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You've selected:
The Spark Of Creation
Sheetmusic to print
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The Spark Of Creation
Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Percussion,Piano,Synthesizer,Ten…
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Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Percussion,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1212923 Composed by Stephen Schwartz. Arranged by Anita Cracauer. Broadway,Musical/Show. 49 pages. Custom Arrangements, LLC #810119. Published by Custom Arrangements, LLC (A0.1212923). This is the full score and all instrumental parts for the choral arrangement of Spark Of Creation. The instrumentation is for piano, synth, guitar, bass, drum set, percussion, 2 trumpets, 2 trombones, alto saxophone, tenor saxophone, and baritone saxophone.Anita's show choir music catalog can be found at www.ShowChoirStock.com, including her own original music and the music of Scott Alan, Kerrigan/Lowdermilk, Ben Wexler, and more!
$80.00
71.47 €
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Stephen Schwartz
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The Spark Of Creation
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Custom Arrangements, LLC
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SheetMusicPlus
The Spark Of Creation
Large Ensemble Alto Saxophone,Baritone Saxophone,Double Bass,Drums,Guitar,Percussion,Piano…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Double Bass,Drums,Guitar,Percussion,Piano,Tenor Saxophone,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.883008 Composed by Stephen Schwartz. Arranged by Jeremy Landig. Contemporary. Score and parts. 58 pages. Landig Music Productions #6684331. Published by Landig Music Productions (A0.883008). Show band / combo parts for my pops choir arrangement of Spark of Creation.2 trumpets, 3 saxes (alto, tenor, bass), 1 trombone, piano, guitar, synth, bass, drum set, auxiliary percussion.Doesn't quite match your band roster? Contact the arranger at jeremy@landigmusic.com for information on having an alternative instrumentation added to Sheet Music Plus!
$40.00
35.73 €
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Stephen Schwartz
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The Spark Of Creation
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Landig Music Productions
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SheetMusicPlus
The Spark Of Creation
Choral 3-part
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1212925 Composed by Stephen…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1212925 Composed by Stephen Schwartz. Arranged by Anita Cracauer. Broadway,Musical/Show. Octavo. 11 pages. Custom Arrangements, LLC #810121. Published by Custom Arrangements, LLC (A0.1212925). From Stephen Schwartz's Children of Eden, this song is an ode to the creative drive within each of us. It's a great show opener, with a musical intensity to match the message of the text. Appropriate for any high school, community, or church choir. Performance time is approximately 2:55.Parts for rhythm section (Piano/Synth/Guitar/Bass/Drums/Percussion/2 Trumpets/2 Trombone/Alto, Tenor, Bari Sax) are available as a separate package and includes a full score.Anita's show choir music catalog can be found at www.ShowChoirStock.com, including her own original music and the music of Scott Alan, Kerrigan/Lowdermilk, Ben Wexler, and more!
$2.99
2.67 €
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Choral 3-part
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Stephen Schwartz
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The Spark Of Creation
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Custom Arrangements, LLC
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SheetMusicPlus
The Spark Of Creation
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1212928 Composed by Stephe…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1212928 Composed by Stephen Schwartz. Arranged by Anita Cracauer. Broadway,Musical/Show. Octavo. 14 pages. Custom Arrangements, LLC #810124. Published by Custom Arrangements, LLC (A0.1212928). From Stephen Schwartz's Children of Eden, this song is an ode to the creative drive within each of us. It's a great show opener, with a musical intensity to match the message of the text. Appropriate for any high school, community, or church choir. Performance time is approximately 2:55.Parts for rhythm section (Piano/Synth/Guitar/Bass/Drums/Percussion/2 Trumpets/2 Trombone/Alto, Tenor, Bari Sax) are available as a separate package and includes a full score.Anita's show choir music catalog can be found at www.ShowChoirStock.com, including her own original music and the music of Scott Alan, Kerrigan/Lowdermilk, Ben Wexler, and more!
$2.99
2.67 €
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Choral SATB
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Stephen Schwartz
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The Spark Of Creation
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Custom Arrangements, LLC
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SheetMusicPlus
Spark of Creation
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1308110 Composed by Ann Ruane. New …
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Piano Solo - Level 5 - Digital Download SKU: A0.1308110 Composed by Ann Ruane. New Age. Score. 8 pages. Ann Ruane-Lux Eterna Healing #897383. Published by Ann Ruane-Lux Eterna Healing (A0.1308110). The bold color changes in the verses symbolize the spark, be it an idea, a project, a dream, or a sense of creating your own self. The bridge brings to life the expansiveness that follows the spark, all tied together with a graceful motive in the refrain. From the collection, “Inner Mosaic,†by Ann Ruane. Perfect for meditation, healing therapies, service prelude/interlude, reflection, and more.
$3.50
3.13 €
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Piano solo
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Ann Ruane
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Spark of Creation
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Ann Ruane-Lux Eterna Healing
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SheetMusicPlus
The Spark Of Creation (from Children of Eden)
Choral SATB
By Stephen Schwartz. Arranged by Mac Huff. SATB. Concert. Choral. 10 pages. Duration 2:20.…
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By Stephen Schwartz. Arranged by Mac Huff. SATB. Concert. Choral. 10 pages. Duration 2:20. Published by Hal Leonard - Digital Sheet Music
$2.65
2.37 €
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Choral SATB
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Stephen Schwartz
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The Spark Of Creation
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
The Spark Of Creation (from Children of Eden)
Choral 3-part
By Stephen Schwartz. Arranged by Mac Huff. SAB. Concert. Choral. 10 pages. Duration 2:20. …
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By Stephen Schwartz. Arranged by Mac Huff. SAB. Concert. Choral. 10 pages. Duration 2:20. Published by Hal Leonard - Digital Sheet Music
$1.80
1.61 €
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Choral 3-part
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Stephen Schwartz
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The Spark Of Creation
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
The Spark of Creation (from Children of Eden) - Oboe
Oboe (band part)
Digital Download SKU: HX.126460 Composed by Stephen Schwartz. Arranged by Mac Huff.…
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Digital Download SKU: HX.126460 Composed by Stephen Schwartz. Arranged by Mac Huff. Broadway,Concert,Graduation,Inspirational,Sacred. Choral Instrumental Pak. 1 pages. Duration 140. Hal Leonard - Digital #102373. Published by Hal Leonard - Digital (HX.126460).
$7.00
6.25 €
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Oboe (band part)
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Stephen Schwartz
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The Spark of Creation
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Hal Leonard - Digital
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SheetMusicPlus
The Spark Of Creation
Choral SATB
Composed by Stephen Schwartz. Arranged by Jeremy Landig. Contemporary. Octavo. 10 pa…
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Composed by Stephen Schwartz. Arranged by Jeremy Landig. Contemporary. Octavo. 10 pages. Landig Music Productions #6684325. Published by Landig Music Productions
$1.99
1.78 €
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Choral SATB
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Stephen Schwartz
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The Spark Of Creation
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Landig Music Productions
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SheetMusicPlus
Karrinyup Fanfare
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1205401 Composed by Ben Clapton…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1205401 Composed by Ben Clapton. Classical,Contemporary. Score and parts. 103 pages. Ben Clapton #803587. Published by Ben Clapton (A0.1205401). An Orchestral Fanfare, written for the Metropolitan Symphony Orchestra, Perth. 2 Flutes (2nd doubling Piccolo), 2 Oboes, 2 Bb Clarinet, 2 Bassoon, 4 French Horns, 2 Trumpets in Bb, 2 Trombones, 1 Tuba, 4 Percussion (Timpani, Bass Drum, Snare Drum, Cymbals), Harp, StringsComposer's notes:2022 was a year that sparked inspiration for me. I am not talking about just one spark either, but a series that beautifully led me to the creation of my piece. After seeing the 2022 MetSO program it was evident that it lightly using the Brass players, and I knew they were feeling a bit underutilised. Which sparked the first idea in my mind to write a piece that would take full advantage of their skills, and heavily use brass instruments. The program coincided with the 45th Anniversay of the Orchestra which started it life as the Karrinyup Symphony Orchestra. Rekindling the orchestra’s relationship with the City of Stirling and returning to the City of Stirling as a rehearsal venue in 2023, was another spark of inspiration which led me towards the piece’s naming… the ‘Karrinyup Fanfare’. The last spark of inspiration was a query inside my mind. The opening of the piece contrasts two somewhat conflicting meanings of the word Karrinyup. During an Aboriginal Studies unit, I discovered that Karrinyup is a Noongar word that translates to “the place where there are spidersâ€. However, this differs from the City of Stirling official meaning of the name Karrinyup on the website. It states the word means “the place where Kangaroos drinkâ€, possibly because it sounds much more pleasant and doesn’t inspire the fear that spiders often do. It was this contrary interpretation of the word ‘Karrinyup’ which provided the final spark of inspiration I needed for this composition. You see, when you listen to the opening, the theme jumps up and down through the horns, and represents the Kangaroo – Yongka. Whilst as the fanfare continues, you will notice the second theme – the crawling strings represent the spider – Kar. I hope you enjoy it as much as I did creating it. May it, and this new year, spark inspiration for you.
$75.00
67 €
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Orchestra
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Ben Clapton
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Karrinyup Fanfare
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Ben Clapton
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SheetMusicPlus
Let There Be Light
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.961642 Composed by Kim S. Bean. Con…
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Piano Solo - Level 4 - Digital Download SKU: A0.961642 Composed by Kim S. Bean. Contemporary,Sacred,Spiritual,Standards. Score. 6 pages. Kim S. Bean #5871355. Published by Kim S. Bean (A0.961642). Piano Solo, with optional short narration. 6 pages. Day 1 from a suite called The Seven Days of Creation. This piece begins with a mysterious and eerie atmosphere. The tension created as the piece builds eventually blossoms into a sparkle of intense joy.Other pieces available in this suite are: Sky, Land and Sea, Wind and Water Ballet, Celestial Guides, Parade of Creatures and Sabbath Rest.
$5.99
5.35 €
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Piano solo
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Kim S
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Let There Be Light
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Kim S. Bean
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.43 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Cry Of The Celts
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1090559 Composed…
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1090559 Composed by Ronan Hardiman. Arranged by Dave Prudon. Celtic,Irish,Wedding. Score and parts. 19 pages. Prudon String Ensembles #694743. Published by Prudon String Ensembles (A0.1090559). The Lord of the Dance comes alive in this sparkling new arrangement of the Cry of the Celts. String quartets will love playing this arrangement for special occasions or just for fun. Nothing beats Hardiman's original creation but this arrangement comes close. To see tons of other nice arrangements for strings, take a peek at: Prudon String Ensembles Sheet Music.
$15.99
14.28 €
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String Quartet: 2 violins, viola, cello
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Ronan Hardiman
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Cry Of The Celts
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Prudon String Ensembles
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SheetMusicPlus
CASSANDRA'S VISION
Violin and Piano
Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704…
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Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00
4.47 €
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Violin and Piano
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Monica Bergo
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CASSANDRA'S VISION
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Moni Bergo
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SheetMusicPlus
Stephen Schwartz: The Spark of Creation (from Children of Eden) (complete set of parts) - orchestra/band
Orchestra
Instantly printable sheet music by Stephen Schwartz for orchestra/band of MEDIUM skill lev…
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Instantly printable sheet music by Stephen Schwartz for orchestra/band of MEDIUM skill level. / inspirational,broadway,concert,sacred,graduation
$32.99
29.47 €
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Orchestra
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Stephen Schwartz
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Virtualsheetmusic
In Every Corner Sing
100 or so hymns by New Zealand's and the Presbyterian Church's gift to hymnwriting - Shirl…
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100 or so hymns by New Zealand's and the Presbyterian Church's gift to hymnwriting - Shirley Erena Murray. Many appear here with new tunes
Song List: Because You Live, O Christ Carol Our Christmas Celebrate Each Generation Child of Christmas Story Child of Joy and Peace Christ Has Not Risen Christ Is Our Peace Christ, Let Us Come with You Christmas Day Christ, We Have Claimed You Church of the Living Christ Come and Find the Quiet Center Come, Celebrate the Women Come into the Streets with Me Come Now, Lord Jesus Come, on This Wedding Day Come, Teach Us, Spirit of Our God Come to a Wedding Come to Our Land Come to This Christmas Singing Community of Christ Every Day Faith Has Set Us on a Journey For the Bread and Wine and Blessing For the Music of Creation From the Apple in the Garden From the Waiting Comes the Sign Gentle God, When We Are Driven Give Thanks for Life Give Thanks for Life and Faith and Health God of All Time God of Freedom, God of Justice God of Our Every Day God of the Galaxies God of the World We Know God of Wonder, God of Thunder God Was in Christ Great God of Earth and Heaven Here in the Busy City Here Is the Place Here to the House of God We Come Here We Bring, Small or Great How Happy You Who Work fo Peace! How Small a Spark Has Lit a Living Fire I Am Standing Waiting In the Name of Christ We Gather Jesus, I Come Jesus, Savior, Spirit, Sun! Lift High the Cross Loving Spirit New Child of God, Come to Be Blessed Now as We Go Now the Greening of the Summer Now to Your Table Spread O Christ Who by a Cross O God, We Bear the Imprint of Your Face O Little Love Of Women and of Women's Hopes We Sing Our Life Has Its Seasons Peace Child Sing a Happy Alleluia Sing a Song for Peace and Justice Sing Green Sing to Celebrate the City Small Things Count, So Jesus Said Spirit of Love Spirit Who Broods, Spirit Who Sings Stranger God, You Come to Us Take My Gifts Teach Us, O Loving Heart of Christ The Grain Is Ripe The Spring Has Come This Thread I Weave Through All The World To Christ Whose Hands Will Bless Touch the Earth Lightly We Light a Candle for a Life We Wait for You When Human Voices Cannot Sing When We Lift Our Pack and Go Where Is the Room? Where the Good Seed Grows Who Is My Mother, Who Is My Brother? Who Is the Child that Is to Be Born?
$14.95
13.36 €
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In Every Corner Sing
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SheetMusicPlus
Stephen Schwartz: The Spark Of Creation (from Children of Eden) - choir (SSA: soprano, alto)
Choral 3-part
Instantly printable sheet music by Stephen Schwartz for choir (SSA: soprano, alto) of MEDI…
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Instantly printable sheet music by Stephen Schwartz for choir (SSA: soprano, alto) of MEDIUM skill level. / inspirational,concert
$4.78
4.27 €
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Choral 3-part
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Stephen Schwartz
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Virtualsheetmusic
Mac Huff: The Spark Of Creation (from Children of Eden) - choir (SAB: soprano, alto, bass)
Choral 3-part
Instantly printable sheet music by Mac Huff for choir (SAB: soprano, alto, bass) of MEDIUM…
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Instantly printable sheet music by Mac Huff for choir (SAB: soprano, alto, bass) of MEDIUM skill level. / concert
$4.78
4.27 €
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Choral 3-part
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Mac Huff
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Virtualsheetmusic
Stephen Schwartz: The Spark Of Creation (from Children of Eden) - choir (SATB: soprano, alto, tenor, bass)
Choral SATB
Instantly printable sheet music by Stephen Schwartz for choir (SATB: soprano, alto, tenor,…
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Instantly printable sheet music by Stephen Schwartz for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / concert
$6.63
5.92 €
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Choral SATB
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Stephen Schwartz
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Virtualsheetmusic
The Spark of Creation from Children of Eden - Audition Cut - Short
Piano, Vocal and Guitar
Stephen Schwartz - The Spark of Creation - (from the Broadway Musical Children of Eden) Di…
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Stephen Schwartz - The Spark of Creation - (from the Broadway Musical Children of Eden) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar;Singer Pro;Audition Cut - Short, instruments: Voice;Piano;Guitar; 3 pages -- Show/Broadway~~Musical~~Teens~~Musical Theatre~~Disney Style~~Uptempo~~Pop~~Contemporary
$5.50
4.91 €
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Piano, Vocal and Guitar
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Audition Cut
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Musicnotes
The Spark of Creation from Children of Eden - Audition Cut - Long
Piano, Vocal and Guitar
Stephen Schwartz - The Spark of Creation - (from the Broadway Musical Children of Eden) Di…
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Stephen Schwartz - The Spark of Creation - (from the Broadway Musical Children of Eden) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar;Singer Pro;Audition Cut - Long, instruments: Voice;Piano;Guitar; 4 pages -- Show/Broadway~~Musical~~Teens~~Musical Theatre~~Disney Style~~Uptempo~~Pop~~Contemporary
$5.50
4.91 €
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Piano, Vocal and Guitar
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Audition Cut
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Musicnotes
Love Song
Piano and Keyboard,Vocal - Level 3 - Interactive Download SKU: A0.1303749 Composed …
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Piano and Keyboard,Vocal - Level 3 - Interactive Download SKU: A0.1303749 Composed by Stephen Schwartz. Arranged by Dylan T Jackson. This edition: Interactive Download. Jazz,Musical/Show,Standards,World. Score. 9 pages. Duration 147. Dylan T Jackson #4cbyRVLFZ20ks8EUaBjIWJ. Published by Dylan T Jackson (A0.1303749). Key: Eb major.Premiered at The Spark of Creation: an evening with Stephen Schwartz at the Pittsburgh PCLO Cabaret, this sensual, bossa-nova inspired arrangement of the beloved Pippin duet is perfect for your next intimate cabaret setting.
$5.99
5.35 €
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Stephen Schwartz
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Love Song
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Dylan T Jackson
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SheetMusicPlus
The Spark of Creation by The Accompanist - Piano/Vocal/Guitar, Singer Pro
Piano, Vocal and Guitar
Sheet Music for The Spark of Creation from Children of Eden arranged for Piano/Vocal/Guita…
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Sheet Music for The Spark of Creation from Children of Eden arranged for Piano/Vocal/Guitar;Singer Pro in C# Minor. Digital sheet music from Musicnotes. --
$5.99
5.35 €
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Piano, Vocal and Guitar
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Piano/Vocal/Guitar, Singer Pro
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Musicnotes
The Spark of Creation from Children of Eden - Piano/Vocal/Chords, Singer Pro
Piano, Voice
Sheet Music for The Spark of Creation from Children of Eden arranged for Piano/Vocal/Chord…
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Sheet Music for The Spark of Creation from Children of Eden arranged for Piano/Vocal/Chords, Singer Pro in C Major (Transposable). Digital sheet music from Musicnotes. --
$5.79
5.17 €
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Piano, Voice
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
The Spark of Creation - 10 Prints from Children of Eden - SSA Choir + Piano
Choral 3-part
Stephen Schwartz - The Spark of Creation - from Children of Eden Digital Sheetmusic plus a…
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Stephen Schwartz - The Spark of Creation - from Children of Eden Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: SSA Choir + Piano, instruments: SSA Choir;Piano Accompaniment; 10 pages -- Show/Broadway~~Musical
$2.25
2.01 €
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Choral 3-part
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10 Prints from Children of Eden
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Musicnotes
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