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You've selected:
The Second Star To The Right - Score Only
Sheetmusic to print
19 sheet music found
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1
The Star-Spangled Banner
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.779348 Composed by John St…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.779348 Composed by John Stafford Smith. Arranged by Shelton Ridge Love. Folk,Holiday,Patriotic. Octavo. 14 pages. Shelton Ridge Love #3096887. Published by Shelton Ridge Love (A0.779348). Arranged for SATB choir with piano duet (one piano, four hand) accompaniment, this majestic arrangement of The Star-Spangled Banner is perfect for every American patriotic concert or celebration. After a fanfare opening, the audience is invited to participate in the pledge to the flag and the first stanza. The choir then sings the lesser-known second stanza, concluding with a triumphant coda.At this time, the companion recording includes only digitized voices, so the lyrics for the entire arrangement are included below. (Lyrics by Francis Scott Key)America! America!God shed his grace on thee!O say, can you see, by the dawn's early light,What so proudly we hailed at the twilight's last gleaming?Whose broad stripes and bright stars, through the perilous fight,O'er the ramparts we watched were so gallantly streaming?And the rocket's red glare, the bombs bursting in air,Gave proof through the night that our flag was still there.O say, does that star-spangled banner yet waveO'er the land of the free and the home of the brave?O thus be it ever when free men shall standBetween their loved homes and the war's desolation!Blest with vict'ry and peace, may the head'n-rescued landPraise the pow'r that hath made and preserved us a nation!Then conquer we must when our cause it is just,And this be our motto: In God is our trust!And the star-spangled banner in triumph shall waveO'er the land of the free and the home of the brave!Ah! America!
$1.99
1.83 €
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Choral SATB
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John Stafford Smith
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The Star-Spangled Banner
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Shelton Ridge Love
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SheetMusicPlus
The Second Star To The Right
Piano, Voice
By Sammy Cahn. For piano, voice, and guitar (chords only). Children; Disney; Film/TV. PV. …
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By Sammy Cahn. For piano, voice, and guitar (chords only). Children; Disney; Film/TV. PV. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.6 €
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Piano, Voice
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Sammy Cahn
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Disney
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The Second Star To The Right
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
The Second Star To The Right
Piano, Voice
By Doris Day. For piano, voice, and guitar (chords only). Children; Disney; Film/TV; Stand…
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By Doris Day. For piano, voice, and guitar (chords only). Children; Disney; Film/TV; Standards. PV. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.6 €
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Piano, Voice
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Doris Day
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Disney
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The Second Star To The Right
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
The Second Star To The Right
Piano, Vocal and Guitar
By Sammy Cahn. For piano, voice, and guitar (chords only). Children; Disney; Film/TV. 3 pa…
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By Sammy Cahn. For piano, voice, and guitar (chords only). Children; Disney; Film/TV. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.6 €
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Piano, Vocal and Guitar
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Sammy Cahn
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Disney
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The Second Star To The Right
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Big Drum
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
4.6 €
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Guitar
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
193.6 €
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Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Concerto grosso in B flat major op. 6 no. 7
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1151667 Composed…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1151667 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 37 pages. Adrian Gagiu #751862. Published by Adrian Gagiu (A0.1151667). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. Concerto grosso in B flat major, op. 6 no. 7: 1. Largo-Allegro scherzando – a slow introduction and then a formidable, humorous, rhythmic fugato starting with a repeated note; 2. Largo – introspected and complex, reminding of J.S. Bach’s style; 3. Andante – steady and march-like; 4. Hornpipe (Andante) – lively and full of surprises and syncopation. Total duration: 13 min 30 sec. The mp3 audio clip is the second movement (Largo). Performing Rights Organization: SOCAN.
$20.00
18.44 €
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String Quartet: 2 violins, viola, cello
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George Frideric Handel
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2
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Concerto grosso in B flat major op. 6 no. 7
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Adrian Gagiu
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SheetMusicPlus
Concerto grosso in F major op. 6 no. 2
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Digital Download SKU: A0.1150513 Composed by George…
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String Quartet String Quartet - Digital Download SKU: A0.1150513 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 42 pages. Adrian Gagiu #750689. Published by Adrian Gagiu (A0.1150513). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. The movements of Concerto grosso in F major, op. 6 no. 2: 1. Andante larghetto - noble, rich and soulful 2. Allegro ma non tanto – agitated, in D minor 3. Largo – Larghetto andante – in two alternating sections and moods (stately, and then mysterious and gentle) 4. Allegro, ma non troppo – a vigorous and fun fugato, with a broad and lyrical second theme. Total duration 11 min. The mp3 clip is the final movement. Performing Rights Organization: SOCAN.
$20.00
18.44 €
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String Quartet: 2 violins, viola, cello
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George Frideric Handel
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Concerto grosso in F major op. 6 no. 2
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Adrian Gagiu
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SheetMusicPlus
Concerto grosso in G minor op. 6 no. 6
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1151660 Composed…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1151660 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 59 pages. Adrian Gagiu #751855. Published by Adrian Gagiu (A0.1151660). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. Concerto grosso in G minor, op. 6 no. 6: 1. Largo affettuoso – dark and tragic; 2. A tempo giusto – a severe, angular and peculiar fugue; 3. Musette (Larghetto) – lengthy, pastoral and elegiac, with a rather agitated middle section; 4. Allegro – energetic, in the style of Vivaldi; 5. Allegro – dance-like but serious and with some brusque gestures. Total duration 13 min 30 sec. The mp3 audio clip is the second movement. Performing Rights Organization: SOCAN.
$20.00
18.44 €
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String Quartet: 2 violins, viola, cello
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George Frideric Handel
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2
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Concerto grosso in G minor op. 6 no. 6
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Adrian Gagiu
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SheetMusicPlus
Concerto grosso in A major op. 6 no. 11
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1156596 Composed…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1156596 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 48 pages. Adrian Gagiu #756920. Published by Adrian Gagiu (A0.1156596). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. Concerto grosso in A major, op. 6 no. 11: 1. Andante larghetto – solemn, complex introduction, like in a French overture; 2. Allegro – one of his best movements, a short and exhilarating fugue; 3. Largo-Andante molto mosso – slow and dramatic introduction, then soothing and elaborate; 4. Allegro – joyful and enthusiastic. The mp3 audio clip is the second movement. Total duration: 16 min 30 sec. Performing Rights Organization: SOCAN.
$20.00
18.44 €
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String Quartet: 2 violins, viola, cello
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George Frideric Handel
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2
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Concerto grosso in A major op. 6 no. 11
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Adrian Gagiu
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SheetMusicPlus
Claude Debussy: Sérénade for violin and piano
Violin and Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy…
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Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95
11.94 €
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Violin and Piano
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Nothing's Gonna Stop Us Now
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1128955 By Starship. By Albert Hammond and Diane Warren. Arranged by Sarah Cellobat Chaffee. Film/TV,Pop,Rock,Wedding. 18 pages. Sarah Cellobat Chaffee #729480. Published by Sarah Cellobat Chaffee (A0.1128955). Released by Starship in 1987 as a single from their second album, Nothing's Gonna Stop Us Now is an epic power ballad that soon became a smash hit with audiences and critics alike. Not only did the song top the charts in four different countries, it was also chosen as the theme for the major motion picture Mannequin and received an Academy Award nomination for Best Original Song. So you really can't go wrong having this one in your gig books! Originally written for a wedding, this Cellobat arrangement for your string quartet features the soaring melodies, beautiful harmonies, and driving beat of the original for a chart that your audience is sure to love. Rated advanced-intermediate for a few tricky rhythms, this will be learnable for students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
15.66 €
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String Quartet: 2 violins, viola, cello
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Starship
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Nothing's Gonna Stop Us Now
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Sarah Cellobat Chaffee
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SheetMusicPlus
Libera Me from "Requiem" (Faure) - Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1471485 Composed by Gabriel Fauré, Gabriel Faure. Arranged by Rob Bushnell. 19th Century,Classical,Religious,Romantic Period,Sacred. Brass Band. 79 pages. Rob Bushnell #1049258. Published by Rob Bushnell (A0.1471485). Composed between 1887 and 1890, Gabriel Fauré’s Requiem is not only one of his best-known works but one of the most popular piece of choral music in the Classical repertoire, coming 23rd in the Classic FM’s Hall of Fame 2024. Believed to be a tribute to his father (who died in 1885), Fauré himself said “My Requiem wasn't written for anything – for pleasure, if I may call it that!” It started life as a five-movement work but was later expanded to be the final seven-movement work we know today. The first version (which Fauré called “un petit Requiem”) was first performed on 16 January 1888, with Fauré conducting, a second version premiered on 21 January 1893 before the final version (reworked for full orchestra) was played on 12 July 1900; the Requiem was performed at the composer’s own funeral in 1924.The Libera Me, or Deliver Me, was actually written in 1877 and is the sixth part of the Requiem.Fauré once said of the work, “Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest. Upon interview, he also said, “It has been said that my Requiem does not express the fear of death and someone has called it a lullaby of death. But it is thus that I see death: as a happy deliverance, an aspiration towards happiness above, rather than as a painful experience. The music of Gounod has been criticised for its inclination towards human tenderness. But his nature predisposed him to feel this way: religious emotion took this form inside him. Is it not necessary to accept the artist's nature? As to my Requiem, perhaps I have also instinctively sought to escape from what is thought right and proper, after all the years of accompanying burial services on the organ! I know it all by heart. I wanted to write something different.”This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=fXwFNoBHCf0.
$44.99
41.48 €
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Gabriel Fauré, Gabriel Faure
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Libera Me from "Requiem"
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Rob Bushnell
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SheetMusicPlus
Tu te Rappelles (Do You Remember)
Choral 3-part
Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.1011599 Composed by Celine …
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Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.1011599 Composed by Celine Tsoi. Contemporary,Holiday,Instructional,Love,Standards. Octavo. 20 pages. Celine Tsoi #3518551. Published by Celine Tsoi (A0.1011599). Tu te Rappelles? , meaning ‘do you remember?’, depicts the love of a girl to her partner. She reminiscences about her past memories with him and in the climax, she proclaims her love for him as she is soon to leave his side. This combination, an SSA choir with violin and piano, is chosen for it captures the character of a female speaker, and the piano adds depth to the piece but still keeps the gentleness of the message. The bright timbre of the violin as well as the use of D major is to convey positivity: this is not a sad piece. This speaker looks forward to the future and treasures their past moments together. This piece is in verse-chorus form. The chorus, starting from ‘Je t’aimerai’, and followed by ‘Jusqu’a...’ repeats three times before arriving at the final climax in A major. In between the second chorus and the third chorus, a transitional section, in F# minor, is added. This section, as it is about her difficult decision to leave, is stronger and faster than other sections. The original lyrics are inspired by a famous TV show, Game of Thrones , in which a character says the lyrics in the chorus. Different techniques are used to bring out the message in the lyrics, such as word-painting, use of harmony and instruments, and key changes. Parting is inevitable in any relationship. I hope this piece can describe some emotions and thoughts in the face of parting and can echo among not only lovers but families and friends as well.
$4.50
4.15 €
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Choral 3-part
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Celine Tsoi
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Tu te Rappelles
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Celine Tsoi
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SheetMusicPlus
Octopus's Garden
Choral SSAA
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.853911 Composed by …
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.853911 Composed by John Lennon, Paul McCartney, and Richard Starkey. Arranged by Larry Wright. A Cappella,Barbershop. 7 pages. Larry Wright #4736905. Published by Larry Wright (A0.853911). A WOMEN'S 4-part, a cappella, barbershop arrangement of a fun, uptempo'd Beatles tune; not contestable in SAI.IMPORTANT NOTE: by FIRST purchasing a COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part predominant vocal learning trax, but also be able to purchase the sheet music from the SMP website store for their lowest $1.89/$1.99 per-copy price,.... NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second Arrmt/Trax COMBO of your choice from my website store for FREE!!!! Of course, you'll still need to pay the per-copy price to the publisher who controls the song licensing.NOTE: If the SMP per-copy price is anything more than $1.99, DON'T PAY IT!!! Email me  <larry@larrywrightmusic.com> for assistance. NOTE: SMP requires a 10-copy minimum purchase for all choral arrangements... to combat cheating. Sorry quartets!Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent Vocal Learning Trax <www.larrywrightmusic.com>.
$1.99
1.83 €
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Choral SSAA
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John Lennon, Paul McCartney, and Richard Starkey
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not contestable in SAI
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Octopus's Garden
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Larry Wright
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SheetMusicPlus
An American in Valencia - Trumpet Solo with Band (piano reduction)
Trumpet, Piano
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Rep…
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Repertoire, Recital. Piano Reduction, Solo Part. 39 pages. Published by Musica Nova USA
An American in Valencia was commissioned by the United States Army Band “Pershing’s Own” in Washington, DC in 1999. The Premiere Performance was May 22, 1999 at the Casa de Cultura in L’Alcudia (Valencia), Spain by Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English, Principal Trumpet the U. S. Army Band "Pershing's Own" as was the soloist.<br> <br> The piece is in three movements in a Spanish style suggesting the grand gesture of Bull fighting.The trumpet soloist portrays a toreador with the splendor of the corrida. The first movement represents theentrance of the toreador with all of the fanfare and showmanship as he bows to the audience. The second movement is a love song in a waltz tempo. The third movement starts with the raging bull coming out ofit’s corral, ready for the fight. The trumpet soloist is able to contain the bull with dashing melodic figures and a cadenza leading to the final bow in victory.<br> <br> An American in Valencia was awarded Finalist in the Band Composition Competition of the American Prize in 2017. One of only two Concertos with Band awarded that year. It is recorded on Mark Records with Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English is the soloist.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over fifty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in 1991 TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), several awards from The American Prize, Composition Awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world.<br> <br> He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize.<br> <br> He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
18.44 €
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Trumpet, Piano
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Gregory Fritze
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An American in Valencia - Trumpet Solo with Band
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Musica Nova USA
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SheetMusicPlus
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