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Three Pieces for Beginner Guitarists (Acoustic or Electric)
Guitar notes and tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (w…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
4.51 €
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Guitar notes and tablatures
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Dan Jones
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Three Pieces for Beginner Guitarists
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DanJonesGuitarist
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SheetMusicPlus
I Saw Three Ships (Come Sailing In)(Solo Guitar with TAB)
Guitar notes and tablatures
Guitar - Level 3 - Digital Download SKU: A0.896159 Composed by Traditional English …
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Guitar - Level 3 - Digital Download SKU: A0.896159 Composed by Traditional English Carol. Arranged by Antony Cull. Christian,Christmas,Praise & Worship,Sacred. Guitar Tab. 2 pages. Antony Cull #3382729. Published by Antony Cull (A0.896159). 'I Saw Three Ships (Come Sailing In)' arrangement for solo guitar by Antony Cull.IntroductionThis arrangement is aimed at intermediate level guitarists with a good control of natural harmonics and basic fingerstyle. The whole piece has the harmonic structure written in the chords above, which can be strummed by another player to turn the piece into a duet. Alternatively you can use these chords to accompany a singer and add the solo guitar arrangement as a introduction.Performance NotesThe first section outlines the basic harmony, often omitting notes from the chords above, to outline the melody. To keep each section distinct, keep the pace of this section slow and expressive.The next section has a celtic inspired feel, with the constant quavers throughout to drive the piece forward. Note the increase in tempo, but adjust to a comfortable speed for your ability as you are mostly aiming to play faster then the introduction. Practice this section slowly at first, taking time to choose the most comfortable finger position. Once you have the fingering locked in, work on making the melody pop out from the over all picking pattern, relax the attack on the thumb to help this.The third section uses natural harmonics to play the melody. To play a natural harmonic place you fretting finger lightly on the string above the stated fret. As you pick the string, remove your you finger and you should get a bell like tome that sounds a different pitch to the open string. Let each string ring out after each harmonic is played over the subsequent notes until another note is played on that string. In bar 19 and 23 there is a single fretted note so be prepared to switch technique on a dime. This will create a rich harp like feel to the piece that will give a really christmassy feel.The only big change in the coda is a gentle ritardando and an arppegiated harmonic across three strings. Gently place a finger across the three strings and role them off the as they are picked. Final ThoughtsI am a really big fan of tight arrangements and love constructing arrangements for my students. One of my greatest challenges is creating performance pieces for guitarists that don't sing. This is especially ponient during the holidays when everyone wants to hear all the classics. This piece is extremely musical and the harmonics are a real crowd pleaser. If you would like to know more about my music and the other arrangements and transcriptions, you can visit my website at www.antonycull.co.uk .
$2.49
2.27 €
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Guitar notes and tablatures
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Traditional English Carol
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I Saw Three Ships
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Antony Cull
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SheetMusicPlus
The Sound Of Silence Arr. for Early/Intermediate Solo Guitar by Dan Jones
Guitar notes and tablatures
Guitar - Early Intermediate - Digital Download By Simon And Garfunkel. Arranged by Da…
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Guitar - Early Intermediate - Digital Download By Simon And Garfunkel. Arranged by Dan Jones (www.danjonesguitarist.com). Score, Solo Part, Tablature. 4 pages. Published by danjonesguitarist.com
TheSound of Silence isPaul Simon’s masterpiece. Released in 1965, Simon had written the track duringthe two previous years. It was well worth the wait.<br> <br> Itis an obvious choice as a piece of repertoire to arrange for the intermediateguitarist, yet I have found that many arrangements include real technicaldifficulties for the learner. This is often because of the choice of key. Ifset in A minor, an F barre chord is encountered. Similarly, in D minor, a Bflat barre chord crops up. After much trial and error, I have created a versionin F sharp minor which is playable for younger and less experienced hands,without, I believe, losing any musical effect.<br> <br> <br> <br> Ihave tried to make this arrangement flexible. Therefore, it is set in 2sections. A grade 1-2 guitarist can play just the first half, twice for acomplete performance. The second half has a thicker texture, with a ‘flatpicking’ technique applied to the thumb. Here, the thumb plays the lower notes onall four beats of the bar.<br> <br> <br> <br> This downloadprovides one version with only notes, and a second in notes and TAB (in this singledownload). I am aware that many teachers dislike TAB, so you are given the choice.<br> <br> Professionalplayers looking for light repertoire – perhaps for restaurant or wedding work –can fill out the parts spontaneously. The chord sequence is obvious to those withmore experience.<br> <br> Personally speaking, I sometimes play the arrangement with a capo at fret 3 or 4 to vary the timbres heard in a concert programme.<br> <br> I hope very muchthat you enjoy playing this version of The Sound of Silence. To see andhear my arrangements for learners, professionals, and ensembles, please visit www.danjonesguitarist.com.I have also written a memoir of working as a guitarist in rural France. Pleasesee www.danjonesauthor.com.<br> <br> I will upload a YouTube video and lesson before the end of February 2021.<br> <br> THANK YOU! DanJones, Perthshire, Scotland, February 2021
$4.99
4.55 €
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Guitar notes and tablatures
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Simon And Garfunkel
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The Sound Of Silence Arr. for Early/Intermediate Solo Guitar by Dan Jones
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danjonesguitarist.com
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.38 €
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Guitar
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Richard Strauss
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Recuerdos de la Alhanbra for Classical Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Franc…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 12 pages. Keith Terrett #1021041. Published by Keith Terrett (A0.1441062). Recuerdos de la Alhambra (Memories of the Alhambra) is a classical guitar piece composed in Málaga by Spanish composer and guitarist Francisco Tárrega. It requires the tremolo technique and is often performed by advanced players.The piece was written for and dedicated to Tárrega's patron Concepción Gómez de Jacoby in 1899, commemorating their visit to the Alhambra palace and fortress complex in Granada, Spain. It was originally titled Improvisación ¡A Granada! Cantiga Árabe. It became known through an early 20th-century publication edited by Tárrega and dedicated as an homage to the French guitarist Alfred Cottin.Performance notesThe piece showcases a challenging guitar tremolo, wherein a single melody note is plucked consecutively by the ring, middle and index fingers in such rapid succession that the result is an illusion of one long sustained note. The thumb plays an arpeggio-pattern accompaniment simultaneously. Many who have heard the piece but not seen it performed mistake it for a duet.The A-section of the piece is written in A-minor and the B-section is written in the parallel major (A-major).Arrangements:Ruggiero Ricci arranged this piece for solo violin and often performed it as an encore.Chris Freeman and John Shaw recorded the song for their album Chris Freeman and John Shaw (May 1981, EMI Custom Records YPRX 1828, MAC 126).Nana Mouskouri recorded a vocal version for her 1989 album Classical. Sarah Brightman recorded a re-adapted vocal version for her album Classics.Alex Jacobowitz frequently performs a version of the song on his marimba and xylophone. He recorded it for several of his albums: Spanish Rosewood (1996), The Art of Xylos (2002), and Aria (2010).Luiza Borac arranged this piece for solo piano on her 2014 CD Chants Nostalgiques (Avie AV-2316).Xavi Ganjam made a special arrangement for sitar on his EP Soham (2019, Ganjam Records, Spain).Italian violist Marco Misciagna published the arrangement of this piece for solo viola.Soundtrack use:Recuerdos de la Alhambra has been used as title or incidental music in many films, including the soundtrack for René Clément's Forbidden Games (as played by Narciso Yepes), for The Killing Fields (under the title Étude as performed by Mike Oldfield), and in the films Sideways and Margaret.Performed and arranged by Jonathon Coudrille, it was used as the title music for the British television series Out of Town and a version performed by Pepe Romero was used as incidental music in The Sopranos episode Luxury Lounge. Gideon Coe on BBC Radio 6Music uses this tune as a musical background at approximately the half-way point of his evening weekday show. A sung version appears in the Studio Ghibli film When Marnie Was There.It is also the theme used for Philip II of Spain in the 4X strategy game Civilization VI, with the track progressing from a simple guitar arrangement to an entire orchestral performance as Spain advances through the ages.The theme was part of the soundtrack and storyline for the eponymous 2018 Korean television series Memories of the Alhambra.
$1.99
1.81 €
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Guitar
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Keith Terrett
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Recuerdos de la Alhanbra for Classical Guitar
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Keith Terrett
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SheetMusicPlus
Let's Play Together
2 Guitars (duet)
2 guitars - Digital Download SKU: S9.Q25203 12 Easy Pop Pieces. Composed by …
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2 guitars - Digital Download SKU: S9.Q25203 12 Easy Pop Pieces. Composed by Joern Michael Borner. This edition: performance score. Schott Popular Music. Downloadable, Performance score. Schott Music - Digital #Q25203. Published by Schott Music - Digital (S9.Q25203). These easy to intermediate duos contain typical elements of various popular genres. They help to train percussive playing, playing in higher registers or the simultaneous striking of two strings with the thumb.
$13.99
12.76 €
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2 Guitars (duet)
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Joern Michael Borner
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Let's Play Together
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Schott Music - Digital
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SheetMusicPlus
Hocus Pocus Fingers - Classical Guitar Duet
2 Guitars (duet)
Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.1302953 By Ron k Wigg…
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Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.1302953 By Ron k Wiggins. By Ron k Wiggins. Arranged by Ron k Wiggins. Classical,Halloween,Holiday. 2 pages. WigMusic #891775. Published by WigMusic (A0.1302953). An original easy, almost beginner, Â composition for two guitars. The stems down are the melody and are to be played with the thumb. In the first, A, section all the melody notes are on the third string from the zero to twelfth fret. In the B section the melody notes are all on the 4th, 5th, and 6th stings. Work out the melody, thumb, notes first then everything else is open strings.This was originally written as a teaching piece and makes for a great lesson.Oh yeah. It is fun to play.
$2.00
1.82 €
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2 Guitars (duet)
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Ron k Wiggins
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Hocus Pocus Fingers - Classical Guitar Duet
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WigMusic
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SheetMusicPlus
Ghostbusters - Fingerstyle (Solo Guitar)
Guitar notes and tablatures
Guitar, Guitar Tab, Guitar Solo - Early Intermediate - Digital Download By Ray Parker Jr…
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Guitar, Guitar Tab, Guitar Solo - Early Intermediate - Digital Download By Ray Parker Jr. Arranged by Andrei Burdeti. Individual Part, Solo Part, Tablature. 7 pages. Published by Burdeti Music Press
The famous theme from "Ghostbuster" arranged for fingerstyle/classical solo Guitar is presented in this ultimate edition (TAB and Notation). This piece is aimed at advanced beginner/early intermediate players. Are you ready for that Halloween scare? ?Ultimate Edition: Included is "Notation" and "Notation TAB"! ?This piece is arranged for "Fingerstyle/Classical" type of playing! It cannot be played with the pick. ?Difficulty level balanced for advanced beginners or early intermediate that have been studying the instrument for at least a year and a half. ?Includes the "Ghostbusters!" shout that is featured in the original song to make it even more exciting! ? If you enjoy this piece, don't forget to check out my other Halloween guitar arrangements on Sheet Music Plus! ? Note to classical guitar teachers/players: "The piece also works out as a great study for improving control over the thumb as the basses are played as a quasi-ostinato throughout while other fingers take on the melody."
$4.99
4.55 €
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Guitar notes and tablatures
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Ray Parker Jr
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Ghostbusters - Fingerstyle
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Burdeti Music Press
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SheetMusicPlus
Progressive Exercises for Flamenco Guitar
Guitar notes and tablatures
Composed by Dario Piga. Technique, Theory and Reference. Guitar Methods. E- book and …
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Composed by Dario Piga. Technique, Theory and Reference. Guitar Methods. E- book and online audio. 100 pages. Mel Bay Publications - Digital Sheet Music #30682MEB. Published by Mel Bay Publications - Digital Sheet Music (
ISBN 9781619119666.<br> <br> Sardinian flamenco guitar virtuoso, Dario Piga, delivers 18 intermediate to advanced exercises in this progressively arranged book addressing: arpegio, pulgar, picado, rasgueo, alzapua, and tremolo techniques. Dario himself studied in Spain with several prominent guitarists and singers, so is fluent with the authentic rhythms and techniques essential to effective flamenco guitar soloing and song and dance accompaniment. The pulgar (thumb) exercises in this volume will be of particular interest to flamenco aficionados as they explore various rhythms and chord inversions throughout the fretboard. Following his studies in Spain, Dario added jazz harmony to his lexicon of musical resources and frequently participates in the Time in Jazz festival in Sardinia. His affinity for jazz is also reflected in the appealing modern harmonies that occur in these studies. Two stunning Piga flamenco guitar solos provide a magnificent ending to this collection, written in standard notation and tablature. Includes access to online audio.
$17.99
16.41 €
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Guitar notes and tablatures
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Dario Piga
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Progressive Exercises for Flamenco Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitarra Solista - 8 Concert Flamenco Compositions In Music Notation
Guitar notes and tablatures
Guitar - Intermediate- Advanced - Digital Download Flamenco. Book and online audio. 96…
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Guitar - Intermediate- Advanced - Digital Download Flamenco. Book and online audio. 96 pages. Mel Bay Publications - Digital Sheet Music #30940MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513455709. 8.75 x 11.75 inches.<br> <br> These Juan Martin compositions are for flamenco, classical and any type of guitar players at intermediate and more advanced stages who already have experience of the instrument and techniques like arpeggios, tremolo and correct left-hand fingering, but wish to extend their knowledge of thumb techniques like alzapua, the many forms of rasgueo and flamenco rhythms such as rumba, virtuosic guajiras and the mysteriously beautiful rondena, dissonant and deep. If you master these 8 solos, you will be well on the way to becoming a concert soloist. Includes access to online audio. Estas composiciones de Juan Martin son para guitarristas flamencos, clasicos y de cualquier tipo en niveles intermedios y mas avanzados que ya tienen experiencia en instrumentos y tecnicas como arpegios, tremolo y digitacion correcta de la mano izquierda, pero desean ampliar su conocimiento de las tecnicas de pulgar como alzapua, las muchas formas de rasgueo y palos flamencos como la rumba, las virtuosas guajiras y la misteriosamente bella rondena, disonante y profunda. Si dominas estos 8 solos, estaras en camino de convertirte en solista de concierto. Incluye acceso a audio en linea.
$19.99
18.23 €
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Guitar notes and tablatures
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Guitarra Solista - 8 Concert Flamenco Compositions In Music Notation
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitarra Solista - 8 Flamenco Compositions In Tablature/Cifra For Concert
Guitar notes and tablatures
Guitar - Intermediate- Advanced - Digital Download Flamenco. Book and online audio. 96…
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Guitar - Intermediate- Advanced - Digital Download Flamenco. Book and online audio. 96 pages. Mel Bay Publications - Digital Sheet Music #30939MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513455693. 8.75 x 11.75 inches.<br> <br> These Juan Martin compositions are for flamenco, classical and any type of guitar players at intermediate and more advanced stages who already have experience of the instrument and techniques like arpeggios, tremolo and correct left-hand fingering, but wish to extend their knowledge of thumb techniques like alzapua, the many forms of rasgueo and flamenco rhythms such as rumba, virtuosic guajiras and the mysteriously beautiful rondena, dissonant and deep. If you master these 8 solos, you will be well on the way to becoming a concert soloist. Includes access to online audio. Estas composiciones de Juan Martin son para guitarristas flamencos, clasicos y de cualquier tipo en niveles intermedios y mas avanzados que ya tienen experiencia en instrumentos y tecnicas como arpegios, tremolo y digitacion correcta de la mano izquierda, pero desean ampliar su conocimiento de las tecnicas de pulgar como alzapua, las muchas formas de rasgueo y palos flamencos como la rumba, las virtuosas guajiras y la misteriosamente bella rondena, disonante y profunda. Si dominas etros 8 solos, estaras en camino de convertirte en solista de concierto. Incluye acceso a audio en linea.
$19.99
18.23 €
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Guitar notes and tablatures
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Guitarra Solista - 8 Flamenco Compositions In Tablature/Cifra For Concert
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Three Mountain Studies for the Intermediate Guitarist
Guitar notes and tablatures
Guitar - Level 3 - Digital Download SKU: A0.947796 Composed by Ted Allen. Contempor…
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Guitar - Level 3 - Digital Download SKU: A0.947796 Composed by Ted Allen. Contemporary,Folk. Guitar Tab. 9 pages. Western Meadowlark Song #6428261. Published by Western Meadowlark Song (A0.947796). These folk-inspired studies are for the second or third year guitar student. They each use a limited number of left hand shapes that move up and down the fretboard. Each study uses a single right hand articulation. Alpine Toccata uses mostly just two different finger picking patterns, Moonrise uses soft strums with the thumb, and Canyon Creek uses eighth note strumming with a pick. The sheet music includes notation and TAB. Duration: 3:52.
$7.99
7.29 €
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Guitar notes and tablatures
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Ted Allen
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Three Mountain Studies for the Intermediate Guitarist
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Western Meadowlark Song
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SheetMusicPlus
Antonin Dvorak - Theme From 'The New World Symphony' for Easy Guitar Quartet
4 Guitars (Quartet)
Guitar Tab, Guitar Quartet (Beginners) - Easy/Beginner - Digital Download Composed by…
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Guitar Tab, Guitar Quartet (Beginners) - Easy/Beginner - Digital Download Composed by Antonin Dvorak (1841-1904). Arranged by Dan Jones (www.danjonesguitarist.com). Romantic Period, Classroom. Score, Set of Parts, Tablature. 11 pages. Published by danjonesguitarist.com
A short, easy arrangement of the theme from Antonin Dvorak's famous New World Symphony (2nd Movement).<br> <br> This arrangement provides a full score plus individual parts in both notes and TAB. The notes and TAB are given on separate sheets as I am aware that some teachers avoid TAB.<br> <br> The parts are equally balanced with every guitarist enjoying some melodic interest.<br> <br> The level is suitable for very early stage players. The music:<br> <br> (1) Remains in open position<br> (2) Uses finger-friendly pentatonic shapes (as supported by many major pedagogic schemes)<br> (3) Requires players to alternate single notes between both thumb and fingers<br> (4) Gives time and space before engaging more-tricky fretted notes.
$3.95
3.6 €
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4 Guitars (Quartet)
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Antonin Dvorak (1841-1904)
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Antonin Dvorak - Theme From 'The New World Symphony' for Easy Guitar Quartet
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danjonesguitarist.com
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 11 (Songs 271-297)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152811 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152811 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 40 pages. Socrates Arvanitakis #753050. Published by Socrates Arvanitakis (A0.1152811). This is the eleventh volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 11 (Songs 271-297)Earl Brand (The Dragoon and the Lady 1)Earl of Mar’s Daughter (the)East VirginiaEdwardEileen AroonElsie MarleyEnniskillen Dragoon (the)Erie Canal (the)Eriskay Love LiltEssex May Day CarolEternal LifeExcellent Gift (the)Eynsham Poaching Song (the)Fair Flower of Northumberland (the)Fair lady pity meFair Maid of Wickham 1 (Gently Johnny my Jingalo)Fair Maid of Wickham 2 (Gently Johnny my Jingalo)Faithful EmmaFaithful JohnnyFalse Bride (the)False Knight on the Road (the)Famous Flower of Serving Men (the)Fare ye well, Lovely NancyFarewell Earthly GloryFarewell HeFarewell My Joy and HeartFarewell my own true love.
$25.00
22.8 €
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Traditional/Anonymous
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Folk Songs For Classical Guitar - Volume 11
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Socrates Arvanitakis
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SheetMusicPlus
The Walls of Jericho
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1402631 Composed by Traditional. A…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1402631 Composed by Traditional. Arranged by Richard Hirsch. Blues,Jazz,Multicultural,Ragtime,Spiritual,World. Individual part. 8 pages. Richard Hirsch #985855. Published by Richard Hirsch (A0.1402631). I offer an arrangement for solo acoustic guitar of the Spiritual “The Battle of Jericho†in a rendition that takes inspiration from Mississippi Delta Ragtime Blues and Django Reinhardt. The thumb pounds out a steady beat of alternating bases to a swing rhythm with the melody played by alternating middle and index fingers running over the top. There are lots of pull-offs and vibrato-bends in the melody line together with half-tone chord shifts, mutes, and holds (fermatas) that make for a lively and exciting musical rendering of the Old Testament story. However, as opposed to the message of the Old Testament story, I like to think of my arrangement as a message of hope that through music the walls of ignorance separating peoples will “come tumbling downâ€.The arrangement is within reach of advanced intermediate students of nylon or steel string acoustic guitar.
$4.99
4.55 €
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Guitar
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Traditional
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The Walls of Jericho
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Richard Hirsch
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SheetMusicPlus
Silver Clouds Chasing The Moon
Guitar notes and tablatures
Guitar - Level 5 - Digital Download SKU: A0.964305 Composed by Peng Xiuwen and Ren …
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Guitar - Level 5 - Digital Download SKU: A0.964305 Composed by Peng Xiuwen and Ren Guang. Arranged by Evans, Jack. Contemporary. Guitar Tab. 7 pages. Jack Stanley Evans #5899581. Published by Jack Stanley Evans (A0.964305). Silver Clouds Chasing the MoonSilver Clouds Chasing the Moon was composed in 1935 for the EMI Chinese orchestra by Ren Guang and Nie Er. It is also known by the title: Colourful Clouds Chasing the Moon, which creates the image of a colourful (or silver) night sky, in which the clouds and moon chase each other. The moon is an important symbol for Chinese people, who have a custom of worshipping it, dating back 3,000 years. Every year, the mid-autumn festival is held in China, on the fifteenth day of the eighth lunar month, which usually falls in September. During this festival, Chinese people celebrate with their families and admire the full moon whilst eating ‘moon cakes’. Colourful Clouds Chasing the Moon is commonly performed during this festival and is also used by Chinese cake shops to advertise moon cakes, which increases its association with the mid-autumn festival and popularity amongst Chinese people. As well as being used to sell cakes, this piece is a staple of Chinese instrumental repertoire and has been arranged for a number of different instruments and ensembles, including solo piano, solo guzheng, guitar duo, harp duo, and wine glasses.This guitar arrangement is quite challenging; it includes a lot of intricate lines and arpeggios. Play the semiquaver sextuplets in the intro by dragging the thumb across the bottom three strings and quickly plucking each of the top three strings individually with the first three fingers. Most of this piece is played with standard classical fingerpicking technique, apart from the tapped arpeggios in bars 36 and 37.
$4.99
4.55 €
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Guitar notes and tablatures
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Peng Xiuwen and Ren Guang
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Silver Clouds Chasing The Moon
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Jack Stanley Evans
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SheetMusicPlus
Over The Rainbow
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Y…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
4.55 €
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Guitar
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Judy Garland
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
Patios de Córdoba
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Ar…
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Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
3.64 €
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Guitar
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Traditional
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Blues Slider - Guitar Solo
Guitar notes and tablatures
Guitar - Level 2 - Digital Download SKU: A0.892612 Composed by Ben Garraway. Blues,…
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Guitar - Level 2 - Digital Download SKU: A0.892612 Composed by Ben Garraway. Blues,Instructional,Jazz. Guitar Tab. 1 pages. Music Lesson Downloads #6233685. Published by Music Lesson Downloads (A0.892612). A finger picked blues in A for either acoustic of electric guitar. It uses a bassline played with the thumb, accompanied by a pentatonic open string style melody. Approx. Grade 2 and written for TAB and standard notation.Part of a series of Robert Johnson style blues solos designed to combine accompaniment with soloing.
$3.99
3.64 €
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Guitar notes and tablatures
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Ben Garraway
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Blues Slider - Guitar Solo
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Music Lesson Downloads
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SheetMusicPlus
Sacred Music for Solo Guitar
Guitar
Guitar (fingerpicking) - Intermediate - Digital Download SKU: M0.30797EB Right-H…
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Guitar (fingerpicking) - Intermediate - Digital Download SKU: M0.30797EB Right-Hand Simplified. Composed by Rick Foster. Gospel/Sacred, Christian. Style. E-book. Mel Bay Publications - Digital Sheet Music #30797EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30797EB). ISBN 9781619119611. 8.75x11.75 inches.This book presents sixteen right-hand simplified arrangements of sacred music that can be played with just the thumb or both the thumb and fingers. The first twelve arrangements are written for thumb-only playing and will allow you to appreciate the beauty of simplicity, something often overlooked on the guitar. The music is written in standard notation and tablature.
$9.99
9.11 €
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Guitar
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Rick Foster
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Sacred Music for Solo Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Thumb
Guitar notes and tablatures
Guitar - Level 4 - Digital Download SKU: A0.1215173 Composed by John L. Wes Montgom…
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Guitar - Level 4 - Digital Download SKU: A0.1215173 Composed by John L. Wes Montgomery. Arranged by Sonorous E. Blues,Jazz. Guitar Tab. 8 pages. Sonorous E #812042. Published by Sonorous E (A0.1215173). [Reader-friendly GUITAR TAB]The Thumb by Wes Montgomery from the 1966 album “Tequilaâ€.
$4.99
4.55 €
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Guitar notes and tablatures
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John L
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The Thumb
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Sonorous E
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SheetMusicPlus
Ave Maria - Guitar Accompaniment
Guitar notes and tablatures
Guitar - Digital Download SKU: A0.892620 Composed by Franz Schubert. Arranged by Be…
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Guitar - Digital Download SKU: A0.892620 Composed by Franz Schubert. Arranged by Ben Garraway. Classical,Concert,Contemporary,Wedding. Guitar Tab. 3 pages. Music Lesson Downloads #6252875. Published by Music Lesson Downloads (A0.892620). An lovely arrangement of this popular classic. It falls under the hands easily and is designed to be approx. grade 4/5 standard acoustic guitar. the piece is in 12/8 and employs a constant bass part played with the thumb and a finger picking style on top that dances through the harmony. A degree of Rubato is important in order to convey the necessary emotion.Some of the chords are a challenge and there is little if no repetition. To play the entire piece without making a mistake is ideally the main aim.
$3.99
3.64 €
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Guitar notes and tablatures
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Franz Schubert
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Ave Maria - Guitar Accompaniment
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Music Lesson Downloads
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SheetMusicPlus
Etude No. 1 for guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1014955 Composed by Benedic Justin…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1014955 Composed by Benedic Justine Velasco. Contemporary,Instructional,Latin. Individual part. 2 pages. Benedic Justine Velasco #4572575. Published by Benedic Justine Velasco (A0.1014955). A short study piece for building melodic and expressive quality of the right thumb, and its versatility in switching from a main voice to an accompanying one. May be used as a connecting piece after Villa-lobos' Prelude No. 1 which highlights the thumb as well. Approximately 2:00.
$2.49
2.27 €
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Guitar
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Benedic Justine Velasco
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Etude No. 1 for guitar
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Benedic Justine Velasco
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SheetMusicPlus
STUDY nº 1 op. 60 [ by Matteo Carcassi ]: guitar solo (No fingerings, neither marks)
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.941923 Composed by Matteo Carcassi…
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Solo Guitar - Level 2 - Digital Download SKU: A0.941923 Composed by Matteo Carcassi. Arranged by Cristiano Sousa. Instructional,Romantic Period,Standards. Individual part. 2 pages. Cristiano Sousa #6330449. Published by Cristiano Sousa (A0.941923). Study n°1 (Allegro) is focused at scales, although there is a segment with chord arpeggiation. To left hand, different scales can be set for different fingerings. Devices such as position's changes, guide-finger and open strings are recurrent. On the other hand, right hand is trained in index and middle fingers' alternation (scales), as well as thumb, index, middle and ring fingers' arpeggiation (chords).This edition DOES NOT feature detailled fingerings, being useful as blank material for scratches.You can contact me at cristiano.sousa.santos@gmail.com .
$2.99
2.73 €
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Guitar
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Matteo Carcassi
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STUDY nº 1 op. 60 [ by Matteo Carcassi ]: guitar solo
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Cristiano Sousa
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SheetMusicPlus
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