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4 x 2 x 1 Bass Trombone Solo with Double Trombone Quartet
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811134 Composed by Jim…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811134 Composed by Jim Pugh. 20th Century,Contemporary,Jazz. Score and parts. 43 pages. Gordon Cherry #5337657. Published by Gordon Cherry (A0.811134). Jim Pugh's 4 x 2 x 1 is written for Bass Trombone solo with a double Trombone Quartet accompaniment. It is appropriate for advanced performers and is about 8 1/2 minutes in length. Here is what Jim Pugh says about his composition 4 x 2 x 1: Dave Taylor and I have had a long musical association going back to my first recording sessions with him in New York in 1976 and continuing for 30+ years, including, among many things, two Pugh/Taylor Project recordings. When Dave was putting together the 1999 Manhattan School of Music Trombone Day, he asked me to write a piece featuring him along with his invited guest artists, the Four Of A Kind Trombone Quartet and the Vienna Trombone Quartet – hence the title: 4 (quartet) x 2 (two of them) x 1 (1 soloist). I enjoyed the opportunity to feature not only the bass trombone but, at times, the bass trombone trio that the orchestration provides. The piece is loosely in Rondo form. After an initial statement of the Theme, there follows three unrelated Vignettes separated by variations on the original Theme. A brief GP introduces an improvisation from the bass trombone soloist leading to the final statement of the Theme. The score reflects the correct positioning of the players, left to right, with the two quartet bass trombones on either end of the group and the two first tenor players in the middle, flanking the bass trombone soloist. A little aside here, the tenor trombone solo beginning in measure 77 was specifically written for another dear friend, colleague and collaborator, Joe Alessi. It was a great thrill and honor to have been asked to write music for not only Dave but also two of the best trombone quartets in existence at that time, knowing that anything I wrote would be so beautifully performed. This piece was recorded on the Signum Records CD: The Graham Ashton Brass Ensemble Plays The Music of James Pugh and Daniel Schnyder.
$35.00
32.62 €
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Jim Pugh
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4 x 2 x 1 Bass Trombone Solo with Double Trombone Quartet
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Gordon Cherry
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SheetMusicPlus
Colores (Let the Children Teach Us)
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.12…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions #850272. Published by LCS Productions (A0.1256884). Imagine a place where cultures are blended and people of all races can laugh, play, sing, dance, and even pray together.  Colores is a musical tale in which children show us how to create such a place.A child walks on to a deserted playground, looking for others.  Another child joins.  They introduce themselves and begin to talk to each other.  A third joins the conversation, then another, and another, until there is a large group of children, creating a colorful, contrapuntal cacophony of vocal chatter.  After the introductions and lively conversations, they pause to decide what to do next.  As would be expected, they decide to just play.  They run races, play chase and tag, catch and kickball, and laugh and giggle until their energy is gone.  Settling down, and wondering what to do next, one child begins singing a tune that is familiar.  …but not to all of them.  So, it’s time to teach the song to everyone.The tune is shared, bit by bit, and one by one every child learns it and joins in.  Before it’s over, their full-voiced singing creates a choral tapestry in which every child adds his or her own color to the musical palette.After a brief conversation, they add their renewed energy to the song they just learned, pick up the pace, and dance.  They twist and spin, jump and swing, making up their moves as they go along.  But, as before, their energy wanes.  This time, as they settle down, one child feels so comfortable with these new friends, he chooses to share his faith in the form of a chant — a prayer.Some join his prayer, as others add a familiar religious tune.  They pray and sing, and their separate experiences combine to produce a stirring, blended chorale.  As they finish, the day ends and they quickly reminisce about the blended experiences that are now behind them.  Before they go their separate ways, they share a moment of gratitude for the place where they can be free to be who they are, together.On a musical note, Colores combines multiple scale structures and varying types of vertical harmonies to give the piece its color palette.  Each of the five voices is set in a different mode, with different tonal centers and sets of accidentals.  The harmony combines both traditional tertian chords with secondal, quartal, and quintal structures.The colors within the music are intended to represent the racial diversity of the borderland from which the composer drew his inspiration.  It is hoped that we can learn from the example of children who talk, laugh, play, sing, dance, and pray together.  …who are grateful for the time and experiences they share.
$35.00
32.62 €
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Lon W
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Colores
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LCS Productions
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SheetMusicPlus
Joy to the World - Sax Quartet AATB
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level …
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Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.816744 Composed by George Frideric Handel. Arranged by Bryan Kujawa. Christmas. 6 pages. Bryan Kujawa #4289735. Published by Bryan Kujawa (A0.816744). This is a saxophone quartet (AATB) arrangement of the Christmas classic Joy to the World. The piece is 25 measures long with an optional repeat. Download includes full score and all parts. Enjoy!
$2.99
2.79 €
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Saxophone Quartet: 4 saxophones
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George Frideric Handel
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Joy to the World - Sax Quartet AATB
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Bryan Kujawa
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SheetMusicPlus
FOUR ARABIC SKETCHES - FLEXIBLE 4 PARTS WITH OPTIONAL PERCUSSION FOR BEGINNERS ENSEMBLE
Large Ensemble - Level 1 - Digital Download SKU: A0.1129904 Composed by Wajdi Abou …
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Large Ensemble - Level 1 - Digital Download SKU: A0.1129904 Composed by Wajdi Abou Diab. Arranged by Wajdi Abou Diab. Children,Classical,Folk,Multicultural,Traditional,World. Score and parts. 215 pages. W. Abou Diab #730313. Published by W. Abou Diab (A0.1129904). This collection of four short concert pieces for beginners is intended to introduce the new musicians, as well as the audience, to the world of Arabic music in a fun and enjoyable way, and is designed to make the ensemble practice easy and productive. Every piece introduces a scene from Arabic folklore, inviting the little musicians to discover the beauty of Arabic traditions and cultures. In some pieces, the musicians will be asked to perform some simple body percussion, and say some Arabic words, which will add some magic to the music! The first piece titled Dabkeh is a traditional Levantine dance that is still performed at weddings and public events in Arabic countries, in which the dancers hold their hands together and form a circle showing a scene of solidarity and unity. It is a high-energy dance that demands a great amount of physical effort and is usually performed by both men and women. The second piece takes us to a very special period for Arab people, called Ramadan. For a complete month, people enjoy gathering for the Iftar when the sun sets, after long fasting, then attending public events, and organizing cultural gatherings. The third piece is titled Raqsa, which means simply A Dance. The Arabic dance, mainly performed by a female dancer, is full of energy and beauty. Usually accompanied by hand clapping and percussion instruments, and sometimes singing too. The fourth piece takes us to the traditional Arabic wedding ceremonies, which sometimes continue for more than 5 consecutive days. At an Arabic traditional wedding, all the village gathers in the bride's or groom's home, participating in all the details of the preparations for the wedding, bringing food and gifts, and celebrating joyfully with music, songs, and dances.
$80.00
74.56 €
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Wajdi Abou Diab
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FOUR ARABIC SKETCHES - FLEXIBLE 4 PARTS WITH OPTIONAL PERCUSSION FOR BEGINNERS ENSEMBLE
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W. Abou Diab
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SheetMusicPlus
Life is Beautiful
Easy Piano
Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century,…
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Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century, New Age. Sheet Music Single. 4 pages. Published by Landon Creative, Inc.
Healing Hearts 3<br> Louis Landon<br> 2016 / Landon Creative, Inc.<br> 63 minutes<br> Review by Kathy Parsons<br> Louis Landon’s Healing Hearts 3 is the third in a series of solo piano albums that are comprised of improvisations that were created while clients were in session at his Healing Piano of Sedona (AZ). These sixty-minute healing and music sessions consist of forty minutes of mentoring and twenty minutes of music that includes personalized music for the client’s own use. Landon created Healing Piano of Sedona several years ago to help people live life joyously, passionately, and stress- and disease-free. Landon is a Steinway Artist who has been a life-long musician. Healing Hearts 3 is his twenty-first album and fourteenth solo piano collection. Each of the thirteen pieces on the album was inspired by a different “soul journey,” so the music is quite varied although it maintains a very calming and peaceful vibe throughout.<br> <br> It is interesting to note that Healing Hearts 3 has the closest to the ideal sound Landon has been looking for on his recordings. He attributes that achievement to the mastering and editing expertise of Joe Bongiorno of Piano Haven Studio, also in Sedona. Landon has been trying to get the sound of a classical concert hall in his Peace Palace studio recordings and this album definitely has that sound, which is exceptionally beautiful - clear, warm and resonant.<br> <br> Healing Hearts 3 begins with “Standing In the Light,” a softly flowing piece with a poignant melody that gently soothes the heart - a favorite. “Heart Song” is hushed, intimate and obviously very personal. “Triumph of the Soul” starts out in the deep bass of the piano - very dark and lost. As the piece evolves, it gradually lightens as it moves up the piano keyboard, ending in a very positive place. I’ve often said that the piano is the best instrument to express the sound and feeling of rain and “Night Rain” proves that point again. More energetic than most of the other tracks, the notes flow freely: sometimes smoothly and evenly, sometimes more percussive like big fat raindrops - love it! “Tears” is heartbreak set to music, although tears are so often a big part of the healing process. Such deep emotion is expressed in this piece! Landon wisely follows sadness with “Happy Man,” a lively slice of pianistic sunshine. “Phoenix Rising” begins in the deep bass of the piano, obviously signifying a very dark place or crisis. Over the course of the composition, there is turmoil and pain, but then Landon gradually moves the piece into the upper end of the piano to a much lighter and more peaceful place - a stunning piece! “Healing Time” is gently uplifting and so soothing and serene that I can actually feel it melting away tension - another favorite. “Music Runs Through Me” flows quickly like a stream with sparkles of sunlight dancing happily on its surface. “Balance” returns to a calm stillness that comes when things/life are in balance. Slow, lyrical and very peaceful, it’s the perfect closing for another great album from Louis Landon!<br> <br> I have thoroughly enjoyed all three Healing Hearts albums, but I think #3 is my favorite. It is available from LouisLandon.com, Amazon, iTunes and CD Baby. Very highly recommended!<br> November 4, 2016<br> <br> Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.<br> <br> Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ<br> <br> <br> <br> Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers”; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat”.<br> <br> Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.<br> <br> For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.<br> <br> Louis Landon mission:<br> <br> To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.<br> <br> Reviews:<br> <br> “While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.” Michaeldiamondmusic.com<br> <br> "He has a gift for composition that is second to none." Zone Music Reporter<br> <br> "… indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and… a diverse range of influences is more than apparent.” Keyboard Magazine<br> <br> Recognition:<br> <br> Louis Landon's music has had over 140 million streams on Pandora radio!<br> <br> Louis Landon's music has had over 34 million streams on Spotify!<br> <br> Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.<br> <br> Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.<br> <br> Healing Hearts 2 - Solo Piano won 2016 “Contemporary and Modern” Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.<br> <br> Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.<br> <br> Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.<br> <br> Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.<br> <br> Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.<br> <br> unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.<br> <br> Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.
$5.25
4.89 €
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Easy Piano
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Louis Landon
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Life is Beautiful
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Landon Creative, Inc.
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SheetMusicPlus
Three Pieces for Beginner Guitarists (Acoustic or Electric)
Guitar notes and tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (w…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
4.61 €
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Guitar notes and tablatures
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Dan Jones
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Three Pieces for Beginner Guitarists
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DanJonesGuitarist
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SheetMusicPlus
In The Bleak Midwinter
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.100367…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.1003675 Composed by Gustav Holst. Arranged by Robyn Saunders. Christian,Christmas,Praise & Worship,Sacred,World. 6 pages. Robyn Saunders #2968019. Published by Robyn Saunders (A0.1003675). This arrangement of In The Bleak Midwinter is approximately 2 minutes long and in the key C major making it an ideal piece for students and beginner quartets. The full score is also fitted onto 2 pages so that players can play from the full score without page turns if necessary. The piece is a well known christmas song in the public domain and as such it can be performed at any event or in any venue around Christmas time. The arrangement can be used in church sermons with a repetition of the final verse from bar 37. .
$4.99
4.65 €
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Clarinet Quartet: 4 clarinets
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Gustav Holst
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In The Bleak Midwinter
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Robyn Saunders
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SheetMusicPlus
Beyond The Sea
Choral SATB
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Comp…
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
9.32 €
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Choral SATB
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Charles Tenet
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
The Songcord
Flute Quartet: 4 flutes
Flute Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1169759 Compos…
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Flute Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1169759 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 15 pages. Lisa L Ochoco #770123. Published by Lisa L Ochoco (A0.1169759). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009. The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie. The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end. A songcord is a mnemonic device used by the Na’vi that assists them in storytelling. In this song, Neytiri is thanking Eywa – the Great Mother - for her family. This arrangement is scored for flute quartet - 4 C or 3 C and alto. An optional part of this piece is what helps create the mood, which is the part called “Shimmerâ€. In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes. The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string. Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€.  You can also use wind chimes, a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure. Duration: 3.75 minutes.
$16.00
14.91 €
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Flute Quartet: 4 flutes
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Simon Franglen
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The Songcord
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Lisa L Ochoco
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SheetMusicPlus
Conjeturas sistemáticas [piano 4 hands]
1 Piano, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.596548
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.596548 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary. Score and parts. 8 pages. Juan Maria Solare #4405060. Published by Juan Maria Solare (A0.596548). Conjeturas sistemáticas (Systematic conjectures) for piano four hands A piece composed in Bremen (North Germany) between 8th and 10th March 2013, about 4 minutes long, and dedicated to Mario GarcÃa Acevedo in memoriam (who died on March 6, 2013 in Buenos Aires). The title alludes to a phrase that Mario GarcÃa Acevedo said en passant during a lecture in SADAIC remembering the twentieth anniversary of the death of Rodolfo Caracciolo: True science is a set of systematic and ordered suspicions. I altered this thought slightly, because systematic suspicions seemed to me a more suitable title for a detective novel. Musically speaking, this piece uses modulating pandiatonism, a technique that I used in several other pieces as well. Mario GarcÃa Acevedo was one of those few people who can be said to have been wise in the most complete and overwhelming sense of the word. He was one of my teachers at the (ex) National Conservatory of Music, I no longer remember teacher of what, because he was the kind of person who was an integral teacher, not of this or that. I had the pleasure of performing the European premiere of his work Amanecer in Bremen in 2008. Marito delivered a speech during the burial of Juan Carlos Zorzi, ending with the words Maestro: Until the Resurrection! Let his words be also valid for him. Juan MarÃa Solare
$2.50
2.33 €
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1 Piano, 4 hands
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Juan MarÃa Solare
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Conjeturas sistemáticas [piano 4 hands]
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Juan Maria Solare
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SheetMusicPlus
Sounds of Creation - Pastoral (Keyboard Duet; 2 Pianos, 4 Hands)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,New Age,Praise & Worship,Sacred. Score. 11 pages. Sharon Wilson #1776277. Published by Sharon Wilson (A0.564490). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling. This piece is one of seven in a series of keyboard duets inspired by the sounds of nature.Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements are as inspirational to play as they are to listen to. This piece sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. The purchase price includes a combined score with both parts on each page plus a separate score for each part. Titles in the Sounds of Creation†series: Prelude, Pastoral, Serenade, Intermezzo, Nocturne, Fantasia, FinaleVisit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
4.65 €
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2 Pianos, 4 hands
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Sharon Wilson
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some soothing, some startling
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Sounds of Creation - Pastoral
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Sharon Wilson
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SheetMusicPlus
The Songcord
Flute Quartet: 4 flutes
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU:…
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1169321 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 14 pages. Lisa L Ochoco #769675. Published by Lisa L Ochoco (A0.1169321). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009. The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end. A songcord is a mnemonic device used by the Na’vi that assists them in storytelling. In this song, Neytiri is thanking Eywa – the Great Mother - for her family.This arrangement is scored for flute quartet - 2 C, alto, and bass.An optional part of this piece is what helps create the mood, which is the part called “Shimmerâ€. In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes. The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string. Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€. You can also use wind chimes, a little xylophone, bells, etc. The idea is to create a magical mood without overpowering the music. Play this part wherever there is a note in the measure.Duration: 3.75 minutes.
$16.00
14.91 €
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Flute Quartet: 4 flutes
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Simon Franglen
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The Songcord
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Lisa L Ochoco
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SheetMusicPlus
Paregamutiun [cello solo] (suite of 4 pieces)
Cello (band part)
Cello Solo - Level 2 - Digital Download SKU: A0.596489 Composed by Juan MarÃa So…
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Cello Solo - Level 2 - Digital Download SKU: A0.596489 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards,World. Individual part. 12 pages. Juan Maria Solare #3088085. Published by Juan Maria Solare (A0.596489). Paregamutiún (Friendship): Four melodies of Armenian connotations for cello solo.I am not Armenian, but these melodies could be: it is an invented folklore. Nevertheless, I never wanted to compose an imitation of real Armenian music; for that I should live in Armenia a few years, learn the language, soak in a couple of millennia of culture and impregnate myself with the current problems. And yet it would be doubtful that the result would sound authentic. Neither I was interested in composing some sounding touristic postcards. These melodies reflect, yes, how a thankful being sees the Armenian from outside. And this is what grants them legitimacy.About the titles:The general title of the piece, Paregamutiún, is translatable as friendship. Sometimes it is transliterated Baregamutyun (as a certain station of the subway in Yerevan). The single titles of each piece refers to a lake, a mountain, a mythical patriarch and a tree of Armenia:1) Sevanavank: Monastery of the Black Lake, founded in 874. The name Sevan means literally Black Van, referring to a lake called Van. It is said that long ago the Armenians came from areas next to the lake Van towards the lake Sevan, they noticed that its waters were dark, almost black, but they reminded them of the lake Van, and therefore called it black Van: Sevan.2) Hayk is the patriarch of the foundational myth of the Armenian nation, and the original name of the country (Hayastán: land of the Armenians); some sources affirm that he was great great grandson or great-great-great grandson of Noah.3) Dziranà Dzar: apricot tree, the Armenian national fruit. Dzar is tree and dzirán is apricot, the obvious phonetic similitude seems to underline a strong semantic proximity between both concepts. The letter Dz is a complex phoneme similar to a smooth th.4) Masis is the Armenian name of mount Ararat, where -according to the Bible- ended up Noah's Arch after the Flood (Genesis 8:4).www.JuanMariaSolare.com
$10.00
9.32 €
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Cello (band part)
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Juan MarÃa Solare
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Paregamutiun [cello solo]
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Juan Maria Solare
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SheetMusicPlus
The Sense of a Place Will Remain
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Con…
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Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
7.41 €
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Choral SATB
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Paul Burnell
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The Sense of a Place Will Remain
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Paul Burnell
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SheetMusicPlus
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
27.96 €
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Jazz Ensemble
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Charles Tenet
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Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Tobi Crawford
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SheetMusicPlus
A Mighty Fortress is Our God by Luther for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 1 - Digital Download SKU: A0.104164…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 1 - Digital Download SKU: A0.1041645 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. 6 pages. Woods Only, Arrangements #646409. Published by Woods Only, Arrangements (A0.1041645). This easy arrangement for clarinet quartet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$7.99
7.45 €
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Clarinet Quartet: 4 clarinets
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Martin Luther
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A Mighty Fortress is Our God by Luther for Clarinet Quartet
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Woods Only, Arrangements
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SheetMusicPlus
A Mighty Fortress is Our God by Luther for Bassoon Quartet
4 Bassoons
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 1 - Digital Download SKU: A0.1041647…
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Woodwind Ensemble,Woodwind Quartet Bassoon - Level 1 - Digital Download SKU: A0.1041647 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. 6 pages. Woods Only, Arrangements #646411. Published by Woods Only, Arrangements (A0.1041647). This easy arrangement for bassoon quartet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$7.99
7.45 €
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4 Bassoons
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Martin Luther
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A Mighty Fortress is Our God by Luther for Bassoon Quartet
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Woods Only, Arrangements
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SheetMusicPlus
A Mighty Fortress is Our God by Luther for French Horn Quartet
Brass Quartet: 4 horns
Horn - Level 2 - Digital Download SKU: A0.1138623 Composed by Martin Luther. Arrang…
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Horn - Level 2 - Digital Download SKU: A0.1138623 Composed by Martin Luther. Arranged by Ander. Baroque,Christian,Instructional,Renaissance,Sacred. 6 pages. Woods Only, Arrangements #738971. Published by Woods Only, Arrangements (A0.1138623). This easy arrangement for horn in f quartet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$7.99
7.45 €
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Brass Quartet: 4 horns
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Martin Luther
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A Mighty Fortress is Our God by Luther for French Horn Quartet
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Woods Only, Arrangements
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SheetMusicPlus
A Mighty Fortress is Our God by Luther for Trumpet Quartet
Brass Quartet: 4 trumpets
Trumpet Quartet - Level 2 - Digital Download SKU: A0.1138604 Composed by Martin Lut…
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Trumpet Quartet - Level 2 - Digital Download SKU: A0.1138604 Composed by Martin Luther. Arranged by Ander. Baroque,Christian,Instructional,Renaissance,Sacred. 6 pages. Woods Only, Arrangements #738952. Published by Woods Only, Arrangements (A0.1138604). This easy arrangement for trumpet quartet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$7.99
7.45 €
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Brass Quartet: 4 trumpets
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Martin Luther
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A Mighty Fortress is Our God by Luther for Trumpet Quartet
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Woods Only, Arrangements
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SheetMusicPlus
A Mighty Fortress is Our God by Luther for Tuba Quartet
4 Tubas
Tuba - Level 2 - Digital Download SKU: A0.1138626 Composed by Martin Luther. Arrang…
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Tuba - Level 2 - Digital Download SKU: A0.1138626 Composed by Martin Luther. Arranged by Ander. Baroque,Christian,Instructional,Renaissance,Sacred. 6 pages. Woods Only, Arrangements #738974. Published by Woods Only, Arrangements (A0.1138626). This easy arrangement for tuba quartet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$7.99
7.45 €
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4 Tubas
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Martin Luther
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A Mighty Fortress is Our God by Luther for Tuba Quartet
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Woods Only, Arrangements
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SheetMusicPlus
A Mighty Fortress is Our God by Luther for Trombone Quartet
Brass Quartet: 4 trombones
Trombone Quartet - Level 2 - Digital Download SKU: A0.1138624 Composed by Martin Lu…
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Trombone Quartet - Level 2 - Digital Download SKU: A0.1138624 Composed by Martin Luther. Arranged by Ander. Baroque,Christian,Instructional,Renaissance,Sacred. 6 pages. Woods Only, Arrangements #738972. Published by Woods Only, Arrangements (A0.1138624). This easy arrangement for trombone quartet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$7.99
7.45 €
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Brass Quartet: 4 trombones
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Martin Luther
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A Mighty Fortress is Our God by Luther for Trombone Quartet
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Woods Only, Arrangements
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SheetMusicPlus
A Mighty Fortress is Our God by Luther for Baritone Sax Quartet
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Baritone Saxophone - Level 1 - Digital Download SKU:…
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Woodwind Ensemble,Woodwind Quartet Baritone Saxophone - Level 1 - Digital Download SKU: A0.1041652 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. 6 pages. Woods Only, Arrangements #646417. Published by Woods Only, Arrangements (A0.1041652). This easy arrangement for baritone sax quartet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$7.99
7.45 €
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Saxophone Quartet: 4 saxophones
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Martin Luther
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A Mighty Fortress is Our God by Luther for Baritone Sax Quartet
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Woods Only, Arrangements
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SheetMusicPlus
A Mighty Fortress is Our God by Luther for Saxophone Quartet
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Lev…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1041653 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. 6 pages. Woods Only, Arrangements #646418. Published by Woods Only, Arrangements (A0.1041653). This easy arrangement for saxophone quartet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$7.99
7.45 €
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Saxophone Quartet: 4 saxophones
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Martin Luther
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A Mighty Fortress is Our God by Luther for Saxophone Quartet
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Woods Only, Arrangements
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SheetMusicPlus
A Mighty Fortress is Our God by Luther for Alto Sax Quartet
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone - Level 1 - Digital Download SKU: A0.…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone - Level 1 - Digital Download SKU: A0.1041648 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. 6 pages. Woods Only, Arrangements #646413. Published by Woods Only, Arrangements (A0.1041648). This easy arrangement for alto sax quartet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$7.99
7.45 €
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Saxophone Quartet: 4 saxophones
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Martin Luther
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A Mighty Fortress is Our God by Luther for Alto Sax Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Call from Beyond the Waves | Low Clarinet Quartet
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Le…
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1048322 Composed by Michael Barrera. Celtic,Classical,Contemporary,Folk,Irish. 17 pages. Michael Barrera #652749. Published by Michael Barrera (A0.1048322). Https://www.michaelbarreraflute.com/shop/p/call-from-beyond-the-waves Program Notes Call from Beyond the Waves is a piece in the style of an old sea shanty. It invokes feelings of being lost at sea and drifting along the waves in the ocean far from shore. The melody lines are somewhat uneven but feel natural as if they are being sung in the late hours of the night. Rising and falling passages in the background reflect the waves on these moonlit nights. This piece was commissioned by a wonderful colleague of mine Tim Chernobrov. He wanted something that would capture the unique sound of the low harmony clarinets and make them shine in their own light. In doing so, he hopes to spark more interest in these less common clarinets. Instrumentation Low clarinet quartet consisting of - Alto Clarinet Bass Clarinet Contra Alto Clarinet Contrabass Clarinet.
$19.99
18.63 €
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Clarinet Quartet: 4 clarinets
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Michael Barrera
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Call from Beyond the Waves | Low Clarinet Quartet
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Michael Barrera
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SheetMusicPlus
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