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The Things That I Used To Do
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26
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.66 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
String Orchestra
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.26 €
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String Orchestra
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trad
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
The Things That I Used To Do
Melody line, (Lyrics) and Chords
Guitar,Piano and Keyboard - Digital Download SKU: HX.398451 By Eddie Guitar Slim Jo…
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Guitar,Piano and Keyboard - Digital Download SKU: HX.398451 By Eddie Guitar Slim Jones. This edition: scorch. Blues. Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #834260. Published by Hal Leonard - Digital (HX.398451).
$3.99
3.66 €
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Melody line, (Lyrics) and Chords
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Eddie Guitar Slim Jones
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The Things That I Used To Do
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Hal Leonard - Digital
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SheetMusicPlus
The Things That I Used To Do
Melody line, (Lyrics) and Chords
C Instrument,Voice - Digital Download SKU: HX.744473 This edition: scorch. Blues,Ro…
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C Instrument,Voice - Digital Download SKU: HX.744473 This edition: scorch. Blues,Rock. Real Book - Melody/Chords/Lyrics. 1 pages. Hal Leonard - Digital #834260. Published by Hal Leonard - Digital (HX.744473).
$1.99
1.83 €
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Melody line, (Lyrics) and Chords
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The Things That I Used To Do
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Hal Leonard - Digital
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SheetMusicPlus
The Things That I Used To Do
Guitar notes and tablatures
Digital Download SKU: HX.399610 By Stevie Ray Vaughan. Blues. Guitar TAB. 11 pages.…
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Digital Download SKU: HX.399610 By Stevie Ray Vaughan. Blues. Guitar TAB. 11 pages. Published by Hal Leonard - Digital (HX.399610).
$4.99
4.58 €
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Guitar notes and tablatures
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Stevie Ray Vaughan
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The Things That I Used To Do
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Hal Leonard - Digital
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SheetMusicPlus
The Things That I Used To Do
Guitar notes and tablatures
Digital Download SKU: HX.414501 By Jimi Hendrix. Pop,Rock. Guitar TAB. 17 pages. Pu…
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Digital Download SKU: HX.414501 By Jimi Hendrix. Pop,Rock. Guitar TAB. 17 pages. Published by Hal Leonard - Digital (HX.414501).
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4.58 €
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Guitar notes and tablatures
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Jimi Hendrix
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The Things That I Used To Do
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Hal Leonard - Digital
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SheetMusicPlus
The Things That I Used To Do
Piano, Vocal and Guitar
By Guitar Slim. This edition: scorch. Blues, Rock. Score. 3 pages. Hal Leonard - Digit…
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By Guitar Slim. This edition: scorch. Blues, Rock. Score. 3 pages. Hal Leonard - Digital #834260. Published by Hal Leonard - Digital
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4.58 €
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Piano, Vocal and Guitar
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Guitar Slim
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The Things That I Used To Do
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Hal Leonard - Digital
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SheetMusicPlus
Jesus Shall Reign Where'er the Sun
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arr…
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
4.58 €
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Piano solo
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John Hatton
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Jesus Shall Reign Where'er the Sun
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Paul Thurmond
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SheetMusicPlus
THE THREE BEST THINGS
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.904432 Composed by John T …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.904432 Composed by John T Sarno. Arranged by Words: Henry Van Dyke. A Cappella,Concert,Contemporary,Graduation. Octavo. 19 pages. John T Sarno #6864363. Published by John T Sarno (A0.904432). This SATB choral piece is a set of three pieces from the poetry of Henry Van Dyke 1852-1933. $7.50 WORK The romanticism of the poetry setting conveys the message of the importance of having a good work ethic. It carries the idea that I am the best one that can do the work I do. This work can also be used for a graduation ceremony. LOVE A cappella piece. The romanticism of the poetry setting describes love as a journey to find your best self by loving and being loved. Love offered without pretense and received with forgiveness will fill the heart’s desire for true love. To give of yourself completely and freely because there is love. LIFEThe romanticism of this poetic setting describes life as an adventure filled with joy, love, friendship, and courage. It challenges the listener to live life to the fullest, always striving to be their best. This work can also be used for a graduation ceremony. Approx. 7:20 Pages: 19 Because this is in a digital format you must purchase a minimum of 10 copies.
$7.50
6.89 €
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Choral SATB
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John T Sarno
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THE THREE BEST THINGS
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John T Sarno
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SheetMusicPlus
The House We Build
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1292341 By Lukas C …
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger #882681. Published by Lukas C Jaeger (A0.1292341). As a creator, something I value above all else is the ability to do so with others. There’s a beauty found where minds meet that no one person can achieve alone.   So, in search of that beauty, before I even started to work on this piece, I met with the students of Waukesha North High School at the end of their 2023 school year. And we talked. We talked about how life was going. The good and bad. The ups and downs. Things lost. Things found… They shared some laughs and even some tears… The conversations we had were unexpectedly poignant and stuck with me throughout the writing process.   School is a time of great change in our lives and often we are so focused on “getting through†that we don’t really stop to appreciate it until later. This piece celebrates that part of the process. The way we build onto ourselves- acknowledging and accepting that our experiences we have during this time, both good and bad, are crucial to our identity and our ability to move forward in life. They are the cornerstones of who we are and who we become… Inspired by these experiences we shared, I wrote this text. It’s about building a house. The “house†being our self.
$3.00
2.75 €
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Choral SATB
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Lukas C Jaeger
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The House We Build
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Lukas C Jaeger
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SheetMusicPlus
The Duality of Cats
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.1123447 Composed by Nathan Groc…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Grocholski #724258. Published by Nathan Grocholski (A0.1123447). The basis of this piece was centered around the complex emotions of cats in which we observe in our every day lives. With regards to this piece especially, there were three cats that I based this composition on, and their names are Storm, Zany and Tremor. Each miniature is a representation of a certain type of emotion that each of these cats is known for expressing. The first movement is for my favorite cat, Storm, and is titled, “Precious Storm.†Going back to my earliest memories of writing songs, I re-translated an old tune that I used to sing into a brass quintet miniature and dedicated to him, for he is the best cat. The second miniature is titled, “Mouse on a String,†and is supposed to portray the same energy that one would see from a cat in chase of a toy mouse being constantly propelled around the air from one end of a string, which is one of Storm’s favorite things to do. The third movement is called “Zany the Scaredy-Cat,†which is exactly the type of cat that Zany is. Always fearful and skittish, Zany sneaks around the house to avoid human contact at all costs. The fourth movement is titled “You Stuck, Zany?†This is named after a short video clip in which Zany finds herself stuck in the fireplace and struggling to get out. Once she frees herself, she runs away as fast as she can. The fifth movement is called “Passive-Aggressive Tremor†for the final cat, Tremor. Tremor likes to instigate conflicts with the other cats, but once the tension arises, he backs away, which can also be heard within the intense build ups and anti-climatic drops within the music as well. Finally, the sixth movement is called, “King Tremor,†in which is the boldest sounding of all the pieces, for when it does come to conflict, it is usually Tremor who comes out on top, outsmarting the other two cats.
$5.00
4.59 €
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Brass ensemble
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Nathan Grocholski
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The Duality of Cats
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Nathan Grocholski
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SheetMusicPlus
Yesterday, When I Was Young (hier Encore)
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1213917 By Roy Clark. By Charles Az…
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Piano Solo - Level 5 - Digital Download SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Singer/Songwriter,Standards,World. Score. 8 pages. Timothy Stapay #811114. Published by Timothy Stapay (A0.1213917). Yesterday When I was Young is a song composed by Georges Garvarentz and written by Charles Aznavour and released in September 1964. The original French title translates to Just yesterday or Not so long ago.It is considered one of Aznavour's greatest hits.The English-language lyrics, written by Herbert Kretzmer, tell of someone reflecting on his life, recalling how he had wasted his younger years.Lyrics:[Verse 1]Yesterday when I was youngThe taste of life was sweet as rain upon my tongueI teased at life as if it were a foolish gameThe way the evening breeze may tease a candle flameThe thousand dreams I dreamed, the splendid things I plannedI always built, alas, on weak and shifting sandI lived by night and shunned the naked light of dayAnd only now I see how the years ran away[Verse 2]Yesterday, when I was youngSo many drinking songs were waiting to be sungSo many wayward pleasures lay in store for meAnd so much pain my dazzled eyes refused to seeI ran so fast that time and youth at last ran outI never stopped to think what life was all aboutAnd every conversation I can now recallConcerned itself with me, me and nothing else at all[Verse 3]Yesterday the moon was blueAnd every crazy day brought something new to doI used my magic age as if it were a wandAnd never saw the waste and emptiness beyondThe game of love I played with arrogance and prideAnd every flame I lit too quickly, quickly diedThe friends I made all seemed somehow to drift awayAnd only I am left on stage to end the play[Outro]There are so many songs in me that won't be sungI feel the bitter taste of tears upon my tongueThe time has come for me to pay for yesterdayWhen I was youngYoung, young...
$5.99
5.5 €
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Piano solo
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Roy Clark
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Yesterday, When I Was Young
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Timothy Stapay
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SheetMusicPlus
What Must I Do?
Choral SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1326732 Composed by…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1326732 Composed by John W. Fisher. 21st Century,Christian,Instructional,Praise & Worship,Religious. 2 pages. John Fisher #914875. Published by John Fisher (A0.1326732). This sermon song was inspired by the second half of the sermon Those Who Came With Jesus by Dr. Paul de Jong at First Presbyterian Church, Fort Myers, Florida on November 26,2023 using the text Mark 10: 1-31. I used the first groups who came with Jesus were the Pharisees testing Christ about marriage and devorce, the disciples and the children. In my sermon song Marriage and Children With God I set to the traditional Here Comes The Bride, with a Christian message as apposed to Wagner's pagan opera of origin. This one focuses on the rich man in the Gospel of Mark who, although he kept all of the commandments, lacked one thing - that he sell all he had and give it to the poor. With sorrow he departed from Christ because he had many riches. I avoided the eye of the camel referance, but ended with the line For all things are possible with God.For the music, to describe this event, I tweeked my sermon song LOOK, which has been published by Sheet Music Plus. This SATB arrangement can be used as special music by a quartet, a choir anthem or sung by a congregation with its five verses as a hymn.
$7.00
6.43 €
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Choral SATB
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John W
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What Must I Do?
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John Fisher
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SheetMusicPlus
The Things That I Used To Do
Guitar notes and tablatures
By Stevie Ray Vaughan and Eddie "Guitar Slim" Jones. For guitar. Blues; Pop; Roc…
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By Stevie Ray Vaughan and Eddie "Guitar Slim" Jones. For guitar. Blues; Pop; Rock. Guitar TAB. Guitar TAB. 8 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.58 €
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Guitar notes and tablatures
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Stevie Ray Vaughan and Eddie "Guitar Slim" Jones
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Jones. For guitar. Blues
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The Things That I Used To Do
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
The Things That I Used To Do
Lyrics and Chords
By Eddie "Guitar Slim" Jones. Blues; Pop; Rock. GTRCHD. 2 pages. Published by Ha…
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By Eddie "Guitar Slim" Jones. Blues; Pop; Rock. GTRCHD. 2 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
1.83 €
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Lyrics and Chords
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Eddie "Guitar Slim" Jones
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Jones. Blues
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The Things That I Used To Do
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
The Things That I Used To Do
Guitar notes and tablatures
By Eddie "Guitar Slim" Jones. For guitar. Blues; Jazz; Pop; Rock. Guitar TAB. 6 …
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By Eddie "Guitar Slim" Jones. For guitar. Blues; Jazz; Pop; Rock. Guitar TAB. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.58 €
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Guitar notes and tablatures
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Eddie "Guitar Slim" Jones
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Jones. For guitar. Blues
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The Things That I Used To Do
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Zdes' khorosho - Serghei Rachmaninov
Violin and Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.948808 Composed by Serghei Rachma…
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Piano,Violin - Level 4 - Digital Download SKU: A0.948808 Composed by Serghei Rachmaninov. Arranged by Adrian F. Pipas. 20th Century. 7 pages. Adrian F. Pipas #6642575. Published by Adrian F. Pipas (A0.948808). ЗдеÑÑŒ хорошо (Zdes' khorosho, How nice is here) was written in April 1902, in a sweet moment in the composer's life: he had overcome a creative block and had just married his cousin Natalia Sarina. Zdes' khorosho is n. 7 from Twelve Romances, op. 21, a beautiful song that talks about the bond between man, nature and God. It’s also a love song; One of the things I like the most is the balance between contemplation and passion that Rachmaninov accomplishes. The poem, by the Countess Glafira Adolfovna Einerling, a contemporary writer of the composer who wrote under the pseudonym of Galina, simply describes a sunset. I don't know if the landscape portrayed is similar to what Rachmaninov could see from his home but no doubt he felt it part of his own; he even changed the beginning of the poem so he said that the nice place was here. Zdes' khorosho is a song full of lyricism, seemingly simple but demanding for the singer (please pay attention to the pianissimo at the last verse, which seems to arise from nowhere), with an exquisite accompaniment. Some scholars think that the true essence of Rachmaninov is found in songs like that, rather than in his athletic piano concerts.In 1963, the Russian composer Vladimir Michailovich Jurowski (father and grandfather of conductors) orchestrated ten songs by Rachmaninov, including Zdes' khorosho, and there is a later orchestration of this song by Michael Rot. You know that I usually find it difficult to renounce the original piano versions, especially when the composer didn't orchestrated them, but I recommend you to listen to Anna Netrebko singing this song with the Mariinsky Theatre Orchestra conducted by Valery Gergiev.You might wonder why I don't share this version here, there are two reasons: first, I can’t do without that beautiful piano; two, I chose my version months ago (something that lately happens quite often). I said before that Zdes' khorosho is between contemplation and passion; Most of singers enhance the most contemplative perspective, that's the case of the lovely performance by Anna Netrebko. Others sing the most passionate version, like the one we’re listening today. Its tempo is faster than usual, it lasts about a minute and a half; maybe it would surprise you if you're used to slower versions. I hope you enjoy this song as much as me; I think this performance by Nicolai Gedda and Gerald Moore, recorded live in 1966, is wonderful.Source: Liederabend.cathttps://www.liederabend.cat/en/bloc/entrades/400-how-nice-it-is-here
$9.99
9.17 €
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Violin and Piano
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Serghei Rachmaninov
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Zdes' khorosho - Serghei Rachmaninov
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Adrian F. Pipas
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SheetMusicPlus
Dreams - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Gue…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
146.91 €
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Chamber Orchestra
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Trapped
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1153691 By Scott Custer Jr. By Sc…
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Concert Band - Level 4 - Digital Download SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00
22.96 €
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Concert band
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
The Word
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1421929 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Wedding. 13 pages. RayThompsonMusic #1003267. Published by RayThompsonMusic (A0.1421929). The Word is a song by English rock band The Beatles, written by John Lennon and Paul McCartney and recorded with Lennon on lead vocals. It was first released on their 1965 album Rubber Soul.Musically, the song is founded on a driving funk beat, with few chord changes and a simple melody in the key of D major.(The refrain is a 12 bar blues in D. The main chord is D7(♯9), also used in Drive My Car and Taxman.)John Lennon had felt during his youth that love had been the answer, and had written The Word as his first expression of the concept. He had felt that love was an underlying theme of the universe, and that love was fundamental in many things, which had inspired the lyric In the good and bad books that I have read. The song is credited to Lennon-McCartney, however Lennon had stated that it was mainly mine.It had marked the first time the Beatles had written a song about love as a concept, which would become important in the band's later work.Paul McCartney said of this song, John and I would like to do songs with just one note like 'Long Tall Sally'. We get near it in 'The Word'Arranged here for wind quartet, the flute takes verse 1 and is joined in harmony by the clarinet for verse 2.Verse 3 is taken by the oboe, and all 3 top instruments take the melody, and chordal harmony for verse 4  till the end,The bassoon takes the bass guitar riff throughout.The mp3 starts just before the 4th verse.
$14.99
13.76 €
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Flute, Oboe, Clarinet, Bassoon
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The Beatles
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The Word
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RayThompsonMusic
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SheetMusicPlus
A Place for Dreaming
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1366026 By Ken Mede…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1366026 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Christian,Contemporary,Religious. 13 pages. Ken Medema Music #950379. Published by Ken Medema Music (A0.1366026). Is There a Place for DreamingIs there a place for dreamingIn the corners of your mind…In a world where dreams are broken,And dreamers hard to find?Do you dream and weep sometimesAbout the way that things should be?Come dreaming with me, come dreaming with me,Admission is free. Do you dream of another countryWhere there is no push and shove…where the rich don’t rule and the poor are fed,And the only law is love,And a neighbor is a neighbor, And there is trust and loyalty?Come dreaming with me, dreaming with me,Admission is free. When I was a boy, I used to daydream a lot,And they told me that it would not last;Wouldn’t have time for such a waste of my mind,When my life started moving fast.Now that I’m grown, I find that life with no dreamIs a hell I refuse to bear.If it’s alright, I want to open my mindAnd see if my dreams are still there. Is there a place for dreamingIn the corners of your mind…In a world where dreams are broken ,And dreamers hard to find?Do you dream and weep sometimesAbout the way that things should be?Come dreaming with me, come dreaming with me,Admission is free.
$1.99
1.83 €
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Choral SATB
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Ken Medema
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A Place for Dreaming
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Ken Medema Music
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SheetMusicPlus
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