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The Way We Were - Baritone Sax
SheetMusicPlus
Sheetmusic to print
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The Way We Were
2 Saxophones (duet)
Alto Saxophone Duet Alto Saxophone - Level 3 - Digital Download SKU: A0.594395 By B…
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Alto Saxophone Duet Alto Saxophone - Level 3 - Digital Download SKU: A0.594395 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. 2 scores. 3 pages. David McKeown #6607969. Published by David McKeown (A0.594395). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for two Alto Saxophones. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.54 €
#
2 Saxophones (duet)
#
Barbra Streisand
#
The Way We Were
#
David McKeown
#
SheetMusicPlus
The Way We Were
2 Saxophones (duet)
Tenor Saxophone Duet Tenor Saxophone - Level 3 - Digital Download SKU: A0.594399 By…
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Tenor Saxophone Duet Tenor Saxophone - Level 3 - Digital Download SKU: A0.594399 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score. 3 pages. David McKeown #6607977. Published by David McKeown (A0.594399). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for two Tenor Saxophones. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.54 €
#
2 Saxophones (duet)
#
Barbra Streisand
#
The Way We Were
#
David McKeown
#
SheetMusicPlus
The Way We Were
2 Saxophones (duet)
Soprano Saxophone Duet Soprano Saxophone - Level 3 - Digital Download SKU: A0.594398
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Soprano Saxophone Duet Soprano Saxophone - Level 3 - Digital Download SKU: A0.594398 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score. 3 pages. David McKeown #6607975. Published by David McKeown (A0.594398). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for two Soprano Saxophones. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.54 €
#
2 Saxophones (duet)
#
Barbra Streisand
#
The Way We Were
#
David McKeown
#
SheetMusicPlus
The Way We Were
2 Saxophones (duet)
Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Dow…
(+)
Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.594394 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 3 pages. David McKeown #6607967. Published by David McKeown (A0.594394). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for one Alto and one Tenor Saxophone. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.54 €
#
2 Saxophones (duet)
#
Barbra Streisand
#
The Way We Were
#
David McKeown
#
SheetMusicPlus
The Way We Were
2 Saxophones (duet)
Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 3 - Digital D…
(+)
Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.594396 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 3 pages. David McKeown #6607971. Published by David McKeown (A0.594396). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for one Soprano and one Alto Saxophone. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.54 €
#
2 Saxophones (duet)
#
Barbra Streisand
#
The Way We Were
#
David McKeown
#
SheetMusicPlus
The Way We Were
Saxophone, Clarinet (duet)
Instrumental Duet Clarinet,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download …
(+)
Instrumental Duet Clarinet,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.594377 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 3 pages. David McKeown #6607933. Published by David McKeown (A0.594377). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for one Clarinet and one Tenor Saxophone. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.54 €
#
Saxophone, Clarinet (duet)
#
Barbra Streisand
#
The Way We Were
#
David McKeown
#
SheetMusicPlus
The Way We Were
Flute, Saxophone (duet)
Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - Digital Download S…
(+)
Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.594384 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 3 pages. David McKeown #6607947. Published by David McKeown (A0.594384). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for one Flute and one Alto Saxophone. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.54 €
#
Flute, Saxophone (duet)
#
Barbra Streisand
#
The Way We Were
#
David McKeown
#
SheetMusicPlus
The Way We Were
Trumpet, Saxophone (duet)
Instrumental Duet Instrumental Duet,Tenor Saxophone,Trumpet - Level 3 - Digital Download
(+)
Instrumental Duet Instrumental Duet,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.594404 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 3 pages. David McKeown #6607987. Published by David McKeown (A0.594404). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for one Trumpet and one Tenor Saxophone. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.54 €
#
Trumpet, Saxophone (duet)
#
Barbra Streisand
#
The Way We Were
#
David McKeown
#
SheetMusicPlus
The Way We Were
Saxophone, Clarinet (duet)
Instrumental Duet Clarinet,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Downloa…
(+)
Instrumental Duet Clarinet,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.594397 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 3 pages. David McKeown #6607973. Published by David McKeown (A0.594397). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for one Soprano Saxophone and one Clarinet. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.54 €
#
Saxophone, Clarinet (duet)
#
Barbra Streisand
#
The Way We Were
#
David McKeown
#
SheetMusicPlus
The Way We Were
Trumpet, Saxophone (duet)
Instrumental Duet Alto Saxophone,Instrumental Duet,Trumpet - Level 3 - Digital Download
(+)
Instrumental Duet Alto Saxophone,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.594403 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 3 pages. David McKeown #6607985. Published by David McKeown (A0.594403). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for one Trumpet and one Alto Saxophone. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.54 €
#
Trumpet, Saxophone (duet)
#
Barbra Streisand
#
The Way We Were
#
David McKeown
#
SheetMusicPlus
The Way We Were
Alto Saxophone
Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.609699 By Barbra Streisand…
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Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.609699 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376149. Published by Kevin Busse (A0.609699). This is a simple transcription of The Way We Were in the easy key of C for Alto Sax.
$4.99
4.61 €
#
Alto Saxophone
#
Barbra Streisand
#
The Way We Were
#
Kevin Busse
#
SheetMusicPlus
The Way We Were
Alto Saxophone
Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.609666 By Barbra Streisand…
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Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.609666 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376027. Published by Kevin Busse (A0.609666). This is a simple transcription of The Way We Were in the original key for Alto Sax.
$4.99
4.61 €
#
Alto Saxophone
#
Barbra Streisand
#
The Way We Were
#
Kevin Busse
#
SheetMusicPlus
The Way We Were
Saxophone (band part)
Tenor Saxophone Solo - Level 1 - Digital Download SKU: A0.609700 By Barbra Streisan…
(+)
Tenor Saxophone Solo - Level 1 - Digital Download SKU: A0.609700 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376151. Published by Kevin Busse (A0.609700). This is a simple transcription of The Way We Were in the easy key of C for Tenor Sax.
$4.99
4.61 €
#
Saxophone (band part)
#
Barbra Streisand
#
The Way We Were
#
Kevin Busse
#
SheetMusicPlus
The Way We Were
Saxophone (band part)
Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.609667 By Barbra Streisan…
(+)
Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.609667 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376029. Published by Kevin Busse (A0.609667). This is a simple transcription of The Way We Were in the original key for Tenor Sax.
$4.99
4.61 €
#
Saxophone (band part)
#
Barbra Streisand
#
The Way We Were
#
Kevin Busse
#
SheetMusicPlus
The Way We Were
Saxophone (band part)
Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.609702 By Barbra Streis…
(+)
Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.609702 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376155. Published by Kevin Busse (A0.609702). This is a simple transcription of The Way We Were in the easy key of C for Soprano Sax.
$4.99
4.61 €
#
Saxophone (band part)
#
Barbra Streisand
#
The Way We Were
#
Kevin Busse
#
SheetMusicPlus
The Way We Were
Saxophone (band part)
Soprano Saxophone Solo - Level 3 - Digital Download SKU: A0.609669 By Barbra Streis…
(+)
Soprano Saxophone Solo - Level 3 - Digital Download SKU: A0.609669 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376035. Published by Kevin Busse (A0.609669). This is a simple transcription of The Way We Were in the original key for Soprano Sax.
$4.99
4.61 €
#
Saxophone (band part)
#
Barbra Streisand
#
The Way We Were
#
Kevin Busse
#
SheetMusicPlus
The Way We Were
Saxophone (band part)
Soprano Saxophone Solo - Level 2 - Digital Download SKU: A0.609685 By Barbra Streis…
(+)
Soprano Saxophone Solo - Level 2 - Digital Download SKU: A0.609685 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376097. Published by Kevin Busse (A0.609685). This is a simple transcription of The Way We Were in a good range for Soprano Sax.
$4.99
4.61 €
#
Saxophone (band part)
#
Barbra Streisand
#
The Way We Were
#
Kevin Busse
#
SheetMusicPlus
The Way We Were
Alto Saxophone
Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.609682 By Barbra Streisand…
(+)
Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.609682 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376087. Published by Kevin Busse (A0.609682). This is a simple transcription of The Way We Were in a good range for Alto Sax.
$4.99
4.61 €
#
Alto Saxophone
#
Barbra Streisand
#
The Way We Were
#
Kevin Busse
#
SheetMusicPlus
The Way We Were
Saxophone (band part)
Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.609683 By Barbra Streisan…
(+)
Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.609683 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376091. Published by Kevin Busse (A0.609683). This is a simple transcription of The Way We Were in a good range for Tenor Sax.
$4.99
4.61 €
#
Saxophone (band part)
#
Barbra Streisand
#
The Way We Were
#
Kevin Busse
#
SheetMusicPlus
The Way We Were
Tenor Saxophone
(Tenor Sax) - Interactive Download SKU: HX.356788 By Barbra Streisand. This edition…
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(Tenor Sax) - Interactive Download SKU: HX.356788 By Barbra Streisand. This edition: Interactive Download. Love,Pop. Tenor Sax Solo. 1 pages. Published by Hal Leonard - Digital (HX.356788).
$2.99
2.76 €
#
Tenor Saxophone
#
Barbra Streisand
#
The Way We Were
#
Hal Leonard - Digital
#
SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
String Orchestra
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.31 €
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String Orchestra
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trad
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
The Way We Were
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.641551 By Barbra Streisa…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.641551 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kaiserin Rebecca. Contemporary. Score and part. 4 pages. Kaiserin Rebecca #6718549. Published by Kaiserin Rebecca (A0.641551). For tenor saxophone solo and piano accompaniment with chords.
$6.99
6.46 €
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Tenor Saxophone and Piano
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Barbra Streisand
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The Way We Were
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Kaiserin Rebecca
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SheetMusicPlus
The Way We Were
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.642756 By Barbra Streisan…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.642756 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kaiserin Rebecca. Contemporary. Score and part. 4 pages. Kaiserin Rebecca #6682269. Published by Kaiserin Rebecca (A0.642756). For alto saxophone solo and piano accompaniment with chords.
$6.99
6.46 €
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Alto Saxophone and Piano
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Barbra Streisand
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The Way We Were
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Kaiserin Rebecca
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SheetMusicPlus
Saint-Saens: The Swan for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Cam…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.47 €
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Soprano Saxophone and Piano
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Camille Saint-Saëns
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Saint-Saens: The Swan for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Saint-Saëns: The Swan for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camil…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.47 €
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Alto Saxophone and Piano
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Camille Saint-Saens
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Saint-Saëns: The Swan for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
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