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They Were Not Here
Sheetmusic to print
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They Were Not Here (Downloadable)
Children - Medium - Digital Download SKU: MQ.56-0042-E Composed by Howard Goodall. …
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Children - Medium - Digital Download SKU: MQ.56-0042-E Composed by Howard Goodall. 15 pages. MorningStar Music Publishers - Digital Sheet Music #56-0042-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0042-E). English.Commissioned by The Voices Foundation in commemoration of the 50th anniversary of the ending of World War II, this most somber and dramatic piece uses texts from David Geraint Jones and William Shakespeare to chronicle the recollections and reflections of a soldier, which are not for the faint of heart. Thinking back on a more carefree past, the “speaker†assures his love that the future will again hold quiet and wonder. However, the price to be paid in between the past and the future is in blood and death. The soldier predicts poppies swaying over him as he lies freed of pain, yes, but also of passion. And he concludes, “Your peace is bought with mine, if but the echo of your laughter reaches me in hell.â€.
$3.35
3.09 €
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Howard Goodall
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They Were Not Here
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Waltz Op 69 No 2 (Arranged for Guitar)
Guitar notes and tablatures
Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌd…
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Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
1.83 €
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Guitar notes and tablatures
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Frederic Chopin
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Were You There When They Crucified My Lord? MP3 accompaniment
Choir,Voice - Digital Download SKU: A0.1068171 Composed by Traditional. Arranged by…
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Choir,Voice - Digital Download SKU: A0.1068171 Composed by Traditional. Arranged by Deborah Johnson. A Cappella,Christian,Easter,Praise & Worship,Spiritual. Accompaniment. Duration 163. Deborah Johnson #6733775. Published by Deborah Johnson (A0.1068171). This MP3 includes the background vocals for Were You There When They Crucified my Lord? starting at measure 19, after the acapella solo begins. It is a beautiful acapella arrangement perfect for small ensembles but can also be performed as a solo or unison duet, cueing the background vocal track. The inspiration for this arrangement was from Deborah singing Were You There? Acapella in front of the Garden Tomb in Israel. This arrangement is for vocal solo/unison duet plus SATB chorus, acapella.Were You There? is a beautiful arrangement of a timeless traditional spiritual with rich harmonies. The chorus part can be performed with full choir or single voices. At the very end, it splits into six to eight parts, but can be modified for smaller groups. The chorus contains many oohs and ahs until the third verse. This arrangement contains four verses and the additional verses are noted on the lyric sheet.Up for a GRAMMY Award, My Father’s Favorite Hymns album is available here: https://DJWorksMusic.com/products by Deborah Johnson. You can download the complete MP3 album or individual songs on Amazon here: https://www.amazon.com/music/player/albums/B008O86FQI There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, as well as all the music arrangements in one spiral-bound volume. Both are available on Amazon or direct from here: https://goalsforyourlife.com/gods-music-hymns/ Were You There? Is a traditional Negro Spiritual written before 1865. Traditionally it has seven verses and is a part of the spiritual heritage that affected both gospel music and jazz music.For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com
$8.99
8.28 €
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Traditional
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Were You There When They Crucified My Lord? MP3 accompaniment
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Deborah Johnson
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SheetMusicPlus
A Little Bit Here and A Little Bit There (instrumental) from "The Kings" - ACT 1:Song 2
Tuba and Piano
Instrumental Duet Instrumental Duet,Piano,Tuba - Level 3 - Digital Download SKU: A0.784…
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Instrumental Duet Instrumental Duet,Piano,Tuba - Level 3 - Digital Download SKU: A0.784815 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Score and parts. 21 pages. DF McCorkle Music and eBook Publications #11633. Published by DF McCorkle Music and eBook Publications (A0.784815). ACT ONE: Song 2. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 8:1-3 - And it came to pass, when Samuel was old, that he made his sons judges over Israel. 2 Now the name of his firstborn was Joel; and the name of his second, Abijah: they were judges in Beersheba. 3 And his sons did not walk in his ways, but turned aside after lucre, and took bribes, and perverted judgment.] [Prologue] The curtain rises on the main room of the King’s palace in Jerusalem where the funeral service for King DAVID is being held. The eulogy recounts the life of David and his kingship over Israel that had begun over eighty years prior. A time when there were no kings in Israel except for their God, a time when the Judges governed the people and a time when SAMUEL, an elderly Prophet of God and last Judge, turned his position as Judge over to his two sons. Self-serving and motivated by greed and self-importance, his sons choose paths that were contrary to their father. [A Little Bit Here and a Little Bit There]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.75 €
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Tuba and Piano
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McCorkle, Dennis F
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A Little Bit Here and A Little Bit There
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Where They Need No Sun
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1397275 Composed by W…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1397275 Composed by Words & Music: Haldor Lillenas. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #980591. Published by Leatherman Music Services (A0.1397275). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99
3.68 €
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Piano, Vocal and Guitar
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Words & Music: Haldor Lillenas
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some were not
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Where They Need No Sun
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Leatherman Music Services
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SheetMusicPlus
Sons of Mosiah, children's song from the Book of Mormon, Another Testament of Christ
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1370002 Composed by Kevin G.…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1370002 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Children,Christian,Praise & Worship,Religious,Sacred. Score. 6 pages. Kevin G. Pace #954376. Published by Kevin G. Pace (A0.1370002). A children's song, telling the story of the sons of Mosiah from the Book of Mormon, Another Testament of Christ. Â Music by Kevin G. Pace. Â Text by Kathryn W. Hales.Text:The Lord told King Mosiah to let his sons go away, To the land of Nephi where for many years they'd stay. They wanted to preach the gospel in the Lord's ministry, To the sinful, wicked Lamanites who were their enemies.Now one of the sons was Ammon who had been a rebellious youth, But after Alma's change of heart, he wanted to know the truth. He became Lamoni's servant, watching over the king's sheep, He beat some robbers who came to steal, leaving a pile of arms at his feet.Then he taught King Lamoni the true source of his strength and might, That the king should change his ways, repent and do what's right. Lamoni believed what Ammon taught and all his people too, They became so very righteous because God's promises are true.Aaron was another son of Nephite King Mosiah, He taught of the Creation, of the Fall and God's Son who would die To save all men from death and sin, yea, Jesus, the Holy One, Who would come to earth at some future day to save each and ev'ry one.Omni and his brother Himnor were also Mosiah's sons, But not much is recorded about their missions. But they were faithful servants during all their trial filled days, They taught many people how to walk in God's own chosen way.Chorus:I want to be like Mosiah's sons and share God's holy word. I can be a missionary, a servant of the Lord. I can be so very courageous, I can the gospel teach, That all may know God's holy grace is within their loving reach.
$3.99
3.68 €
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Piano, Voice
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Kevin G
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Sons of Mosiah, children's song from the Book of Mormon, Another Testament of Christ
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Kevin G. Pace
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SheetMusicPlus
Here We Come a-Wassailing [Make the Season Bright collection]
Baritone Horn TC,Trumpet - Level 4 - Digital Download SKU: A0.1327583 By West Arts …
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Baritone Horn TC,Trumpet - Level 4 - Digital Download SKU: A0.1327583 By West Arts Brass. By Traditional (English). Arranged by Will Stewart. Christmas,Classical,Holiday,Traditional. 5 pages. Grey Wanderer Publishing, BMI #915627. Published by Grey Wanderer Publishing, BMI (A0.1327583). Make the Season Bright is a whimsical collection of classic Christmas carols and songs, arranged for brass trio, and crafted to delight both performers and listeners.The brass trio consists of 2 Bb trumpets and a Bb baritone in treble clef and are arranged for Advanced Intermediate players.  The Bb baritone was chosen so a third trumpet player could switch to the instrument with minimal difficulty if a more experienced baritone player is not available.  The melodies in the collection are shared between all three instruments, and the songs were intended to be performed as a set.Originally written for the students of the West Arts Academy School of Music, the arrangements are notated here as they were recorded by academy faculty trio West Arts Brass for the HiCap Records release “Make the Season Brightâ€.  All songs in the collection are arranged by Will Stewart and published by Grey Wanderer Publishing.Make the Season Bright arrangements:I Saw Three ShipsWhat Child Is This?Here We Come a-WassailingThe Holly and the IvyBring a Torch, Jeanette IsabellaO Little Town of BethlehemDing Dong! Merrily on HighSussex CarolWexford CarolJingle BellsMake the Season Bright Album:https://westartsbrass.bandcamp.com/album/make-the-season-brightGrey Wanderer Publishing Website:https://greywandererpublishing.com
$4.99
4.6 €
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West Arts Brass
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Here We Come a-Wassailing [Make the Season Bright collection]
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Grey Wanderer Publishing, BMI
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SheetMusicPlus
Cygnus X-1 Book Ii: Hemispheres
Bass guitar
Bass Guitar - Level 4 - Digital Download SKU: A0.1193208 By Rush. By Alex Lifeson, …
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Bass Guitar - Level 4 - Digital Download SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tracy Dean McCallum #792663. Published by Tracy Dean McCallum (A0.1193208). When our weary world was youngThe struggle of the ancients first beganThe gods of Love and ReasonSought alone to rule the fate of ManThey battled through the agesBut still neither force would yieldThe people were dividedEvery soul a battlefieldEvery soul a battlefieldThe Universe dividedAs the Heart and Mind collidedWith the people left unguidedFor so many troubled yearsIn a cloud of doubts and fearsTheir world was torn asunder into hollow hemispheresSome fought themselves, some fought each otherMost just followed one anotherLost and aimless like their brothersFor their hearts were so unclearAnd the truth could not appearTheir spirits were divided into blinded hemispheresSome who did not fightBrought tales of old to lightMy Rocinante sailed by nightOn her final flightTo the heart of Cygnus' fearsome forceWe set our courseSpiralled through that timeless spaceTo this immortal placeI have memory and awarenessBut I have no shape or formAs a disembodied spiritI am dead and yet unbornI have passed into OlympusAs was told in tales of oldTo the City of ImmortalsMarble white and purest goldI see the Gods in battle rage on highThunderbolts across the skyI cannot move, I cannot hideI feel a silent scream begin insideThen all at once the chaos ceasedA stillness fell, a sudden peaceThe Warriors felt my silent cryAnd stayed their struggle, mystifiedApollo was astonishedDionysus thought me madBut they heard my story furtherAnd they wondered, and were sadLooking down from OlympusOn a world of doubt and fearIts surface splintered intoSorry hemispheresThey sat a while in silenceThen they turned at last to meWe will call you CygnusThe God of Balance you shall beWe can walk our road togetherIf our goals are all the sameWe can run alone and freeIf we pursue a different aimLet the truth of Love be lightedLet the love of truth shine clearSensibilityArmed with sense and libertyWith the Heart and Mind unitedIn a single perfect sphere
$5.99
5.52 €
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Bass guitar
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Rush
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Cygnus X-1 Book Ii: Hemispheres
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Tracy Dean McCallum
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SheetMusicPlus
Michael, Row the Boat Ashore, in 3 keys! (Michael Row the Boat Ashore) (big letter notation)
Piano, Voice
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.879214 Composed by Dennis Fr…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.879214 Composed by Dennis Frayne. Arranged by Dennis Frayne. Folk,Holiday,Patriotic,Spiritual,Standards. Score. 4 pages. Presto! It's Music Magic Publishing #6022305. Published by Presto! It's Music Magic Publishing (A0.879214). Michael, Row the Boat Ashore is an African-American Spiritual, written by slaves when they were fighting for and winning their freedom from slavery during the American Civil War. This song has been written here three times, each with the same melody, but each using notes from a different scale. Musicians refer to songs using different scales as being in different keys. First, the song is written using notes from the C Major Scale. Second, the song is written using notes from the D Major Scale. Third, the song is written using notes from the E Major Scale. When we write the same song using notes from different scales, or in different keys, we call that transposing the music. When a song transitions from one key to another key, we call that a key change, or a modulation. Includes lyrics and solfege syllables. Written using letter names, perfect for students who are learning to navigate the piano keyboard prior to reading standard music notation.
$2.99
2.75 €
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Piano, Voice
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Dennis Frayne
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Michael, Row the Boat Ashore, in 3 keys!
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Presto! It's Music Magic Publishing
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SheetMusicPlus
Where Is Jesus
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1019372 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1019372 Composed by Kevin Longley. Christian,Easter,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6550433. Published by Kevin Longley (A0.1019372). Where Is JesusInspiration January 1st, 2021 was the start of my official retirement from a wonderful company that I had been employed at for 40+ years, Cirtronics Corporation. Where Is Jesus was my first retirement music so to speak. A 2 measure musical idea came to me in early January. Several weeks later I had the overall structure completed and started inputting the score into my music program. At this point I had no lyrical ideas, however with Easter approaching it occurred to me that the musics dramatic content leaned heavily towards Good Friday, in spirit. As I pondered that, I couldn't help but wonder what the disciples thought when Jesus was taken. Certainly they would question where he was, question what had happened. Thus was born Where is Jesus with the lyrical content asking and then answering. The Music The music is comprised of an A section which begins with the Tenors and Altos singing Where Is Jesus. The choir then responds (in chronological order, as recorded in the Gospels ) with lyrics that describe the brutality that Jesus endured. Here the weight of what has occurred is felt with the lyrics and music evoking great emotion. The B section follows; a retrospective look back sung by the soloist, stating that all had transpired as foretold, or as stated, by Jesus and the prophets. A C section is then introduced which contains the hope then, and the crux now, of our faith deaths chain cannot have its reign, he will rise, he will rise. After a short piano interlude we are returned to the A section, now modulated to a higher key; here the most emotional section of the music is felt with the raw truth of what has happened. He is nailed to the cross, he has died, we are lost. The piece then ends as it started Where Is Jesus, to be answered three days later.
$4.99
4.6 €
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Choral SATB
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Kevin Longley
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Where Is Jesus
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Kevin Longley
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SheetMusicPlus
Were You There When They Crucified My Lord? [G Major High Voice]
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1380568 By Stacey Plays Hymn…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1380568 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 6 pages. Anastace #965345. Published by Anastace (A0.1380568). Here is the full piano and vocal version of Were You There When They Crucified My Lord? as heard on my YouTube channel. This version is in G major to match a very high soprano vocal range - perfect for a soloist to showcase the soaring high notes. This beautiful Good Friday special music arrangement is a perfect pairing of this classic, contemplative melody with a subdued, richly voiced piano accompaniment to showcase the deep meaning and solemnity of this Holy Week hymn. This arrangement works well as a solo or choral anthem for any Easter service, particularly for Good Friday or Maundy Thursday. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Full piano and vocal arrangement in C major to match the original recording Full piano and vocal arrangement in G Major for low voicesFull piano and vocal arrangement in E Flat Major for a classic soprano rangeLead sheet versionSolo piano version for a prelude/postlude, or communion interludeFor other formats including large print, guitar, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
4.61 €
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Piano, Voice
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Stacey Plays Hymns
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Were You There When They Crucified My Lord? [G Major High Voice]
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Anastace
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SheetMusicPlus
Were You There When They Crucified My Lord? [E Flat Major]
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1380560 By Stacey Plays Hymn…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1380560 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 6 pages. Anastace #965336. Published by Anastace (A0.1380560). Here is the full piano and vocal version of Were You There When They Crucified My Lord? as heard on my YouTube channel. This version is in E Flat major to match a soprano vocal range - perfect for a soloist to enjoy the soaring high notes. This beautiful Good Friday special music arrangement is a perfect pairing of this classic, contemplative melody with a subdued, richly voiced piano accompaniment to showcase the deep meaning and solemnity of this classic Holy Week hymn. This arrangement works well as a solo or choral anthem for any Easter service, particularly for Good Friday or Maundy Thursday. Also available, by clicking my artist name below or searching Stacey Plays Hymns on this site, are the following versions:Full piano and vocal arrangement in C major to match the original recording Full piano and vocal arrangement in G Major for very low or very high voicesLead sheet version Solo piano version for a prelude/postlude, or communion interludeFor other formats including large print, guitar, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
4.61 €
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Piano, Voice
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Stacey Plays Hymns
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Were You There When They Crucified My Lord? [E Flat Major]
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Anastace
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SheetMusicPlus
The First Vision TAB
Guitar notes and tablatures
Guitar - Level 3 - Digital Download SKU: A0.984011 Composed by Steven H. Boothe. Ch…
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Guitar - Level 3 - Digital Download SKU: A0.984011 Composed by Steven H. Boothe. Christian,Sacred. Guitar Tab. 13 pages. Boothe Publishing #4360937. Published by Boothe Publishing (A0.984011). Fourteen year old Joseph Smith went into a grove of trees to pray and ask God for help to know which church was true, and which one he should join. God and His son Jesus Christ appeared to him and spoke to him face to face. With the appearance of God and His son to the boy Joseph Smith, there was once again a prophet on the earth. This event came to be called the first vision. This vision proved to Joseph Smith that God is not dead. God and His son Jesus Christ are alive and love us today. They have not left us alone here in the world to work out our own salvation. The greatest teachers and preachers of our times cannot save us for they are subject to death. Only Jesus Christ could and did break the bands of death. God talks to us today through His prophets. He does not speak to us through those who say He is gone and has left them in charge. The only way to find truth about God is to study His doctrine and then talk with Him. Ask Him if what you are learning is true. With 4,300 Christian religions on the earth today, we can know through revelation from God which is His true church. There can be only one. God told Joseph that He had a great work for him to do. God sent an angel who revealed to Joseph plates of gold. These plates of Gold were records kept by Israelite prophets in ancient America. God brought them to this land of promise before the Jews were carried away captive into Babylon. I know this is true. You can read the Book of Mormon. You can ask God for yourself if it is true. Then you too can know, for God will answer your prayer.
$3.99
3.68 €
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Guitar notes and tablatures
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Steven H
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The First Vision TAB
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Boothe Publishing
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SheetMusicPlus
I Sit Here on the Barren Hill
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.
$13.99
12.89 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Fiona Alice Hickie
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I Sit Here on the Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
I Sit Here On The Barren Hill
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.738138 Composed by Fiona Hic…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by Fiona Alice Hickie (A0.738138). A song about loss of love and the devastation it causes to our lives. Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives.
$4.99
4.6 €
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Piano, Voice
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Fiona Hickie
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I Sit Here On The Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
Were You There? LARGE PRINT | EASY PIANO
Piano, Voice
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1387553 Composed by Traditio…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1387553 Composed by Traditional. Arranged by Large Print Sheet Music. Christian,Easter,Lent,Praise & Worship,Spiritual. Score. 2 pages. Large Print Sheet Music #971409. Published by Large Print Sheet Music (A0.1387553). This is a LARGE PRINT, easy piano arrangement of the classic hymn spiritual, Were You There When They Crucified My Lord? It features larger notes and wider staff spacing to assist low vision musicians, senior citizens, or beginning pianists. It also includes the lyrics to the first verse. Perfect for the reflective season of Lent and for Easter.Check out all of our LARGE PRINT Sheet Music available on Sheet Music Plus and Sheet Music Direct HERE → https://bit.ly/LARGEPRINTSHEETMUSIC
$4.99
4.6 €
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Piano, Voice
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Traditional
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Were You There? LARGE PRINT | EASY PIANO
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Large Print Sheet Music
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SheetMusicPlus
Were You There?
Handbells
Handbell - Level 3 - Digital Download SKU: A0.1044825 Composed by African-American …
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Handbell - Level 3 - Digital Download SKU: A0.1044825 Composed by African-American Spirtitual. Arranged by Mark R. Lewis. Easter,Holiday,Praise & Worship,Spiritual,Traditional. Score. 4 pages. Mark R Lewis #649443. Published by Mark R Lewis (A0.1044825). Were You There? is a wonderful African-American spiritual especially in the context of Good Friday and Holy Week. The lyrics ask the listener if they were there at Jesus' crucifixion and bring to mind contemplation of what the event would have been like. This arrangement by Mark R Lewis is for 3-5 octave handbell choir and adds handchimes for C5 to C7 as well. The singing bell technique is also utilized. This piece is potentially quite rhythmically challenging as there are many examples of triplet and duplet rhythms happening simultaneously. However, the actual techniques, bell changes, and overall difficulty of the parts is not too extreme, leading to a difficulty rating of 4-. Season: Holy Week, Good Friday Range: 3-5 octave.
$3.99
3.68 €
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Handbells
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African-American Spirtitual
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Were You There?
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Mark R Lewis
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SheetMusicPlus
Gone but not Fagotten
4 Bassoons
Woodwind Ensemble,Woodwind Quartet Bassoon - Digital Download SKU: A0.925229 Compos…
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Woodwind Ensemble,Woodwind Quartet Bassoon - Digital Download SKU: A0.925229 Composed by Daffiddle Music. Concert,Contemporary,Standards. 13 pages. Daffiddle Music #4632919. Published by Daffiddle Music (A0.925229). The third of three pieces collectively known as 'Bassoonery. In their original form, for four bassoons and one contrabassoon, they were written for the Oxfordshire Youth Bassoon Ensemble, with two of the parts designed for the less experienced players. In the four bassoon version here the pieces have been performed by ensembles in Britain, Italy and the US.
$2.99
2.75 €
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4 Bassoons
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Daffiddle Music
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Gone but not Fagotten
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Daffiddle Music
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SheetMusicPlus
Gone but not Fagotten
4 Bassoons
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 3 - Digital Download SKU: A0.925232
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Woodwind Ensemble,Woodwind Quartet Bassoon - Level 3 - Digital Download SKU: A0.925232 Composed by Jill Elliott. Concert,Contemporary,Standards. 13 pages. Daffiddle Music #4632943. Published by Daffiddle Music (A0.925232). The third of three pieces collectively known as 'Bassoonery, arranged for three bassoons and one contra. In their original form, for four bassoons and one contrabassoon, they were written for the Oxfordshire Youth Bassoon Ensemble, with two of the parts designed for the less experienced players. In the four bassoon version here the pieces have been performed by ensembles in Britain, Italy and the US.
$2.99
2.75 €
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4 Bassoons
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Jill Elliott
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Gone but not Fagotten
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Daffiddle Music
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SheetMusicPlus
5 Scale Forms for Guitar
Guitar notes and tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1177429 Composed by Bri…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1177429 Composed by Brian Streckfus. Arranged by Brian Streckfus. Instructional. Tablature. 13 pages. Brian Streckfus #777440. Published by Brian Streckfus (A0.1177429). Major/Minor/Pentatonic Forms for Guitar (Sheet Music + Tab + Fretboard)Learn every key on guitar with very few pages. Pages: 13Bonus Pages:1. A Major Scale across the full neck (to see how they all combine resulting in knowing the full neck)2. Blank scale chart to add in memorization and making alterations.Scales included:1. F Major2. C Major3. G Major4. D Major5. A MajorTips:1. There is a reason why it is not 12 or 24 scales. Since these scales are easy to move higher or lower, just these 5 Major will lead to all 24 major/minor keys throughout the entire fretboard. Therefore, making a C# Major scale chart is uneccessary, and if you are doing so, you may be over thinking music. Instead, it is better to ask yourself how do I play C major but 1 pitch higher and use previous work you have done to your advantage. 2. These scales do not end on the home note. This is a disadvantage in this way, however, knowing large portions of the scale neck in one position will allow you to play a key throughout the fretboard with no gaps in notes. In otherwords, learning one ocatave scales can have concise music theory, but it's impossible to know the scale in every part of the neck completely that way. Features:1. Color coding. Blue notes are home (tonic) notes. Red notes are away (dominant) notes. Simplifying harmony this much can often make you more creative not less since you are crafting the harmonies yourself. 2. Left hand fingerings added. Don't mistake these for fingering numbers.3. Letter names to aid in memorization.Notes:I realize that the hand written font doesn't look the most professional, however this is intentional. I tried making these in photo editors, but since every shape was perfect they were actually harder to memorize from (kind of living driving in a tunnel with no landmarks).
$1.99
1.83 €
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Guitar notes and tablatures
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Brian Streckfus
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5 Scale Forms for Guitar
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Brian Streckfus
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SheetMusicPlus
Alas, and Did My Savior Bleed with Were You There
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1155271 By Ken Barker. By Spiritual…
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Piano Solo - Level 4 - Digital Download SKU: A0.1155271 By Ken Barker. By Spiritual and W-Isaac Watts, M-Hugh Wilson. Arranged by John Purifoy. Christian,Easter,Religious,Sacred,Spiritual. Score. 4 pages. Ken Barker #755556. Published by Ken Barker (A0.1155271). The combined message of these two Easter hymns intertwined together provides a powerful moment of introspection and meditation regarding the work of Christ on the cross and how we are to interface with that. It should be performed with great care and sensitivity, taking the time for expression and reverence. The opening verse eighth notes need to be played lightly and effortlessly. By way of contrast, the key change provides opportunity for a strong musical statement, followed by a transition back to a quieter final contemplation of Were you there when they crucified my Lord. The ending requires extreme delicacy and practice to get the timing with the sustain pedal, and with the soft pedal down, to play the chords as lightly as possible while still having every note sound.
$4.25
3.92 €
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Piano solo
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Ken Barker
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Alas, and Did My Savior Bleed with Were You There
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Ken Barker
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SheetMusicPlus
Mauro Giuliani Studies & Etudes Opus 50, Opus 48 and Selected Pieces In Tablature and Modern Notati
Ukulele
Ukulele - Level 2 - Digital Download SKU: A0.810033 Composed by Mauro Giuliani. Arr…
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Ukulele - Level 2 - Digital Download SKU: A0.810033 Composed by Mauro Giuliani. Arranged by Michael P. Walker. Classical,Instructional,Romantic Period,Standards. Score. 124 pages. Michael P Walker #6102887. Published by Michael P Walker (A0.810033). Here are 32 Etudes, (Opus 50), 24 Studies, (Opus 48), and selected pieces from the Romantic Era by Mauro Giuliani transcribed for the baritone ukulele. Most are also playable on the tenor and soprano ukulele and, of course, may also be played on the guitar. The pieces are fairly easy, to begin with, and progress to more difficult pieces as you learn. They were composed to help you improve your skills as a performer and take you to the next level.
$19.95
18.38 €
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Ukulele
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Mauro Giuliani
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Mauro Giuliani Studies & Etudes Opus 50, Opus 48 and Selected Pieces In Tablature and Modern Notati
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Michael P Walker
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SheetMusicPlus
Brass Quartet - Titans
Brass ensemble
Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. …
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Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
$20.00
18.42 €
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Brass ensemble
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Mike Lyons
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Brass Quartet - Titans
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Lyons Music Services
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SheetMusicPlus
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