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The Story Of Tina
Sheetmusic to print
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VALENTINA TERESHKOVA
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.999670 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.999670 Composed by Hilary Brooks. Arranged by PianoPiano. Contemporary. Score. 10 pages. PianoPiano #6016629. Published by PianoPiano (A0.999670). The story of Valentina Tereshkova told in music and text. Part of a collection with nine other compositions about iconic women.
$3.99
3.66 €
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2 Pianos, 4 hands
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Hilary Brooks
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VALENTINA TERESHKOVA
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PianoPiano
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SheetMusicPlus
The Abduction of Persephone (for String Orchestra)
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonz…
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String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00
18.35 €
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String Orchestra
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Aaron Fonzi
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The Abduction of Persephone
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Aaron Fonzi
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SheetMusicPlus
The Mask of Zorro main title
Brass Quintet: 2 trumpets, horn, trombone, tuba
Trumpet, Trombone, Tuba, Horn in F, Brass Quintet - Early Intermediate - Digital Dow…
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Trumpet, Trombone, Tuba, Horn in F, Brass Quintet - Early Intermediate - Digital Download Arranged by Alessandro Macrì. Individual Part, Score, Set of Parts. 11 pages. Published by Music Macri Editions
Right after James Horner wrote the gigantic hit charting Titanic soundtrack he started composing his eponymous The Mask of Zorro. Clocking around the 74 minutes its one of the longer productions from his side. You will recognize his motifs, but in this case these are combined with Hispanic folklore and flamenco. He also composed a song for Marc Anthony and Australian singer Tina Arena called “I Want to Spend My Lifetime Loving You”, charting both in the French and Dutch hit lists. James’ elegant music and wonderful themes bringing the storyline of the movie to higher regions.<br> The instrumental creativity combined with his typical sounds resulting in one if his finest soundtracks from the ‘90s.<br> The Mask of Zorro is a 1998 American film based on the character of the masked vigilante Zorro, portrayed in this movie by Antonio Banderas. The film also stars Anthony Hopkins, Catherine Zeta-Jones, and Stuart Wilson. The Mask of Zorro was released to critical and commercial success.
$13.00
11.92 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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The Mask of Zorro main title
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SheetMusicPlus
The Diamantina Drover
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.774725 Composed by Hugh Th…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.774725 Composed by Hugh Thomas Mcdonald. Arranged by Sandra Milliken. Contemporary. Octavo. 17 pages. Sandra Milliken #4346161. Published by Sandra Milliken (A0.774725). The Diamantina Drover is a song about life in the saddle in outback Queensland written by Australian singer-songwriter Hugh McDonald (1954-2016). Hugh was probably best known as a member of the folk-rock group Redgum. From 1986 to 1990 he was their lead singer and wrote a number of the group's hit songs, including The Diamantina Drover.The Diamantina Drover tells the story of a drover who leaves behind his family in Sydney and sets out to find work on Cork Station on the banks of the Diamantina River in the channel country of far western Queensland. He promises his family that he’ll return home when the droving is finished. But ten years go by and, despite the hardships of the drover’s life, he still finds it hard to leave behind the wide-open spaces and return to city life.The Diamantina in the song title refers to the Diamantina River, one of several large Queensland river systems that make their way towards Lake Eyre, in South Australia. Because the Lake Eyre basin is located entirely in desert and semi desert country, the rivers flow only intermittently following periods of heavy rain. For most of the time, the shallow river channels are dry and dusty, and Lake Eyre is an expansive salt plain.
$2.20
2.02 €
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Choral SATB
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Hugh Thomas Mcdonald
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The Diamantina Drover
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Sandra Milliken
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SheetMusicPlus
The Diamantina Drover
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.774726 Composed by Hugh Th…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.774726 Composed by Hugh Thomas Mcdonald. Arranged by Sandra Milliken. Contemporary. Octavo. 17 pages. Sandra Milliken #4346163. Published by Sandra Milliken (A0.774726). The Diamantina Drover is a song about life in the saddle in outback Queensland written by Australian singer-songwriter Hugh McDonald (1954-2016). Hugh was probably best known as a member of the folk-rock group Redgum. From 1986 to 1990 he was their lead singer and wrote a number of the group's hit songs, including The Diamantina Drover.The Diamantina Drover tells the story of a drover who leaves behind his family in Sydney and sets out to find work on Cork Station on the banks of the Diamantina River in the channel country of far western Queensland. He promises his family that he’ll return home when the droving is finished. But ten years go by and, despite the hardships of the drover’s life, he still finds it hard to leave behind the wide-open spaces and return to city life.The Diamantina in the song title refers to the Diamantina River, one of several large Queensland river systems that make their way towards Lake Eyre, in South Australia. Because the Lake Eyre basin is located entirely in desert and semi desert country, the rivers flow only intermittently following periods of heavy rain. For most of the time, the shallow river channels are dry and dusty, and Lake Eyre is an expansive salt plain.
$2.20
2.02 €
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Choral TTBB
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Hugh Thomas Mcdonald
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The Diamantina Drover
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Sandra Milliken
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SheetMusicPlus
The Holy Child
Choral SATB
SATB choir, organ, narrator SKU: LO.65-1966S Reflections on the Eve of Christmas…
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SATB choir, organ, narrator SKU: LO.65-1966S Reflections on the Eve of Christmas. Composed by Gilbert M. Martin. Choral, cantatas. Advent, Christmas, Sacred. Choral score. Sacred Music Press #65/1966S. Published by Sacred Music Press (LO.65-1966S). UPC: 000308098303.The birth of the Holy Child is gently recalled in this serene and contemplative mini-cantata. This composer's familiar hallmarks of colorful organ sounds and expressive choral writing shine throughout this luminous work. An original, flowing setting of Come, Thou Long-Expected Jesus leads off the Bethlehem journey, followed by the well-known Lo, How a Rose E'er Blooming. The very first awe-filled visitors are in attendance with While Shepherds Watched Their Flocks, and all adore the new-born King with a sumptuous choral arrangement of Away in a Manger, weaving both familiar melodies together in simple tranquility. A sensitive setting of the Christina Rossetti poem, Love Came Down at Christmas brings the entire work together, quietly heralding Jesus' peaceful arrival on earth. The narrator comments throughout with the familiar Christmas story from St. Luke. You will find this work to be suitable for the Sundays before Christmas, on Christmas Day, and especially, on Christmas Eve.
Song List: Come Thou Long-Expected Jesus Lo How A Rose E'er Blooming While Shepherds Watched Their Flocks Away In A Manger Love Came Down At Christmas
$7.95
7.29 €
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Choral SATB
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Gilbert M
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The Holy Child
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Sacred Music Press
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SheetMusicPlus
The Midnight Carol
Three-part chorus - Digital Download SKU: C7.CGA306 Composed by Michael Pavone. Chr…
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Three-part chorus - Digital Download SKU: C7.CGA306 Composed by Michael Pavone. Christmas. With Three handbells, two-part ostinato. Sacred Anthem. Octavo. 4 pages. Chorister's Guild - Digital #CGA306. Published by Chorister's Guild - Digital (C7.CGA306). UPC: 749193017739.This New Testament anthem tells the story of the 'The Lost Sheep'. Horman has told the story in his own words with a wistful quality that should be most appealing to children. The rich full harmonies support a beautiful and singable melody.
$1.85
1.7 €
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Michael Pavone
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The Midnight Carol
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Chorister's Guild - Digital
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SheetMusicPlus
The Troubles of an Automaton, or The Table and the Chair
Small Ensemble Bass Drum,Cimbalon,Gong,Multi-Percussion,Voice - Digital Download SKU: A…
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Small Ensemble Bass Drum,Cimbalon,Gong,Multi-Percussion,Voice - Digital Download SKU: A0.835820 Composed by Paul Burnell. Contemporary. Score and parts. 11 pages. Paul Burnell #4805257. Published by Paul Burnell (A0.835820). The Troubles of an Automaton, or The Table and the Chair. Composed Paul Burnell 2019. Duration c.5:45 (c.6:30 if performed with optional additional ending and A6 narration) For Cimbalom or other instruments, three Gongs, Bass Drum and Narrator Text: Clementina Maria Black (1853-1922) / Edward Lear (1812-1888)Note: The associated recording is of the version using the text by Clementina Maria Black. First performed by Jordan Wright-Murray on 30 May 2019. The Cimbalom part may be played on a chromatic hammered dulcimer or hackbrett or any other instruments. Gongs - ideally 3 bossed/tuned gongs, non-specific pitches: high, medium, low. Bass drum - ideally an orchestral bass drum. The octave lower transposition indications in the cimbalom part are optional and when given beneath two-note chords only apply to the lower note. From bar 62 to the end the cimbalom may be played an octave higher than written. The cimbalom and gongs are played laissez vibrer throughout. The bass drum is played laissez vibrer, except where marked with x on stem (for example in bar 32), indicating dead stick technique. The narrator may choose one of two texts: A: The Troubles of an Automaton (Excerpt) by Clementina Maria Black B: The Table and the Chair by Edward Lear. The start of each section of Narrator text is indicated in the score with boxed text. Where necessary the end of a text section is shown as unboxed text. The additional section after Fine 1, starting at bar 101, is optional and can be performed with or without the A6 narration. It is also possible to perform the whole piece without the Narrator, provided the texts are available to the audience.Programme note: This piece may be performed with one of two texts: 'The Troubles of an Automaton (Excerpt)' or 'The Table and the Chair'. 'The Troubles of an Automaton' was written by Clementina Maria Black (1853-1922) and published in the New Quarterly Magazine in 1876. The story begins with a fictional advertisement announcing a public exhibition of Mr. Slade's Famous Chess-Playing Automaton. 'The Table and the Chair' by Edward Lear (1812 - 1888) appeared in his collection 'Nonsense Songs' published in 1870. In the poem a table and a chair go for a walk around town, become lost, are taken back to their house by a group of small animals, and then dine and dance together.
$3.95
3.62 €
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Paul Burnell
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The Troubles of an Automaton, or The Table and the Chair
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Paul Burnell
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SheetMusicPlus
Sonatina in F Major Anh. 5 No. 2
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1368471 By Jose Valladares. By Ludw…
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Piano Solo - Level 3 - Digital Download SKU: A0.1368471 By Jose Valladares. By Ludwig van Beethoven. Arranged by Jose Valladares. 19th Century. Score. 9 pages. Circlesquare Music #952818. Published by Circlesquare Music (A0.1368471). The Sonatina in F Major, Anh. 5, No. 2 is often attributed to Ludwig van Beethoven, one of the most celebrated composers in Western music history. However, it's important to note that the authenticity of this piece as a work by Beethoven has been questioned by musicologists. The Anh. in the title stands for Anhang, which means appendix in German and refers to a cataloguing system used for works that are either of doubtful authenticity or definitively known not to be composed by Beethoven. Despite this, the piece remains popular among students and teachers for its pedagogical value.Assuming the piece is studied as part of Beethoven's attributed works, here are some key aspects you might expect from the Sonatina in F Major, Anh. 5, No. 2:Sonatina Form: The sonatina is a simplified version of the sonata, generally shorter and less complex, making it suitable for early intermediate students. It usually consists of two or three movements, with the first often following a sonata-allegro structure but in a more condensed form.Key of F Major: The key of F Major tends to have a bright and cheerful character. In a sonatina, this key would lend the piece an uplifting and pleasant quality, making it enjoyable for both performers and listeners.Classical Style Characteristics: Even though the authenticity is in question, pieces attributed to Beethoven typically showcase characteristics of the Classical period, such as clarity in structure, balanced phrasing, and harmonic exploration. The Sonatina in F Major would likely reflect these elements.Technical and Musical Aspects: Sonatinas provide an excellent opportunity for students to develop fundamental skills such as phrasing, articulation, and dynamic contrast. This particular sonatina in F Major would probably include lyrical melodies, clear textures, and typical Classical period accompaniment patterns.Pedagogical Value: Given its approachable difficulty level, the Sonatina in F Major, Anh. 5, No. 2 serves as an excellent teaching piece for introducing young or early intermediate students to the sonata form and Classical style playing.
$8.99
8.25 €
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Piano solo
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Jose Valladares
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Sonatina in F Major Anh. 5 No. 2
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Circlesquare Music
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SheetMusicPlus
The Tea Party
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.993550 Composed by Anita Gower/ wit…
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Easy Piano - Level 1 - Digital Download SKU: A0.993550 Composed by Anita Gower/ with Christina Birch. Children,Instructional. Score. 4 pages. Arpeggio Press #4286391. Published by Arpeggio Press (A0.993550). Here is a opportunity for children to see and learn what other children can compose, with assistance. This composition, inthree short songs, tells the story of a special afternoon event. Elementary Piano and Words, for young musicians to enjoyand share.
$2.50
2.29 €
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Easy Piano
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Anita Gower/ with Christina Birch
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The Tea Party
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Arpeggio Press
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SheetMusicPlus
Sonatina in C Minor for flute or violin and piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.530968 Composed by Ludwig van Beet…
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Flute,Piano - Level 3 - Digital Download SKU: A0.530968 Composed by Ludwig van Beethoven. Arranged by Klas Krantz. Classical. Score and part. 5 pages. Amadeus Music #2027697. Published by Amadeus Music (A0.530968). Ludwig van Beethoven (1770 – 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music.
$4.95
4.54 €
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Flute and Piano
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Ludwig van Beethoven
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Sonatina in C Minor for flute or violin and piano
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Amadeus Music
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SheetMusicPlus
Easy Sonatina No. 37 for guitar duo
2 Guitars (duet)
Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.532386 Composed by Lu…
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Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.532386 Composed by Ludwig van Beethoven. Arranged by Klas Krantz. Classical. 6 pages. Amadeus Music #6064495. Published by Amadeus Music (A0.532386). Moderato and RomanzeLudwig van Beethoven (1770 – 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music.
$4.95
4.54 €
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2 Guitars (duet)
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Ludwig van Beethoven
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Easy Sonatina No. 37 for guitar duo
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Amadeus Music
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SheetMusicPlus
Easy Sonatina No. 37 for viola and guitar
Viola, Guitar (duet)
Guitar,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.531721 Composed…
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Guitar,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.531721 Composed by Ludwig van Beethoven. Arranged by Klas Krantz. Classical. 6 pages. Amadeus Music #12217. Published by Amadeus Music (A0.531721). Ludwig van Beethoven (1770 – 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music.
$4.95
4.54 €
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Viola, Guitar (duet)
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Ludwig van Beethoven
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Easy Sonatina No. 37 for viola and guitar
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Amadeus Music
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SheetMusicPlus
Sonatina in C minor for guitar and piano
Instrumental Duet Guitar,Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A…
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Instrumental Duet Guitar,Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.532304 Composed by Ludwig van Beethoven. Arranged by Klas Krantz. Classical. Score and parts. 5 pages. Amadeus Music #4633231. Published by Amadeus Music (A0.532304). Ludwig van Beethoven (1770 – 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music.
$4.95
4.54 €
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Ludwig van Beethoven
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Sonatina in C minor for guitar and piano
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Amadeus Music
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SheetMusicPlus
Sonatina in Bb Minor for clarinet in Bb and piano
Clarinet, Guitar (duet)
Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A…
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Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.531107 Composed by Ludwig van Beethoven. Arranged by Klas Krantz. Classical. Score and parts. 5 pages. Amadeus Music #2028951. Published by Amadeus Music (A0.531107). Ludwig van Beethoven (1770 – 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music.
$4.95
4.54 €
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Clarinet, Guitar (duet)
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Ludwig van Beethoven
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Sonatina in Bb Minor for clarinet in Bb and piano
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Amadeus Music
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SheetMusicPlus
Sonatina in D Minor for violin or flute and guitar
Flute and Guitar
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.531263 Composed by Ludwig van Beethoven. Arranged by Klas Krantz. Classical. Score and parts. 4 pages. Amadeus Music #2033675. Published by Amadeus Music (A0.531263). Ludwig van Beethoven (1770 – 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music.
$4.95
4.54 €
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Flute and Guitar
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Ludwig van Beethoven
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Sonatina in D Minor for violin or flute and guitar
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Amadeus Music
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SheetMusicPlus
Sonatina in D minor for clarinet and guitar
Clarinet, Guitar (duet)
Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A…
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Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.531626 Composed by Ludwig van Beethoven. Arranged by Klas Krantz. Classical,Contemporary. Score and parts. 4 pages. Amadeus Music #4473. Published by Amadeus Music (A0.531626). Ludwig van Beethoven (1770 – 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music.
$4.95
4.54 €
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Clarinet, Guitar (duet)
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Ludwig van Beethoven
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Sonatina in D minor for clarinet and guitar
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Amadeus Music
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SheetMusicPlus
Easy Sonatina No. 37 for clarinet in Bb and guitar
Clarinet, Guitar (duet)
Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.531625 Compo…
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Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.531625 Composed by Ludwig van Beethoven. Arranged by Klas Krantz. Classical. 8 pages. Amadeus Music #4471. Published by Amadeus Music (A0.531625). Ludwig van Beethoven (1770 – 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music.
$4.95
4.54 €
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Clarinet, Guitar (duet)
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Ludwig van Beethoven
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Easy Sonatina No. 37 for clarinet in Bb and guitar
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Amadeus Music
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SheetMusicPlus
Sonatina in D Minor for cello and guitar
Cello, Guitar (duet)
Instrumental Duet Cello,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Cello,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.531381 Composed by Ludwig van Beethoven. Arranged by Klas Krantz. Classical. Score and parts. 4 pages. Amadeus Music #2035007. Published by Amadeus Music (A0.531381). Ludwig van Beethoven (1770 – 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music.
$4.95
4.54 €
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Cello, Guitar (duet)
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Ludwig van Beethoven
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Sonatina in D Minor for cello and guitar
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Amadeus Music
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SheetMusicPlus
Sonatina in D minor for viola and guitar
Viola, Guitar (duet)
Instrumental Duet Guitar,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Guitar,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.531723 Composed by Ludwig van Beethoven. Arranged by Klas Krantz. Classical. Score and parts. 4 pages. Amadeus Music #12223. Published by Amadeus Music (A0.531723). Ludwig van Beethoven (1770 – 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music.
$4.95
4.54 €
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Viola, Guitar (duet)
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Ludwig van Beethoven
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Sonatina in D minor for viola and guitar
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Amadeus Music
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SheetMusicPlus
Easy Sonatina No. 37 for piano solo
Piano solo
Easy Piano - Level 2 - Digital Download SKU: A0.532385 Composed by Ludwig van Beeth…
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Easy Piano - Level 2 - Digital Download SKU: A0.532385 Composed by Ludwig van Beethoven. Arranged by Klas Krantz. Classical,Instructional. Score. 2 pages. Amadeus Music #6064489. Published by Amadeus Music (A0.532385). Moderato and RomanzeLudwig van Beethoven (1770 – 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music.
$2.95
2.71 €
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Piano solo
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Ludwig van Beethoven
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Easy Sonatina No. 37 for piano solo
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Amadeus Music
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SheetMusicPlus
Echoes of Arcturus
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.940721 Composed by Julia Muench. 20…
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Piano Solo - Level 3 - Digital Download SKU: A0.940721 Composed by Julia Muench. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 2 pages. NJ Original Music #3415559. Published by NJ Original Music (A0.940721). Echoes of Arcturus The Bear Constellation in North American winter skies, is an accessible and lovely shorter recital piece for the advancing intermediate piano student. The use of the higher piano registers in the beginning lends a unique ethereal quality. The change of meter from 3/4 to 7/8 halfway through, adds an interesting feel to the piece. Could also be played as part of a church service ( Unitarian, Methodist) The choice of Eb as the key signature gives it a lovely lullaby/nocturne mood. The live performance of Echoes of Arcturus may be viewed on youtube: https://www.youtube.com/watch?v=UMZEGXC9f5w Julia Muench currently resides on the piano faculty at the Monmouth Conservatory of Music (now under the Count Basie Theatre umbrella) in Red Bank, New Jersey, with a large piano student class.Her more recent musical activities besides composing, involve extensive piano teaching and giving piano recitals. The past two years, she has spent a good deal of time traveling in and out of the country. Italy and Chile have been among her destinations abroad. She performed a piano concert including her own composition, Nautilus Dances, as part of the Utopia Exhibit ( focusing on German Emigration to the US in the 1830's) in Washington DC's German Museum and at the Missouri history Museum in St. Louis, MO.Her latest piano concert in Red Bank, NJ featured composers Chopin, Debussy and Khatchaturian. Many of her performances may be viewed on youtube under Julia Muench. She has her own musical article blog on Wordpress under musicflower.
$3.99
3.66 €
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Piano solo
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Julia Muench
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Echoes of Arcturus
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NJ Original Music
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SheetMusicPlus
Missa Millennia in Honor of St. Francis (SATB)
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
9.17 €
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Choral SATB
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Curtis Hanson
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Missa Millennia in Honor of St. Francis
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Curtis Hanson
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SheetMusicPlus
One last bar then Joe can sing
Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for per…
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Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).
$45.99
42.18 €
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Gavin Bryars
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One last bar then Joe can sing
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Schott Music - Digital
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SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestra
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.77 €
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Orchestra
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Manuel de Espinosa de los Monteros (1730-1810)
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
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