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The Swan for clarinet
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Saint-Saëns: The Swan for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Cami…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
29.6 €
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Clarinet and Piano
#
Camille Saint-Saens
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Saint-Saëns: The Swan for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Bass Clarinet & Piano
Bass Clarinet
Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Compos…
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Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
29.6 €
#
Bass Clarinet
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Camille Saint-Saens
#
Saint-Saëns: The Swan for Bass Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Camille Saint-Saens: The Swan for clarinet & piano
Clarinet and Piano
This is an exclusive transcription for clarinet & piano of EASY skill level from the o…
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This is an exclusive transcription for clarinet & piano of EASY skill level from the original composition by Camille Saint-Saens. This title is available as instant sheet music download. Contents: il cigno, le cygne, il carnevale degli animali, le carnaval des animaux, the carnival of animals, the animals carnival / classical,french,children
$6.99
6.28 €
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Clarinet and Piano
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Camille Saint-Saens
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Virtualsheetmusic
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.55 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
The Swan for clarinet quartet
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.576978…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.576978 Composed by David Warin Solomons. 20th Century,Contemporary. 8 pages. David Warin Solomons #554113. Published by David Warin Solomons (A0.576978). Instrumental arrangement of my vocal setting of The Swan - a translation by my father of Sonnet by Stéphane Mallarmé. It is very close harmony and the effect is quite hypnotic with four equal instruments. The pdf file contains score and parts The sound sample is an electronic preview.
$10.00
8.98 €
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Clarinet Quartet: 4 clarinets
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David Warin Solomons
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The Swan for clarinet quartet
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David Warin Solomons
#
SheetMusicPlus
The Swan for Clarinet Quartet by Saint-Saens, Ratner 125
Clarinet Quartet: 4 clarinets
Clarinet Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1503772 Com…
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Clarinet Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1503772 Composed by Camille Saint-Saens. Arranged by れある やすけ. 19th Century,Chamber,Romantic Period,Wedding. 10 pages. Simple Chamber「単純な室内楽」 #1079227. Published by Simple Chamber「単純な室内楽」 (A0.1503772). Discover this arrangement of The Swan by Camille Saint-Saens, Ratner 125 in a version for Clarinet Quartet, accompanied by chord symbols, ideal for beginner-level musicians. This arrangement has been simplified while preserving the essence and beauty of the original composition, making it suitable for both professionals and students. Music teachers will find in this sheet music a valuable educational tool, facilitating the introduction of students to chamber music with an arrangement that, although simplified, maintains the harmonic charm and emotional depth of the piece. Additionally, this version is perfect for parents who wish to encourage their children to dive into the world of string quartets, offering a piece that is both accessible and captivating for young musicians. With this sheet music, you will have the opportunity to create a unique musical experience, combining learning and the emotional richness of Saint-Saens. Don’t miss the chance to acquire it, as it will not only enrich your repertoire but also serve as an excellent resource for teaching chamber music and inspiring future generations of musicians.
$9.99
8.97 €
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Clarinet Quartet: 4 clarinets
#
Camille Saint-Saens
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The Swan for Clarinet Quartet by Saint-Saens, Ratner 125
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Simple Chamber「単純な室内楽」
#
SheetMusicPlus
The Swan for Clarinet Trio by Saint-Saens, Ratner 125
3 Clarinets (trio)
Clarinet Trio,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1504831 Compos…
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Clarinet Trio,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1504831 Composed by Camille Saint-Saens. Arranged by れある やすけ. 19th Century,Chamber,Romantic Period,Wedding. 7 pages. Simple Chamber「単純な室内楽」 #1080251. Published by Simple Chamber「単純な室内楽」 (A0.1504831). Discover this arrangement of The Swan by Camille Saint-Saens, Ratner 125 in a version for Clarinet Trio, accompanied by chord symbols, ideal for beginner-level musicians. This arrangement has been simplified while preserving the essence and beauty of the original composition, making it suitable for both professionals and students. Music teachers will find in this sheet music a valuable educational tool, facilitating the introduction of students to chamber music with an arrangement that, although simplified, maintains the harmonic charm and emotional depth of the piece. Additionally, this version is perfect for parents who wish to encourage their children to dive into the world of string quartets, offering a piece that is both accessible and captivating for young musicians. With this sheet music, you will have the opportunity to create a unique musical experience, combining learning and the emotional richness of Saint-Saens. Don’t miss the chance to acquire it, as it will not only enrich your repertoire but also serve as an excellent resource for teaching chamber music and inspiring future generations of musicians.
$7.99
7.18 €
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3 Clarinets (trio)
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Camille Saint-Saens
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The Swan for Clarinet Trio by Saint-Saens, Ratner 125
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Simple Chamber「単純な室内楽」
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SheetMusicPlus
Saint-Saens: The Swan for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549113 Composed by Camil…
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B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549113 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452251. Published by jmsgu3 (A0.549113). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing.
$32.95
29.6 €
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Clarinet and Piano
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Camille Saint-Saëns
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Saint-Saens: The Swan for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Tchaikovsky: Chinese Dance from Nutcracker Suite for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549771 Composed by Peter…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549771 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3534979. Published by jmsgu3 (A0.549771). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
29.6 €
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Clarinet and Piano
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Peter Ilyich Tchaikovsky
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Tchaikovsky: Chinese Dance from Nutcracker Suite for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Tchaikovsky: Overture from Nutcracker Suite for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549617 Composed by Peter…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549617 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515015. Published by jmsgu3 (A0.549617). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
29.6 €
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Clarinet and Piano
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Peter Ilyich Tchaikovsky
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Tchaikovsky: Overture from Nutcracker Suite for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Tchaikovsky: Russian Dance from Nutcracker Suite for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549703 Composed by Peter…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549703 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3529763. Published by jmsgu3 (A0.549703). Duration: ca. 58, score: 9 pages, solo part: 2 pages, piano part: 3 pages.This piece would be a perfect recital encore - short, energetic - leave your audience wanting more. Also, program this for your Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
29.6 €
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Clarinet and Piano
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Peter Ilyich Tchaikovsky
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Tchaikovsky: Russian Dance from Nutcracker Suite for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549818 Composed by Peter…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549818 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3546577. Published by jmsgu3 (A0.549818). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
29.6 €
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Clarinet and Piano
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Peter Ilyich Tchaikovsky
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Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549798 Composed by Peter…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549798 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3539173. Published by jmsgu3 (A0.549798). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo part: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
29.6 €
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Clarinet and Piano
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Peter Ilyich Tchaikovsky
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Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549681 Composed by Peter…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549681 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 14 pages. Jmsgu3 #3520257. Published by jmsgu3 (A0.549681). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
29.6 €
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Clarinet and Piano
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Peter Ilyich Tchaikovsky
#
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Tchaikovsky: Arabian Dance from Nutcracker Suite for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549749 Composed by Peter…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549749 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3532679. Published by jmsgu3 (A0.549749). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
29.6 €
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Clarinet and Piano
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Peter Ilyich Tchaikovsky
#
Tchaikovsky: Arabian Dance from Nutcracker Suite for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Tchaikovsky: Scene 10 from Swan Lake for Bass Clarinet & Piano
Bass Clarinet, Piano
Bass Clarinet & Piano - Intermediate - Digital Download Composed by Peter Ilyich …
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Bass Clarinet & Piano - Intermediate - Digital Download Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by James M. Guthrie, ASCAP. Romantic Period, Repertoire, Technique Training, Recital. Score, Set of Parts. 16 pages. Published by jmsgu3
Duration: 2:30, score: 8 pages, solo part: 2 pages, piano part: 5 pages. A well-known favorite masterpiece suitable for a recital or school program.<br> <br> Pyotr Ilyich Tchaikovsky<br> Tchaikovsky is probably the most popular of thegreat composers in America. His music certainly appeals to musicians. Likewise,it appeals even to folks who don’t normally listen to serious music. This isprobably because of his most noteworthy melodies. Above all, he writes withgreat emotion. This certainly makes a most noteworthy if not an unforgettableimpact.<br> <br> Education<br> First of all, He attended classes at the RussianMusical Society. Even more, He also attended the St. PetersburgConservatory. There he studied music theory with Nikolai Zaremba. He alsoconsequently studied composition with Anton Rubenstein. It seems likeRubenstein came under criticism from a group of Russian composers known as “theFive.”<br> <br> The Five<br> The Five certainly rejected Western musicalinfluences. They rather sought to use elements from Russian music. Theyfurthermore wanted to use more exotic musical materials.<br> <br> Western Techniques<br> More than other Russian composers, Tchaikovskystudied modern Western music. He certainly develops his music like the Europeanmasters. So, rather than repeating a motive, he moves to a new key. He thenintroduces a different theme in the new key. Hence, he maintained hisindependence from “the Five.” Even more, he became the first Russian composerof international stature.<br> <br> Influences<br> Tchaikovsky was probably influenced in his balletscoring by Léo Delibes. Richard Wagner influenced his symphonic writing.Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite,and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies.The greatest of the six symphonies may be No. 6, the “Pathétique.”<br> <br> Swan Lake Op. 20<br> Tchaikovsky composed Swan Lake in 1875-76. To beginwith, most noteworthy the ballet failed to attract a positive reception. Overtime, however, the ballet became probably one of the most popular of all ofTchaikovsky’s works. The ballet was certainly first performed by the BolshoiBallet in Moscow.<br> <br> Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$32.95
29.6 €
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Bass Clarinet, Piano
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Peter Ilyich Tchaikovsky
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Tchaikovsky: Scene 10 from Swan Lake for Bass Clarinet & Piano
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SheetMusicPlus
Camille Saint-Saens: The Swan for bass clarinet & piano
Bass Clarinet, Piano
This is an exclusive transcription for bass clarinet & piano of EASY/MEDIUM skill leve…
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This is an exclusive transcription for bass clarinet & piano of EASY/MEDIUM skill level from the original composition by Camille Saint-Saens. This title is available as instant sheet music download. Contents: il cigno, le cygne, il carnevale degli animali, le carnaval des animaux, the carnival of animals, the animals carnival / classical,french
$5.99
5.38 €
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Bass Clarinet, Piano
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Camille Saint-Saens
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Virtualsheetmusic
The Swan for Clarinet and Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.612790 Composed by Camil…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.612790 Composed by Camille Saint-Saens. Arranged by Marcos Soares. Classical,Film/TV,Instructional,Romantic Period,Wedding. Score and part. 6 pages. Ateneu's #221984. Published by Ateneu's (A0.612790). The Swan sheet music for clarinet in Bb and piano. Intermediate arrangement for clarinet in Bb and piano of the The Swan by Saint-Säens. From Carnival of the Animals.
$3.99
3.58 €
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Clarinet and Piano
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Camille Saint-Saens
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The Swan for Clarinet and Piano
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Ateneu's
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SheetMusicPlus
The Swan for clarinet
Clarinet
Clarinet Solo - Level 3 - Digital Download SKU: A0.964870 Composed by Camille Saint…
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Clarinet Solo - Level 3 - Digital Download SKU: A0.964870 Composed by Camille Saint-Saens. Arranged by Douglas Wattson. Concert,Romantic Period,Standards,Wedding. Individual part. 4 pages. Douglas Wattson #6521609. Published by Douglas Wattson (A0.964870). The Swan sheet music for clarinetWith harmony (chords).
$4.99
4.48 €
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Clarinet
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Camille Saint-Saens
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The Swan for clarinet
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Douglas Wattson
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SheetMusicPlus
the swan lake theme sheet music for beginners Clarinet and Bassoon
Clarinet, Bassoon (duet)
B-Flat Clarinet,Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.1274440
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B-Flat Clarinet,Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.1274440 By P. I. Tchaikovsky. By Piotr Ilitch Tchaikovski. Arranged by Arezzo Music. 19th Century,Chamber,Children,Romantic Period,Traditional. 3 pages. Arezzo Music #866583. Published by Arezzo Music (A0.1274440). The swan lake theme sheet music for beginners Clarinet and Bassoon  Dive into the enchanting world of classical music with our beginner-friendly sheet music arrangement of the iconic Swan Lake theme, thoughtfully tailored for clarinet and bassoon players. Experience the beauty and grace of Tchaikovsky's masterpiece as it unfolds through the melodious interaction of these two instruments. This arrangement is expertly designed for those who are just starting their musical journey, allowing clarinetists and bassoonists to explore the captivating melodies of Swan Lake together. Delve into the timeless elegance of this piece and create harmonious magic with this delightful clarinet and bassoon duet. 🎶🦢🎵the swan lake theme sheet music for beginners Clarinet and BassoonÂ
$3.99
3.58 €
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Clarinet, Bassoon (duet)
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P
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the swan lake theme sheet music for beginners Clarinet and Bassoon
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Arezzo Music
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SheetMusicPlus
The Swan for Clarinet and Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1453248 By Camille Saint…
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B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1453248 By Camille Saint-Saens. By Camille Saint-Saens. Arranged by D. Wattson. 19th Century,Chamber,Holiday,Romantic Period,Standards. Score and part. 11 pages. Douglas Wattson #1032472. Published by Douglas Wattson (A0.1453248).
$2.99
2.69 €
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Clarinet and Piano
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Camille Saint-Saens
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The Swan for Clarinet and Piano
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Douglas Wattson
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SheetMusicPlus
The Silver Swan for clarinet quintet (E flat, 2 B flats, Alto and Bass)
Clarinet Quintet: 5 clarinets
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 2 - Digital Download SKU: A0.579006…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 2 - Digital Download SKU: A0.579006 Composed by Orlando Gibbons. Arranged by David Warin Solomons. Renaissance. 7 pages. David Warin Solomons #2101397. Published by David Warin Solomons (A0.579006). Madrigal by Orlando Gibbons arranged for instrumental quintet. The words of the original are: The silver swan, who living had no note, When death approached Unlocked her silent throat Leaning her breast against the reedy shore, Thus sang her first and last and sang no more Farewell all joys, o Death, come close mine eyes: More geese than swans now life, more fools than wise. The pdf file contains score and parts. The sound sample is an electronic preview.
$6.00
5.39 €
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Clarinet Quintet: 5 clarinets
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Orlando Gibbons
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The Silver Swan for clarinet quintet
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David Warin Solomons
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SheetMusicPlus
The Silver Swan for clarinet quintet (4 B flats and 1 Bass)
Clarinet Quintet: 5 clarinets
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 2 - Digital Download SKU: A0.579005…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 2 - Digital Download SKU: A0.579005 Composed by Orlando Gibbons. Arranged by David Warin Solomons. Renaissance. 7 pages. David Warin Solomons #2101395. Published by David Warin Solomons (A0.579005). Madrigal by Orlando Gibbons arranged for instrumental quintet. The words of the original are: The silver swan, who living had no note, When death approached Unlocked her silent throat Leaning her breast against the reedy shore, Thus sang her first and last and sang no more Farewell all joys, o Death, come close mine eyes: More geese than swans now life, more fools than wise. The pdf file contains score and parts. The sound sample is an electronic preview.
$6.00
5.39 €
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Clarinet Quintet: 5 clarinets
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Orlando Gibbons
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The Silver Swan for clarinet quintet
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David Warin Solomons
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SheetMusicPlus
Swan Lake
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1222577 Composed by Piot…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1222577 Composed by Piotr Ilitch Tchaikovsky. Arranged by André Nusa. 19th Century,Chamber,Romantic Period. Score and part. 8 pages. Andre_Nusa #818825. Published by Andre_Nusa (A0.1222577). Experience the timeless elegance of Tchaikovsky's Swan Lake with this enchanting arrangement for piano and clarinet. Immerse yourself in the captivating melodies of the iconic Swan Theme as they gracefully unfold between these two exquisite instruments. The piano provides a lush and harmonious foundation, while the clarinet takes the lead, delicately expressing the enchanting melodies that evoke the beauty and grace of the swan. Perfect for performances, recitals, or personal enjoyment. Unleash your artistic expression and allow the piano and clarinet to transport you to the ethereal realm of Swan Lake. Share the beauty and grace of this arrangement with fellow musicians, music enthusiasts, and admirers of Tchaikovsky's timeless masterpiece.
$4.99
4.48 €
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Clarinet and Piano
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Piotr Ilitch Tchaikovsky
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Swan Lake
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Andre_Nusa
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SheetMusicPlus
The Swan, (Le Cygne), by Saint-Saens, Duet for Clarinet
2 Clarinets (duet)
Clarinet Duet Clarinet - Level 4 - Digital Download SKU: A0.587374 Composed by Cami…
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Clarinet Duet Clarinet - Level 4 - Digital Download SKU: A0.587374 Composed by Camille Saint-Saens. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards. 2 scores. 4 pages. David McKeown #3222137. Published by David McKeown (A0.587374). Le Cygne, or The Swan, is the penultimate movement of Camille Saint-Saens’ 1886 suite, Carnival of the Animals. Most often played as a solo piece for cello with piano, the original version was scored for solo instrument and two pianos. It was the only movement for the Carnival that the composer allowed to be heard in public during his lifetime. This version is arranged as a duet for two Clarinets. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in its constant semiquaver arpeggios. The overall performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to help with expressive playing. The legato in both parts demand precise fingers. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.13 €
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2 Clarinets (duet)
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Camille Saint-Saens
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The Swan,
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David McKeown
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SheetMusicPlus
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