The Strong Sheet Music to download and print

The Strong

SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7540-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #7540-E. Published by E. C. Schirmer Music Company - Digital (MQ.7540-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdaleneâ€™s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd ladâ€™s (Jesusâ€™s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, â€œAnd threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.â€ The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdaleneâ€™s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).

Soprano voice solo, SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7541-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #7541-E. Published by E. C. Schirmer Music Company - Digital (MQ.7541-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdaleneâ€™s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd ladâ€™s (Jesusâ€™s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, â€œAnd threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.â€ The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdaleneâ€™s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.787256 Composed by Greg Bartholomew. Concert,Contemporary,Holiday,Patriotic. Octavo. 12 pages. Burke & Bagley #49733. Published by Burke & Bagley (A0.787256). The Promise of Liberty, available for either SATB or unison/2-part treble choir with optional guitar or piano accompaniment, is an adaptation of the sonnet The New Colossus by Emma Lazarus (1883). The sonnet was written to raise money for the construction of the Statue of Liberty's pedestal and has graced the entrance to the Statue of Liberty in New York Harbor since 1945. The chorus for this work is adapted from the Lazarus poem, while the verses are new text written by the composer. Duration ca. 3 minutes. The Promise of Liberty Winds blow fierce and foul storms rage. Safe shelter seems a hopeless dream. But in the dark a promise beams, a beacon to a golden age. [Chorus] Give me your tired, your poor, Your huddled masses yearning to breathe free. Give me the wretched from your teeming shore. Send these, the homeless, tempest-tossed to me, I lift my lamp beside the golden door, I lift my lamp beside the golden door. So cries the strong heroic woman, raising her arm to light the way. Her words ring out from day to day to greet each wave of immigrants. [Repeat chorus] Some crossed the sea in a tempest squall. More came by land up the hemisphere. Still there's room for everyone here. The promise of liberty welcomes all. [Repeat chorus] Winds still blow and storms still threaten the shelter we build in this new land. But here we weave a fabric grand Made strong from many colored threads. [Repeat chorus].

Concert Band - Level 3 - Digital Download SKU: A0.1414218 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 62 pages. Lorenzo Bocci #995989. Published by Lorenzo Bocci (A0.1414218). IL FORTE (The Strong) - From The Good, The Bad And The Uglyfor Concert Band (with Fanfare Band parts) - Grade 3 - Digital DownloadÂ Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. With Choir (SATB). Score and parts. With Fanfare Band parts. Duration 2'12''. Published by Lorenzo Bocci.Create The Good, The Bad And The Ugly Suite (Il buono, il brutto e il cattivo Suite) with:- Titoli - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Il Forte (The Strong)- The Ecstasy Of Gold - YouTube ScorePlay - Sheet Music PlusInstrumentation:Full Score, Bb Solo Trumpet, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, 4, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Double Bass, Timpani, Snare Drum, Percussion (Tam Tam, Bass Drum), Choir (SATB).Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.The Good, the Bad and the Ugly (Il buono, il brutto e il cattivo) is a 1966 Italian epic spaghetti Western film directed by Sergio Leone and starring Clint Eastwood as the Good, Lee Van Cleef as the Bad, and Eli Wallach as the Ugly. The Good, the Bad and the Ugly was marketed as the third and final installment in the Dollars Trilogy, following A Fistful of Dollars and For a Few Dollars More. The score is composed by frequent Leone collaborator Ennio Morricone. The Good, the Bad and the Ugly broke previous conventions on how the two had previously collaborated. Instead of scoring the film in the post-production stage, they decided to work on the themes together before shooting had started, this was so that the music helped inspire the film instead of the film inspiring the music. Leone even played the music on set and coordinated camera movements to match the music. The main theme, resembling the howling of a coyote, is a two-pitch melody that is a frequent motif, and is used for the three main characters. The main theme, The Good, the Bad and the Ugly, was a hit in 1968 with the soundtrack album on the charts for more than a year.Subscribe to my YouTube Channel to stay updated on new releases.

#The Strong

I Heard It Through The Grapevine String Quartet: 2 violins, viola, cello

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download …(+)

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1108533 By Marvin Gaye. By Barrett Strong and Norman Whitfield. Arranged by Jeremy Crosmer. Classical,Funk,Pop. Score and parts. 18 pages. Jeremy Crosmer #711175. Published by Jeremy Crosmer (A0.1108533). This arrangement is part of the Motown Reimagined collection, a series of Motown's Greatest Hits by Jeremy Crosmer arranged for String Quartet with optional Double Bass Part (Quintet). Motown Reimagined was conceived as a way to bridge the gap between classical and pop music. Embracing the music of our communities is the strongest way classical musicians can remain relevant today. Cultivating discerning, appreciative and adventurous audiences begins with reaching them on their own turf. The music of Detroit mirrors its residents in its diversity. Unifying the musical worlds of classical and Motown brings communities together while also broadening the horizons of classical music.
$14.99 13.58 € #String Quartet: 2 violins, viola, cello #Marvin Gaye #I Heard It Through The Grapevine #Jeremy Crosmer #SheetMusicPlus

The Bedouin of Wyrms String Orchestra

String Orchestra - Level 3 - Digital Download SKU: A0.1324947 Composed by Jonathon …(+)

String Orchestra - Level 3 - Digital Download SKU: A0.1324947 Composed by Jonathon Erickson. 21st Century,Contemporary. 61 pages. J. Erickson Compositions #913165. Published by J. Erickson Compositions (A0.1324947). Continuing the tradition of pieces based on characters in the Dungeons and Dragons game that I run, The Bedouin of Wyrms follows a young ranger who struggles to find a place in the world, trying to find out how to deal of moral quandaries with no correct answer. Despite this, Sylveon Jastire keeps a kind heart and solemn sense of purpose. The Passionate Sylveon Jastire is young and adventurous, with the naivete to match. With this outlook, she cares about only one thing; protecting her family by entering the wilds and taking care of any threats before they even have the chance to become problems.Â The Lamented and The Headstrong Sylveon, known colloquially as Silver, learns the difficulties of the world, and that nothing is as straight-forward as it was at her desert temple home. In the second movement, Silver learns the consequences actions have on the world, both good and bad. In the third, her resolve tightens as she doubles down on her ideals. This proves to be a good thing, as her tenacity eventually leads to her liberation. The Free Silvers work has paid off. Through a strong belief in her ideals and a little flexibility in her methods, Silver has Met countless friends, slain countless evils, and saved the brother she never knew she had from an evil that lurked beneath. Now nothing holds her back and Silver has grown to be one of the strongest people in Verdai.
$14.99 13.58 € #String Orchestra #Jonathon Erickson #The Bedouin of Wyrms #J. Erickson Compositions #SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwoâ€™oleâ€™s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind.Â The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.