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There's the Rub: Score
Sheetmusic to print
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There's the Rub: Score
Jazz Ensemble
Jazz Ensemble - Digital Download SKU: AX.00-PR-0005315 Score. Composed by Go…
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Jazz Ensemble - Digital Download SKU: AX.00-PR-0005315 Score. Composed by Gordon Goodwin. Arranged by Peter Blair. Jazz. Score. 12 pages. Alfred Music - Digital Sheet Music #00-PR-0005315. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005315). UPC: 038081496009.It's funky and accessible---it's a Gordon Goodwin tune arranged for young band. The tempo is around 180 BPM with written-out solos available for any saxophone. The lead trumpet range is to written G on top of the staff. Great chart! (2:38).
$9.00
8.32 €
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Jazz Ensemble
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Gordon Goodwin
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There's the Rub: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
There's the Rub: Score
Jazz Ensemble
By Gordon Goodwin. For Jazz Ensemble. Instructional. Score. 24 pages. Published by Alfred …
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By Gordon Goodwin. For Jazz Ensemble. Instructional. Score. 24 pages. Published by Alfred Music - Digital Sheet Music
$10.00
9.24 €
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Jazz Ensemble
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Gordon Goodwin
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There's the Rub: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
It's Only A Paper Moon
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1344909 Composed by Billy Rose, E.Y…
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Piano Solo - Level 3 - Digital Download SKU: A0.1344909 Composed by Billy Rose, E.Y. Yip Harburg, and Harold Arlen. Arranged by Phyllis Love. Jazz,Standards. Score. 3 pages. Phyllis Love #923432. Published by Phyllis Love (A0.1344909). It's Only A Paper Moon for intermediate pianoHarold Arlen wrote this swing tune in 1932. Here is an upbeat arrangement where there's a rubato intro, which then proceeds to a very rhythmic, finger snapping beat, and actually sounds a lot harder than it is to play!Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano at the intermediate level:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$4.99
4.61 €
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Piano solo
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Billy Rose, E
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It's Only A Paper Moon
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Phyllis Love
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SheetMusicPlus
Gordon Goodwin: There's the Rub - jazz band (full score)
Jazz Ensemble
Instantly printable sheet music by Gordon Goodwin for jazz band (full score) of MEDIUM ski…
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Instantly printable sheet music by Gordon Goodwin for jazz band (full score) of MEDIUM skill level. / jazz
$8.99
8.31 €
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Jazz Ensemble
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Gordon Goodwin
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Virtualsheetmusic
Gordon Goodwin: There's the Rub - jazz band (full score)
Jazz Ensemble
Instantly printable sheet music by Gordon Goodwin for jazz band (full score) of HIGH skill…
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Instantly printable sheet music by Gordon Goodwin for jazz band (full score) of HIGH skill level. / instructional,jazz
$9.99
9.24 €
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Jazz Ensemble
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Gordon Goodwin
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Virtualsheetmusic
Prelude and Cherubic Hymn, incorporating "Let all mortal flesh keep silence"
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.821201 Composed by Gordon …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.821201 Composed by Gordon Thornett. Christian,Christmas,Praise & Worship,Sacred. Octavo. 14 pages. Gordon John Thornett #3861793. Published by Gordon John Thornett (A0.821201). Prelude and Cherubic Hymn was commissioned by the John F. Kennedy School in Berlin, to mark the 25th anniversary of their annual Advent services held in Berlin Cathedral. It was performed by joint choirs, drawn from students, parents and faculty, and choir members of the American Church in Berlin on 29 November 2017.The piece is built around the ancient hymn, Let all mortal flesh keep silence. I was asked to write an organ prelude, to serve as a processional as the choirs assembled. This may be ordered separately through SwirlyMusic.org - and now also through SheetMusicPlus.After an opening fanfare-like section, the hymn setting starts gently, with sopranos singing in unison, with successive verses using contrasting choral forces to reflect the words, and the music builds to a big climax, with a return of the fanfare opening, for the final verse, At his feet the six-winged seraph, ending with joyful Alleluias. Although originally conceived for a large chorus with orchestral accompaniment, the setting may be performed with just organ or piano.There's a youtube video at https://youtu.be/HQwYDJRdmcc - this is an extract from the first performance in the magnificent setting of Berlin Cathedral, which was packed to capacity. The quality of both sound and picture isn't great, but it will provide you with an idea of the atmosphere and impact of the piece. The sound recording covers the whole piece, using Sibelius sounds. (You may also like to hear a computer generated recording of the whole piece.)Dr. Joseph R. Curtis, Choral Director at the JFK School, writes:Prelude and Cherubic Hymn is a grand arrangement of the timeless carol 'Let All Mortal Flesh Keep Silence'. Utilizing choir, full orchestra and organ, it is sure to please and impress performers and audience alike. At a recent performance in the Berlin Cathedral, the piece received spontaneous applause (which was a first for this kind of event).NOTE - Although originally scored for orchestra, the piece would work well with just choir and organ - in which case the fanfare sections at the beginning and the first 6 measures at letter F could be omitted. If orchestral score and parts are needed, please go to https://www.swirlymusic.org/music/choral-music/gordon-thornett-cherubic-hymn/.]
$2.50
2.31 €
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Choral SATB
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Gordon Thornett
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Prelude and Cherubic Hymn, incorporating "Let all mortal flesh keep silence"
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Gordon John Thornett
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SheetMusicPlus
Marie-Agnès Nataf: IL FUOCO RUBATO Anamorphoses III for piano
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.533330 Composed by Marie-Agnès N…
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Piano Solo - Level 3 - Digital Download SKU: A0.533330 Composed by Marie-Agnès Nataf. Concert,Contemporary. Score. 7 pages. Musik Fabrik Music Publishing #2344341. Published by Musik Fabrik Music Publishing (A0.533330). Il fuoco rubato is one of the 3 pieces for piano solo Anamorphoses whose titles areBartoquade I, Bartoquade II b and Il fuoco rubato. These pieces can be linked together as awhole, in that order. The duration is of 5 minutes. They can also be played separately, orgrouped by two (Bartoquades I et II b, duration 3’). The same approach governs the writing ofthese compositions : taking model on works of the repertoire and transforming them as muchas possible while keeping a lot of important parameters.There are many cautionary accidentals. They are not enclosed in brackets to avoidoverloading writing. They are not systematically mentionned. In case of doubt, one willconsider the logic of the composition. When useful, one can distribute differently notesbetween the 2 hands on the condition of respecting the balance between voices. The sign *[on measure 80 means chromatic cluster (F-F#-G). Marie-Agnès NATAF was born on March 2, 1952 at Issy-les-Moulineaux, in the suburbs of Paris, Before deciding to devote herself completely to music, she began by studying both mathematics and musics at the same time. She had a varied base in her musical training, which allowed her to understand the teaching of her main teacher Narcis BONET. She studied the piano, chamber music, musical analysis, harmony and also to a lesser degree the flute, counterpoint and conducting. As a pianist, she received a First Prize in Piano and in Chamber Music at the Orsay Conservatory, the Gold Medla at the National Music School of Cahcan and the Artist Diploma at the Ecole Normale de Musique de Paris – in the class of Germaine MOUNIER. For composition, she studied with Narcis BONET (who later invited her to the Conservatoire Américain of Fontainebleau as accompanist and teacher of French Diction), Yoshihisa TAÃRA, and Edith CANAT de CHIZY. Having taught for a time at the Ecole Normale de Musique de Paris, she is currently professor of piano at the Conservatoire Erik Satie of Villebon-sur-Yvette, Marie-Agnès Nataf has a double career of performer and composer. In both areas, she is especially attracted to chamber music, for the rich musical and human exchanges that this type of music permits. She has written her works Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, Révolte sans paroles and Elan brisé for her colleagues the mezzo-soprano Nicole PARAMYTHIOTTI and the flutiste Isabelle MARCHAL with whom he has given concerts for many years. As a performer, she has premiered works by composers such as Gian-Paolo CHITI, Gloria COATES, Jean-Marie MACHADO, Yoshifumi UMEZAWA, Miao Wen WANG, without speaking of her own compositions. She also tries to discover high quality works of music which are rarely performed, especially works by women composers such as Thérèse BRENET, Dianne GOOLKASIAN-RAHBEE, Ruth LOMON. Her principal works are Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, for mezzo-soprano and piano, 8'30, 1981-83-86. Bartoquade I - Anamorphoses I, 1', et Bartoquade II b - Anamorphoses II, 2', for piano, 1990 revised in 2012. Il fuoco rubato - Anamorphoses III for piano, 2', 1991 revised in 2012. Révolte sans paroles for mezzo-soprano, flute and piano, 16'30, 2000. and Elan brisé and flute and piano, 6'30, 2005. In 2001, on the ocassion of the premier of Révolte sans paroles at the Centre Culturel Jacques Brel of of Villebon-sur-Yvette, she was invited to give a conference on her works at the Conservatoire Erik Satie. In April 2002, her songs were selected by the ensemble North /South Consonance directed by Max LIFCHITZ in a competition. In 2012, the Bartoquades were chosen to be on the list of works proposed by the FFEM for their examination list for intermediate pianists. On the su.
$7.95
7.35 €
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Piano solo
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Marie-Agnès Nataf
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Marie-Agnès Nataf: IL FUOCO RUBATO Anamorphoses III for piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
We Have All The Time In The World
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797781 Composed by John…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797781 Composed by John Barry. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 19 pages. Derek Hasted #5776547. Published by Derek Hasted (A0.797781). WE HAVE ALL THE TIME IN THE WORLD - 4 GUITARS (see also trio version)For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is one of two arrangements I made of this piece during the 2020 Coronavirus Lockdown when we all had rather a lot of time on our hands. The other version is an easier arrangement for 3 guitars - find it on my website belowBoth are set in the key that Louis Armstrong sang it in as part of the James Bond Film On Her Majesty’s Secret Service.The other arrangement (for 3 guitars) has a more straightforward rhythm - this intermediate version captures some of Armstrong’s amazing Rubato. The additional guitar part in this version is based on the string motifs and acoustic guitar parts in the original soundtrack, and in a mixed-ability ensemble would suit the most confident player so that the entire piece sounds as relaxed as the original.There are two Guitar One parts in this edition - one that sits above the other instruments in pitch, and in a quartet will carry well. The other is at the pitch Louis Armstrong sang. Because of the depth and timbre of the line, the low version will struggle to cut through the accompaniment unless the other parts are played in a subdued voice. In a large ensemble, one can put a few more players on this line, or indeed play both versions - they are completely compatible. Both lines feature the Flugelhorn solo in the original.I hope you enjoy playing this piece!
$4.99
4.61 €
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John Barry
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We Have All The Time In The World
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Derek Hasted
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SheetMusicPlus
COMPLETE Mixed Abilities Classroom Ensemble Pack AND Christmas Pack! Mega value bundle of the whole TWO series of music for classrooms and school ensembles
School Ensemble
Composed by Welsh trad., French Trad, L Mason, F. Gruber, J. Pierpont. Arranged by A…
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Composed by Welsh trad., French Trad, L Mason, F. Gruber, J. Pierpont. Arranged by Austin Ralphson. Blues, Funk Jazz, Classroom, General Instructional, Christmas. Score, Set of Parts. 973 pages. Published by Austin Ralphson
This pack contains over 900 pages of music for mixed ability ensembles. There are 4 original pieces and 5 Christmas pieces, as follows:<br> <br> <br> The Mixed Abilities School Ensemble Series<br> <br> Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.<br> <br> Each piece has five different parts which are split into four ability levels as follows:<br> <br> A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity.<br> <br> This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:<br> <br> Part 1 – melody / countermelody (alternates with Part 2)<br> <br> Part 2 – melody / countermelody (alternates with Part 1)<br> <br> Part 3 – accompaniment (synchronises with Part 4)<br> <br> Part 4 –accompaniment (synchronises with Part 3)<br> <br> Part 5 – bass line (independent)<br> <br> Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:<br> <br> Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.<br> <br> An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.<br> <br> Example: A quintet might be selected as follows:<br> <br> 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)<br> <br> The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.<br> <br> Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities.<br> <br> This pack includes all four pieces in the series (volumes 1 and 2) as follows:<br> <br> BANANA BLUES is a 12-bar Blues piece<br> <br> CRAZY LATIN! has additional parts for Latin percussion commonly found in the classroom<br> <br> IT'S TIME FOR REGGAE! is a reggae piece<br> <br> FEEL THE FUNK brings funky, James Brown-esque rhythms into the classroom.<br> <br> Please listen to the mp3 file, which is an electronic example of a typical classroom setup.<br> <br> Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package with over 680 pages of music, representing a massive saving on individual purchase prices.<br> <br> <br> <br> 5 Christmas pieces:<br> <br> Each piece is arranged into 13 different parts which cater for the large majority of musicians within school. These include: <br> <br> * a variety of difficulties in C, B flat, E flat, higher octave for flutes and alto clef for violas <br> <br> * easy and standard bass parts in treble and bass clefs, and also in B flat and E flat for saxophones or brass band players <br> <br> * very easy violin and viola parts on open strings only <br> <br> * easy and standard piano parts <br> <br> * ukulele part in tab, chord patterns and chord letters <br> <br> * guitar part in tab, chord patterns and chord letters <br> <br> * general chord plan in chord letters <br> <br> Teachers / band leaders can select the parts which are most appropriate for their students. The music is intended to be repeated a number of times, with different parts coming in and out for each repeat to create variety.<br> <br> Printing and Copying<br> <br> The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.<br> <br> ** Also check out my Scales and Arpeggios Pack - excellent methods for learning scales and arpeggios at all levels (copy and paste into new tab) https://tinyurl.com/y8wl3qnq **
$34.99
32.35 €
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School Ensemble
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Welsh trad
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COMPLETE Mixed Abilities Classroom Ensemble Pack AND Christmas Pack! Mega value bundle of the whole TWO series of music for classrooms and school ensembles
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Austin Ralphson
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SheetMusicPlus
The American Road: Score
Concert band
Concert Band - Digital Download SKU: AX.00-PR-0002624 Score. Composed by Jer…
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Concert Band - Digital Download SKU: AX.00-PR-0002624 Score. Composed by Jerry Brubaker. Instructional. Score. 40 pages. Alfred Music - Digital Sheet Music #00-PR-0002624. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0002624). UPC: 038081351186.This piece for symphonic band by Jerry Brubaker is a musical excursionA into the American driving experience. From majestic mountain vistas and wide open spaces to the hustle and bustle of rush hour traffic. There is even a section about the beloved covered bridge. Find one and there's bound to be an interesting little two lane country road leading up to it. The piece is designed around just two themes which are tied together in the final section which the composer calls Our Favorite Road. This can be the road to the beach, to the mountains or just simply cruisin' with the top down on a summer afternoon! Enjoy this delightful taste of Americana. (7:11) This title is available in SmartMusic.Concert/Contest.
$10.00
9.24 €
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Concert band
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Jerry Brubaker
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The American Road: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Silent Night from Enchanted Carols (Downloadable Choral Score)
SA choir and organ or piano, with optional cello - Moderately Easy - Digital Download S…
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SA choir and organ or piano, with optional cello - Moderately Easy - Digital Download SKU: MQ.56-0095-E Composed by Franz Xaver Gruber and Howard Goodall. Christmas, Lessons and Carols. 6 pages. Duration 3 minutes, 32 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0095-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0095-E). English.Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 3:32.
$2.75
2.54 €
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Franz Xaver Gruber and Howard Goodall
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Silent Night from Enchanted Carols
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Chattanooga Choo Choo: Score
Jazz Ensemble
Jazz Ensemble - Digital Download SKU: AX.00-PR-0003053 Score. Arranged by Mi…
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Jazz Ensemble - Digital Download SKU: AX.00-PR-0003053 Score. Arranged by Mike Carubia. Instructional. Score. 24 pages. Alfred Music - Digital Sheet Music #00-PR-0003053. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0003053). UPC: 029156199963.You can hear the train comin' down the tracks! Mike Carubia presents this big band classic in a fresh new arrangement for jazz ensemble with jazz vocal quartet, in either SATB or optional SSAA versions. There's even an optional vocal solo, which makes this quality chart all the more flexible. (Vocal Solo range: B-flat below staff to 4th line D, treble clef) (duration 2:33).
$9.00
8.32 €
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Jazz Ensemble
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Chattanooga Choo Choo: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
Brass quartet : 2 trumpets, trombone, tuba
Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de…
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Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
46.18 €
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Brass quartet : 2 trumpets, trombone, tuba
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Guillaume de Machaut, 1300-1377
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Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1258034 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851272. Published by jmsgu3 (A0.1258034). Instrumentation: English Horn Duo & Bassoon Duo.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
46.18 €
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Flute, Oboe, Clarinet, Bassoon
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Guillaume de Machaut, 1300-1377
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Bassoon Duo
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Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
Flute Quartet: 4 flutes
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
46.18 €
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Flute Quartet: 4 flutes
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Guillaume de Machaut, 1300-1377
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Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259372 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852647. Published by jmsgu3 (A0.1259372). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Clarinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
46.18 €
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Clarinet Quartet: 4 clarinets
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Guillaume de Machaut, 1300-1377
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Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for String Quartet - Score Only
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1257044 Composed…
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850380. Published by jmsgu3 (A0.1257044). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
46.18 €
#
String Quartet: 2 violins, viola, cello
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Guillaume de Machaut, 1300-1377
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Machaut: La Messe de Nostre Dame for String Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Band of Brothers, Symphonic Suite from: E-flat Alto Saxophone
Saxophone (band part)
Concert Band - Digital Download SKU: AX.00-PC-0002323_AX1 E-flat Alto Saxophone
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Concert Band - Digital Download SKU: AX.00-PC-0002323_AX1 E-flat Alto Saxophone. Composed by Michael Kamen. Arranged by Jerry Brubaker. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0002323_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002323_AX1). ISBN 9780757933714. UPC: 654979046387.From the HBO mini-series, Jerry Brubaker has captured the essence of Michael Kamen's score in this diverse medley. From the lovely soaring ballads to the drivingly intense splashes of sound, it's all there. Simply stunning! (5:13).
$3.00
2.77 €
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Saxophone (band part)
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Michael Kamen
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Band of Brothers, Symphonic Suite from: E-flat Alto Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Were You There (When They Crucified My Lord)
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1139588 Composed by Teresa Y…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1139588 Composed by Teresa Young. Arranged by Teresa Young. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score. 6 pages. Teresa Young #739863. Published by Teresa Young (A0.1139588). Teresa Young's setting of this haunting Lenten traditional is for one or more soloists and piano. The arrangement is rubato and meditative, but tension rises throughout, as each of four verses ascends a half-step. The resulting rigor and intensity make multiple soloists a practical and compelling approach.
$4.99
4.61 €
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Piano, Voice
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Teresa Young
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Were You There
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Teresa Young
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SheetMusicPlus
Ruby and Steel (for alto saxophone and piano)
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.971650 Composed by Jeffre…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.971650 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 25 pages. Musicart Publications #4628067. Published by Musicart Publications (A0.971650). Ruby and Steel (duration 7 min.) is a fantasy work for alto saxophone and piano, reflecting on the physical qualities and contrasts between an unlikely pairing of materials – nature's precious gemstone ruby and the manmade material steel. The ideas of the red glow of molten steel and the red light of ruby are held in common. Establishing a modern yet Romantic atmosphere, an extended piano solo opens the work. The music is developed through a thematic transformation process: gestures of earlier music reappears as transformations of its previous selves. The interaction (both musical dialogue and subsequent agreement) between piano and saxophone is a prominent characteristic, along with ebb-and-flow of tempo. As with several other compositions by Jeffrey Hoover, there is an abstract painting–Ruby and Steel–created by Hoover as a visual interpretation of the musicJeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.
$19.95
18.44 €
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Alto Saxophone and Piano
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Jeffrey Hoover
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Ruby and Steel
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Musicart Publications
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SheetMusicPlus
Thank You For The Music
French Horn and Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.583097 By ABBA. By Benny And…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.583097 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Jeff Tincher. Contemporary. Score and part. 25 pages. Jeff Tincher #3562759. Published by Jeff Tincher (A0.583097). This is a F instrument and Piano arrangement of one of Abba's big hits. In the original key from their Abba: The Album project, this song has many moods and tempo changes within the piece. The score has the tempo indicators printed to show how the rubato sections go with the recording. There are also many arpeggios within the piece. This song appears in both Mamma Mia and Mamma Mia: Here We Go Again movies. The arrangement is fun for the performer as well as the listener. Duration=3:55. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
5.54 €
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French Horn and Piano
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ABBA
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Thank You For The Music
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Jeff Tincher
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SheetMusicPlus
Thank You For The Music
Trumpet, Piano
Piano,Trumpet - Level 2 - Digital Download SKU: A0.583094 By ABBA. By Benny Anderss…
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.583094 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Jeff Tincher. Contemporary. Score and part. 26 pages. Jeff Tincher #3562753. Published by Jeff Tincher (A0.583094). This is a Bb instrument and Piano arrangement of one of Abba's big hits. In the original key from their Abba: The Album project, this song has many moods and tempo changes within the piece. The score has the tempo indicators printed to show how the rubato sections go with the recording. There are also many arpeggios within the piece. This song appears in both Mamma Mia and Mamma Mia: Here We Go Again movies. The arrangement is fun for the performer as well as the listener. Duration=3:55. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
5.54 €
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Trumpet, Piano
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ABBA
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Thank You For The Music
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Jeff Tincher
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SheetMusicPlus
Thank You For The Music
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.583093 By ABBA. By Benny And…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.583093 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Jeff Tincher. Contemporary. Score. 17 pages. Jeff Tincher #3562751. Published by Jeff Tincher (A0.583093). This is a piano/vocal/guitar arrangement of one of Abba's big hits. In the original key from their Abba: The Album project, this song has many moods and tempo changes within the piece. The score has the tempo indicators printed to show how the rubato sections go with the recording. There are also many arpeggios within the piece. This song appears in both Mamma Mia and Mamma Mia: Here We Go Again movies. The arrangement is fun for the performer as well as the listener. Duration=3:55. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
5.54 €
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Piano, Voice
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ABBA
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Thank You For The Music
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Jeff Tincher
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SheetMusicPlus
Thank You For The Music
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.583096 By ABBA. By Benny …
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.583096 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Jeff Tincher. Contemporary. Score and part. 26 pages. Jeff Tincher #3562757. Published by Jeff Tincher (A0.583096). This is a Eb instrument and Piano arrangement of one of Abba's big hits. In the original key from their Abba: The Album project, this song has many moods and tempo changes within the piece. The score has the tempo indicators printed to show how the rubato sections go with the recording. There are also many arpeggios within the piece. This song appears in both Mamma Mia and Mamma Mia: Here We Go Again movies. The arrangement is fun for the performer as well as the listener. Duration=3:55. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
5.54 €
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Alto Saxophone and Piano
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ABBA
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Thank You For The Music
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Jeff Tincher
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SheetMusicPlus
Thank You For The Music
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.583098 By ABBA. …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.583098 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Jeff Tincher. Contemporary. Score and parts. 37 pages. Jeff Tincher #3562761. Published by Jeff Tincher (A0.583098). This is a String Quartet (Violins 1 & 2, Viola, Piano) arrangement of one of Abba's big hits. In the original key from their Abba: The Album project, this song has many moods and tempo changes within the piece. The score has the tempo indicators printed to show how the rubato sections go with the recording. There are also many arpeggios within the piece. This song appears in both Mamma Mia and Mamma Mia: Here We Go Again movies. The arrangement is fun for the performer as well as the listener. This is also a 2018 New ArrangeMe Song Contest Entry. Duration=3:55. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
12.01 €
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String Quartet: 2 violins, viola, cello
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ABBA
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Thank You For The Music
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Jeff Tincher
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SheetMusicPlus
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