tablet and â™« the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)

Guitar Ensemble - Level 3 - Digital Download SKU: A0.1464400 By Pink Floyd. By Roger Waters. Arranged by Harry O'Brien. 20th Century,Pop,Rock. Score and Parts. 14 pages. Harry O'Brien #1043124. Published by Harry O'Brien (A0.1464400). An Intermediate 4 piece guitar ensemble arrangement of Pink Floyd's hit song, Another Brick In The Wall (Part II). A fun way to engage a group of guitarists under the belief they don't need no education.The arrangement for 3 guitars and 1 bass creatively arranges the rock song into a small guitar ensemble, and can be played by either a quartet, or an ensemble with multiple players per part. It would suit a high school guitar ensemble or similar. Includes space for improvised soloing over a simple chord progression.Comes with Full Score and parts for the following instruments:Guitar IGuitar IIGuitar IIIElectric Bass (can be substituted by a fourth guitar)About the arranger:Harry O'Brien is an emerging composer, arranger, guitarist and music educator in Sydney, Australia. His rock/jazz performance background, orchestral and film composition studies at Sydney Conservatorium, along with being an experienced conductor/director of school-level concert bands and guitar ensembles, give him a highly versatile and distinct arranging sound, one which understands the role every instrument can play in a school band. Arrangements for professional orchestras have been performed in venues around Australia including the State Theatre and Her Majesty's Theatre Adelaide. Website: https://obrienharry08.wixsite.com/music

The Rolling Stones on Tour: 3rd B-flat Trumpet Trumpet (band part)

Concert Band - Digital Download 3rd B-flat Trumpet. By The Rolling Stones. By Mick Ja…(+)

Concert Band - Digital Download 3rd B-flat Trumpet. By The Rolling Stones. By Mick Jagger and Keith Richards. Arranged by Patrick Roszell. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015863_T3. Published by Alfred Music - Digital Sheet Music
The legendary Rolling Stones are celebrating their 50th anniversary, so why not celebrate with them? This arrangement, approached in a straight-ahead rock fashion, combines the dramatic Paint It, Black, the beautiful Ruby Tuesday, and the rocking (I Can't Get No) Satisfaction into a tour de force for your concert band. (5:30) This title is available in SmartMusic.
$3.00 2.77 € #Trumpet (band part) #The Rolling Stones #The Rolling Stones on Tour: 3rd B-flat Trumpet #Alfred Music - Digital Sheet Music #SheetMusicPlus

The Rolling Stones on Tour: 2nd B-flat Trumpet Trombone (band part)

Concert Band - Digital Download 2nd B-flat Trumpet. By The Rolling Stones. By Mick Ja…(+)

Concert Band - Digital Download 2nd B-flat Trumpet. By The Rolling Stones. By Mick Jagger and Keith Richards. Arranged by Patrick Roszell. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015863_T2. Published by Alfred Music - Digital Sheet Music
The legendary Rolling Stones are celebrating their 50th anniversary, so why not celebrate with them? This arrangement, approached in a straight-ahead rock fashion, combines the dramatic Paint It, Black, the beautiful Ruby Tuesday, and the rocking (I Can't Get No) Satisfaction into a tour de force for your concert band. (5:30) This title is available in SmartMusic.
$3.00 2.77 € #Trombone (band part) #The Rolling Stones #The Rolling Stones on Tour: 2nd B-flat Trumpet #Alfred Music - Digital Sheet Music #SheetMusicPlus