Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
153
Digital
Sheet Music
46
Sheet Music
Books
402
Music
Equipment
0
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
4
PIANO & KEYBOARDS
Piano solo
19
GUITARS
Guitar
3
VOICE
WOODWIND
Piccolo, Piano
2
Clarinet
1
Flute, Oboe, Clarinet, Bassoon
1
Flute and Piano
1
WOODBRASS
French Horn and Piano
2
French horn
1
Trumpet, Piano
1
Tuba
1
STRINGS
String Quartet: 2 violins, viola, cello
1
PERCUSSION & ORCHESTRA
Orchestra
7
Concert band
1
OTHERS
You've selected:
Theme with Variation No. 5
Sheetmusic to print
46 sheet music found
<
1
26
Theme with Variation No. 5
Clarinet
Clarinet & Piano - Grade 4 - Digital Download SKU: R0.24397 Weigel Theme Opus 89…
(+)
Clarinet & Piano - Grade 4 - Digital Download SKU: R0.24397 Weigel Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Clarinet & Piano. Score and parts. 8 pages. Duration 7'17. Editions Marc Reift - Digital #24397. Published by Editions Marc Reift - Digital (R0.24397).
$6.95
6.4 €
#
Clarinet
#
Charles Dancla
#
Theme with Variation No. 5
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Theme with Variation No. 5
Flute and Piano
Flute & Piano - Grade 4 - Digital Download SKU: R0.24395 Weigel Theme Opus 89 No…
(+)
Flute & Piano - Grade 4 - Digital Download SKU: R0.24395 Weigel Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Flute & Piano. Score and parts. 8 pages. Duration 7'17. Editions Marc Reift - Digital #24395. Published by Editions Marc Reift - Digital (R0.24395).
$6.95
6.4 €
#
Flute and Piano
#
Charles Dancla
#
Theme with Variation No. 5
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Theme with Variation No. 5
Piccolo, Piano
Weigel Theme Opus 89 No. 5. Composed by Charles Dancla (1817-1907). Arranged by Cole…
(+)
Weigel Theme Opus 89 No. 5. Composed by Charles Dancla (1817-1907). Arranged by Colette Mourey. Piccolo & Piano. Score and parts. 8 pages. Duration 7\'17. Editions Marc Reift - Digital #24394. Published by Editions Marc Reift - Digital
$6.95
6.4 €
#
Piccolo, Piano
#
Charles Dancla (1817-1907)
#
Piano
#
Theme with Variation No. 5
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Theme with Variation No. 4
Piccolo, Piano
Piccolo & Piano - Grade 4 - Digital Download SKU: R0.24379 Donizettian Theme Opu…
(+)
Piccolo & Piano - Grade 4 - Digital Download SKU: R0.24379 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Colette Mourey. Piccolo & Piano. Score and parts. 8 pages. Duration 5'00. Editions Marc Reift - Digital #24379. Published by Editions Marc Reift - Digital (R0.24379).
$6.95
6.4 €
#
Piccolo, Piano
#
Jean Baptiste Charles Dancla
#
Theme with Variation No. 4
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Horn Sonata No. 3 (Complete)
French horn
French Horn Solo - Level 5 - Digital Download SKU: A0.767350 Composed by Mike Lyons…
(+)
French Horn Solo - Level 5 - Digital Download SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Published by Lyons Music Services (A0.767350). This is my third new sonata for unaccompanied French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$18.00
16.57 €
#
French horn
#
Mike Lyons
#
Horn Sonata No. 3
#
Lyons Music Services
#
SheetMusicPlus
Sonata No. 3 for Horn and Piano
French Horn and Piano
French Horn,Piano - Level 5 - Digital Download SKU: A0.767581 Composed by Mike Lyon…
(+)
French Horn,Piano - Level 5 - Digital Download SKU: A0.767581 Composed by Mike Lyons. 20th Century,Concert,Contemporary,Standards. Score and part. 38 pages. Lyons Music Services #6457097. Published by Lyons Music Services (A0.767581). This is my third new sonata for French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$25.00
23.02 €
#
French Horn and Piano
#
Mike Lyons
#
Sonata No. 3 for Horn and Piano
#
Lyons Music Services
#
SheetMusicPlus
Caprice No. 24 a minor / Caprice Nr. 24 a-Moll Swing version
Piano Quintet Cello,Double Bass,Piano,Violin - Level 5 - Digital Download SKU: A0.12255…
(+)
Piano Quintet Cello,Double Bass,Piano,Violin - Level 5 - Digital Download SKU: A0.1225529 Composed by Nicolo Paganini. Arranged by Uwe Rössler Roessler Rassler. Baroque,Classical,Jazz,Multicultural,Standards,World. 23 pages. Uwe Roessler #821602. Published by Uwe Roessler (A0.1225529). This is a driving Swing version / Gipsy Swing version of Paganini´s famous Caprice 24. Starts with the original theme + first variation in violin. Swing rhythm is then established, followed with the theme being played by the cello. Violin takes over for a swinging chorus (written out). Chorus (with optional repeats ad lib) gives room for improvisations by others. A semi-baroque Fugato is then introduced. After the Fugato the theme is repeated by violin1 including a highly virtuoso variation.Voices for violin1, violin2, and cello are written out. Piano and bass have chord symbols for their individual voicings - except when their voices play a consistent part of the arrangement.Comes with full score and all individual parts. Professional sheet material!
$20.00
18.42 €
#
Nicolo Paganini
#
Caprice No. 24 a minor / Caprice Nr. 24 a-Moll Swing version
#
Uwe Roessler
#
SheetMusicPlus
Guitar Sonata No. 5 in G major (open G tuning)
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.985325 Composed by Jeremiah Lawson…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jeremiah Lawson (A0.985325). Guitar Sonata No. 5 in G major is open G tuning. It is in three movements and performance time is abut 10 to 10:15. Movements 1 and 3 are to be played using a glass or bronze slide worn on the fourth finger. The movements are:1. Hobo Spider Blues2. Ragged) and Sor(e) (after Sor's Op. 29, 10)3. Ricardo de YakimaThe first movement is a set of bottleneck technique variations on an original blues theme. Each variation explores different timbrel possibilities such as ordinary tone, pizzicato, sul tasto, and ponticello before recapitulating the original form of the blues theme.The second movement reconceives Sor's study in E flat from his Op. 29 as a ragtime sonata form, with a developmental intrusion from another Sor etude. This ragtime sonata leads attaca into the final movement.The third movement is another set of variations, this time on a two-step dance theme cast in the form of a menuet. It was common in early 19th century guitar sonatas to end with a menuet and so I opted to end with a menuet with variations. In sharp contrast to my first guitar sonata, which drew inspiration from late Beethoven piano sonatas and late Shostakovich string quartets, the inspirations here were Muddy Waters, Fernando Sor, Scott Joplin, Johnny Cash, and Don Helms.This sonata was also recorded by Daniel Estrem on Estrem Plays Lawson, which was released through Magnatune in 2016. .
$9.95
9.16 €
#
Guitar
#
Jeremiah Lawson
#
Guitar Sonata No. 5 in G major
#
Jeremiah Lawson
#
SheetMusicPlus
The Blue Bells of Scotland. Variations From Brinley Richards' Album, No. 45
Piano solo
Piano - Digital Download SKU: LV.445 Composed by Brinley Richards. Children, Girls,…
(+)
Piano - Digital Download SKU: LV.445 Composed by Brinley Richards. Children, Girls, Gardens, Baskets, Flowers. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.445). The Blue Bells of Scotland. Variations From Brinley Richards' Album, No. 45. Brinley Richards. Published [n.d.] by W.A. Evans & Bro., Publishers in New York. Composition of theme and variation with piano instrumentation. Subject headings for this piece include Children, Girls, Gardens, Baskets, Flowers. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
#
Piano solo
#
Brinley Richards
#
The Blue Bells of Scotland. Variations From Brinley Richards' Album, No. 45
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
No. 4. The Four Sisters
Piano solo
Piano - Digital Download SKU: LV.1366 Composed by T. Costellow. Lester S. Levy Coll…
(+)
Piano - Digital Download SKU: LV.1366 Composed by T. Costellow. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1366). No. 4. The Four Sisters. onsisting of Four Familiar Airs as an Inducement to Practice. Composed for and Named after Four Sisters by T. Costellow. Published [n.d.] by J.G. Klemm Music Seller in Philadelphia. Composition of theme and variation with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
#
Piano solo
#
T
#
No. 4. The Four Sisters
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
The Jasmine in June and Variation no.18
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1463095 Composed by Sergei Rachmani…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1463095 Composed by Sergei Rachmaninoff. Arranged by T.P. Folk,Romantic Period. Score. 5 pages. Titanic Press #1041817. Published by Titanic Press (A0.1463095). The Jasmine in June is a very oriental beautiful elegant Taiwanese folk song. By double lining and emerging in it's melody with the Rhapsody on theme of paganini variation no.18 by Rachmaninoff, this piece challenges polyphonic playinng skill and the nice voice leading while maintaining the sense of Rachmaninoff-style romantic passionate atmosphere.
$5.55
5.11 €
#
Piano solo
#
double lining and emerging in it's melody with the Rhapsody on theme of paganini variation no
#
Sergei Rachmaninoff
#
The Jasmine in June and Variation no.18
#
Titanic Press
#
SheetMusicPlus
Mark Me Alfred. A Favorite Air With Variations for the Piano Forte
Piano solo
Piano - Digital Download SKU: LV.1369 Composed by J. Hewitt. Lester S. Levy Collect…
(+)
Piano - Digital Download SKU: LV.1369 Composed by J. Hewitt. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1369). Mark Me Alfred. A Favorite Air With Variations for the Piano Forte. Composed by J. Hewitt. Published [n.d.] by J. Hewitt's Musical Repository and Library, No. 59 Maiden Lane in New York. Composition of theme and variation with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
#
Piano solo
#
J
#
Mark Me Alfred. A Favorite Air With Variations for the Piano Forte
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Caprice no.24 for 5 strings
String Ensemble,String Quintet Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.…
(+)
String Ensemble,String Quintet Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1034429 Composed by Nicollo Paganini. Arranged by Myung Hwang PARK. 20th Century,Classical. Score and parts. 44 pages. Mhp #639780. Published by mhp (A0.1034429). Originally for solo violin, Paganini's caprice no.24 is surely the most famous piece of him. Arranged for 5 strings(string quartet plus 3rd violin), this arrangement more than just a simple harmonisation: Exploring the concept of variations, which consistes in expending musical possibilities from the original theme, each variation has a proper musical language different from another. Some variations has a stylistic reference or direct quotes of other classical pieces combined with the original theme. The original solo violin part is divided for 3 violins, alternating by phrase(s).
$20.00
18.42 €
#
Nicollo Paganini
#
Caprice no.24 for 5 strings
#
mhp
#
SheetMusicPlus
Prelude Op.11 No 5
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899143 Composed by Alexander Scria…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899143 Composed by Alexander Scriabin. Arranged by Rod Whittle. Romantic Period. Individual part. 2 pages. Maggie Creek Music #4758403. Published by Maggie Creek Music (A0.899143). for solo classical guitar 2ppAlexander Scriabin 1872-1915 Some relevant facts about Scriabin are: He was Russian – he was born and died in Moscow. He was a child prodigy of the piano, and a great admirer of Chopin. His piano and orchestral compositions are finely crafted, the latter uniting aesthetics with religion. Both are naturally laced with the Russian temperament, and show an embrace of the harmonic revolution of his time. The Opus 11 preludes are early pieces exhibiting Scriabin's melodic and harmonic flair. The form of No 4 is binary, with a surprising, very expressive and poignant coda. No 5 could be described as a theme (with a prominent ninth) followed by two variations. The first variation ends with a bridging section that briefly changes tempo. maggie creek music
$5.00
4.6 €
#
Guitar
#
Alexander Scriabin
#
#
Prelude Op.11 No 5
#
Maggie Creek Music
#
SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
193.37 €
#
Orchestra
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op. 17
#
Adrian Gagiu
#
SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
193.37 €
#
Orchestra
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op. 17
#
Adrian Gagiu
#
SheetMusicPlus
Hommages and Prelude No. 1
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 2…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99
27.62 €
#
Piano solo
#
David Fraser
#
Hommages and Prelude No. 1
#
David Fraser
#
SheetMusicPlus
Variations on a Theme By Paganini
French Horn and Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.738315 Composed by Nicolo Pa…
(+)
French Horn,Piano - Level 4 - Digital Download SKU: A0.738315 Composed by Nicolo Paganini. Arranged by Fiona Hickie. Blues,Celtic,Classical,Folk,Irish,Romantic Period. Score and part. 14 pages. Fiona Alice Hickie #6477451. Published by Fiona Alice Hickie (A0.738315). Variations on a Theme by Niccolo Paganini arranged for French Horn and Piano by Fiona Hickie with a few new variations. It incudes Theme – Caprice No. 24 (Paganini/Leopold Auer) Variation 1 - Triplet (Paganini/Leopold Auer) Variation 2 - Semiquaver (Paganini/Leopold Auer) Variation 3 – Swing (Fiona Hickie) Variation 4 – Jazz Waltz (Fiona Hickie) Variation 5 – Hornpipe (Fiona Hickie) Variation 6 - Theme (Paganini/Fiona Hickie) Arranged Fiona Hickie (2021)
$5.99
5.52 €
#
French Horn and Piano
#
Nicolo Paganini
#
Variations on a Theme By Paganini
#
Fiona Alice Hickie
#
SheetMusicPlus
Theme and Variations (Andante) from Symphony No. 94 ("Surprise")
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.840485 Composed by Franz Joseph H…
(+)
Concert Band - Level 5 - Digital Download SKU: A0.840485 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Classical,Contest,Festival,Historic. Score and Parts. 93 pages. Ted R. Marcus #3368179. Published by Ted R. Marcus (A0.840485). The tonal palette of the modern concert band brings fresh color and variety to the complete second movement of Haydn's Surprise Symphony. The famous theme and one of the variations explore the subtle contrast between bassoon and English horn. The original repeats are opened up and scored differently, using contrasting colors and combinations of solo clarinet, solo flute, piccolo, and soprano saxophone. A repeated section first has a flute and oboe accompanied with clarinets, then a saxophone quartet on the repeat. One variation features a solo piccolo and bells. And a prominent pair of horns recalls the sound of Haydn's divertimenti for wind ensemble. Duration: approx. 6:00. Written for an adult community band, this challenging arrangement is appropriate for a university, college, or community band, or an adventurous high school wind ensemble. The bassoon, English horn, and soprano saxophone parts are all fully cued to allow rehearsal or performance in the absence of any or all of them. Two strong horn players are essential; but the third and fourth horn parts are easier, and cued in trombones and euphonium. The bassoon parts use the tenor clef and ascend to a high B-flat; the second bassoon has only one 8-measure high passage that doubles the horns and can be omitted if necessary. The alternate versions of both bassoon parts use only bass clef but are otherwise identical. All essential bassoon passages are cued in saxophone and bass clarinet parts.Instrumentation: Piccolo / Flute 1-2 / Oboe / English Horn / Clarinet 1-2-3 / Alto Clarinet / Bass Clarinet / Bassoon 1-2 (and alternate parts using only bass clef) / Soprano Saxophone / Alto Saxophone / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 / Euphonium / Baritone T.C. / Tuba / String Bass / Percussion (snare drum, crash cymbals) / Mallets (xylophone, bells) / TimpaniPlease visit my Web site to explore more classics for adventurous concert bands.
$45.00
41.44 €
#
Concert band
#
Franz Joseph Haydn
#
Theme and Variations
#
Ted R. Marcus
#
SheetMusicPlus
Hommages I. Rhapsody No. 1
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1384057 Composed by David Fraser. 2…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1384057 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 42 pages. David Fraser #968418. Published by David Fraser (A0.1384057). David Fraser wrote the first 41 measures of ‘Rhapsody No. 1’ in 1997. When playing the original 41 measures of this piece in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers.In the “Adagio†section, which starts on Page 3, Fraser uses an inversion of a small melody from Rachmaninoff’s Rhapsody on a Theme of Paganini, Op. 4, variation 18. Specifically, Rachmaninoff’s piece starting with the D-flat of beat one in measure 9 going backwards to measure 8 to the C, B-flat, A-flat and B-flat of the fourth beat is replicated in Fraser’s piece in the pickup to beat three through beat four of measure 10, however with rhythmic changes. In addition, there are some harmonic similarities between Rachmaninoff and Fraser’s music.This is the full version of the Rhapsody which is the first piece from 'Hommages: Suite pour le Piano'. 45 pages. ISMN 979-0-800277-00-9.
$9.99
9.2 €
#
Piano solo
#
David Fraser
#
Hommages I. Rhapsody No. 1
#
David Fraser
#
SheetMusicPlus
Guitar Sonata on Themes by Thomas Commuck (Guitar Sonata No. 11 in B major)
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1452092 Composed by Jeremiah Lawso…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.1452092 Composed by Jeremiah Lawson. 21st Century,Classical. Individual part. 18 pages. Jeremiah Lawson #1031408. Published by Jeremiah Lawson (A0.1452092). Thomas Commuck (1804 to 1855) was a member of the Narragansett tribe and is considered the first NativeAmerican to publish a musical work using Western European notation. The work, Indian Melodies, is a shape‐notehymnal published as a contribution to the hymnody of the Methodist Episcopal Church and was published in 1845.Guitar Sonata on themes by Thomas Commuck is a traditional four‐movement work with an opening sonatamovement (Mooanam); a double variation form (Menominie and Susquehannah); a canonic minuet with trio (Pequot and Missouri; and a closing prelude with fugue (Flathead). The melodies are labeled as they appear throughout the score, though not always with reference to their original forms. I made a few gentle modifications to Commuck’s melodies to better facilitate their use in polyphonic textures.You can hear the second movement herehttps://youtu.be/OR8NMAyXlRkand the third movement herehttps://youtu.be/OjF7SxlQok0I'm publishing this work in June 2024 to commemorate the centennial of the Indian Citizenship Act of 1924.
$5.00
4.6 €
#
Guitar
#
Jeremiah Lawson
#
Guitar Sonata on Themes by Thomas Commuck
#
Jeremiah Lawson
#
SheetMusicPlus
Prelude 5 in Bb Major Lydian
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.52 €
#
Piano solo
#
Brian Golden
#
Prelude 5 in Bb Major Lydian
#
Brian Golden
#
SheetMusicPlus
Variations on a Theme by Paganini
Trumpet, Piano
Piano Accompaniment, Trumpet - Advanced Intermediate - Digital Download Composed by N…
(+)
Piano Accompaniment, Trumpet - Advanced Intermediate - Digital Download Composed by Nicolo Paganini (1782-1840). Arranged by Fiona Hickie. Romantic Period, Blues, Folk, Recital. Score, Solo Part. 14 pages. Published by Fiona Hickie
Variations on a Theme by Niccolo Paganini arranged for Trumpet and Piano by Fiona Hickie with a few new variations. It incudes<br> <br> Theme – Caprice No. 24 (Paganini/Leopold Auer)<br> <br> Variation 1 - Triplet (Paganini/Leopold Auer)<br> <br> Variation 2 - Semiquaver (Paganini/Leopold Auer)<br> <br> Variation 3 – Swing (Fiona Hickie)<br> <br> Variation 4 – Jazz Waltz (Fiona Hickie)<br> <br> Variation 5 – Hornpipe (Fiona Hickie)<br> <br> Variation 6 - Theme (Paganini/Fiona Hickie)<br> <br> Arranged Fiona Hickie (2021)
$5.99
5.52 €
#
Trumpet, Piano
#
Nicolo Paganini (1782-1840)
#
Variations on a Theme by Paganini
#
Fiona Hickie
#
SheetMusicPlus
Mastering Melodies: The Classical Period
Piano solo
Piano - Intermediate - Digital Download SKU: LX.70-1209H Simplified-late beginne…
(+)
Piano - Intermediate - Digital Download SKU: LX.70-1209H Simplified-late beginner/early intermediate piano. Composed by Janet Vogt Zeitler. Piano Collection. 16 pages. Heritage Music Press #e70/1209H. Published by Heritage Music Press (LX.70-1209H). UPC: 000308040944.Series of 10 books: 16 pgs. - being 7 or 8 songs in each book. Simplified selections for late beginner/early intermediate piano students. Each book concludes with a 4 hand duet for two students.
Song List: Allegro From Eine Kleine Nachtmusik Duet Alleluia From Exsultate Jubilate Andante from Surprise Symphony Andante From Symphony No 1 Gypsy Rondo Rondo From Violin Concerto Op 61 Serenade From String Quartet Op 3 No 5 Theme From Theme And Variation
$3.95
3.64 €
#
Piano solo
#
Janet Vogt Zeitler
#
Mastering Melodies: The Classical Period
#
Heritage Music Press
#
SheetMusicPlus
Unaccompanied Tuba Suite #2 in B-flat Major
Tuba
Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th…
(+)
Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the B♠Major key and related tonalities. It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it. Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme. Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which. Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed. The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats. A gigue that washes away the previous variation’s mood. Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo. This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken. Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness. Get ugly. 10 MARCH Must use repeats. If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2. Practice it slow and build up speed. Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously. Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye. Be aggressive with the arpeggios for the harmony to resound.
$15.99
14.72 €
#
Tuba
#
Jason Allie
#
Unaccompanied Tuba Suite #2 in B-flat Major
#
Joaba LLC
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
