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The Ruts
Sheetmusic to print
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Stray Cats Ruts, Piano Solo
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.947536 Composed by George Arvola, V…
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Piano Solo - Level 3 - Digital Download SKU: A0.947536 Composed by George Arvola, Virginia Mathews. Blues,Concert,Instructional,Jazz,Standards. Score. 4 pages. George Arvola and Virginia Mathews #2076179. Published by George Arvola and Virginia Mathews (A0.947536). The composers had fun with the title and fun can be had vocally with this arpeggio study buried inside a mysterious jazz-blues in a minor key. While practising your feral cat arpeggio skills, (unless you advise your audience,) they will not know that it is an arpeggio study. 3 pages, 2 min.31 sec. One of 12 intermediate arpeggio studies from the collection Delicious Licorice, a book by the arpeggioartistry.com composers.
$3.99
3.66 €
#
Piano solo
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George Arvola, Virginia Mathews
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Stray Cats Ruts, Piano Solo
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George Arvola and Virginia Mathews
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.32 €
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2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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INITIATE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Leon the Lion
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.744213 Composed by Miriam Troxler. …
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Piano Solo - Level 3 - Digital Download SKU: A0.744213 Composed by Miriam Troxler. Instructional,Standards. Score. 2 pages. Miriam Troxler #2032281. Published by Miriam Troxler (A0.744213). Leon the Lion is a prince among lions. He struts through his kingdom roaring at his subjects. The D Major piano solo incorporates chromatic passage work in a stately promenade.
$2.99
2.74 €
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Piano solo
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Miriam Troxler
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Leon the Lion
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Miriam Troxler
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SheetMusicPlus
Paul Fox: Babylon's Burning for guitar
Lyrics and Chords
Instantly printable sheet music by The Ruts for guitar (chords) of MEDIUM skill level. / p…
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Instantly printable sheet music by The Ruts for guitar (chords) of MEDIUM skill level. / punk,rock
$4.97
4.55 €
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Lyrics and Chords
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Paul Fox
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Virtualsheetmusic
Business In Town
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1295702 Composed by Donald Ashwande…
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Piano Solo - Level 3 - Digital Download SKU: A0.1295702 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #886000. Published by The Donald Ashwander Estate (A0.1295702). Business In Town is a solo piano ragtime composition that takes the listener on a nostalgic journey back to the Great Depression era in Bessemer, Alabama. This musical piece is inspired by the childhood memories of Ashwander, who recalls spending time on his grandparent's farm during those challenging times.The piece begins with a lively and rhythmic introduction, representing the excitement and anticipation of a young child yearning for adventure. The syncopated melodies and playful piano rhythms evoke the youthful energy and restlessness of the composer as he dreamed of escaping the farm life for the excitement of the city. The use of ragtime syncopation adds a playful and nostalgic element to the composition, evoking the spirit of the 1930s.As the composition progresses, the listener can hear the sound of a horse's hooves and the creaking of a wagon as it embarks on its journey. The main theme of the piece, introduced by the piano, captures the bumpy and unpredictable nature of the road, with unexpected twists and turns in the melody symbolizing the potholes, ruts, rocks, and crannies that Maud (the horse) and the wagon encounter along the way.The final page of the sheet music contains special program notes by Donald Ashwander.
$5.95
5.45 €
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Piano solo
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Donald Ashwander
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Business In Town
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The Donald Ashwander Estate
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SheetMusicPlus
Could Have Been Me
Piano solo
Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1119608
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Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1119608 By The Struts. By Adam Slack, George Tizzard, Joshua Wilkinson, Luke Spiller, and Richard Parkhouse. Arranged by Addison Horner. This edition: Interactive Download. Children,Film/TV,Rock. Individual part. 2 pages. Duration 130. Addison Horner #6YmEqFyZZq5DV0GrEk9KgH. Published by Addison Horner (A0.1119608). Key: E major.Originally performed by The Struts and popularized by Halsey in the 2021 film Sing 2, this is a beautiful wedding-style arrangement fit for a bridal processional or any other part of the ceremony. Recommended for intermediate-to-advanced pianists.
$4.99
4.57 €
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Piano solo
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The Struts
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Could Have Been Me
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Addison Horner
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SheetMusicPlus
Ich Will Nur
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.1104054 By Philipp Poisel. By P…
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Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.1104054 By Philipp Poisel. By Philipp Poisel. Arranged by Antje Günther. 20th Century,Hip-Hop,Jazz,Multicultural,R & B,Singer/Songwriter,World. Score. 3 pages. Antje Guenther #707313. Published by Antje Guenther (A0.1104054). Ich habe diesen wunderschönen Song für Cello bzw. Gesang und Klavierbegleitung arrangiert. (Im YT-Video ist der Text etwas ineinandergerutscht, das liegt aber an der Software).
$10.99
10.07 €
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Piano, Vocal and Guitar
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Philipp Poisel
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Ich Will Nur
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Antje Guenther
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SheetMusicPlus
Could Have Been Me
Choral SSAA
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1125028 By The Struts. By …
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1125028 By The Struts. By Adam Slack, George Tizzard, Joshua Wilkinson, Luke Spiller, and Richard Parkhouse. Arranged by BK Riha / Brandy Kay Riha. A Cappella,Pop. Octavo. 12 pages. BK Riha #725803. Published by BK Riha (A0.1125028). Halsey cover from the movie Sing 2. Feel free to adapt the arrangement to suit the needs of your group.
$4.00
3.66 €
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Choral SSAA
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The Struts
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Could Have Been Me
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BK Riha
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SheetMusicPlus
Could Have Been Me
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1125049 By The Struts. By …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1125049 By The Struts. By Adam Slack, George Tizzard, Joshua Wilkinson, Luke Spiller, and Richard Parkhouse. Arranged by BK Riha / Brandy Kay Riha. A Cappella,Pop. Octavo. 12 pages. BK Riha #725824. Published by BK Riha (A0.1125049). Halsey cover from the film Sing 2. Feel free to adapt the arrangement to suit the needs of your ensemble.
$4.00
3.66 €
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Choral SATB
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The Struts
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Could Have Been Me
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BK Riha
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SheetMusicPlus
Could Have Been Me (arr. Matt Conaway) - Eb Alto Sax
Marching band
Marching Band - Digital Download SKU: HX.910202 By Halsey and The Struts. Arranged …
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Marching Band - Digital Download SKU: HX.910202 By Halsey and The Struts. Arranged by Jack Holt and Matt Conaway. This edition: scorch. Pop. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.910202).
$6.00
5.5 €
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Marching band
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Halsey and The Struts
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Could Have Been Me
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Hal Leonard - Digital
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SheetMusicPlus
Could Have Been Me (arr. Matt Conaway) - Multiple Bass Drums
Marching band
Marching Band - Digital Download SKU: HX.910226 By Halsey and The Struts. Arranged …
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Marching Band - Digital Download SKU: HX.910226 By Halsey and The Struts. Arranged by Jack Holt and Matt Conaway. This edition: scorch. Pop. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.910226).
$6.00
5.5 €
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Marching band
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Halsey and The Struts
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Could Have Been Me
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Hal Leonard - Digital
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SheetMusicPlus
Could Have Been Me (arr. Matt Conaway) - Bb Tenor Sax
Marching band
Marching Band - Digital Download SKU: HX.910203 By Halsey and The Struts. Arranged …
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Marching Band - Digital Download SKU: HX.910203 By Halsey and The Struts. Arranged by Jack Holt and Matt Conaway. This edition: scorch. Pop. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.910203).
$6.00
5.5 €
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Marching band
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Halsey and The Struts
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Could Have Been Me
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Hal Leonard - Digital
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SheetMusicPlus
Could Have Been Me (arr. Matt Conaway) - Snare Drum
Marching band
Marching Band - Digital Download SKU: HX.910223 By Halsey and The Struts. Arranged …
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Marching Band - Digital Download SKU: HX.910223 By Halsey and The Struts. Arranged by Jack Holt and Matt Conaway. This edition: scorch. Pop. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.910223).
$6.00
5.5 €
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Marching band
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Halsey and The Struts
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Could Have Been Me
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Hal Leonard - Digital
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SheetMusicPlus
Could Have Been Me (arr. Matt Conaway) - Bells
Marching band
Marching Band - Digital Download SKU: HX.910221 By Halsey and The Struts. Arranged …
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Marching Band - Digital Download SKU: HX.910221 By Halsey and The Struts. Arranged by Jack Holt and Matt Conaway. This edition: scorch. Pop. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.910221).
$6.00
5.5 €
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Marching band
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Halsey and The Struts
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Could Have Been Me
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Hal Leonard - Digital
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SheetMusicPlus
Could Have Been Me (arr. Matt Conaway) - 3rd Bb Trumpet
Marching band
Marching Band - Digital Download SKU: HX.910209 By Halsey and The Struts. Arranged …
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Marching Band - Digital Download SKU: HX.910209 By Halsey and The Struts. Arranged by Jack Holt and Matt Conaway. This edition: scorch. Pop. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.910209).
$6.00
5.5 €
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Marching band
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Halsey and The Struts
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Could Have Been Me
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Hal Leonard - Digital
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SheetMusicPlus
Could Have Been Me (arr. Matt Conaway) - Tuba
Marching band
Marching Band - Digital Download SKU: HX.910219 By Halsey and The Struts. Arranged …
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Marching Band - Digital Download SKU: HX.910219 By Halsey and The Struts. Arranged by Jack Holt and Matt Conaway. This edition: scorch. Pop. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.910219).
$6.00
5.5 €
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Marching band
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Halsey and The Struts
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Could Have Been Me
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Hal Leonard - Digital
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SheetMusicPlus
Could Have Been Me (arr. Matt Conaway) - Conductor Score (Full Score)
Marching band
Marching Band - Digital Download SKU: HX.910199 By Halsey and The Struts. Arranged …
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Marching Band - Digital Download SKU: HX.910199 By Halsey and The Struts. Arranged by Jack Holt and Matt Conaway. This edition: scorch. Pop. 11 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.910199).
$6.00
5.5 €
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Marching band
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Halsey and The Struts
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Could Have Been Me
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Hal Leonard - Digital
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SheetMusicPlus
Could Have Been Me (arr. Matt Conaway) - Electric Bass
Marching band
Marching Band - Digital Download SKU: HX.910220 By Halsey and The Struts. Arranged …
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Marching Band - Digital Download SKU: HX.910220 By Halsey and The Struts. Arranged by Jack Holt and Matt Conaway. This edition: scorch. Pop. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.910220).
$6.00
5.5 €
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Marching band
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Halsey and The Struts
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Could Have Been Me
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Hal Leonard - Digital
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SheetMusicPlus
Could Have Been Me (arr. Matt Conaway) - Aux Percussion
Marching band
Marching Band - Digital Download SKU: HX.910227 By Halsey and The Struts. Arranged …
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Marching Band - Digital Download SKU: HX.910227 By Halsey and The Struts. Arranged by Jack Holt and Matt Conaway. This edition: scorch. Pop. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.910227).
$6.00
5.5 €
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Marching band
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Halsey and The Struts
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Could Have Been Me
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Hal Leonard - Digital
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SheetMusicPlus
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