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The Way We Were - Percussion 2
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The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.59 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
The Way We Were
2 Clarinets (duet)
Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.594380 By Barbra Streis…
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Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.594380 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. 2 scores. 3 pages. David McKeown #6607939. Published by David McKeown (A0.594380). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for two Clarinets. Click on the YouTube link above to listen to a full performances of this arrangement.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.39 €
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2 Clarinets (duet)
#
Barbra Streisand
#
The Way We Were
#
David McKeown
#
SheetMusicPlus
The Way We Were
2 Saxophones (duet)
Alto Saxophone Duet Alto Saxophone - Level 3 - Digital Download SKU: A0.594395 By B…
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Alto Saxophone Duet Alto Saxophone - Level 3 - Digital Download SKU: A0.594395 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. 2 scores. 3 pages. David McKeown #6607969. Published by David McKeown (A0.594395). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for two Alto Saxophones. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.39 €
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2 Saxophones (duet)
#
Barbra Streisand
#
The Way We Were
#
David McKeown
#
SheetMusicPlus
The Way We Were
2 Violas (duet)
Viola Duet Viola - Level 3 - Digital Download SKU: A0.594407 By Barbra Streisand. B…
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Viola Duet Viola - Level 3 - Digital Download SKU: A0.594407 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score. 3 pages. David McKeown #6607993. Published by David McKeown (A0.594407). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for two Violas. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.39 €
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2 Violas (duet)
#
Barbra Streisand
#
The Way We Were
#
David McKeown
#
SheetMusicPlus
The Way We Were
2 Trombones (duet)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.594400 By Barbra Streis…
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Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.594400 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score. 3 pages. David McKeown #6607979. Published by David McKeown (A0.594400). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for two Trombones. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.39 €
#
2 Trombones (duet)
#
Barbra Streisand
#
The Way We Were
#
David McKeown
#
SheetMusicPlus
The Way We Were
2 Flutes (duet)
Instrumental Duet Alto Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.594…
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Instrumental Duet Alto Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.594382 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 3 pages. David McKeown #6607943. Published by David McKeown (A0.594382). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for one Flute and one Alto Flute. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.39 €
#
2 Flutes (duet)
#
Barbra Streisand
#
The Way We Were
#
David McKeown
#
SheetMusicPlus
The Way We Were
2 Clarinets (duet)
Instrumental Duet Bass Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Bass Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.594373 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 3 pages. David McKeown #6607925. Published by David McKeown (A0.594373). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for one Clarinet and one Bass Clarinet. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet. This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.39 €
#
2 Clarinets (duet)
#
Barbra Streisand
#
The Way We Were
#
David McKeown
#
SheetMusicPlus
The Way We Were
2 Flutes (duet)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.594388 By Barbra Streisand. B…
(+)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.594388 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score. 3 pages. David McKeown #6607955. Published by David McKeown (A0.594388). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for two Flutes. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.39 €
#
2 Flutes (duet)
#
Barbra Streisand
#
The Way We Were
#
David McKeown
#
SheetMusicPlus
The Way We Were
2 Trumpets (duet)
Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.594406 By Barbra Streisan…
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Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.594406 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score. 3 pages. David McKeown #6607991. Published by David McKeown (A0.594406). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for two Trumpets. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.39 €
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2 Trumpets (duet)
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Barbra Streisand
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The Way We Were
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David McKeown
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SheetMusicPlus
The Way We Were
2 Violins (duet)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.594412 By Barbra Streisand.…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.594412 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. 3 pages. David McKeown #6608003. Published by David McKeown (A0.594412). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for two Violins. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.39 €
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2 Violins (duet)
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Barbra Streisand
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The Way We Were
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David McKeown
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SheetMusicPlus
The Way We Were
2 Saxophones (duet)
Tenor Saxophone Duet Tenor Saxophone - Level 3 - Digital Download SKU: A0.594399 By…
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Tenor Saxophone Duet Tenor Saxophone - Level 3 - Digital Download SKU: A0.594399 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score. 3 pages. David McKeown #6607977. Published by David McKeown (A0.594399). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for two Tenor Saxophones. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.39 €
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2 Saxophones (duet)
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Barbra Streisand
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The Way We Were
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David McKeown
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SheetMusicPlus
The Way We Were
2 Saxophones (duet)
Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Dow…
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Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.594394 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 3 pages. David McKeown #6607967. Published by David McKeown (A0.594394). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for one Alto and one Tenor Saxophone. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.39 €
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2 Saxophones (duet)
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Barbra Streisand
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The Way We Were
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David McKeown
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SheetMusicPlus
The Way We Were
2 Saxophones (duet)
Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 3 - Digital D…
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Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.594396 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 3 pages. David McKeown #6607971. Published by David McKeown (A0.594396). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for one Soprano and one Alto Saxophone. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.39 €
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2 Saxophones (duet)
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Barbra Streisand
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The Way We Were
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David McKeown
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SheetMusicPlus
The Way We Were
2 Saxophones (duet)
Soprano Saxophone Duet Soprano Saxophone - Level 3 - Digital Download SKU: A0.594398
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Soprano Saxophone Duet Soprano Saxophone - Level 3 - Digital Download SKU: A0.594398 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score. 3 pages. David McKeown #6607975. Published by David McKeown (A0.594398). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for two Soprano Saxophones. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.39 €
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2 Saxophones (duet)
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Barbra Streisand
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The Way We Were
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David McKeown
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SheetMusicPlus
The Way We Were
2 Cellos (duet)
Cello Duet Cello - Level 3 - Digital Download SKU: A0.594408 By Barbra Streisand. B…
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Cello Duet Cello - Level 3 - Digital Download SKU: A0.594408 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score. 3 pages. David McKeown #6607995. Published by David McKeown (A0.594408). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for two Cellos. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.39 €
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2 Cellos (duet)
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Barbra Streisand
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The Way We Were
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David McKeown
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SheetMusicPlus
The Way We Were
2 Oboes (duet)
Oboe Duet Oboe - Level 3 - Digital Download SKU: A0.594393 By Barbra Streisand. By …
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Oboe Duet Oboe - Level 3 - Digital Download SKU: A0.594393 By Barbra Streisand. By Marvin Hamlisch. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score. 3 pages. David McKeown #6607965. Published by David McKeown (A0.594393). The Way We Were is one of the best known and best loved songs performed by Barbra Streisland during her long and successful career. The song was written by Alan Bergman, Marilyn Bergman and Marvin Hamlisch for the 1973 film of the same name. It was the top selling single of the year in the US and won two Academy awards for its writers. This version is arranged as a duet for two Oboes. Click on the YouTube link above to listen to a full performances of this arrangement played on Clarinet.This version of The Way We Were is faithful to the Streisland version, with her rhythmic variations. The music is arranged in a key and range best suited to the instruments and is ideal for musicians at an intermediate level and above. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and control at a slow tempo. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.39 €
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2 Oboes (duet)
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Barbra Streisand
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The Way We Were
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David McKeown
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SheetMusicPlus
The Way We Were
2 Guitars (duet)
Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.788240 By Barbra Stre…
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Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.788240 By Barbra Streisand. By Marvin Hamlisch. Arranged by Antonius Agung Setiawan. Contemporary,Pop. 3 pages. Antonius Agung Setiawan #5204743. Published by Antonius Agung Setiawan (A0.788240). The Way We Were by Barbra StreisandDuet guitar arrangement by Antonius Agung SetiawanFingerstyle guitar arrangement, Easy to playTo see more of my work, please visit https://linktr.ee/pakagung
$5.50
4.95 €
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2 Guitars (duet)
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Barbra Streisand
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The Way We Were
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Antonius Agung Setiawan
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SheetMusicPlus
The Way We Were
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.731943 By Barbra…
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.731943 By Barbra Streisand. By Marvin Hamlisch. Arranged by Thomas Quigley. Contemporary. Score and parts. 8 pages. Thomas Quigley #3516633. Published by Thomas Quigley (A0.731943). Suitable for student or amateur players, this is a sensitive string arrangement which is not difficult to perform. The style is slightly jazzy at times, notably in the middle section -when the cello has the melody- and at the final cadence. The warm, rich harmonies and appropriate dynamics add to the overall expression, making this highly enjoyable to perform. .
$12.99
11.69 €
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String Quartet: 2 violins, viola, cello
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Barbra Streisand
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The Way We Were
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Thomas Quigley
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SheetMusicPlus
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
5.39 €
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2 Pianos, 4 hands
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Sharon Wilson
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
We Must Learn to Walk Together
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waite…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
3.59 €
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Piano, Vocal and Guitar
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Soprano or Tenor Saxophone Quartet
2 Saxophones (duet)
Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital …
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Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.784332 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288655. Published by Slide Ride (A0.784332). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.5 €
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2 Saxophones (duet)
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Soprano or Tenor Saxophone Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – String Quartet
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.784347 Composed by Joshua Hauser. Instructional. Score and parts. 110 pages. Slide Ride #5288705. Published by Slide Ride (A0.784347). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$12.50
11.25 €
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String Quartet: 2 violins, viola, cello
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – String Quartet
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Slide Ride
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.19 €
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Brass quartet : 2 trumpets, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
18 Easy Gospel Duets Vol.2 for Clarinet and Bass Clarinet
2 Clarinets (duet)
Instrumental Duet Bass Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.…
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Instrumental Duet Bass Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.590959 Composed by Various. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and parts. 29 pages. David McKeown #6259189. Published by David McKeown (A0.590959). 18 Easy Gospel Duets Vol.2 for Clarinet and Bass Clarinet is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and keys for one Clarinet and one Bass Clarinet.The standard is early intermediate to intermediate. Players with a year or two’s experience will enjoy playing these duets, with plenty of interest in both parts and imaginative arrangements. These duets are ideal for use in concerts or worship, formal or informal. Click on the link above to hear samples of these duets performed on YouTube, performed on Clarinet.The hymns are in alphabetical order and are as follows· O Mary Don’t You Weep, · O When the Saints, · Old Time Religion, · Onward Christian Soldiers, · Rock of Ages, · Shall We Gather at the River, · Stand Up, Stand Up for Jesus, · Standing in the Need of Prayer, · Swing Low Sweet Chariot, · Steal Away, · There is a Fountain Filled with Blood, · There is Power in the Blood, · This Little Light of Mine, · Wade in the Water, · Were You There? · What a Friend We Have in Jesus, · When the Roll Is Called Up Yonder, · When We All Get to Heaven. If you like these duets, then there are another 18 just like them in Volume 1. To find them copy and paste 18 Easy Gospel Duets Vol.1 for Clarinet and Bass Clarinet in the Search Bar above. There are also longer and more challenging arrangements available in 10 Gospel Duets for Clarinet and Bass Clarinet.
$9.99
8.99 €
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2 Clarinets (duet)
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Various
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18 Easy Gospel Duets Vol.2 for Clarinet and Bass Clarinet
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David McKeown
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SheetMusicPlus
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