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The Way We Ball
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The Unquiet Grave from American Death Ballads (Downloadable)
High voice
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.21 €
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High voice
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Beyond The Sea
Choral SATB
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Comp…
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
9.17 €
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Choral SATB
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Charles Tenet
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Beyond The Sea
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Tobi Crawford
#
SheetMusicPlus
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
27.52 €
#
Jazz Ensemble
#
Charles Tenet
#
Beyond The Sea *INSTRUMENTAL PACK ONLY*
#
Tobi Crawford
#
SheetMusicPlus
The Way We Ball
Flute, Oboe, Clarinet, Bassoon
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1029346 By Lil Flip (Aka Lil' Flip). By Anthony Sears, Duane Hobbs, Edward Charles, Estil Hobbs, Wesley E. Weston, Wesley Eric Weston, and Wesley Weston. Arranged by Arranged by Alexander Hicks. Contemporary. Score and parts. 18 pages. AlexMusic #4844907. Published by AlexMusic (A0.1029346). The Way We Ball is a hip-hop hit song produced from the Lil' Flip album Undaground Legend was certified platinum in December 2002. The following is a brass fanfare rendition of the fan-favorite hip hop tune.
$12.99
11.91 €
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Flute, Oboe, Clarinet, Bassoon
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Lil Flip
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The Way We Ball
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AlexMusic
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SheetMusicPlus
Beyond The Sea
Piano solo
Piano - Level 4 - Digital Download SKU: A0.1398436 By Bobby Darin. By Albert Lasry,…
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Piano - Level 4 - Digital Download SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
$25.00
22.93 €
#
Piano solo
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Bobby Darin
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Beyond The Sea
#
Tobi Crawford
#
SheetMusicPlus
Three Lions (Football's Coming Home)
Piano, Voice
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Baddiel, Skinner an…
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Baddiel, Skinner and The Lightning Seeds. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
Here\'s how to play the famous English football anthem \"Three Lions\" on piano!
With this piano sheet music, you can play \"Three Lions (Football\'s Coming Home)\" on piano.
The full melody is included in the piano part, so it sounds great if it\'s just played instrumentally - but of course, you can use these sheets to accompany singers, or sing along yourself!
It\'s an accurate piano arrangement of \"Three Lions\" which is not too hard to play, and sounds fantastic.
\"Three Lions\" was recorded by The Lightning Seeds (whose lead singer Ian Broudie composed the music) and the comedians Frank Skinner and David Baddiel (who wrote the song\'s lyrics).
\"Three Lions (Football\'s Coming Home)\" came out in 1996, when the UEFA European Football Championship (\"Euro 96\") took place in England.
The lyrics (and title) refer to the three lions on the Royal Arms of England, which also appear on the England football team\'s emblem.
The chorus (\"Football\'s coming home\") can regularly be heard as a chant at English football matches.
\"Three Lions\" makes for a surprisingly good piano cover!
Here are the song\'s full lyrics:
It\'s coming home, it\'s coming home, it\'s coming
Football\'s coming home (We\'ll go on getting bad results)
It\'s coming home, it\'s coming home, it\'s coming
Football\'s coming home
It\'s coming home, it\'s coming home, it\'s coming
Football\'s coming home
It\'s coming home, it\'s coming home, it\'s coming
Football\'s coming home
[Verse 1: Frank Skinner]
Everyone seems to know the score, they\'ve seen it all before
They just know, they\'re so sure
That England\'s gonna throw it away, gonna blow it away
But I know they can play, \'cause I remember
[Chorus: All]
Three lions on a shirt
Jules Rimet still gleaming
Thirty years of hurt
Never stopped me dreaming
[Verse 2: David Baddiel]
So many jokes, so many sneers
But all those \"Oh, so nears\", wear you down through the years
But I still see that tackle by Moore and when Lineker scored
Bobby belting the ball, and Nobby dancing
[Chorus: All]
Three lions on a shirt
Jules Rimet still gleaming
Thirty years of hurt
Never stopped me dreaming
[Bridge]
England have done it, in the last minute of extra time!
What a save, Gordon Banks!
Good old England, England that couldn\'t play football!
England have got it in the bag!
I know that was then, but it could be again
[Refrain]
It\'s coming home, it\'s coming
Football\'s coming home
It\'s coming home, it\'s coming home, it\'s coming
Football\'s coming home
(England have done it)
It\'s coming home, it\'s coming home, it\'s coming
Football\'s coming home
It\'s coming home, it\'s coming home, it\'s coming
Football\'s coming home
[Chorus]
(It\'s coming home) Three lions on a shirt
(It\'s coming home, it\'s coming) Jules Rimet still gleaming
(Football\'s coming home
It\'s coming home) Thirty years of hurt
(It\'s coming home, it\'s coming) Never stopped me dreaming
(Football\'s coming home
$4.99
4.58 €
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Piano, Voice
#
Baddiel, Skinner and The Lightning Seeds
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Three Lions
#
Mario Stallbaumer
#
SheetMusicPlus
Colores (Let the Children Teach Us)
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.12…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions #850272. Published by LCS Productions (A0.1256884). Imagine a place where cultures are blended and people of all races can laugh, play, sing, dance, and even pray together.  Colores is a musical tale in which children show us how to create such a place.A child walks on to a deserted playground, looking for others.  Another child joins.  They introduce themselves and begin to talk to each other.  A third joins the conversation, then another, and another, until there is a large group of children, creating a colorful, contrapuntal cacophony of vocal chatter.  After the introductions and lively conversations, they pause to decide what to do next.  As would be expected, they decide to just play.  They run races, play chase and tag, catch and kickball, and laugh and giggle until their energy is gone.  Settling down, and wondering what to do next, one child begins singing a tune that is familiar.  …but not to all of them.  So, it’s time to teach the song to everyone.The tune is shared, bit by bit, and one by one every child learns it and joins in.  Before it’s over, their full-voiced singing creates a choral tapestry in which every child adds his or her own color to the musical palette.After a brief conversation, they add their renewed energy to the song they just learned, pick up the pace, and dance.  They twist and spin, jump and swing, making up their moves as they go along.  But, as before, their energy wanes.  This time, as they settle down, one child feels so comfortable with these new friends, he chooses to share his faith in the form of a chant — a prayer.Some join his prayer, as others add a familiar religious tune.  They pray and sing, and their separate experiences combine to produce a stirring, blended chorale.  As they finish, the day ends and they quickly reminisce about the blended experiences that are now behind them.  Before they go their separate ways, they share a moment of gratitude for the place where they can be free to be who they are, together.On a musical note, Colores combines multiple scale structures and varying types of vertical harmonies to give the piece its color palette.  Each of the five voices is set in a different mode, with different tonal centers and sets of accidentals.  The harmony combines both traditional tertian chords with secondal, quartal, and quintal structures.The colors within the music are intended to represent the racial diversity of the borderland from which the composer drew his inspiration.  It is hoped that we can learn from the example of children who talk, laugh, play, sing, dance, and pray together.  …who are grateful for the time and experiences they share.
$35.00
32.1 €
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Lon W
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Colores
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LCS Productions
#
SheetMusicPlus
The Beatitudes, 24 Sacred Songs Celebrating The Beatitudes Through Music and Narration
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1076393 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1076393 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 194 pages. Kevin G. Pace #680550. Published by Kevin G. Pace (A0.1076393). Have you ever wondered how to have a really happy life? In Matthew 5-7 in The New Testament and in 3 Nephi 12-14 in The Book of Mormon, Another Testament of Jesus Christ, our Savior teaches us the way to contentment and happy living through The Beatitudes. These gems of Christian living were taught by Jesus as the initial part of the most well-known of his teachings called The Sermon on the Mount. The word “beatitude†comes from the Latin “beatitudo†meaning “blessedness.†Each of the eight beatitudes in this book consists of two phrases: the condition and the result. Together, these illustrate a set of ideals focusing on love and humility, echoing the highest of Jesus’ teachings on spirituality and compassion. Each also promises a future reward, and the themes appear to escalate from beginning to advancing levels of responsibility and spirituality as the Sermon progresses. By the end of the Sermon a recipient would have earned the reward to stand ceremonially in the presence of God, and to ultimately gain the greatest reward of living with Him in heaven. The purpose of this book is to praise our Lord through song and text, rejoicing in the gifts we receive from Him as we do as He suggests. Please enjoy this collection of original solos, SATB choral renditions, and a duet, along with a short text explaining each beatitude in the order our Savior spoke them so many years ago as part of the greatest sermon ever given, our Lord’s Sermon on the Mount! It was a joy to prepare them for you. Happy Living!
$10.95
10.04 €
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Choral SATB
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the end of the Sermon a recipient would have earned the reward to stand ceremonially in the presence of God, and to ultimately gain the greatest reward of living with Him in heaven
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Kevin G
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The Beatitudes, 24 Sacred Songs Celebrating The Beatitudes Through Music and Narration
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Kevin G. Pace
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SheetMusicPlus
Do Not Turn Away
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1087954 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1087954 Composed by John J. Bucchino. Arranged by Scott S. Stewart. 20th Century,A Cappella,Contemporary,Praise & Worship. 6 pages. Scott S. Stewart #692188. Published by Scott S. Stewart (A0.1087954). “Do Not Turn Away†by songwriter John Bucchino is a song born of the AIDS era, inspired by the story of ‘a young boy, who was HIV positive, who had come out to his parents’ and ‘they kicked him out of the house’. This situation of being ‘disowned’ by one’s family prevails throughout the LGBTQ community today. And this hymn-like ballad inspires us all to remember that “How we live, is no more choice than the way we die… don’t condemn (but) comfort them.†This arrangement is for 4-part SATB ensemble to be performed a cappella. Performance time: 2:55+-.
$2.99
2.74 €
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Choral SATB
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John J
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Do Not Turn Away
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Scott S. Stewart
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SheetMusicPlus
We Are God's Children, a sacred song for children
Choral Unison
Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.1258112 Composed by Kevi…
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Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.1258112 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. 20th Century,Children,Christian,Praise & Worship,Religious. Octavo. 3 pages. Kevin G. Pace #851353. Published by Kevin G. Pace (A0.1258112). A beautiful, sacred song for children with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:We are God’s children, with a Mother by his side.They love us always; we are in the fam’ly line.Our nature is divine; our destiny—to bind.We are in God’s family, and will be throughout time.We are God’s children, having choices to be made.Pure Holy Spirit crowns our minds and hearts with aid.With laws we must obey, we’ll find our chosen way.We are in God’s family, right where we want to stay.We are God’s children with a legacy of trust.With faith and purpose, many blessings come to us.Our “Father†is his Name, and “Mother†just the same.We are in God’s family—a fam’ly we all claim.We are in God’s family, with love we love to claim.
$1.99
1.83 €
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Choral Unison
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Kevin G
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We Are God's Children, a sacred song for children
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Kevin G. Pace
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SheetMusicPlus
A Prayer for the New Year - an original hymn
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701772 Composed by Kevin G…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701772 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Holiday,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3421697. Published by Kevin G. Pace (A0.701772). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/WhyM9qYVClI 'Twas the night before New Year’s and all through the towns, People were cheering, jumping up and down; They stood in anticipation to watch a ball drop, Or exclaimed in amazement as fireworks popped. What happens next, as a new year begins? Will people be more loving? Repent of their sins? A blank calendar now opens__months, weeks and days__ Will we draw closer to Jesus and follow His ways? That’s the way to make this a truly Happy New Year, So may we all resolve to fill it with good cheer, And all anger and fighting immediately cease, That at last we’ll have a time of good will and peace.
$1.99
1.83 €
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Choral SATB
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Kevin G
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A Prayer for the New Year - an original hymn
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Kevin G. Pace
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SheetMusicPlus
Forgotten Ballrooms
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1295707 Composed by Donald Ashwande…
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Piano Solo - Level 3 - Digital Download SKU: A0.1295707 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #886005. Published by The Donald Ashwander Estate (A0.1295707). Forgotten Ballrooms, pays tribute to the burgeoning preservation movement in America that has breathed new life into abandoned and historically significant structures. In the not-so-distant past, only a select few possessed the sophistication to recognize the beauty and historical significance of seemingly ordinary places such as derelict railway depots or 1920s filling stations. Today, however, there are people discovering, restoring, and utilizing these architectural gems. This newfound reverence for the past has given rise to a unique breed of enthusiasts who engage in what can only be described as ballroom archaeology.Forgotten Ballrooms takes inspiration from this rarefied and dedicated movement of ballroom archaeologists. Throughout the country, these individuals venture into the hidden corners of history, opening doors to ghostly rooms that resonate with the echoes of bygone dramas and memories long past. As the pianist embarks on this musical journey, they evoke the palpable atmospheres of these once-vibrant spaces, now shrouded in the mists of time.The composition’s syncopated rhythms, playful melodies, and intricate harmonies pay homage to the era when these ballrooms were the centers of social life and entertainment. Yet, there is an underlying sense of nostalgia and longing, as if the music itself yearns to recapture the forgotten stories and dances of the past.Through Ashwander’s musical tribute, we are reminded of the enduring power of history, culture, and the resolute spirit of those who seek to preserve the memories and grandeur of America's forgotten ballrooms.The final page of the sheet music contains special program notes by Donald Ashwander.
$5.95
5.46 €
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Piano solo
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Donald Ashwander
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Forgotten Ballrooms
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The Donald Ashwander Estate
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SheetMusicPlus
In My Room
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
1.83 €
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Choral TTBB
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The Beach Boys
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In My Room
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Donald A Mills
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SheetMusicPlus
The Way We Were
Small Ensemble - Level 4 - Digital Download SKU: A0.757675 By Barbra Streisand. By …
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Small Ensemble - Level 4 - Digital Download SKU: A0.757675 By Barbra Streisand. By Marvin Hamlisch. Arranged by Polar Publications. Contemporary. Score and parts. 19 pages. Polar Publications #3501737. Published by Polar Publications (A0.757675). The title song from the classic movie The Way We Were make gorgeous brass quartet or choir ballad.
$20.00
18.34 €
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Barbra Streisand
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The Way We Were
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Polar Publications
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SheetMusicPlus
The Way We Were
Choral SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.757676 By Barbra Streisan…
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.757676 By Barbra Streisand. By Marvin Hamlisch. Arranged by Jim Bicigo. Contemporary. Octavo. 13 pages. Polar Publications #3501741. Published by Polar Publications (A0.757676). The title song from the classic movie The Way We Were makes a gorgeous ballad for your trombone quartet or choir.
$20.00
18.34 €
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Choral SATB
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Barbra Streisand
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The Way We Were
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Polar Publications
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SheetMusicPlus
Up Where We Belong
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1393584
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1393584 By BeBe and CeCe Winans. By Buffy Sainte-Marie, Jack Nitzche, and Will Jennings. Arranged by Peet du. Film/TV. 12 pages. Peet du Toit #977042. Published by Peet du Toit (A0.1393584). Up Where We Belong is a song written by Jack Nitzsche, Buffy Sainte-Marie and Will Jennings that was recorded by Joe Cocker and Jennifer Warnes for the 1982 film An Officer and a Gentleman. Warnes was recommended to sing a song from the film because of her previous soundtrack successes, and she had the idea for the song to be a duet that she would perform with Cocker. Jennings selected various sections of the score by Nitzsche and Sainte-Marie in creating the structure of the song and added lyrics about the struggles of life and love and the obstacles in the way that we attempt to dodge. It was released in July of that year to coincide with the release of the film.The song reached number one on the Billboard Hot 100 in the US and topped the charts in several other countries. It also sold more than one million copies in the US and was recognized by the Recording Industry Association of America as one of the Songs of the Century. Cocker and Warnes were awarded the Grammy for Best Pop Performance by a Duo or Group with Vocals, and Nitzsche, Sainte-Marie, and Jennings won both the Academy Award and Golden Globe Award for Best Original Song.In 1984, the gospel duo BeBe & CeCe Winans recorded a religious variation of the song that received airplay on Christian radio stations, and their remake in 1996 earned them a GMA Dove Award. Various versions of the song have also been used to parody the final scene of the film on television shows such as Family Guy, The Simpsons, and South Park. The fact that the song is a ballad was seen as a misstep in Cocker's career, which had been built on performing rock and soul.The lyrics tell of the struggles of life and love and the obstacles in the way that we attempt to dodge..
$19.00
17.43 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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BeBe and CeCe Winans
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Up Where We Belong
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Peet du Toit
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SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.53 €
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Chamber Orchestra
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
My Father's Love, a Father's Day Tribute
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.824259 Composed by Ke…
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Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.824259 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Score. 8 pages. Kevin G. Pace #431091. Published by Kevin G. Pace (A0.824259). A beautiful vocal solo paying tribute to all fathers. Music by Kevin G. Pace. Text by Mary Ann W. Snowball. Text: My father’s love was manifest when in his arms I laid. His strength would ever hold me tight, a bond securely made. My father’s love was shown to me each day when I’d confide. My father’s love still radiates. To him I’m ever tied. We’ve been together through the years; he gave me wings to fly. He taught me how to live my life and gave me reasons why. He often said to be my best, keep promises I heard, to show great kindness when I spoke, and of our God to learn. My father’s love extends beyond to all posterity, to ev’ry single grandchild now, plus new births yet to be. He wants each one to feel his love and know he deeply cares. My father’s love still multiplies and is so very rare. My father’s love is manifest up to this very day. His strength still holds me carefully in his respectful way. His special love is shown to me each time I hear his voice. My father’s love still radiates; he’ll always be my choice.
$3.99
3.66 €
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Kevin G
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he gave me wings to fly
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My Father's Love, a Father's Day Tribute
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Kevin G. Pace
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SheetMusicPlus
Hear The Shepherd's Voice, a sacred hymn
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1319747 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1319747 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 2 pages. Kevin G. Pace #908304. Published by Kevin G. Pace (A0.1319747). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:The shepherds were watching and guardingEach sauntering sheep in their folds.When one began straying instead of remaining,His shepherd would search in the cold.Oh, listen for the Shepherd’s voiceAnd He will guide back to His fold.Like small lambs, at times, we may wanderAway from God’s teachings of old.But then as we ponder, each truth becomes fonderBecause love for Jesus unfolds.Oh, when we hear the Shepherd’s voiceHe’ll be our guide back to His fold.Like Bethlehem shepherds in darknessWhen lost sheep are meant to enfold,We need not feel restless, for God does still bless us.His voice of pure love will be told.Oh, since we hear the Shepherd’s voice,A sheep we will be in His fold.
$1.99
1.83 €
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Choral SATB
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Kevin G
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Hear The Shepherd's Voice, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Hear The Shepherd's Voice, a jazzy, sacred hymn
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1320270 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1320270 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Blues,Christian,Praise & Worship,Religious,Spiritual. 3 pages. Kevin G. Pace #908782. Published by Kevin G. Pace (A0.1320270). A fun, jazzy hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:The shepherds were watching and guardingEach sauntering sheep in their folds.When one began straying instead of remaining,His shepherd would search in the cold.Oh, listen for the Shepherd’s voiceAnd He will guide back to His fold.Like small lambs, at times, we may wanderAway from God’s teachings of old.But then as we ponder, each truth becomes fonderBecause love for Jesus unfolds.Oh, when we hear the Shepherd’s voiceHe’ll be our guide back to His fold.Like Bethlehem shepherds in darknessWhen lost sheep are meant to enfold,We need not feel restless, for God does still bless us.His voice of pure love will be told.Oh, since we hear the Shepherd’s voice,A sheep we will be in His fold.
$1.99
1.83 €
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Choral SATB
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Kevin G
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Hear The Shepherd's Voice, a jazzy, sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Seeds Along the Way (a musical about the life of David)
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1126233 Composed by P…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1126233 Composed by Paul Addison. Arranged by Paul Addison. Broadway,Children,Christian,Musical/Show. Score. 55 pages. Paul Addison #726936. Published by Paul Addison (A0.1126233). Seeds Along the Way is a musical about the life of the biblical King David, written by Paul Addison. David gets to see the major events of his life with the help of his guardian angel, Gabrielle. This manner of storytelling combines elements of It’s a Wonderful Life, A Christmas Carol, and the old TV show This Is Your Life. Each event in David’s life is told through a song. It was originally written as a VBS (Vacation Bible School) musical. Although everyone in Israel is singing his praises, David questions the purpose of his life. Gabrielle shows him that everyone’s life is important, and that the good things that we do are like seeds planted along the way, which may not sprout and grow until much later. After reviewing his past, David is given a glimpse of the future, and realizes that he is one of many who are preparing for the coming of Jesus Christ. The musical is based on the stories from the Bible, mainly from 1 and 2 Samuel, but also including a Psalm and a geneaology listing from Matthew. David throws in a couple of bad puns as he tries to understand what Gabrielle is trying to tell him. The accompaniment is written for piano, but is appropriate for a praise team or a small dance band. The styles are quite varied, including cha-cha, pop, bossa nova, ballad, dirge, blues, jazz, and waltz. The piano accompaniment could be supplemented by percussion instruments (tambourine, maracas, woodblock, cowbell, etc.), as well as guitar, saxophone, and drums. The songs are at an Easy Intermediate level. The only stage requirements are a small balcony or elevated level with a railing or fence, and a floor area for the chorus. The musical consists of 10 scenes, but the two narrator characters remain on the balcony, and the floor area only needs to be changed in case the chorus members use different costumes and/or props for the different scenes. I hope you enjoy this musical. Address any questions to me at paulhaddison@gmail.com.
$12.99
11.91 €
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Piano, Vocal and Guitar
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Paul Addison
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Seeds Along the Way
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Paul Addison
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SheetMusicPlus
Waiting Upon the Lord, a sacred hymn
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1333944 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1333944 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #920223. Published by Kevin G. Pace (A0.1333944). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Like a ground is cared for ere a crop is grown, As our seeds are planted deep in fertile loam, As we tend young saplings 'til the real growth starts, God can nurture promise in a swelling heart. Like a seed needs moisture from a rain to pour, As we bask in sunshine, always wanting more, As a thriving seed needs ample space to grow, God can give assurance He loves to bestow.Like the waiting needed 'til it's time to reap, As we pray when nature harms the crop we seek. As we pause for produce finally to appear, God can grant His blessings as we persevere.Chorus:God is He who gives the greatest yield,Pruning each one's soul 'til all are healed. He will strengthen us from His own roots,Then with patience we can reap the perfect fruit.
$1.99
1.83 €
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Choral SATB
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Kevin G
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Waiting Upon the Lord, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
The Day Is Coming
Choral SATB
SATB chorus - Easy - Digital Download SKU: C7.CGA1524 Composed by Mark A. Miller. G…
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SATB chorus - Easy - Digital Download SKU: C7.CGA1524 Composed by Mark A. Miller. General. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA1524. Published by Chorister's Guild - Digital (C7.CGA1524). UPC: 749193026533.We love you just the way you are, so have no fear: you are welcome here. There is no greater message of grace and belonging than this! Mark Burrows' honest, soulful ballad will quickly become one of your congregation's favorites. God's love is clearly stated in this memorable anthem for voices of all ages. Includes a chord chart for your worship ensemble. Easy to learn and appropriate any time of the year!
$2.45
2.25 €
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Choral SATB
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Mark A
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The Day Is Coming
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Chorister's Guild - Digital
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SheetMusicPlus
who knows if the moon's a balloon - SSAA (Children) & Piano
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1000875 Composed by Charle…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1000875 Composed by Charles Griffin. 20th Century,Contemporary. Octavo. 8 pages. Coriolis Press #5982771. Published by Coriolis Press (A0.1000875). SSAA with piano accompaniment (1999 rev. 2020) ca. 3’e.e. cummings, Text.Commissioned by the Piedmont Choirs, for use in the International Choral Olympics in Linz, Austria, July, 2000.The MP3 recording is of the original composition. A handful of small tweaks were recently made, all of which simplify the performance challenges.Text:who knows if the moon’sa balloon, coming out of a keen cityin the sky-filled with pretty people?(and if you and I shouldget into it, if theyshould take me and take you into their balloon,why thenwe’d go up higher with all the pretty peoplethan houses and steeples and clouds:go sailingaway and away into a keencity which nobody’s ever visited, wherealwaysit’sSpring)and everyone’sIn love and flowers pick themselves
$2.99
2.74 €
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Choral SSAA
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Charles Griffin
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who knows if the moon's a balloon - SSAA
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Coriolis Press
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SheetMusicPlus
Christ Be the Way
Brass Parts - Digital Download SKU: H1.C6233BDP Composed by Joel Raney. Choral Part…
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Brass Parts - Digital Download SKU: H1.C6233BDP Composed by Joel Raney. Choral Parts. 58 pages. Hope Publishing - Digital #C6233BDP. Published by Hope Publishing - Digital (H1.C6233BDP). Timothy Dudley-Smith.Original anthem A powerful anthem proclaiming that Christ be the Way, the Truth, and the Life in whom we live. With piano and brass accompaniment, this is a powerhouse ballad useful for worship services about commitment and discipleship.
$34.95
32.06 €
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Joel Raney
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Christ Be the Way
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Hope Publishing - Digital
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SheetMusicPlus
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