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There Will Be Music!
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There Will Be Music!
Choral 2-part
2-part choir, Piano - Digital Download SKU: LX.15-2003H Composed by Rebecca Rossite…
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2-part choir, Piano - Digital Download SKU: LX.15-2003H Composed by Rebecca Rossiter. New Horizons Series. Concert. Octavo. 8 pages. Heritage Music Press #e15/2003H. Published by Heritage Music Press (LX.15-2003H). UPC: 000308102512.This fresh, sophisticated, lilting original sings about the joys of making music together in a choir and the bonds of friendship created through that experience.
$2.40
2.16 €
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Choral 2-part
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Rebecca Rossiter
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There Will Be Music!
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Heritage Music Press
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SheetMusicPlus
There Will Be A Miracle (from "See What I Wanna See")
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000310 Composed by Michael Joh…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000310 Composed by Michael John LaChisua. Standard. 7 pages. Alfred Music - Digital Sheet Music #00-XS-0000310. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000310). ISBN 9780739074046. UPC: 038081403380.This first-ever Michael John LaChiusa sheet music collection contains 39 songs from one of the most distinctive and admired theatre composers of our time. More than 250 pages of music chronicle two decades of LaChiusa shows, from early 1990s breakouts First Lady Suite and Hello Again to celebrated favorites like The Wild Party, See What I Wanna See, and much more. The composer supplied a wealth of previously unpublished music for this collection, ensuring that even the most devoted LaChiusa fan will discover new and exciting songs among these pages. Titles: * Adela (from Bernarda Alba) * Beautiful (Marie Christine) * The Bed Was Not My Own (Hello Again) * By the Way (Little Fish) * The Christian Thing to Do (The Seven Deadly Sins) * Coffee (See What I Wanna See) * Curiosity (See What I Wanna See) * Eleanor Sleeps Here (First Lady Suite) * Fraud (Broken Sleep) * The Gift of You (The Nutcracker) * He Wanted a Girl (Giant) * Heaven (Hotel C'est l'Amour) * Hello Again (Hello Again) * Hello, Lover, Hello (Send (who are you? I love you) * The Highest Yellow (The Highest Yellow) * How Many Women in the World? (The Wild Party) * I Don't Hear the Ocean (Marie Christine) * I Ran (Little Fish) * Little Fish (Little Fish) * Martirio (Bernarda Alba) * Mistress of the Senator (Hello Again) * My Husband Was an Army Man (First Lady Suite) * The One I Love (Hello Again) * Optimistic (Lovers and Friends) * People Like Us (The Wild Party) * Private Property (Giant) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * She Looked at Me (See What I Wanna See) * Simple Creature (Little Fish) * The Smallest Stream (Bernarda Alba) * The Smallest Thing (First Lady Suite) * A Stranger (Giant) * There Will Be a Mirac.
$3.99
3.6 €
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Piano, Vocal and Guitar
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the Way
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Michael John LaChisua
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There Will Be A Miracle
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
There Will Be Stars
Chorus - Digital Download SKU: AX.00-PO-0007239 Composed by Andy Beck. Secular Chor…
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Chorus - Digital Download SKU: AX.00-PO-0007239 Composed by Andy Beck. Secular Choral. Octavo. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0007239. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0007239). UPC: 038081581989.
$2.30
2.07 €
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Andy Beck
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There Will Be Stars
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
There Will Be Stars
Chorus - Digital Download SKU: AX.00-PO-0007238 Composed by Andy Beck. Secular Chor…
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Chorus - Digital Download SKU: AX.00-PO-0007238 Composed by Andy Beck. Secular Choral. Octavo. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0007238. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0007238). UPC: 038081581972.
$2.30
2.07 €
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Andy Beck
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There Will Be Stars
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
There Will Be Stars
Chorus - Digital Download SKU: AX.00-PO-0007240 Composed by Andy Beck. Secular Chor…
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Chorus - Digital Download SKU: AX.00-PO-0007240 Composed by Andy Beck. Secular Choral. Octavo. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0007240. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0007240). UPC: 038081581996.
$2.30
2.07 €
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Andy Beck
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There Will Be Stars
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
There Will Be Rest
Choral SATB
Choral Choir,Choral,Voice (SATB Divisi) - Digital Download SKU: HX.1261006 Composed…
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Choral Choir,Choral,Voice (SATB Divisi) - Digital Download SKU: HX.1261006 Composed by Justin Miller. This edition: scorch. Concert. 10 pages. Duration 225. Fred Bock Music Company #0. Published by Fred Bock Music Company (HX.1261006).
$3.25
2.93 €
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Choral SATB
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Justin Miller
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There Will Be Rest
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Fred Bock Music Company
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SheetMusicPlus
There Will Be Rest
SA/SSA - Digital Download SKU: MQ.40-96570-E Composed by Tom T. Jr. Shelton. Octavo…
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SA/SSA - Digital Download SKU: MQ.40-96570-E Composed by Tom T. Jr. Shelton. Octavo. 7 pages. Colla Voce Music - Digital #40-96570-E. Published by Colla Voce Music - Digital (MQ.40-96570-E). Latin Liturgical Text
$2.05
1.85 €
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Tom T
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There Will Be Rest
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Colla Voce Music - Digital
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SheetMusicPlus
There Will Be Rest
Choral Choir,Choral,Voice (SATB Divisi) - Digital Download SKU: HX.1261006 Composed…
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Choral Choir,Choral,Voice (SATB Divisi) - Digital Download SKU: HX.1261006 Composed by Justin Miller. This edition: scorch. Concert. 10 pages. Duration 225. Fred Bock Music Company #0. Published by Fred Bock Music Company (HX.1261006).
$3.25
2.93 €
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Justin Miller
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There Will Be Rest
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Fred Bock Music Company
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.64 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
It's Not Gonna Be That Easy
Small Ensemble Bass Guitar,Drums,Piano,Voice - Level 2 - Digital Download SKU: A0.80944…
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Small Ensemble Bass Guitar,Drums,Piano,Voice - Level 2 - Digital Download SKU: A0.809448 By Dan Seals. By Deborah Allen, Edward H. Ii Struzick, and Rafe G. Van Hoy. Arranged by Dan Seals. Contemporary. Score and parts. 12 pages. Unimusic Academy (Academia Unimusica) #6639253. Published by Unimusic Academy (Academia Unimusica) (A0.809448). Danny Wayland Seals (February 8, 1948 – March 25, 2009) was an American musician. The younger brother of Seals and Crofts member Jim Seals, he first gained fame as England Dan, one half of the soft rock duo England Dan & John Ford Coley, who charted nine pop singles between 1976 and 1980, including the No. 2 Billboard Hot 100 hit I'd Really Love to See You Tonight. After the duo disbanded, Seals began a solo career in country music. Throughout the 1980s and into the early 1990s, he released 16 studio albums and charted more than 20 singles on the country charts. Eleven of his singles reached number one: It's Not Gonna Be That Easy, Meet Me in Montana (with Marie Osmond), Bop (also a No. 42 pop hit), Everything That Glitters (Is Not Gold), You Still Move Me, I Will Be There, Three Time Loser, One Friend, Addicted, Big Wheels in the Moonlight, Love on Arrival, and Good Times. Five more of his singles also reached top ten on the same chart.
$8.00
7.22 €
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Dan Seals
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It's Not Gonna Be That Easy
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Unimusic Academy
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SheetMusicPlus
Classical Highlights
French Horn and Piano
Arranged for Horn and Piano. This edition: Sheet music. Wedding Music, funeral, inst…
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Arranged for Horn and Piano. This edition: Sheet music. Wedding Music, funeral, instrumental, sheet Music. Classical Highlights. Downloadable. Schott Music - Digital #Q41197. Published by Schott Music - Digital
'Classical Highlights' presents the best-known and most popular performance pieces of the classical repertoire in arrangements for horn and piano. The comprehensive selection of works enables the musician to access classical masterpieces - from Handel and Bach via Schubert, Mendelssohn, Schumann and Wagner to Faure, Elgar, Debussy and Satie. There will be something for any hornist who is looking for a popular classical work for teaching or performing purposes.
$19.99
18.03 €
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French Horn and Piano
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Classical Highlights
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Schott Music - Digital
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SheetMusicPlus
Classical Highlights
Trumpet, Piano
Arranged for Trumpet and Piano. This edition: Sheet music. Wedding songs, instrument…
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Arranged for Trumpet and Piano. This edition: Sheet music. Wedding songs, instrumental, funeral, sheet music, trumpet. Classical Highlights. Downloadable. Schott Music - Digital #Q19177. Published by Schott Music - Digital
'Classical Highlights' presents the best-known and most popular performance pieces of the classical repertoire in arrangements for trumpet and piano. The comprehensive selection of works enables the musician to access classical masterpieces - from Handel and Bach through to Schubert, Mendelssohn, Schumann and Wagner to Faure, Elgar, Debussy and Satie. There will be something for any trumpet player who is looking for a popular classical work for teaching or performing purposes.
$19.99
18.03 €
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Trumpet, Piano
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Classical Highlights
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Schott Music - Digital
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SheetMusicPlus
Hey There
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015636 Composed by Jerry Ross …
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015636 Composed by Jerry Ross and Richard Adler. Musical. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015636. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015636). ISBN 9780739094860. UPC: 038081456881.This massive songbook is packed with sheet music for 75 of the most memorable standards for all occasions! Dozens of gems from the golden years of 20th Century pop and jazz are joined by traditional melodies in this collection of essential songs that belong in every musician's repertoire. Titles: Ain't Misbehavin' * All of Me * America the Beautiful * At Last * The Best Is Yet to Come * Blue Moon * Butterfly * Chattanooga Choo Choo * Dance Little Bird (a.k.a. The Chicken Dance) * Danny Boy (Londonderry Air) * Deep Purple * Don't Get Around Much Anymore * Don't Sit Under the Apple Tree * Dream a Little Dream of Me * Elmer's Tune * Fly Me to the Moon * Havah Nagilah * Heart * Hernando's Hideaway * Hey There! * Hi-Lili, Hi-Lo * Hit the Road Jack * I Don't Know Why (I Just Do) * I Let a Song Go out of My Heart * I Put a Spell on You * I Wanna Be Loved by You * I'm a Little Mixed Up * I'm Gonna Sit Right Down and Write Myself a Letter * I'm in the Mood for Love * Laura * Leaving on a Jet Plane * The Lion Sleeps Tonight * Love Is a Many Splendored Thing * Love Story (Where Do I Begin) * Misty * Mood Indigo * Moonlight Serenade * My Man * Theme from New York, New York * On the Atchison, Topeka, and the Santa Fe * Orange Colored Sky * Over the Rainbow * The Pink Panther * Reach for Tomorrow * Rock Around the Clock * The Shadow of Your Smile * Singin' in the Rain * Smoke Rings * Somewhere My Love * Stairway to the Stars * Star Dust * Star Eyes * Stars Fell on Alabama * Straighten Up and Fly Right * Swinging on a Star * Take Five * Take the A Train * Taking a Chance on Love * That's Amore * There Will Never Be Another You * This Masquerade * Those Were the Days * Tie a Yellow Ribbon 'Round the Ole Oak Tree * The Trolley Song * The Twelfth of Never * We Just Couldn't Say Goodbye * What a Wonderful World * Whatever Lola Wants * When the Saints Go Marching In * Who's Sorry Now? * Yesterday When I Was Young * You Don't Have to Say You Love Me * You Made Me Love You * You Steppe.
$3.99
3.6 €
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Piano, Vocal and Guitar
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Jerry Ross and Richard Adler
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Hey There
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
My Heart Will Go On (Love Theme from Titanic)
2 Trumpets (duet)
Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.586950 By Deja Vu. By Jam…
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Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.586950 By Deja Vu. By James Horner. Arranged by David McKeown. Film/TV,Pop. Score. 5 pages. David McKeown #3023261. Published by David McKeown (A0.586950). My Heart Will Go On is the love theme from the movie Titanic, released in 1997. It was recorded by Celine Dion and remains one of the biggest selling singles of all time worldwide. This version is arranged as a duet for two Trumpets. Musicians at an intermediate level and above will find this ideal for formal and informal concert performances, with both parts enjoying melodic interest. The overall performance time is just over three minutes. The short audio sample is from the Clarinet and Alto Saxophone version while the full length performance on the youtube link is the Clarinet duet. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. There will be opportunities to talk about the wide range of dynamics and how they might be best achieved. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1
$5.99
5.4 €
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2 Trumpets (duet)
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Deja Vu
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My Heart Will Go On
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David McKeown
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SheetMusicPlus
My Heart Will Go On (Love Theme from Titanic)
2 Saxophones (duet)
Tenor Saxophone Duet Tenor Saxophone - Level 3 - Digital Download SKU: A0.587105 By…
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Tenor Saxophone Duet Tenor Saxophone - Level 3 - Digital Download SKU: A0.587105 By Deja Vu. By James Horner. Arranged by David McKeown. Film/TV,Pop. Score. 5 pages. David McKeown #3068491. Published by David McKeown (A0.587105). My Heart Will Go On is the love theme from the movie Titanic, released in 1997. It was recorded by Celine Dion and remains one of the biggest selling singles of all time worldwide. This version is arranged as a duet for two Tenor Saxophones.Musicians at an intermediate level and above will find this ideal for formal and informal concert performances, with both parts enjoying melodic interest. The overall performance time is just over three minutes. The short audio sample is from the Clarinet and Alto Saxophone version while the full length performance on the youtube link is the Clarinet duet.Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. There will be opportunities to talk about the wide range of dynamics and how they might be best achieved.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1
$5.99
5.4 €
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2 Saxophones (duet)
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Deja Vu
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My Heart Will Go On
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David McKeown
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SheetMusicPlus
My Heart Will Go On (Love Theme from Titanic)
Saxophone, Clarinet (duet)
Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 3 - Digital Download
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Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.586946 By Deja Vu. By James Horner. Arranged by David McKeown. Film/TV,Pop. Score and parts. 5 pages. David McKeown #3023253. Published by David McKeown (A0.586946). My Heart Will Go On is the love theme from the movie Titanic, released in 1997. It was recorded by Celine Dion and remains one of the biggest selling singles of all time worldwide. This version is arranged as a duet for one Clarinet and one Alto Saxophone. Musicians at an intermediate level and above will find this ideal for formal and informal concert performances, with both parts enjoying melodic interest. The overall performance time is just over three minutes. The short audio sample is from the Clarinet and Alto Saxophone version while the full length performance on the youtube link is the Clarinet duet. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. There will be opportunities to talk about the wide range of dynamics and how they might be best achieved. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1
$5.99
5.4 €
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Saxophone, Clarinet (duet)
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Deja Vu
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My Heart Will Go On
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David McKeown
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SheetMusicPlus
There Will Never Be Another You (Intermediate Level, Alto Sax)
Alto Saxophone
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Alto Saxophone
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Ella Fitzgerald,Warren
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Tomplay
There Will Never Be Another You (Intermediate Level, Tenor Sax)
Tenor Saxophone
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Tenor Saxophone
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Ella Fitzgerald,Warren
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Tomplay
There Will Never Be Another You (Intermediate Level, Alto Sax)
Saxophone
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Saxophone
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Harry Warren
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Tomplay
There Will Never Be Another You (Easy Level, Alto Sax)
Alto Saxophone
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
4.99 €
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Alto Saxophone
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Ella Fitzgerald,Warren
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Tomplay
There Will Never Be Another You (Intermediate Level, Tenor Sax)
Saxophone
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Saxophone
#
Harry Warren
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Tomplay
There Will Never Be Another You (Easy/Intermediate Level, Alto Sax)
Saxophone
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Saxophone
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Harry Warren
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Tomplay
There Will Never Be Another You (Intermediate Level)
Clarinet
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Clarinet
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Ella Fitzgerald,Warren
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Tomplay
There Will Never Be Another You (Easy Level, Tenor Sax)
Tenor Saxophone
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
4.99 €
#
Tenor Saxophone
#
Ella Fitzgerald,Warren
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Tomplay
There Will Never Be Another You (Advanced Level, Alto Sax)
Saxophone
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Saxophone
#
Harry Warren
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Tomplay
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